UPC · Release
Urban Hits 2017, Volume 2
Various Artists
Last verified:
3596973491220 is the Universal Product Code (UPC barcode) for the release “Urban Hits 2017, Volume 2” by Various Artists, released 2017-07-14. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC. Tracks include FR7U61400984, FR5DL1600032, FR04Q9900047.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Monstres et vilains | — | ||
| 2 | Indépendante | — | ||
| 3 | Mon ami | — | ||
| 4 | Désolé | — | ||
| 5 | Pwoblem | — | ||
| 6 | Brûle | — | ||
| 7 | Vitrine | — | ||
| 8 | Tombé sur elle | — | ||
| 9 | Quand est-ce que tu m'aimes | — | ||
| 10 | Trop bien pour toi | — | ||
| 11 | Printemps blanc | — | ||
| 12 | Tout donner | Maître Gims | T-703.663.896-9 | |
| 13 | Mamacita | — | ||
| 14 | Légende | — | ||
| 15 | Pourquoi chérie | — | ||
| 16 | Elle | — | ||
| 17 | On s'mélange pas | — | ||
| 18 | Bazardée | — | ||
| 19 | Tu rêve | — | ||
| 20 | Neo | — | ||
| 2-1 | Picadilly Circus | — | ||
| 2-2 | Cali | — | ||
| 2-3 | Drapeau noir | — | ||
| 2-4 | Gérer le Plug | — | ||
| 2-5 | Seul au monde | — | ||
| 2-6 | Timide mais sans complexe | — | ||
| 2-7 | John Wayne | — | ||
| 2-8 | Mulla | — | ||
| 2-9 | La mélodie des quartiers pauvres | — | ||
| 2-10 | Mauvaise machine | — | ||
| 2-11 | Celle qu'il me fallait | — | ||
| 2-12 | Avancer | — | ||
| 2-13 | Investir | — | ||
| 2-14 | Danse pour moi | — | ||
| 2-15 | Se fuerte | — | ||
| 2-16 | Prends ton temps | — | ||
| 2-17 | Bad Girl | — | ||
| 2-18 | Cherokee | — | ||
| 2-19 | Qu'est-ce qu'on s'aime | — | ||
| 2-20 | Libre comme l'air | — | ||
| 3-1 | En chaleur | — | ||
| 3-2 | Tchoin | — | ||
| 3-3 | Zoné | — | ||
| 3-4 | C'est important | — | ||
| 3-5 | Ay'mama | — | ||
| 3-7 | La Débauche | — | ||
| 3-8 | Faut pas m'embrouiller | — | ||
| 3-9 | Monte en l'air (Afro Tape) | — | ||
| 3-10 | Casse la démarche | — | ||
| 3-11 | Nou alé | — | ||
| 3-12 | Medayé | — | ||
| 3-13 | Maria | — | ||
| 3-14 | Amina | — | ||
| 3-15 | En manque de toi | Colonel Reyel | T-003.050.428-9 | |
| 3-16 | O.K.L.M | — | ||
| 3-17 | Prends tes points | — | ||
| 3-18 | #IKBL | — | ||
| 4-1 | Dans la sono | — | ||
| 4-2 | Resurrection | — | ||
| 4-3 | La rage du ghetto | — | ||
| 4-4 | Les Experts | — | ||
| 4-5 | Saïan Supa Cut | Cut Killer, Saïan Supa Crew | — | |
| 4-6 | L’Impertinent | — | ||
| 4-7 | Le chant du bitume | — | ||
| 4-8 | Strictly Hip-Hop | — | ||
| 4-9 | Hip-Hop | — | ||
| 4-10 | Le nerf de la guerre | — | ||
| 4-11 | Mal partis | — | ||
| 4-12 | Les yeux dans la banlieue | — | ||
| 4-13 | Qu'est-ce que tu veux faire ? | — | ||
| 4-14 | L'œil du ghetto | — | ||
| 4-15 | Beaux jours viendront | — | ||
| 4-16 | Est-ce que j'ai la côte ? | — | ||
| 4-17 | Mots vrais | — | ||
| 4-18 | Des mômes qui grandissent | — | ||
| 4-19 | Le monde est... | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 3596973491220?
3596973491220 is a Universal Product Code (UPC) assigned to Urban Hits 2017, Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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