UPC · Release
Various Artists
Last verified:
The UPC for “Nova 1956-1980 : les racines de Nova” by Various Artists is 3596971286927. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Nova Records. This release contains 300 tracks, each with its own ISRC. Tracks include USF068926590, GBAJC0500095, USMC15248795.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rocket 88 | Jackie Brenston and His Delta Cats | T-902.119.542-6 | |
| 2 | Ina Mina Dika | Asha Bhosle | T-300.097.303-1 | |
| 3 | Hound Dog | Willie Mae “Big Mama” Thornton, Kansas City Bill & Orchestra | T-011.364.221-9 | |
| 4 | If I Didn’t Care | The Ink Spots | T-010.133.776-1 | |
| 5 | That’s All Right | Arthur “Big Boy” Crudup | T-070.250.140-3 | |
| 6 | Na corrente | — | ||
| 7 | Je t’ai dans la peau | Édith Piaf | T-004.017.798-7 | |
| 8 | Good Rockin’ Tonight | Elvis Presley | T-070.234.317-6 | |
| 9 | Terry Cloth | — | ||
| 10 | La suerte de los tontos (Fortune of Fools) | — | ||
| 11 | Mi noche triste | — | ||
| 12 | Lover Man | — | ||
| 13 | Let’s the Good Times Roll | — | ||
| 14 | Moonlight in Vermont | — | ||
| 2-1 | Please, Please, Please | James Brown | T-070.242.947-7 | |
| 2-2 | Les Pantoufles à papa | — | ||
| 2-3 | Everyday | Buddy Holly | T-071.872.397-7 | |
| 2-4 | Black Denim Trousers & Motorcycle Boots | — | ||
| 2-5 | El cumbanchero | — | ||
| 2-6 | In a Mellow Tone | — | ||
| 2-7 | Mbube | — | ||
| 2-8 | Short Run | — | ||
| 2-9 | Monsieur William | Léo Ferré | T-003.012.572-4 | |
| 2-10 | Yaô | — | ||
| 2-11 | Inspiration Blues | — | ||
| 2-12 | Amuck | — | ||
| 2-13 | Misty | — | ||
| 2-14 | Bag’s Groove | — | ||
| 3-1 | Blues March | Art Blakey and The Jazz Messengers | T-070.234.540-1 | |
| 3-2 | I’m a Man | — | ||
| 3-3 | Pedido a padre Cicero | — | ||
| 3-4 | Rock Island Line | Lonnie Donegan | T-070.940.053-2 | |
| 3-5 | Bo Mambo | Yma Sumac | T-041.383.038-2 | |
| 3-6 | Ya rohi | — | ||
| 3-7 | Baho kende | Celia Cruz, La Sonora Matancera | — | |
| 3-8 | Blue Skies | — | ||
| 3-9 | Je bois | Boris Vian | T-003.010.924-0 | |
| 3-10 | Oye mi ritmo | — | ||
| 3-11 | Boulevard of Broken Dreams | — | ||
| 3-12 | Vatapà | — | ||
| 4-1 | I’m in the Mood for Love | — | ||
| 4-2 | Kookie’s Mad Pad | — | ||
| 4-3 | Table ronde | — | ||
| 4-4 | Marihuana Boogie | — | ||
| 4-5 | Tiens, tiens, tiens et na! | — | ||
| 4-6 | War Is Over | — | ||
| 4-7 | Hana Maui | — | ||
| 4-8 | Hush, Hush | Jimmy Reed | T-911.061.764-6 | |
| 4-9 | Enlouqueci | — | ||
| 4-10 | Wednesday Night Prayer Meeting. | — | ||
| 4-11 | Swing Low Sweet Cadillac | — | ||
| 5-1 | But I Was Cool | — | ||
| 5-2 | Babaratiri | — | ||
| 5-3 | South American Way | — | ||
| 5-4 | The Madison Time, Part 1 | The Ray Bryant Combo | T-070.247.518-0 | |
| 5-5 | Ooh Poo Pah Doo | — | ||
| 5-6 | Indépendance cha cha | — | ||
| 5-7 | Moanin’ | Charles Mingus | T-700.044.421-5 | |
| 5-8 | Boot‐Ta‐La‐Za | — | ||
| 5-9 | Sixteen Tons | Tennessee Ernie Ford | T-070.243.651-8 | |
| 5-10 | Manteca | — | ||
| 5-11 | Three Hours Past Midnight | — | ||
| 5-12 | Como el macao, candela | — | ||
| 5-13 | Minor Chant | Jimmy Smith | T-700.044.036-0 | |
| 6-1 | Gopher | Yma Sumac | T-041.376.713-1 | |
| 6-2 | Ya Ya | Lee Dorsey | T-010.741.051-4 | |
| 6-3 | Sway | — | ||
| 6-4 | Love Hurts | The Everly Brothers | T-072.287.071-4 | |
| 6-5 | Vem ca mulata | — | ||
| 6-6 | Love for Sale | — | ||
