UPC · Release
Mega Ragga, Volume 2
Various Artists
Last verified:
3596971791025 is the Universal Product Code (UPC barcode) for the release “Mega Ragga, Volume 2” by Various Artists, released 2002-01-01 on Wagram Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 78 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (78)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Murder She Wrote | — | ||
| 2 | Ring the Alarm Quick | — | ||
| 3 | Bam-Bam | — | ||
| 4 | Who Am I "Sim Simma" | — | ||
| 5 | Log on Girls | — | ||
| 6 | The Bombing | — | ||
| 7 | Bad Gal, Bad Man | — | ||
| 8 | Karate | — | ||
| 9 | Ragga Youth | — | ||
| 10 | Ladies Looking Fine | — | ||
| 11 | Jamaica | — | ||
| 12 | Give Dem Di Shabba | — | ||
| 13 | Guns in the Ghetto | — | ||
| 14 | Good Life | — | ||
| 15 | Csweetest Feeling | — | ||
| 16 | The Plan | — | ||
| 17 | Cook | — | ||
| 18 | 9 to 5 | — | ||
| 19 | Front of the Line | — | ||
| 20 | Popeeto | — | ||
| 2-1 | African Border | — | ||
| 2-2 | Take It Easy (intro edit) | — | ||
| 2-3 | Empty the Clip | — | ||
| 2-4 | Good Hole | — | ||
| 2-5 | Goody 2 Shoes | — | ||
| 2-6 | Press Trigger | — | ||
| 2-7 | Good in Her Clothes | — | ||
| 2-8 | Bonafide Love | — | ||
| 2-9 | Taliban Slam | — | ||
| 2-10 | Less Informer | — | ||
| 2-11 | No Guns, No Murder | — | ||
| 2-12 | So Jah Sey | — | ||
| 2-13 | African Witch | — | ||
| 2-14 | Dutty Ways | — | ||
| 2-15 | Bashle | — | ||
| 2-16 | Run Dem Out | — | ||
| 2-17 | Hassle Mi Number | — | ||
| 2-18 | Pengeleng | — | ||
| 2-19 | On Line | — | ||
| 2-20 | 99 Ways | — | ||
| 3-1 | Ring the Alarm | — | ||
| 3-2 | Tempted to Touch | — | ||
| 3-3 | Batty Rider | — | ||
| 3-4 | Workle Workle | — | ||
| 3-5 | Collie Weed | — | ||
| 3-6 | Love & Tender | — | ||
| 3-8 | Shank I Sheck | — | ||
| 3-9 | King of Kings | — | ||
| 3-10 | Pull It Up | — | ||
| 3-11 | Come Fe Mash It | — | ||
| 3-12 | Boops | — | ||
| 3-13 | Cuss Cuss | — | ||
| 3-14 | Herbsman (Shuffle) | — | ||
| 3-15 | Fresh Vegetable (I Love You Like a) | — | ||
| 3-16 | Complaint | — | ||
| 3-17 | I've Lost My Sonia | — | ||
| 3-18 | Draw Your Brakes | — | ||
| 3-19 | Ram-A-Jam | — | ||
| 3-20 | Saddest Day | — | ||
| 4-1 | Zoom | — | ||
| 4-2 | Make It Real Good | — | ||
| 4-3 | Young Black & Beautiful | — | ||
| 4-4 | Team Up | — | ||
| 4-5 | It's a Party | — | ||
| 4-6 | Most Girl | — | ||
| 4-7 | Praise Him | — | ||
| 4-8 | The Place | — | ||
| 4-10 | Bring Back Jah Loving | — | ||
| 4-11 | Jah | — | ||
| 4-12 | In the Ghetto | — | ||
| 4-13 | Bleach Out Face | — | ||
| 4-14 | This Is | — | ||
| 4-15 | Persuade Me | — | ||
| 4-16 | Sweetest Thing | — | ||
| 4-17 | Levy Come Again | — | ||
| 4-18 | Bout Ya | — | ||
| 4-19 | Impersonator | — | ||
| 4-20 | Ants in a You Milk | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rhythm Land (Dreamland version) | Bob Marley & The Wailers | T-924.523.460-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 3596971791025?
3596971791025 is a Universal Product Code (UPC) assigned to Mega Ragga, Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 78 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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