UPC · Release
Nova – Danse 1930–2020
Various Artists
Last verified:
3596973184825 is the Universal Product Code (UPC barcode) for the release “Nova – Danse 1930–2020” by Various Artists, released 2014-01-01 on Nova Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 139 tracks, each with its own ISRC. Tracks include FRX190730374, FRX193013397, FRX193224522.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (139)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Harlem Shout | Jimmie Lunceford and His Orchestra | — | |
| 2 | You Rascal You | Jimmie Noone | T-900.179.001-8 | |
| 3 | Buscando millionarias | Orchestre typique castellanos de la cabane cubaine | — | |
| 4 | Fireworks | Original Memphis Five | — | |
| 5 | I Ain’t Got Nobody | Fats Waller | — | |
| 6 | Minor Swing | Django Reinhardt | T-003.012.311-5 | |
| 7 | Oué oué oué oué | Stellio | — | |
| 8 | I’ve Found a New Baby | The Mills Brothers | T-070.266.574-4 | |
| 9 | Rumba negro (Spanish Stomp) | Bennie Moten’s Kansas City Orchestra | — | |
| 10 | Adersu. no. 2 | The West African Instrumental Quintet | — | |
| 11 | El manisero | Don Azpiazú and His Havana Casino Orchestra | T-042.623.018-3 | |
| 12 | (Hep‐Hep!) The Jumpin’ Jive | Cab Calloway and His Orchestra | T-902.185.330-5 | |
| 13 | La cumparsita | Carlo Molina's Tango Orchestra | T-037.371.428-3 | |
| 14 | Harlem Bound | Freddy Johnson | — | |
| 15 | Doin’ the Uptown Lowdown | Mildred Bailey, The Dorsey Brothers and their Orchestra | T-070.039.360-7 | |
| 16 | You Gotta Do Your Duty | Casey Bill Weldon | — | |
| 2-1 | Tin Tin Deo | James Moody and His Bop Men | T-210.336.747-8 | |
| 2-2 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 2-3 | Managua Nicaragua | Kay Kyser, Gloria Wood & Group | — | |
| 2-4 | Mambo no. 5 | Pérez Prado | T-917.093.238-4 | |
| 2-5 | Jonah Joins the Cab | Cab Calloway and His Orchestra | T-070.088.599-9 | |
| 2-6 | Bumble Boogie | Freddy Martin, Jack Fina | — | |
| 2-7 | Come On Back | Washboard Sam | T-070.027.489-0 | |
| 2-8 | At the Jazz Band Ball | Muggsy Spanier and His Ragtime Band | — | |
| 2-9 | Chiquito Montuno | Los Amigos Panamericanos | — | |
| 2-10 | Stone Cold Dead in the Market | Ella Fitzgerald, Louis Jordan and His Tympany Five | T-070.275.731-0 | |
| 2-11 | Ko‐Ko | Duke Ellington | T-070.092.709-8 | |
| 2-12 | Babalu | Desi Arnaz | — | |
| 2-13 | Hey! Ba‐Ba‐Re‐Bop | Lionel Hampton and His Orchestra | — | |
| 2-14 | Nague | Machito | — | |
| 2-15 | Las chiapanecas | Woody Herman | — | |
| 2-16 | Fuzzy Wuzzy | Milt Herth Trio, The Jesters | — | |
| 3-1 | Good Rockin’ Daddy | Etta James | — | |
| 3-2 | Todo el mundo escucha | Bienvenido Granda | — | |
| 3-3 | The Calypso Song | The Ravens | — | |
| 3-4 | Louie Louie | Richard Berry, The Pharaohs | T-071.000.825-5 | |
| 3-5 | Exaltação a Manguiera | Jamelão | — | |
| 3-6 | Drum Face | Zutty Singleton | — | |
| 3-7 | Roll Over Beethoven | Chuck Berry | T-070.940.070-3 | |
| 3-8 | La Rumba O.K. | Franco, Le Tout Puissant OK Jazz | — | |
| 3-9 | Got the Water Boiling | The Regals | — | |
| 3-10 | Africa | Mohamemed El Bakkar | — | |
| 3-11 | Got Nobody to Love | Terry Timmons | — | |