| 6-7 | Night & Day | Helen Merrill | T-070.152.461-9 | |
| 6-8 | Johnny Guitar | — | ||
| 6-9 | Something for the Cat | — | ||
| 6-10 | I’m Going Upstairs | — | ||
| 6-11 | Olé | John Coltrane | T-070.939.714-7 | |
| 6-12 | I Cover the Waterfront | — | ||
| 7-1 | Papa‐Oom‐Mow‐Mow | — | ||
| 7-2 | Watermelon Man | — | ||
| 7-3 | Si tu bois beaucoup | — | ||
| 7-4 | Surfin’ Safari | The Beach Boys | T-070.244.089-8 | |
| 7-5 | Merci bon dieu | — | ||
| 7-6 | Oye mi guaguancó | Tito Puente | — | |
| 7-7 | Lonely Avenue | Ray Charles | T-071.000.785-4 | |
| 7-8 | Fleurette africaine | — | ||
| 7-9 | Hey Baby | Bruce Channel | T-070.240.273-0 | |
| 7-10 | Nago nago | — | ||
| 7-11 | I’d Rather Drink Muddy Water | — | ||
| 7-12 | Love, the Mystery of | — | ||
| 8-1 | Bemsha Swing | — | ||
| 8-2 | Mélocoton | — | ||
| 8-3 | Don’t Cha Go Way Mad | — | ||
| 8-4 | I Wish I Had Answered | — | ||
| 8-5 | Mama Ngai Habanera | — | ||
| 8-6 | (Love Is Like a) Heat Wave | — | ||
| 8-7 | Tangerine | — | ||
| 8-8 | Carioca | — | ||
| 8-9 | Cry Me a River | Julie London | T-070.026.448-7 | |
| 8-10 | Les Nuits d’une demoiselle | — | ||
| 9-1 | For Your Love | The Yardbirds | T-010.162.968-8 | |
| 9-2 | Le Tour du monde | Pierre Barouh | — | |
| 9-3 | It’s My Way | — | ||
| 9-4 | St. Thomas | Sonny Rollins Quartet | T-070.243.897-8 | |
| 9-5 | Havana Moon | Chuck Berry | T-070.918.676-4 | |
| 9-6 | Bossa cubana | — | ||
| 9-7 | What Is This Thing Called Love? | — | ||
| 9-8 | New York – USA | Serge Gainsbourg | T-900.759.632-9 | |
| 9-9 | I Believe to My Soul | — | ||
| 9-10 | Voodoo Suite | — | ||
| 10-1 | Lament I, “Bird’s Lament” | Moondog | T-927.304.506-0 | |
| 10-2 | Dry Weather House | — | ||
| 10-3 | Song for My Father | The Horace Silver Quintet | T-070.139.880-2 | |
| 10-4 | Ebb Tide (single version) | The Righteous Brothers | T-070.049.117-3 | |
| 10-5 | Watcha Gonna Do About It | — | ||
| 10-6 | Paquita | — | ||
| 10-7 | It’s My Party | — | ||
| 10-8 | Cannonball | Julian Cannonball Adderley | — | |
| 10-9 | Blind Love | — | ||
| 10-10 | Rendez-vous chez Fatimata | Maravillas de Mali | — | |
| 11-1 | Psychotic Reaction | Count Five | T-070.243.018-9 | |
| 11-2 | Mustang Sally | Wilson Pickett | T-070.242.342-4 | |
| 11-3 | Louie Louie | — | ||
| 11-4 | Rollin’ and Tumblin’ | — | ||
| 11-5 | For What It’s Worth | Buffalo Springfield | T-070.881.471-4 | |
| 11-6 | I’m a Man | — | ||
| 11-7 | Barefootin’ | — | ||
| 11-8 | Hold Them | — | ||
| 11-9 | Memphis Soul Stew | King Curtis | T-070.242.152-0 | |
| 11-10 | Hip Hug Her | — | ||
| 11-11 | Que numera el son | — | ||
| 12-1 | Tickle Me for Days | — | ||
| 12-2 | Guantanamera | — | ||
| 12-3 | Tramp | Otis Redding, Carla Thomas | T-070.247.465-4 | |
| 12-4 | Jellyroll | — | ||
| 12-5 | Ode to Billie Joe | Bobbie Gentry | T-070.160.551-7 | |
| 12-6 | You’re Gonna Need Me | — | ||
| 12-7 | Mao et moa | Nino Ferrer | T-003.011.850-3 | |
| 12-8 | The Plot | — | ||
| 12-9 | More Plot | — | ||
| 12-10 | Alone Again Or | Love | T-072.441.878-3 | |
| 12-11 | All Tomorrow’s Parties | — | ||
| 12-12 | Love no. 3 | — | ||
| 13-1 | Mpenzi nakukanya | — | ||
| 13-2 | Movements | — | ||
| 13-3 | That’s the Way Love Is | Marvin Gaye | T-070.244.319-3 | |
| 13-4 | Holy Are You | — | ||
| 13-5 | Song of Innocence | — | ||
| 13-6 | Cet enfant que je t’avais fait | Jacques Higelin, Brigitte Fontaine | T-003.007.041-7 | |
