UPC · Release
Silent Hill: Origins
Akira Yamaoka
Last verified:
3610151070981 is the Universal Product Code (UPC barcode) for the release “Silent Hill: Origins” by Akira Yamaoka, released 2012-04-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include JPM200701300, JPM200701301, JPM200701302.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Shot Down in Flames | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — | |
| 2 | Meltdown | AKIRA YAMAOKA | — | |
| 3 | Evil Appetite | AKIRA YAMAOKA | — | |
| 4 | Wrong Is Right | AKIRA YAMAOKA | — | |
| 5 | Not Tomorrow 3 | AKIRA YAMAOKA | — | |
| 6 | Monster Daddy | AKIRA YAMAOKA | — | |
| 7 | King of Adiemus | AKIRA YAMAOKA | — | |
| 8 | Don’t Abuse Me | AKIRA YAMAOKA | — | |
| 9 | Underworld 4 | AKIRA YAMAOKA | — | |
| 10 | Acid Horse | AKIRA YAMAOKA | — | |
| 11 | O.R.T. | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — | |
| 12 | Insecticide | AKIRA YAMAOKA | — | |
| 13 | Raw Power | AKIRA YAMAOKA | — | |
| 14 | A Million Miles | AKIRA YAMAOKA | — | |
| 15 | Battle Drums | AKIRA YAMAOKA | — | |
| 16 | The Wicked End | AKIRA YAMAOKA | — | |
| 17 | Blow Back | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — | |
| 18 | Real Solution | AKIRA YAMAOKA | — | |
| 19 | The Healer | AKIRA YAMAOKA | — | |
| 20 | Snowblind | AKIRA YAMAOKA | — | |
| 21 | Behind the Wall of Sleep | AKIRA YAMAOKA | — | |
| 22 | Drowning | AKIRA YAMAOKA | — | |
| 23 | Murder Song “S” | AKIRA YAMAOKA | — | |
| 24 | Not Tomorrow 4 | AKIRA YAMAOKA | — | |
| 25 | Theme of Sabre Dance | AKIRA YAMAOKA | — | |
| 26 | Hole in the Sky | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — |
Additional database matches (26)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Shot Down in Flames | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — |
| Meltdown | AKIRA YAMAOKA | — |
| Evil Appetite | AKIRA YAMAOKA | — |
| Wrong Is Right | AKIRA YAMAOKA | — |
| Not Tomorrow 3 | AKIRA YAMAOKA | — |
| Monster Daddy | AKIRA YAMAOKA | — |
| King of Adiemus | AKIRA YAMAOKA | — |
| Don’t Abuse Me | AKIRA YAMAOKA | — |
| Underworld 4 | AKIRA YAMAOKA | — |
| Acid Horse | AKIRA YAMAOKA | — |
| O.R.T. | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — |
| Insecticide | AKIRA YAMAOKA | — |
| Raw Power | AKIRA YAMAOKA | — |
| A Million Miles | AKIRA YAMAOKA | T-802.041.041-8 |
| Battle Drums | AKIRA YAMAOKA | — |
| The Wicked End | AKIRA YAMAOKA | T-072.283.671-6 |
| Blow Back | AKIRA YAMAOKA, Mary Elizabeth McGlynn | — |
| Real Solution | AKIRA YAMAOKA | — |
| The Healer | AKIRA YAMAOKA | — |
| Snowblind | AKIRA YAMAOKA | — |
| Behind the Wall of Sleep | AKIRA YAMAOKA | T-010.168.540-8 |
| Drowning | AKIRA YAMAOKA | — |
| Murder Song “S” | AKIRA YAMAOKA | — |
| Not Tomorrow 4 | AKIRA YAMAOKA | — |
| Theme of Sabre Dance | AKIRA YAMAOKA | — |
| Hole in the Sky | AKIRA YAMAOKA, Mary Elizabeth McGlynn | T-700.114.385-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 3610151070981?
3610151070981 is a Universal Product Code (UPC) assigned to Silent Hill: Origins by Akira Yamaoka. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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