UPC · Release
100 Hits latina
Various Artists
3596973528025
92 tracksReleased 2017-12-07
Last verified:
3596973528025 is the Universal Product Code (UPC barcode) for the release “100 Hits latina” by Various Artists, released 2017-12-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 92 tracks, each with its own ISRC. Tracks include USUM71700112, USUM71703461, USUS11600173.
Format
359GS1 prefix
6973Company prefix
52802Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Hits latina
ISRC30 recordings
ISWC30 works
IPI30 songwriters
Track List (92)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mi gente | — | ||
| 2 | DESPACITO (VERSIÓN POP) | LUIS FONSI | T-310.780.163-4 | |
| 3 | Báilame | Nacho | T-041.521.653-3 | |
| 4 | Mas | — | ||
| 5 | Bailar | Deorro, Elvis Crespo | T-920.227.497-3 | |
| 6 | Claro de luna | — | ||
| 7 | Danza kuduro | Lucenzo, Don Omar | T-931.147.078-7 | |
| 8 | Ain’t Your Mama | Jennifer Lopez | T-919.011.148-9 | |
| 9 | Sonrisa | Kendji Girac | T-703.651.623-3 | |
| 10 | Chocolat | — | ||
| 11 | La vida loca | — | ||
| 12 | Gyal You a Party Animal | — | ||
| 13 | Picky (remix) | Joey Montana, Akon, Mohombi | T-306.061.131-2 | |
| 15 | Siente el boom | Tito el Bambino, Randy | T-210.168.369-3 | |
| 16 | El preso | — | ||
| 17 | J'ai déconné | — | ||
| 18 | Estrés (Sólo se vive una vez) | — | ||
| 19 | Vivito y coleando | — | ||
| 20 | Li tourner | DJ Assad, Alain Ramanisum, Willy William | T-703.083.181-5 | |
| 2-2 | Dímelo | — | ||
| 2-3 | No No No (Junior Caldera edit) | — | ||
| 2-4 | Alguien robó | Sebastián Yatra, Nacho, Wisin | T-920.272.946-2 | |
| 2-5 | Mi amor | — | ||
| 2-6 | Shaki Riddim | — | ||
| 2-7 | Fiesta buena | — | ||
| 2-8 | Eu quero tchu, eu quero tcha | — | ||
| 2-9 | La colegiala | Rodolfo, Típica RA7 | T-004.051.039-1 | |
| 2-10 | Me voy enamorando | Chino & Nacho | T-310.546.389-2 | |
| 2-12 | Pelearnos un ratico | — | ||
| 2-13 | Rattraper le temps | — | ||
| 2-14 | Rayos de sol | — | ||
| 2-15 | Te quiero | — | ||
| 2-16 | Quero ver | — | ||
| 2-17 | Una en un millión | — | ||
| 2-18 | Porto Rico | — | ||
| 2-19 | Ayiti (Bang bang) | — | ||
| 2-20 | Volare (Nel blu di pinto di blu) | Gipsy Kings | T-005.000.840-6 | |
| 3-1 | Quiero sexo (Mi amor) | — | ||
| 3-2 | Estoy enamorado | Wisin & Yandel | T-901.060.097-2 | |
| 3-3 | La pena | Alex Roy | — | |
| 3-4 | Pónteme | — | ||
| 3-5 | A escondidas | David Deseo, Tony Lozano | T-041.001.248-4 | |
| 3-6 | Embale li | — | ||
| 3-7 | Sexy reggaeton | La Harissa | — | |
| 3-8 | En Barranquilla me quedo | Joe Arroyo y La Verdad | T-044.500.645-0 | |
| 3-9 | La vida se va | — | ||
| 3-10 | Danse danse danse | — | ||
| 3-11 | Quero bailar | — | ||
| 3-13 | 0 sentimientos | Jon Z | T-918.660.832-2 | |
| 3-14 | Me voy | — | ||
| 3-15 | Todo te lo enseñe yo | — | ||
| 3-16 | Llévame hasta la luna | — | ||
| 3-17 | Mini Kawoulé | — | ||
| 3-18 | Un montón de estrellas | — | ||
| 3-19 | Mi swing es tropical | — | ||
| 3-20 | Paradiso | — | ||
| 4-1 | Outro Lugar | Salome de Bahia | T-071.710.202-7 | |
| 4-2 | El no te da | — | ||
| 4-3 | Emigrante del mundo | — | ||
| 4-5 | Zouk La Sé Sél Médikaman Nou Ni | — | ||
| 4-6 | Llegó la hora | Nicky Jam | T-072.657.524-1 | |
| 4-7 | Siente el Fire | — | ||
| 4-8 | Inténtalo | Maluma | T-918.166.221-5 | |
| 4-9 | Insegura | — | ||
| 4-10 | Murder She Wrote | Chaka Demus & Pliers | T-011.626.030-0 | |
| 4-11 | Siempre que llueve escampa | — | ||
| 4-12 | Mátame | — | ||
| 4-13 | Eres tú | — | ||
| 4-14 | Adrenaline Rush | — | ||
| 4-15 | Edony (Clap Your Hands) | — | ||
| 4-16 | Tourments d'amour | — | ||
| 4-17 | Hasta la madrugada | — | ||
| 4-18 | Mulemba xangola | Bonga | T-003.827.691-3 | |