| 13-7 | Say Hello to Jamie Jones | — | ||
| 13-8 | Mambo de Bataan | — | ||
| 13-9 | Kimble | — | ||
| 13-10 | Seeing Is Believing | — | ||
| 13-11 | May the Circle Remain Unbroken | — | ||
| 13-12 | Motor City Is Burning | — | ||
| 14-1 | Strawberry Fields Forever | — | ||
| 14-2 | Country Girl | — | ||
| 14-3 | White Bird | It’s a Beautiful Day | — | |
| 14-4 | Nevada Joe | — | ||
| 14-5 | Draft Resister | — | ||
| 14-6 | Santa Barbara | — | ||
| 14-7 | You Gotta Pay the Price | — | ||
| 14-8 | The Stomp | — | ||
| 14-9 | Chicken Strut | — | ||
| 14-10 | Bishop School | Yusef Lateef | T-070.230.382-9 | |
| 14-11 | Wreck a Buddy | — | ||
| 14-12 | Tired of Waiting | — | ||
| 14-13 | Who Do You Love | Quicksilver Messenger Service | T-070.247.967-1 | |
| 15-1 | Tchero adari nègn | — | ||
| 15-2 | Jumpin’ Jack Flash | — | ||
| 15-3 | Loop Garoo | — | ||
| 15-4 | The Ghetto (live) | — | ||
| 15-5 | Comme à la radio | — | ||
| 15-6 | Funkier Than a Mosquita’s Tweeter | Ike & Tina Turner | — | |
| 15-7 | The Love Machine | — | ||
| 15-8 | You’ve Made Me So Very Happy | Lou Rawls | T-931.294.772-1 | |
| 15-9 | Crazy Cajun Cakewalk Band | — | ||
| 15-10 | Give It Up or Turnit a Loose (remix) | James Brown | T-070.881.602-7 | |
| 15-11 | Le Moral nécessaire | — | ||
| 15-12 | Another Man’s Woman, Another Woman’s Man | Candi Staton | — | |
| 16-1 | Rock Steady | Aretha Franklin | T-070.243.224-3 | |
| 16-2 | The Pusher | — | ||
| 16-3 | Freedom to the People | — | ||
| 16-4 | Chrysler Rose | — | ||
| 16-5 | The Revolution Will Not Be Televised | Gil Scott-Heron | T-070.128.143-7 | |
| 16-6 | La libertad lógica | — | ||
| 16-7 | 80 A.B. | — | ||
| 16-8 | Moment of Truth | — | ||
| 16-9 | Virtually, Part 1 | Soft Machine | — | |
| 16-10 | Thiely | — | ||
| 16-11 | Cloud Nine (live @ Montreux) | — | ||
| 16-12 | Loss | — | ||
| 16-13 | Ostinato (Suite for Angela) | Herbie Hancock | T-072.845.687-8 | |
| 17-1 | Woman to Woman | Joe Cocker | T-071.192.770-6 | |
| 17-2 | Che che colé | Willie Colón, Héctor Lavoe | T-070.029.859-4 | |
| 17-3 | Do the Dirt | — | ||
| 17-4 | Instant Pussy | — | ||
| 17-5 | Give It Everything You Got | — | ||
| 17-6 | Too Much Time | — | ||
| 17-7 | Ali Baba | Louie Ramírez | T-071.679.084-9 | |
| 17-8 | Communication | — | ||
| 17-9 | Sail Away | Randy Newman | T-071.070.675-4 | |
| 17-10 | Clean Up Woman | Betty Wright | T-070.881.101-1 | |
| 17-11 | Fohat Digs Holes in Space | Gong | T-900.014.063-6 | |
| 17-12 | Brasil | — | ||
| 17-13 | Waka / Jawaka | — | ||
| 18-1 | Hollywood Swinging | Kool & the Gang | T-070.240.339-1 | |
| 18-2 | Angusta, Angélica e Consolação | — | ||
| 18-3 | I Worry | — | ||
| 18-4 | Dugu kamelemba | — | ||
| 18-5 | El diablo | — | ||
| 18-6 | What Is Hip? | — | ||
| 18-7 | Balingor | — | ||
| 18-8 | Danzella | — | ||
| 18-9 | Ouverture Lutins | — | ||
| 18-10 | Reflected | Alice Cooper | T-906.882.186-3 | |
| 18-11 | Living Together Is Keeping Us Apart | — | ||
| 18-12 | Ambassel | Mahmoud Ahmed | — | |
| 19-1 | This Town Ain’t Big Enough for Both of Us | Sparks | T-070.183.949-7 | |
| 19-2 | Tell Me Something Good | Rufus, Chaka Khan | T-070.183.918-0 | |
| 19-3 | Merenguedon | — | ||
| 19-4 | Is It In? | — | ||
| 19-5 | Jah Me No Born Yah | — | ||
| 19-6 | Celestial Blues | — | ||
| 19-7 | Adiós Nonino | — | ||
| 19-8 | Depot, Depot | — | ||