| 3-12 | Cubano Chant | Art Blakey | — | |
| 3-13 | Hill & Gully Ride / Mandeville Rd | Lord Composer, The Silver Seas Hotel Orchestra | — | |
| 3-14 | Teardrops on Your Letter | Hank Ballard and the Midnighters | T-700.070.075-6 | |
| 3-15 | I Don’t Know About You | Lloyd Nolan | — | |
| 3-16 | La rumba me llama | Bebo Valdés | — | |
| 4-1 | Come Down | Lord Tanamo | — | |
| 4-2 | Soul Side of the Street | Roy & The Dew Drops | T-072.907.701-3 | |
| 4-3 | Moving, Grooving | Little Francisco Greaves | — | |
| 4-4 | Just One Look | Doris Troy | T-070.241.435-4 | |
| 4-5 | Lee Cross | Aretha Franklin | T-700.036.174-2 | |
| 4-6 | Yo traigo boogaloo | El Combo De Pepe | — | |
| 4-7 | Cold Sweat | James Brown | T-070.233.405-1 | |
| 4-8 | Nou pé pa Kimbé | Malavoi | — | |
| 4-9 | Silver Dollar | Tommy McCook, The Skatalites | T-010.922.844-5 | |
| 4-10 | Please Mr. Postman | The Marvelettes | T-070.167.023-6 | |
| 4-11 | Soul Sitar | Sohail Rana | — | |
| 4-12 | Barbwire | Nora Dean | — | |
| 4-13 | I Say I Love You | Johnny “Guitar” Watson | — | |
| 4-14 | Do What You Wanna | Ramsey Lewis | T-070.881.788-2 | |
| 4-15 | I faram gami i faram | Mulatu Astatqé & His Ethiopian Quintet | T-904.004.701-6 | |
| 5-1 | Anikana‐o | Kongas | T-005.025.044-6 | |
| 5-2 | Las caleñas son como las flores | The Latin Brothers | T-044.516.118-1 | |
| 5-3 | Wicky Wacky | Fatback Band | T-070.202.952-4 | |
| 5-4 | Nisyan | Ahmed Fakroun | T-900.768.189-2 | |
| 5-5 | Inflación | Tabou Combo | — | |
| 5-6 | Stuck in the Middle With You | Stealers Wheel | T-011.029.669-9 | |
| 5-7 | Ya rayah | Dahmane El Harrachi | T-004.026.603-2 | |
| 5-8 | Kyenkyen Bi Adi M’awu | K. Frimpong & His Cubano Fiestas | T-926.864.941-8 | |
| 5-9 | Keep On Make Me Hot | Busta Jones | — | |
| 5-10 | Dejala corre | Banda Los Hijos de La Niña Luz | T-909.510.032-6 | |
| 5-11 | Enter Into His Gates With Praise | Johnny Clarke | T-010.019.709-8 | |
| 5-12 | Standing on the Verge of Getting It On | Funkadelic | T-700.066.758-5 | |
| 5-13 | Asambeni Bafana | Mahotella Queens | T-104.023.405-5 | |
| 5-14 | When You Touch Me (vocal) | Taana Gardner | T-071.805.623-5 | |
| 6-1 | Don’t Stop the Music | Yarbrough & Peoples | T-911.057.720-3 | |
| 6-2 | Netseweth sifassan nagh | Majid Soula | — | |
| 6-3 | Suicide Commando | No More | T-800.564.294-5 | |
| 6-4 | Big Fun (remix) | Inner City | T-930.379.975-9 | |
| 6-5 | I Ain’t No Joke | Eric B. & Rakim | T-901.051.886-2 | |
| 6-6 | Udi baba | Asha Bhosle | T-301.757.320-1 | |
| 6-7 | Burnin’ Up | Imagination | — | |
| 6-8 | H.S.T.A. | Das Ding | — | |
| 6-9 | Dissan Na M'bera | Super Mama Djombo | — | |
| 6-10 | I’m a Vocoder (vocal) | Gay Cat Park | — | |
| 6-12 | Dancé bonnê pas dancé | Gérard Hubert | — | |
| 6-13 | Over Like a Fat Rat | Fonda Rae | — | |
| 6-14 | Art nègre | Cha Cha Guitri | — | |
| 7-1 | Deep Inside | Hardrive | — | |
| 7-2 | Extra, Extra!! (radio edit) | Paula Perry | — | |
| 7-4 | Never Gonna Let You Go (Kelly G Bump-N-Go Vocal Mix) | Tina Moore | T-070.249.049-0 | |
| 7-5 | Da Bomb | DJ Deeon | — | |
| 7-6 | Buura | Shu-De | — | |