| 4-19 | Más amor | — | ||
| 4-20 | Quizás, quizás, quizás | — | ||
| 5-1 | Ven báilalo | — | ||
| 5-2 | Mambo No. 5 (A Little Bit of…) | Lou Bega | T-901.136.109-4 | |
| 5-3 | Papi chulo, te traigo el mmm | Lorna | T-041.895.408-1 | |
| 5-4 | Kanyelele 2015 | — | ||
| 5-5 | El Bueno el Malo y el Feo | — | ||
| 5-6 | Ti pan nan | — | ||
| 5-7 | Reggaetón latino | Don Omar | — | |
| 5-8 | Guallando | — | ||
| 5-10 | Rebelión | Joe Arroyo y La Verdad | T-044.509.769-7 | |
| 5-12 | Amor sincero | — | ||
| 5-13 | Ai que calor | — | ||
| 5-14 | Demasiado corazón (live) | Willy DeVille | — | |
| 5-15 | Carretero | — | ||
| 5-16 | Kizomba | — | ||
| 5-17 | Ave María Lola | Sonora Carruseles | — | |
| 5-19 | Bisou sucré | — | ||
| 5-20 | Voodoo Song | — |
Mi gente
—
Mas
—
Claro de luna
—
Chocolat
—
La vida loca
—
Gyal You a Party Animal
—
El preso
—
J'ai déconné
—
Estrés (Sólo se vive una vez)
—
Vivito y coleando
—
Dímelo
—
No No No (Junior Caldera edit)
—
Mi amor
—
Shaki Riddim
—
Fiesta buena
—
Eu quero tchu, eu quero tcha
—
Pelearnos un ratico
—
Rattraper le temps
—
Rayos de sol
—
Te quiero
—
Quero ver
—
Una en un millión
—
Porto Rico
—
Ayiti (Bang bang)
—
Quiero sexo (Mi amor)
—
La pena
Alex Roy
—
Pónteme
—
Embale li
—
Sexy reggaeton
La Harissa
—
La vida se va
—
Danse danse danse
—
Quero bailar
—
Me voy
—
Todo te lo enseñe yo
—
Llévame hasta la luna
—
Mini Kawoulé
—
Un montón de estrellas
—
Mi swing es tropical
—
Paradiso
—
El no te da
—
Emigrante del mundo
—
Zouk La Sé Sél Médikaman Nou Ni
—
Siente el Fire
—
Insegura
—
Siempre que llueve escampa
—
Mátame
—
Eres tú
—
Adrenaline Rush
—
Edony (Clap Your Hands)
—
Tourments d'amour
—
Hasta la madrugada
—
Más amor
—
Quizás, quizás, quizás
—
Ven báilalo
—
Kanyelele 2015
—
El Bueno el Malo y el Feo
—
Ti pan nan
—
Reggaetón latino
Don Omar
—
Guallando
—
Amor sincero
—
Ai que calor
—
Demasiado corazón (live)
Willy DeVille
—
Carretero
—
Kizomba
—
Ave María Lola
Sonora Carruseles
—
Bisou sucré
—
Voodoo Song
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| En Barranquilla me quedo | Joe Arroyo y La Verdad | — |
| Reggaetón latino | Don Omar | — |
| Reggaetón latino | Don Omar | — |
| Reggaetón latino | Don Omar | — |
En Barranquilla me quedo
Joe Arroyo y La Verdad
—
Reggaetón latino
Don Omar
—
Reggaetón latino
Don Omar
—
Reggaetón latino
Don Omar
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-004.051.039-1T-004.051.039-1T-005.000.840-6T-005.000.840-6T-010.047.858-7T-011.626.030-0T-011.626.030-0T-041.001.248-4T-041.521.653-3T-041.895.408-1
+20 more
T-044.500.645-0T-044.509.769-7T-070.270.457-1T-071.710.202-7T-071.710.202-7T-210.168.369-3T-306.061.131-2T-310.546.389-2T-703.083.181-5T-703.651.623-3T-900.795.116-8T-900.796.721-7T-901.136.109-4T-901.060.097-2T-901.136.109-4T-919.011.148-9T-919.011.148-9T-920.227.497-3T-920.272.946-2T-920.623.722-1
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000000939588000000000133316600000000014700640000000002121325000000000254700000000000048976610000000036985172000000005490068900000000549485000000000055171246
+20 more
0000000055192653000000005519650700000000555413070000000059337450000000005943176200000000630879680000000078401884000000007841240100000000784564550000000080056143000000008740436600000001080007670000000114558687000000011489897200000001152648830000000115477395000000011610476900000001167916340000000118825682000000012024449X
Identifier Graph
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What is UPC 3596973528025?
3596973528025 is a Universal Product Code (UPC) assigned to 100 Hits latina by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 92 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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