| 19-9 | Dominance and Submission (4.0 mix) | Blue Öyster Cult | — | |
| 19-10 | Considérable | — | ||
| 19-11 | Tambura | — | ||
| 19-12 | Comin’ From All Ends | — | ||
| 19-13 | Lambata Sari Anom | — | ||
| 20-1 | Radioactivity | Kraftwerk | T-070.274.549-0 | |
| 20-2 | Supernatural Thing | — | ||
| 20-3 | La malanga | — | ||
| 20-4 | Unspoken Dreams of Light | — | ||
| 20-5 | Sentry | — | ||
| 20-6 | Kid Cavaquinho | — | ||
| 20-7 | Action Speaks Louder Than Words | — | ||
| 20-8 | N’fa | — | ||
| 20-9 | Words | — | ||
| 20-10 | Guarijo bacan | — | ||
| 20-11 | Native Woman | — | ||
| 20-12 | Toshiro | — | ||
| 20-13 | Uneasy Serenity | — | ||
| 21-1 | Crying Time | — | ||
| 21-2 | Cherchez la femme | — | ||
| 21-3 | You’ve Been Gone Too Long | — | ||
| 21-4 | Monkey Drop | — | ||
| 21-5 | Funky Sneakers | — | ||
| 21-6 | Que se sepa | Roberto Roena y su Apollo Sound | — | |
| 21-7 | The Humpty Dump | — | ||
| 21-8 | Le Jus d’abricot | — | ||
| 21-9 | Undisco Kidd | — | ||
| 21-10 | Heywèté | Tèsfa-Maryam Kidané | T-003.910.953-9 | |
| 21-11 | Universal Mother | Don Cherry | T-071.740.134-7 | |
| 21-12 | Music Is the Key | — | ||
| 22-1 | Blank Generation | Richard Hell & the Voidoids | T-918.221.540-3 | |
| 22-2 | Mojo Hannah | — | ||
| 22-3 | Mango mangué | — | ||
| 22-4 | Would You Believe in Me | — | ||
| 22-5 | On verra ça | — | ||
| 22-6 | I’d Rather Be With You | Bootsy Collins | T-901.850.652-0 | |
| 22-7 | Saure gurke (Aus 1 Urwald gelockt) | — | ||
| 22-8 | Pretty Ballerina | — | ||
| 22-9 | Dale dos | — | ||
| 22-10 | Color Blind | Maze, Frankie Beverly | — | |
| 22-11 | Senorita | — | ||
| 22-12 | Stranger in Paradise | — | ||
| 23-1 | My Radio Sure Sounds Good to Me | — | ||
| 23-2 | New Machine | — | ||
| 23-3 | Fefe naa efe | — | ||
| 23-4 | Walk on the Kosher Side | — | ||
| 23-5 | Night People | — | ||
| 23-6 | Pedro Navaja | Willie Colón, Rubén Blades | T-070.119.355-6 | |
| 23-7 | Oh Babe | — | ||
| 23-8 | Na baixa do sapateiro | — | ||
| 23-9 | Herpes simplex | — | ||
| 23-10 | Post War Glamour Girl | — | ||
| 23-11 | Düsseldorf | — | ||
| 24-1 | Fire | Lizzy Mercier Descloux | T-900.055.003-8 | |
| 24-2 | Blood and Fire | Niney the Observer | T-324.076.897-8 | |
| 24-3 | Lázara Y Georgina | — | ||
| 24-4 | Newtown | — | ||
| 24-5 | THE HARDEST PART (2001 DIGITAL REMASTER) | BLONDIE | T-070.077.226-4 | |
| 24-6 | La Coco des enfants sages | — | ||
| 24-7 | Broken English | Marianne Faithfull | T-071.514.421-0 | |
| 24-8 | Unchained | — | ||
| 24-9 | Ilya | Irakere | — | |
| 24-10 | Re Bop | — | ||
| 24-11 | Contort Yourself | — | ||
| 24-12 | Woman Is a Wonder | — | ||
| 25-1 | Walk Don’t Run | — | ||
| 25-2 | Diamonds, Fur Coat, Champagne | Suicide | T-902.864.860-4 | |
| 25-3 | Talk Love | — | ||
| 25-4 | The Fin du monde | — | ||
| 25-5 | Que pasa / Me No Pop 1 | — | ||
| 25-6 | Lady Scarface | Lydia Lunch | T-071.889.585-2 | |
| 25-7 | Open Up | Chic | T-070.161.495-0 | |
| 25-8 | Zombizar | — | ||
| 25-9 | When It’s War | — | ||
| 25-10 | A Song | — | ||
| 25-12 | Micheline | — |
Identifier Graph
3596971286927 is a Universal Product Code (UPC) assigned to Nova 1956-1980 : les racines de Nova by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 300 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ina Mina Dika | Asha Bhosle | T-901.019.474-8 |
| SURF | THE BEACH BOYS | T-070.244.088-7 |