| 7-7 | El pescador | Totó la Momposina y sus Tambores | T-921.410.279-1 | |
| 7-8 | How I Could Just Kill a Man | Cypress Hill | T-070.897.156-5 | |
| 7-9 | What Is Love? | Deee-Lite | T-011.294.024-5 | |
| 7-10 | Everybody Be Somebody | Ruffneck, Yavahn | T-071.060.796-7 | |
| 7-11 | LFO | LFO | T-011.419.393-9 | |
| 7-12 | Man Ah Bad Man | Bud | T-914.936.513-9 | |
| 7-13 | Rara Shout Outs | Jephté Guillaume | — | |
| 8-1 | Welcome to Jamrock | Damian Jr. Gong Marley | T-072.334.420-4 | |
| 8-2 | Madan (Radio Edit) | Salif Keita | — | |
| 8-3 | Boogie 2nite | Tweet | T-071.855.084-5 | |
| 8-4 | Homenaje a Justino | Grupo Socavón | — | |
| 8-6 | Rascal's Got Fire | Lil' Rascals Brass Band | — | |
| 8-7 | Running From Love | Freddie Cruger, ADL | T-070.903.622-5 | |
| 8-8 | Azamane tiliade | Omar Moctar | — | |
| 8-10 | Finally (original album version) | Kings of Tomorrow, Julie McKnight | T-071.801.341-2 | |
| 8-11 | Moribayassa | Kaba Blon | — | |
| 8-12 | Can’t Hold On | MED | T-904.706.059-3 | |
| 8-13 | Lord Leopard | Caribou | — | |
| 8-14 | Bar A Thym | Kerri Chandler | — | |
| 8-15 | Bate no peito | Costuleta | — | |
| 9-1 | My House | Hercules & Love Affair | T-802.952.933-8 | |
| 9-2 | Mwangolé | Djeff, Nacobeta, Agre G, Game Walla | — | |
| 9-3 | Double Lock | Pupajim | T-702.749.389-8 | |
| 9-5 | Perfect Picture | Ali Love | T-915.395.610-6 | |
| 9-6 | 6 Foot 7 Foot | Lil Wayne, Cory Gunz | T-905.691.389-4 | |
| 9-7 | Nyiduonge Drums | Owiny Sigoma Band | T-914.107.030-6 | |
| 9-8 | More Than Me (original mix) | Eliphino | — | |
| 9-9 | Gyal sidung | Konshens, Darrio | T-926.435.864-7 | |
| 9-10 | Boto Boto | Bonga | T-702.818.095-4 | |
| 9-13 | One of the Greatest | Solo Banton | T-302.156.958-0 | |
| 9-14 | Higher Ground | TNGHT | T-910.447.595-8 | |
| 9-15 | Basslips | Seiji | — | |
| 9-16 | Looking for Love | Chromatics | T-918.262.452-8 | |
| 10-1 | Hypercube | Orchestra of Spheres | T-917.873.621-5 | |
| 10-2 | Untitled5//Jumpy Wump | Kaelin Ellis | — | |
| 10-4 | Bola de gude | Cybass | — | |
| 10-6 | Viajero | Clap! Clap! | — | |
| 10-8 | Will Be | DJ Kesmo | — | |
| 10-9 | Drought | Araatan | — | |
| 10-10 | Bombaklot | DJ Earl, DJ Rashad, DJ Taye | — | |
| 10-11 | Cbat | Hudson Mohawke | — | |
| 10-12 | Nan point la vie (Siwo version) | Siwo | — | |
| 10-13 | Arp #1 | Jackson and His Computer Band | T-926.414.754-8 | |
| 10-14 | Morning BJ | Point Point | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Holdin On (Kaytranada remix) | Flume | T-061.378.666-5 |
| Disco Cubism (Daft Punk mix) | I:Cube | T-003.106.249-3 |
| Wettex (Cashmere Cat remix) | Feadz, Kito | T-061.375.942-4 |
| Think Twice (Henrik Schwartz remix) | The Detroit Experiment | — |
| Finally | Kings of Tomorrow | T-071.801.341-2 |
| I’m a Vocoder (vocal) | Gay Cat Park | — |
| Big Fun | Inner City | T-930.379.975-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 3596973184825?
3596973184825 is a Universal Product Code (UPC) assigned to Nova – Danse 1930–2020 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 139 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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