UPC · Release
Hollywood Stories: 50 Legendary Original Soundtracks
Various Artists
3614592051837
50 tracks
Last verified:
3614592051837 is the Universal Product Code (UPC barcode) for the release “Hollywood Stories: 50 Legendary Original Soundtracks” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include FRS181299507, FRS181203528, FR6F31172640.
Format
361GS1 prefix
4592Company prefix
05183Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCHollywood Stories: 50 Legendary Original Soundtracks
ISRC50 recordings
ISWC30 works
IPI23 songwriters
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Over the Rainbow (from “Wizard of Oz”) | Judy Garland | T-070.159.949-6 | |
| 2 | Theme (from “Gone With the Wind”) | Ferrante and Teicher | — | |
| 3 | I Wanna Be Loved by You | Marilyn Monroe | T-070.904.603-6 | |
| 4 | Lost Patrol (from “Lost Patrol”) | Captain Nicholson’s Band | — | |
| 5 | I’ve Got a Gal in Kalamazoo (from “Sun Valley Serenade”) | Glenn Miller and His Orchestra | T-070.907.755-3 | |
| 6 | Theme (from “A Place in the Sun”) | Vardi et son orchestre | — | |
| 7 | Blanche (from “A Streetcar Named Desire”) | Ray Heindorf and His Orchestra | — | |
| 8 | Diamonds Are a Girl’s Best Friend (from “Gentlemen Prefer Blonds”) | Marilyn Monroe | T-070.038.925-8 | |
| 9 | High Noon (from “High Noon”) | Duane Eddy | T-900.757.499-4 | |
| 10 | The Man That Got Away (from “A Star Is Born”) | Judy Garland | T-070.108.167-5 | |
| 11 | I’ll Never Stop Loving You | Doris Day | T-070.903.447-8 | |
| 12 | Thème principal (from “Giant”) | Dimitri Tiomkin | — | |
| 13 | High Society Calypso (from “High Society”) | Louis Armstrong | T-072.104.676-9 | |
| 14 | Pardners (from “Pardners”) | Dean Martin, Jerry Lewis | — | |
| 15 | Theme (from “Helen of Troy”) | Les Baxter | — | |
| 16 | Shall We Dance? (from “The King and I”) | Deborah Kerr | T-319.158.169-4 | |
| 17 | Tra La La (from “Rock Rock Rock”) | LaVern Baker | — | |
| 18 | Mandoline amoureuse (from “A King in New York”) | Charlie Chaplin | — | |
| 19 | Josephine (from “Silk Stockings”) | Fred Astaire | — | |
| 20 | Les Girls (from “Les Girls”) | Gene Kelly | — | |
| 21 | The Lady Is a Tramp (from “Pal Joey”) | Frank Sinatra | T-070.094.816-8 | |
| 22 | Colonel Bogey (from “The Bridge on the River Kwai”) | Eddie Barclay et son orchestre | — | |
| 23 | Yellow Dog Blues (from “St. Louis Blues”) | Nat King Cole | — | |
| 24 | A Very Precious Love (from “Marjorie Morningstar”) | Gene Kelly | — | |
| 25 | King Creole | Elvis Presley | T-010.434.207-5 | |
| 26 | Prélude (from “Ben Hur”) | Symphony Orchestra of Rome, Carlo Savina | — | |
| 27 | North by Northwest (from “La Mort aux trousses”) | Russ Conway | — | |
| 28 | Solomon and Sheba (from “Solomon and Sheba”) | Hollywood Studio Symphony Orchestra | — | |
| 29 | Almost Cried (from “Anatomy of a Murder”) | Duke Ellington and His Orchestra | — | |
| 30 | Marching Matilda (from “On the Beach”) | Hollywood Studio Symphony Orchestra, Mitchell Powell | — | |
| 31 | Summertime | Dorothy Dandridge | T-800.364.991-1 | |
| 32 | Prelude to Odds Against Tomorrow (from “Odds Against Tomorrow”) | John Lewis | — | |
| 33 | The Wonderful Country (from “The Wonderful Country”) | Alex North and His Orchestra | — | |
| 34 | No Problem, Pt. 1 (from “Dangerous Liaisons 1960”) | Art Blakey & The Jazz Messengers | — | |
| 35 | Theme of Exodus (from “Exodus”) | Ernest Gold | — | |
| 36 | Main Theme (from “The Magnificent Seven”) | Al Caiola | — | |
| 37 | I Love Paris (from “Cole Porter’s Can‐Can”) | Frank Sinatra | T-037.658.919-3 | |
| 38 | La Ballade d’Alamo (from “The Alamo”) | Marty Robbins | — | |
| 39 | Let’s Make Love (from “Let’s Make Love”) | Marilyn Monroe | — | |
| 40 | Bert’s Theme (from “The Hustler”) | Kenyon Hopkins | — | |
| 41 | Salome’s Dance (from “King of Kings”) | Symphony Orchestra of Rome, Miklós Rózsa | — | |
| 42 | The Formula for Love (from “The Formula of Love”) | Velma Middleton, Louis Armstrong | — | |
| 43 | Blueberry Hill (from “Twist Around the Clock”) | Chubby Checker | T-070.011.858-6 | |
| 44 | Breakfast at Tiffany’s (from “Breakfast at Tiffany’s”) | Henry Mancini | — | |
