UPC · Release
Mitan
Mario Canonge
Last verified:
3700409808548 is the Universal Product Code (UPC barcode) for the release “Mitan” by Mario Canonge, released 2012-01-01 on Kann' Production. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include FR6V80655907, FR6V80655908, FR6V80655909.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Poésie du chaos | Mario Canonge | — | |
| 2 | À fleur de terre | Mario Canonge | — | |
| 3 | Entre la Pelée et l'Ararat | Mario Canonge | — | |
| 4 | Half way there | Mario Canonge | — | |
| 5 | Noël filao | Mario Canonge | — | |
| 6 | Rêves et chimères | Mario Canonge | — | |
| 7 | Room 150 | Mario Canonge | — | |
| 8 | Ska du Cap | Mario Canonge | — | |
| 9 | Papito | Mario Canonge | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 3700409808548?
3700409808548 is a Universal Product Code (UPC) assigned to Mitan by Mario Canonge. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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