UPC · Release
Autour de mon totem
Yves Jamait
Last verified:
3596973741127 is the Universal Product Code (UPC barcode) for the release “Autour de mon totem” by Yves Jamait, released 2019-01-01 on Wagram Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro (Live) | — | ||
| 2 | Le bar de l'univers (Live) | — | ||
| 3 | Mon totem (Live) | — | ||
| 4 | Dans vos yeux (Live) | — | ||
| 5 | Le temps emporte tout (Live) | — | ||
| 6 | Insomnies (Live) | — | ||
| 7 | Si tu pouvais (Live) | — | ||
| 8 | Vivre avec toi (Live) | — | ||
| 9 | Celles (Live) | — | ||
| 10 | Dimanche (Live) | — | ||
| 11 | Qu'est ce qui t'a pris (Live) | — | ||
| 12 | Prendre la route (Live) | — | ||
| 13 | Dès l'aube (Live) | — | ||
| 14 | C'est pas la peine (Live) | — | ||
| 15 | Pas les mots (Live) | — | ||
| 16 | Je crois (Live) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
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What is UPC 3596973741127?
3596973741127 is a Universal Product Code (UPC) assigned to Autour de mon totem by Yves Jamait. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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