| 45 | Le Jour le plus long, orchestre (from “The Longest Day”) | Mitch Miller et son orchestre | — | |
| 46 | Love Theme from Lolita (from “Lolita”) | Nelson Riddle and His Orchestra | — | |
| 47 | Follow That Dream (from “Follow That Dream”) | Elvis Presley | T-070.055.875-3 | |
| 48 | West Side Story (from “West Side Story”) | Carol Lawrence | — | |
| 49 | Funny Face | Fred Astaire | T-010.434.346-5 | |
| 50 | Main Title (from “Spartacus”) | Alex North and His Orchestra | T-306.051.376-6 |
Theme (from “Gone With the Wind”)
Ferrante and Teicher
—
Lost Patrol (from “Lost Patrol”)
Captain Nicholson’s Band
—
Glenn Miller and His Orchestra
Theme (from “A Place in the Sun”)
Vardi et son orchestre
—
Blanche (from “A Streetcar Named Desire”)
Ray Heindorf and His Orchestra
—
Thème principal (from “Giant”)
Dimitri Tiomkin
—
Pardners (from “Pardners”)
Dean Martin, Jerry Lewis
—
Theme (from “Helen of Troy”)
Les Baxter
—
Tra La La (from “Rock Rock Rock”)
LaVern Baker
—
Mandoline amoureuse (from “A King in New York”)
Charlie Chaplin
—
Josephine (from “Silk Stockings”)
Fred Astaire
—
Les Girls (from “Les Girls”)
Gene Kelly
—
Colonel Bogey (from “The Bridge on the River Kwai”)
Eddie Barclay et son orchestre
—
Yellow Dog Blues (from “St. Louis Blues”)
Nat King Cole
—
A Very Precious Love (from “Marjorie Morningstar”)
Gene Kelly
—
Prélude (from “Ben Hur”)
Symphony Orchestra of Rome, Carlo Savina
—
North by Northwest (from “La Mort aux trousses”)
Russ Conway
—
Solomon and Sheba (from “Solomon and Sheba”)
Hollywood Studio Symphony Orchestra
—
Almost Cried (from “Anatomy of a Murder”)
Duke Ellington and His Orchestra
—
Marching Matilda (from “On the Beach”)
Hollywood Studio Symphony Orchestra, Mitchell Powell
—
Prelude to Odds Against Tomorrow (from “Odds Against Tomorrow”)
John Lewis
—
The Wonderful Country (from “The Wonderful Country”)
Alex North and His Orchestra
—
No Problem, Pt. 1 (from “Dangerous Liaisons 1960”)
Art Blakey & The Jazz Messengers
—
Theme of Exodus (from “Exodus”)
Ernest Gold
—
Main Theme (from “The Magnificent Seven”)
Al Caiola
—
La Ballade d’Alamo (from “The Alamo”)
Marty Robbins
—
Let’s Make Love (from “Let’s Make Love”)
Marilyn Monroe
—
Bert’s Theme (from “The Hustler”)
Kenyon Hopkins
—
Salome’s Dance (from “King of Kings”)
Symphony Orchestra of Rome, Miklós Rózsa
—
The Formula for Love (from “The Formula of Love”)
Velma Middleton, Louis Armstrong
—
Breakfast at Tiffany’s (from “Breakfast at Tiffany’s”)
Henry Mancini
—
Le Jour le plus long, orchestre (from “The Longest Day”)
Mitch Miller et son orchestre
—
Love Theme from Lolita (from “Lolita”)
Nelson Riddle and His Orchestra
—
West Side Story (from “West Side Story”)
Carol Lawrence
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| King Creole (New Sound Remastered) | Elvis Presley | T-010.434.207-5 |
Elvis Presley
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.434.207-5T-010.434.346-5T-010.434.207-5T-010.434.346-5T-037.658.919-3T-037.658.919-3T-070.011.858-6T-070.038.925-8T-070.055.875-3T-070.094.816-8
+20 more
T-070.108.167-5T-070.159.949-6T-070.903.447-8T-070.904.603-6T-070.907.755-3T-070.011.858-6T-070.038.925-8T-070.055.875-3T-070.092.488-4T-070.094.816-8T-070.108.167-5T-070.159.949-6T-070.903.447-8T-070.904.603-6T-070.907.755-3T-072.104.676-9T-072.104.676-9T-072.106.546-8T-800.364.991-1T-800.085.406-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005920771X000000005939715400000000594891550000000059495600000000007823770300000000808470090000000080886884000000010655593700000001072539220000000107844300
+20 more
0000000108160904000000010882352800000001101980710000000110283292000000011080633X000000011471224200000001147624180000000114783569000000011489897200000001156316040000000115679210000000011634949100000001189103420000000119641412000000012121386300000001212390350000000121241960000000012125138400000001213436090000000121481139
Identifier Graph
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What is UPC 3614592051837?
3614592051837 is a Universal Product Code (UPC) assigned to Hollywood Stories: 50 Legendary Original Soundtracks by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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