| Funkier Than a Mosquita’s Tweeter | Ike & Tina Turner | — |
| Bo Mambo | Yma Sumac | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Nova 1956-1980 : les racines de Nova” by Various Artists is 3596971286927. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: Nova Records. This release contains 300 tracks, each with its own ISRC. Tracks include USF068926590, GBAJC0500095, USMC15248795.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rocket 88 | Jackie Brenston and His Delta Cats | T-902.119.542-6 | |
| 2 | Ina Mina Dika | Asha Bhosle | T-300.097.303-1 | |
| 3 | Hound Dog | Willie Mae “Big Mama” Thornton, Kansas City Bill & Orchestra | T-011.364.221-9 | |
| 4 | If I Didn’t Care | The Ink Spots | T-010.133.776-1 | |
| 5 | That’s All Right | Arthur “Big Boy” Crudup | T-070.250.140-3 | |
| 6 | Na corrente | — | ||
| 7 | Je t’ai dans la peau | Édith Piaf | T-004.017.798-7 | |
| 8 | Good Rockin’ Tonight | Elvis Presley | T-070.234.317-6 | |
| 9 | Terry Cloth | — | ||
| 10 | La suerte de los tontos (Fortune of Fools) | — | ||
| 11 | Mi noche triste | — | ||
| 12 | Lover Man | — | ||
| 13 | Let’s the Good Times Roll | — | ||
| 14 | Moonlight in Vermont | — | ||
| 2-1 | Please, Please, Please | James Brown | T-070.242.947-7 | |
| 2-2 | Les Pantoufles à papa | — | ||
| 2-3 | Everyday | Buddy Holly | T-071.872.397-7 | |
| 2-4 | Black Denim Trousers & Motorcycle Boots | — | ||
| 2-5 | El cumbanchero | — | ||
| 2-6 | In a Mellow Tone | — | ||
| 2-7 | Mbube | — | ||
| 2-8 | Short Run | — | ||
| 2-9 | Monsieur William | Léo Ferré | T-003.012.572-4 | |
| 2-10 | Yaô | — | ||
| 2-11 | Inspiration Blues | — | ||
| 2-12 | Amuck | — | ||
| 2-13 | Misty | — | ||
| 2-14 | Bag’s Groove | — | ||
| 3-1 | Blues March | Art Blakey and The Jazz Messengers | T-070.234.540-1 | |
| 3-2 | I’m a Man | — | ||
| 3-3 | Pedido a padre Cicero | — | ||
| 3-4 | Rock Island Line | Lonnie Donegan | T-070.940.053-2 | |
| 3-5 | Bo Mambo | Yma Sumac | T-041.383.038-2 | |
| 3-6 | Ya rohi | — | ||
| 3-7 | Baho kende | Celia Cruz, La Sonora Matancera | — | |
| 3-8 | Blue Skies | — | ||
| 3-9 | Je bois | Boris Vian | T-003.010.924-0 | |
| 3-10 | Oye mi ritmo | — | ||
| 3-11 | Boulevard of Broken Dreams | — | ||
| 3-12 | Vatapà | — | ||
| 4-1 | I’m in the Mood for Love | — | ||
| 4-2 | Kookie’s Mad Pad | — | ||
| 4-3 | Table ronde | — | ||
| 4-4 | Marihuana Boogie | — | ||
| 4-5 | Tiens, tiens, tiens et na! | — | ||
| 4-6 | War Is Over | — | ||
| 4-7 | Hana Maui | — | ||
| 4-8 | Hush, Hush | Jimmy Reed | T-911.061.764-6 | |
| 4-9 | Enlouqueci | — | ||
| 4-10 | Wednesday Night Prayer Meeting. | — | ||
| 4-11 | Swing Low Sweet Cadillac | — | ||
| 5-1 | But I Was Cool | — | ||
| 5-2 | Babaratiri | — | ||
| 5-3 | South American Way | — | ||
| 5-4 | The Madison Time, Part 1 | The Ray Bryant Combo | T-070.247.518-0 | |
| 5-5 | Ooh Poo Pah Doo | — | ||
| 5-6 | Indépendance cha cha | — | ||
| 5-7 | Moanin’ | Charles Mingus | T-700.044.421-5 | |
| 5-8 | Boot‐Ta‐La‐Za | — | ||
| 5-9 | Sixteen Tons | Tennessee Ernie Ford | T-070.243.651-8 | |
| 5-10 | Manteca | — | ||
| 5-11 | Three Hours Past Midnight | — | ||
| 5-12 | Como el macao, candela | — | ||
| 5-13 | Minor Chant | Jimmy Smith | T-700.044.036-0 | |
| 6-1 | Gopher | Yma Sumac | T-041.376.713-1 | |
| 6-2 | Ya Ya | Lee Dorsey | T-010.741.051-4 | |
| 6-3 | Sway | — | ||
| 6-4 | Love Hurts | The Everly Brothers | T-072.287.071-4 | |
