UPC · Release
Various Artists
Last verified:
The UPC for “Hip Hop Anthology” by Various Artists is 3596971397722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Wagram Music. This release contains 56 tracks, each with its own ISRC. Tracks include USHKR0924304, USEP40603104, USIR19902302.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Motown 25 | eLZhi, Royce da 5′9″ | — | |
| 2 | Kissin the Curb | — | ||
| 3 | Lions in the Forest | — | ||
| 4 | Spit It Clearly | — | ||
| 5 | Gamble on Ya Boy | — | ||
| 7 | My Favorite Mutiny | The Coup, Black Thought, Talib Kweli | T-072.958.960-9 | |
| 8 | Temperature | — | ||
| 9 | Splash | — | ||
| 10 | The Game of Rock | — | ||
| 11 | Win Some Loose Some | — | ||
| 12 | Stay Up (Viagra) | — | ||
| 13 | 8 Minutes to Sunrise | Common, Jill Scott | T-071.278.928-0 | |
| 14 | Love You Can't Borrow | — | ||
| 15 | Let the Spirit | — | ||
| 2-1 | Work It Out | — | ||
| 2-2 | Suite for Beaver, Part 1 | — | ||
| 2-3 | Equality | — | ||
| 2-4 | Da Villa | — | ||
| 2-5 | Too Slick | — | ||
| 2-6 | Side to Side | Blackalicious | T-902.603.110-7 | |
| 2-7 | If | — | ||
| 2-8 | Wylin Out | — | ||
| 2-9 | Shopping Bags (She Got From You) | De La Soul | T-318.165.604-8 | |
| 2-10 | Concrete Schoolyard | Jurassic 5 | T-072.607.238-3 | |
| 2-11 | Take Me Home | — | ||
| 2-12 | Take It | — | ||
| 2-13 | Caught Up | — | ||
| 2-14 | Banksta'z | — | ||
| 2-15 | Life as a Gangsta | — | ||
| 3-1 | How Many Emcee's (Must Get Dissed) | — | ||
| 3-2 | Danger Zone | — | ||
| 3-3 | Get On Down | — | ||
| 3-4 | Young G's | — | ||
| 3-6 | Passin' Me By | — | ||
| 3-7 | Bucktown | — | ||
| 3-8 | 187 UM | — | ||
| 3-9 | Dope Man | — | ||
| 3-10 | Give It to Me | — | ||
| 3-12 | International | — | ||
| 3-14 | Slip-N-Slide | — | ||
| 3-15 | New Whirl Odor | — | ||
| 4-1 | Break Dance-Electric Boogie | — | ||
| 4-2 | It’s Nasty (Genius of Love) | Grandmaster Flash & The Furious Five | T-070.067.416-3 | |
| 4-3 | Apache | — | ||
| 4-4 | That’s the Joint | Funky 4 + 1 | T-906.830.813-4 | |
| 4-5 | Rhapazooty in Blue | — | ||
| 4-6 | Willie Rap | — | ||
| 4-7 | Smooth Talk | — | ||
| 4-8 | Fly Guy Rap | — | ||
| 4-9 | Rap-O Clap-O | — | ||
| 4-10 | Battle at The Dixie | — | ||
| 4-11 | We Are Known as Emcees (We Turn the Party Out) | — | ||
| 4-12 | White Lines (Don’t Do It) | Grandmaster & Melle Mel | T-070.247.960-4 | |
| 4-13 | Watch Me Now | — | ||
| 4-14 | Wild Thing | — | ||
| 4-15 | Bust a Move | — |
Identifier Graph
3596971397722 is a Universal Product Code (UPC) assigned to Hip Hop Anthology by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 8 Minutes to Sunrise | Common, Jill Scott | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Hip Hop Anthology” by Various Artists is 3596971397722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Wagram Music. This release contains 56 tracks, each with its own ISRC. Tracks include USHKR0924304, USEP40603104, USIR19902302.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Motown 25 | eLZhi, Royce da 5′9″ | — | |
| 2 | Kissin the Curb | — | ||
| 3 | Lions in the Forest | — | ||
| 4 | Spit It Clearly | — | ||
| 5 | Gamble on Ya Boy | — | ||
| 7 | My Favorite Mutiny | The Coup, Black Thought, Talib Kweli | T-072.958.960-9 | |
| 8 | Temperature | — | ||
| 9 | Splash | — | ||
| 10 | The Game of Rock | — | ||
| 11 | Win Some Loose Some | — | ||
| 12 | Stay Up (Viagra) | — | ||
| 13 | 8 Minutes to Sunrise | Common, Jill Scott | T-071.278.928-0 | |
| 14 | Love You Can't Borrow | — | ||
| 15 | Let the Spirit | — | ||
| 2-1 | Work It Out | — | ||
| 2-2 | Suite for Beaver, Part 1 | — | ||
| 2-3 | Equality | — | ||
| 2-4 | Da Villa | — | ||
| 2-5 | Too Slick | — | ||
| 2-6 | Side to Side | Blackalicious | T-902.603.110-7 | |
| 2-7 | If | — | ||
| 2-8 | Wylin Out | — | ||
| 2-9 | Shopping Bags (She Got From You) | De La Soul | T-318.165.604-8 | |
| 2-10 | Concrete Schoolyard | Jurassic 5 | T-072.607.238-3 | |
| 2-11 | Take Me Home | — | ||
| 2-12 | Take It | — | ||
| 2-13 | Caught Up | — | ||
| 2-14 | Banksta'z | — | ||
| 2-15 | Life as a Gangsta | — | ||
| 3-1 | How Many Emcee's (Must Get Dissed) | — | ||
| 3-2 | Danger Zone | — | ||
| 3-3 | Get On Down | — | ||
| 3-4 | Young G's | — | ||
| 3-6 | Passin' Me By | — | ||
| 3-7 | Bucktown | — | ||
| 3-8 | 187 UM | — | ||
| 3-9 | Dope Man | — | ||
| 3-10 | Give It to Me | — | ||
| 3-12 | International | — | ||
| 3-14 | Slip-N-Slide | — | ||
| 3-15 | New Whirl Odor | — | ||
| 4-1 | Break Dance-Electric Boogie | — | ||
| 4-2 | It’s Nasty (Genius of Love) | Grandmaster Flash & The Furious Five | T-070.067.416-3 | |
| 4-3 | Apache | — | ||
| 4-4 | That’s the Joint | Funky 4 + 1 | T-906.830.813-4 | |
| 4-5 | Rhapazooty in Blue | — | ||
| 4-6 | Willie Rap | — | ||
| 4-7 | Smooth Talk | — | ||
| 4-8 | Fly Guy Rap | — | ||
| 4-9 | Rap-O Clap-O | — | ||
| 4-10 | Battle at The Dixie | — | ||
| 4-11 | We Are Known as Emcees (We Turn the Party Out) | — | ||
| 4-12 | White Lines (Don’t Do It) | Grandmaster & Melle Mel | T-070.247.960-4 | |
| 4-13 | Watch Me Now | — | ||
| 4-14 | Wild Thing | — | ||
| 4-15 | Bust a Move | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 8 Minutes to Sunrise | Common, Jill Scott | — |
