UPC · Release
Masters of Jazz
Billie Holiday
Last verified:
3700426911450 is the Universal Product Code (UPC barcode) for the release “Masters of Jazz” by Billie Holiday. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include USSM10104012, USSM10104017, FRZ819401811.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (65)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | What a Little Moonlight Can Do | — | ||
| 2 | You Let Me Down | — | ||
| 3 | I Cried for You (take 2) | Billie Holiday, Teddy Wilson and His Orchestra | T-070.902.589-7 | |
| 4 | No Regrets | — | ||
| 5 | Summertime | Billie Holiday and Her Orchestra | T-800.364.991-1 | |
| 6 | This Year’s Kisses | — | ||
| 7 | I Must Have That Man | — | ||
| 8 | Carelessly | — | ||
| 9 | Moanin’ Low | — | ||
| 10 | Me, Myself and I (take 2) | Billie Holiday & Her Orchestra | T-070.108.777-5 | |
| 11 | Trav’lin All Alone | — | ||
| 12 | He’s Funny That Way | — | ||
| 13 | My Man (Mon Homme) | — | ||
| 14 | When You’re Smiling | — | ||
| 15 | If Dreams Come True | — | ||
| 16 | Havin’ Myself at Time | — | ||
| 17 | I’ll Never Fail You | — | ||
| 18 | That’s All I Ask of You | — | ||
| 19 | Sugar | — | ||
| 20 | Long Gone Blues | — | ||
| 2-1 | Yesterdays | — | ||
| 2-2 | Fine and Mellow | — | ||
| 2-3 | Tell Me More and More | — | ||
| 2-4 | Laughing at Life | — | ||
| 2-5 | St Louis Blues | — | ||
| 2-6 | Georgia on My Mind | — | ||
| 2-7 | All of Me | — | ||
| 2-8 | God Bless the Child | — | ||
| 2-9 | Solitude | — | ||
| 2-10 | Gloomy Sunday (Sombre Dimanche) | — | ||
| 2-11 | Wherever You Are | — | ||
| 2-12 | I Love My Man (Billie’s Blues) | — | ||
| 2-13 | As Time Goes By | Billie Holiday | T-070.001.967-5 | |
| 2-14 | Lover, Come Back to Me | — | ||
| 2-15 | On the Sunny Side of the Street | — | ||
| 2-16 | Lover Man | Billie Holiday | T-070.268.668-7 | |
| 2-17 | Don’t Explain | — | ||
| 2-18 | Strange Fruit | — | ||
| 2-19 | The Man I Love | — | ||
| 2-20 | Do You Know What It Means to Miss New Orleans? | — | ||
| 3-1 | The Blues Are Brewin’ | — | ||
| 3-2 | Guilty | — | ||
| 3-3 | Guilty (Breackdown) | — | ||
| 3-4 | Guilty | — | ||
| 3-5 | The Man I Love | — | ||
| 3-6 | Do You Know What It Means to Miss New Orleans? | — | ||
| 3-7 | Don’t Explain | — | ||
| 3-8 | Deep Songsong (Breakdown) | — | ||
| 3-9 | Deep Songsong (master take) | — | ||
| 3-10 | There Is No Greater Love (master take) | — | ||
| 3-11 | Easy Living | — | ||
| 3-12 | Solitude | — | ||
| 3-13 | Solitude (Master take) | — | ||
| 3-14 | You Better Go Now | — | ||
| 3-15 | You’re Driving Me Creazy | — | ||
| 3-16 | There Is No Greater Love | — | ||
| 3-17 | I Cover the Waterfront | — | ||
| 3-18 | That Old Devil Called Love | — | ||
| 3-19 | I’ll Be Seeing You | — | ||
| 3-20 | I Cover the Waterfront | — | ||
| 3-21 | Weep No More | — | ||
| 3-22 | Girls Were Made to Take Care of Boys | — | ||
| 3-23 | I Love You Porgy | — | ||
| 3-24 | My Man (mon homme) | — | ||
| 3-25 | My Man (mon homme) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 3700426911450?
3700426911450 is a Universal Product Code (UPC) assigned to Masters of Jazz by Billie Holiday. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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