| 6-5 | Vem ca mulata | — | ||
| 6-6 | Love for Sale | — | ||
| 6-7 | Night & Day | Helen Merrill | T-070.152.461-9 | |
| 6-8 | Johnny Guitar | — | ||
| 6-9 | Something for the Cat | — | ||
| 6-10 | I’m Going Upstairs | — | ||
| 6-11 | Olé | John Coltrane | T-070.939.714-7 | |
| 6-12 | I Cover the Waterfront | — | ||
| 7-1 | Papa‐Oom‐Mow‐Mow | — | ||
| 7-2 | Watermelon Man | — | ||
| 7-3 | Si tu bois beaucoup | — | ||
| 7-4 | Surfin’ Safari | The Beach Boys | T-070.244.089-8 | |
| 7-5 | Merci bon dieu | — | ||
| 7-6 | Oye mi guaguancó | Tito Puente | — | |
| 7-7 | Lonely Avenue | Ray Charles | T-071.000.785-4 | |
| 7-8 | Fleurette africaine | — | ||
| 7-9 | Hey Baby | Bruce Channel | T-070.240.273-0 | |
| 7-10 | Nago nago | — | ||
| 7-11 | I’d Rather Drink Muddy Water | — | ||
| 7-12 | Love, the Mystery of | — | ||
| 8-1 | Bemsha Swing | — | ||
| 8-2 | Mélocoton | — | ||
| 8-3 | Don’t Cha Go Way Mad | — | ||
| 8-4 | I Wish I Had Answered | — | ||
| 8-5 | Mama Ngai Habanera | — | ||
| 8-6 | (Love Is Like a) Heat Wave | — | ||
| 8-7 | Tangerine | — | ||
| 8-8 | Carioca | — | ||
| 8-9 | Cry Me a River | Julie London | T-070.026.448-7 | |
| 8-10 | Les Nuits d’une demoiselle | — | ||
| 9-1 | For Your Love | The Yardbirds | T-010.162.968-8 | |
| 9-2 | Le Tour du monde | Pierre Barouh | — | |
| 9-3 | It’s My Way | — | ||
| 9-4 | St. Thomas | Sonny Rollins Quartet | T-070.243.897-8 | |
| 9-5 | Havana Moon | Chuck Berry | T-070.918.676-4 | |
| 9-6 | Bossa cubana | — | ||
| 9-7 | What Is This Thing Called Love? | — | ||
| 9-8 | New York – USA | Serge Gainsbourg | T-900.759.632-9 | |
| 9-9 | I Believe to My Soul | — | ||
| 9-10 | Voodoo Suite | — | ||
| 10-1 | Lament I, “Bird’s Lament” | Moondog | T-927.304.506-0 | |
| 10-2 | Dry Weather House | — | ||
| 10-3 | Song for My Father | The Horace Silver Quintet | T-070.139.880-2 | |
| 10-4 | Ebb Tide (single version) | The Righteous Brothers | T-070.049.117-3 | |
| 10-5 | Watcha Gonna Do About It | — | ||
| 10-6 | Paquita | — | ||
| 10-7 | It’s My Party | — | ||
| 10-8 | Cannonball | Julian Cannonball Adderley | — | |
| 10-9 | Blind Love | — | ||
| 10-10 | Rendez-vous chez Fatimata | Maravillas de Mali | — | |
| 11-1 | Psychotic Reaction | Count Five | T-070.243.018-9 | |
| 11-2 | Mustang Sally | Wilson Pickett | T-070.242.342-4 | |
| 11-3 | Louie Louie | — | ||
| 11-4 | Rollin’ and Tumblin’ | — | ||
| 11-5 | For What It’s Worth | Buffalo Springfield | T-070.881.471-4 | |
| 11-6 | I’m a Man | — | ||
| 11-7 | Barefootin’ | — | ||
| 11-8 | Hold Them | — | ||
| 11-9 | Memphis Soul Stew | King Curtis | T-070.242.152-0 | |
| 11-10 | Hip Hug Her | — | ||
| 11-11 | Que numera el son | — | ||
| 12-1 | Tickle Me for Days | — | ||
| 12-2 | Guantanamera | — | ||
| 12-3 | Tramp | Otis Redding, Carla Thomas | T-070.247.465-4 | |
| 12-4 | Jellyroll | — | ||
| 12-5 | Ode to Billie Joe | Bobbie Gentry | T-070.160.551-7 | |
| 12-6 | You’re Gonna Need Me | — | ||
| 12-7 | Mao et moa | Nino Ferrer | T-003.011.850-3 | |
| 12-8 | The Plot | — | ||
| 12-9 | More Plot | — | ||
| 12-10 | Alone Again Or | Love | T-072.441.878-3 | |
| 12-11 | All Tomorrow’s Parties | — | ||
| 12-12 | Love no. 3 | — | ||
| 13-1 | Mpenzi nakukanya | — | ||
| 13-2 | Movements | — | ||
| 13-3 | That’s the Way Love Is | Marvin Gaye | T-070.244.319-3 | |
| 13-4 | Holy Are You | — | ||
| 13-5 | Song of Innocence | — | ||
