UPC · Release
Penny’s Big Breakaway (Original Game Soundtrack)
Tee Lopes, Sean Bialo
Last verified:
3663729297709 is the Universal Product Code (UPC barcode) for the release “Penny’s Big Breakaway (Original Game Soundtrack)” by Tee Lopes, Sean Bialo, released 2024-02-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include FXR052400030, FXR052400031, FXR052400032.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Call Me the Yotagonist | Tee Lopes | — | |
| 2 | Bauhaus Breakdown | Tee Lopes | — | |
| 3 | Hello Macaroon | Sean Bialo | — | |
| 4 | Jig’s up, Penny | Tee Lopes | — | |
| 5 | Trick of the Wrist | Sean Bialo | — | |
| 6 | Pensive at the Afterparty | Tee Lopes | — | |
| 7 | Penny in a Pinch | Sean Bialo | — | |
| 8 | Refracting Feelings | Tee Lopes | — | |
| 9 | Sleep? No, Throwdown! | Sean Bialo | — | |
| 10 | Land‐ho Diabolo! | Sean Bialo | — | |
| 11 | Palling Around | Tee Lopes | — | |
| 12 | Sparks of the Cobalt Sands | Tee Lopes, Christian Whitehead | — | |
| 13 | Scientific Method | Sean Bialo | — | |
| 14 | Tutto Finisce a Tarallucci e Vino | Tee Lopes | — | |
| 15 | Sudzsy Swings at the Natural Springs | Tee Lopes, Christian Whitehead | — | |
| 16 | Strongman | Tee Lopes | — | |
| 17 | Mano‐e‐Yo‐Yo | Tee Lopes | — | |
| 18 | Stargazer | Hunter Bridges | — | |
| 19 | Breakaway | Tee Lopes | — | |
| 20 | Outside the Eidophusikon | Tee Lopes | — | |
| 21 | Puppet Pioneer | Tee Lopes | — | |
| 22 | Balearic Birds | Tee Lopes | — | |
| 23 | Chromatic Oscillations | Tee Lopes, Christian Whitehead | — | |
| 24 | It’s a Biguin Now! | Hunter Bridges | — | |
| 25 | Maxims and Misfits | Tee Lopes | — | |
| 26 | By the Book | Sean Bialo | — | |
| 27 | Scales of Justice | Tee Lopes, Christian Whitehead | — | |
| 28 | Gig’s on, Penny | Tee Lopes | — | |
| 29 | Palace Sneaktime Swing | Tee Lopes, Christian Whitehead | — | |
| 30 | Triadic Ballet | Sean Bialo | — | |
| 31 | Cosmic Curtain Call | Sean Bialo | — | |
| 32 | Wind it up Yo | Sean Bialo | — | |
| 33 | Bop‐it Comet | Tee Lopes | — | |
| 34 | Wax Lyricool | Tee Lopes | — | |
| 35 | Don’t Trick the Sun | Tee Lopes | — | |
| 36 | Proxima | Hunter Bridges, Jameson Sutton | — |
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Jig’s up, Penny (Pengo Mix) | Tee Lopes | — |
| Refracting Feelings (Pengo Mix) | Tee Lopes | — |
| Sparks of the Cobalt Sands (Pengo Mix) | Tee Lopes, Christian Whitehead | — |
| Tutto Finisce a Tarallucci e Vino (Pengo Mix) | Tee Lopes | — |
| Sudzsy Swings at the Natural Springs (Pengo Mix) | Tee Lopes, Christian Whitehead | — |
| Balearic Birds (Pengo Mix) | Tee Lopes | — |
| Chromatic Oscillations (Pengo Mix) | Tee Lopes, Christian Whitehead | — |
| Maxims and Misfits (Pengo Mix) | Tee Lopes | — |
| Gig’s on, Penny (Pengo Mix) | Tee Lopes | — |
| Palace Sneaktime Swing (Pengo Mix) | Tee Lopes, Christian Whitehead | — |
Identifier Graph
People also ask
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What is UPC 3663729297709?
3663729297709 is a Universal Product Code (UPC) assigned to Penny’s Big Breakaway (Original Game Soundtrack) by Tee Lopes, Sean Bialo. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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