| 13-6 | Cet enfant que je t’avais fait | Jacques Higelin, Brigitte Fontaine | T-003.007.041-7 | |
| 13-7 | Say Hello to Jamie Jones | — | ||
| 13-8 | Mambo de Bataan | — | ||
| 13-9 | Kimble | — | ||
| 13-10 | Seeing Is Believing | — | ||
| 13-11 | May the Circle Remain Unbroken | — | ||
| 13-12 | Motor City Is Burning | — | ||
| 14-1 | Strawberry Fields Forever | — | ||
| 14-2 | Country Girl | — | ||
| 14-3 | White Bird | It’s a Beautiful Day | — | |
| 14-4 | Nevada Joe | — | ||
| 14-5 | Draft Resister | — | ||
| 14-6 | Santa Barbara | — | ||
| 14-7 | You Gotta Pay the Price | — | ||
| 14-8 | The Stomp | — | ||
| 14-9 | Chicken Strut | — | ||
| 14-10 | Bishop School | Yusef Lateef | T-070.230.382-9 | |
| 14-11 | Wreck a Buddy | — | ||
| 14-12 | Tired of Waiting | — | ||
| 14-13 | Who Do You Love | Quicksilver Messenger Service | T-070.247.967-1 | |
| 15-1 | Tchero adari nègn | — | ||
| 15-2 | Jumpin’ Jack Flash | — | ||
| 15-3 | Loop Garoo | — | ||
| 15-4 | The Ghetto (live) | — | ||
| 15-5 | Comme à la radio | — | ||
| 15-6 | Funkier Than a Mosquita’s Tweeter | Ike & Tina Turner | — | |
| 15-7 | The Love Machine | — | ||
| 15-8 | You’ve Made Me So Very Happy | Lou Rawls | T-931.294.772-1 | |
| 15-9 | Crazy Cajun Cakewalk Band | — | ||
| 15-10 | Give It Up or Turnit a Loose (remix) | James Brown | T-070.881.602-7 | |
| 15-11 | Le Moral nécessaire | — | ||
| 15-12 | Another Man’s Woman, Another Woman’s Man | Candi Staton | — | |
| 16-1 | Rock Steady | Aretha Franklin | T-070.243.224-3 | |
| 16-2 | The Pusher | — | ||
| 16-3 | Freedom to the People | — | ||
| 16-4 | Chrysler Rose | — | ||
| 16-5 | The Revolution Will Not Be Televised | Gil Scott-Heron | T-070.128.143-7 | |
| 16-6 | La libertad lógica | — | ||
| 16-7 | 80 A.B. | — | ||
| 16-8 | Moment of Truth | — | ||
| 16-9 | Virtually, Part 1 | Soft Machine | — | |
| 16-10 | Thiely | — | ||
| 16-11 | Cloud Nine (live @ Montreux) | — | ||
| 16-12 | Loss | — | ||
| 16-13 | Ostinato (Suite for Angela) | Herbie Hancock | T-072.845.687-8 | |
| 17-1 | Woman to Woman | Joe Cocker | T-071.192.770-6 | |
| 17-2 | Che che colé | Willie Colón, Héctor Lavoe | T-070.029.859-4 | |
| 17-3 | Do the Dirt | — | ||
| 17-4 | Instant Pussy | — | ||
| 17-5 | Give It Everything You Got | — | ||
| 17-6 | Too Much Time | — | ||
| 17-7 | Ali Baba | Louie Ramírez | T-071.679.084-9 | |
| 17-8 | Communication | — | ||
| 17-9 | Sail Away | Randy Newman | T-071.070.675-4 | |
| 17-10 | Clean Up Woman | Betty Wright | T-070.881.101-1 | |
| 17-11 | Fohat Digs Holes in Space | Gong | T-900.014.063-6 | |
| 17-12 | Brasil | — | ||
| 17-13 | Waka / Jawaka | — | ||
| 18-1 | Hollywood Swinging | Kool & the Gang | T-070.240.339-1 | |
| 18-2 | Angusta, Angélica e Consolação | — | ||
| 18-3 | I Worry | — | ||
| 18-4 | Dugu kamelemba | — | ||
| 18-5 | El diablo | — | ||
| 18-6 | What Is Hip? | — | ||
| 18-7 | Balingor | — | ||
| 18-8 | Danzella | — | ||
| 18-9 | Ouverture Lutins | — | ||
| 18-10 | Reflected | Alice Cooper | T-906.882.186-3 | |
| 18-11 | Living Together Is Keeping Us Apart | — | ||
| 18-12 | Ambassel | Mahmoud Ahmed | — | |
| 19-1 | This Town Ain’t Big Enough for Both of Us | Sparks | T-070.183.949-7 | |
| 19-2 | Tell Me Something Good | Rufus, Chaka Khan | T-070.183.918-0 | |
| 19-3 | Merenguedon | — | ||
| 19-4 | Is It In? | — | ||
| 19-5 | Jah Me No Born Yah | — | ||
| 19-6 | Celestial Blues | — | ||
| 19-7 | Adiós Nonino | — | ||
| 19-8 | Depot, Depot | — | ||
| 19-9 | Dominance and Submission (4.0 mix) | Blue Öyster Cult | — | |
| 19-10 | Considérable | — | ||
| 19-11 | Tambura | — | ||
| 19-12 | Comin’ From All Ends | — | ||
| 19-13 | Lambata Sari Anom | — | ||
| 20-1 | Radioactivity | Kraftwerk | T-070.274.549-0 | |
| 20-2 | Supernatural Thing | — | ||
| 20-3 | La malanga | — | ||
| 20-4 | Unspoken Dreams of Light | — | ||
| 20-5 | Sentry | — | ||
| 20-6 | Kid Cavaquinho | — | ||
| 20-7 | Action Speaks Louder Than Words | — | ||
| 20-8 | N’fa | — | ||
| 20-9 | Words | — | ||
| 20-10 | Guarijo bacan | — | ||
| 20-11 | Native Woman | — | ||
| 20-12 | Toshiro | — | ||
| 20-13 | Uneasy Serenity | — | ||
| 21-1 | Crying Time | — | ||
| 21-2 | Cherchez la femme | — | ||
| 21-3 | You’ve Been Gone Too Long | — | ||
| 21-4 | Monkey Drop | — | ||
| 21-5 | Funky Sneakers | — | ||
| 21-6 | Que se sepa | Roberto Roena y su Apollo Sound | — | |
| 21-7 | The Humpty Dump | — | ||
| 21-8 | Le Jus d’abricot | — | ||
| 21-9 | Undisco Kidd | — | ||
| 21-10 | Heywèté | Tèsfa-Maryam Kidané | T-003.910.953-9 | |
| 21-11 | Universal Mother | Don Cherry | T-071.740.134-7 | |
| 21-12 | Music Is the Key | — | ||
| 22-1 | Blank Generation | Richard Hell & the Voidoids | T-918.221.540-3 | |
| 22-2 | Mojo Hannah | — | ||
| 22-3 | Mango mangué | — | ||
| 22-4 | Would You Believe in Me | — | ||
| 22-5 | On verra ça | — | ||
| 22-6 | I’d Rather Be With You | Bootsy Collins | T-901.850.652-0 | |
| 22-7 | Saure gurke (Aus 1 Urwald gelockt) | — | ||
| 22-8 | Pretty Ballerina | — | ||
| 22-9 | Dale dos | — | ||
| 22-10 | Color Blind | Maze, Frankie Beverly | — | |
| 22-11 | Senorita | — | ||
| 22-12 | Stranger in Paradise | — | ||
| 23-1 | My Radio Sure Sounds Good to Me | — | ||
| 23-2 | New Machine | — | ||
| 23-3 | Fefe naa efe | — | ||
| 23-4 | Walk on the Kosher Side | — | ||
| 23-5 | Night People | — | ||
| 23-6 | Pedro Navaja | Willie Colón, Rubén Blades | T-070.119.355-6 | |
| 23-7 | Oh Babe | — | ||
| 23-8 | Na baixa do sapateiro | — | ||
| 23-9 | Herpes simplex | — | ||
| 23-10 | Post War Glamour Girl | — | ||
| 23-11 | Düsseldorf | — | ||
| 24-1 | Fire | Lizzy Mercier Descloux | T-900.055.003-8 | |
| 24-2 | Blood and Fire | Niney the Observer | T-324.076.897-8 | |
| 24-3 | Lázara Y Georgina | — | ||
| 24-4 | Newtown | — | ||
| 24-5 | THE HARDEST PART (2001 DIGITAL REMASTER) | BLONDIE | T-070.077.226-4 | |
| 24-6 | La Coco des enfants sages | — | ||
| 24-7 | Broken English | Marianne Faithfull | T-071.514.421-0 | |
| 24-8 | Unchained | — | ||
| 24-9 | Ilya | Irakere | — | |
| 24-10 | Re Bop | — | ||
| 24-11 | Contort Yourself | — | ||
| 24-12 | Woman Is a Wonder | — | ||
| 25-1 | Walk Don’t Run | — | ||
| 25-2 | Diamonds, Fur Coat, Champagne | Suicide | T-902.864.860-4 | |
| 25-3 | Talk Love | — | ||
| 25-4 | The Fin du monde | — | ||
| 25-5 | Que pasa / Me No Pop 1 | — | ||
| 25-6 | Lady Scarface | Lydia Lunch | T-071.889.585-2 | |
| 25-7 | Open Up | Chic | T-070.161.495-0 | |
| 25-8 | Zombizar | — | ||
| 25-9 | When It’s War | — | ||
| 25-10 | A Song | — | ||
| 25-12 | Micheline | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ina Mina Dika | Asha Bhosle | T-901.019.474-8 |
| SURF | THE BEACH BOYS | T-070.244.088-7 |
| Funkier Than a Mosquita’s Tweeter | Ike & Tina Turner | — |
| Bo Mambo | Yma Sumac | — |
