UPC · Release
Beethoven, Arrau, Backhaus, Benedetti Michelangeli, Fischer, Gieseking, Grinberg, Gulda, Haskil, Hess, Horszowski, Kempff, Lamond, Moiseiwitsch, Nat, Ney, Richter, Schnabel, Serkin, Solomon, Yudina
Last verified:
The UPC for “Les Sonates pour piano : La Discothèque idéale de Diapason, vol. 21” by Beethoven, Arrau, Backhaus, Benedetti Michelangeli, Fischer, Gieseking, Grinberg, Gulda, Haskil, Hess, Horszowski, Kempff, Lamond, Moiseiwitsch, Nat, Ney, Richter, Schnabel, Serkin, Solomon, Yudina is 3701025830876. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: La Discothèque Idéale De Diapason. This release contains 141 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Wilhelm Backhaus | — | |
| 2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Wilhelm Backhaus | — | |
| 3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto | Wilhelm Backhaus | — | |
| 4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Wilhelm Backhaus | — | |
| 5 | Sonate Nr. 2 A-Dur Op. 2/2: I Allegro | Friedrich Gulda | — | |
| 6 | Sonate Nr. 2 A-Dur Op. 2/2: II Largo Appassionato | Friedrich Gulda | — | |
| 7 | Sonate Nr. 2 A-Dur Op. 2/2: III Scherzo. Allegretto | Friedrich Gulda | — | |
| 8 | Sonate Nr. 2 A-Dur Op. 2/2: IV Rondo. Grazioso | Friedrich Gulda | — | |
| 9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo (Allegro) – Trio (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 13 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro (1959 recording) | Maria Grinberg | — | |
| 14 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio (1959 recording) | Maria Grinberg | — | |
| 15 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto (Allegretto) – Trio (1959 recording) | Maria Grinberg | — | |
| 16 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo (1959 recording) | Maria Grinberg | — | |
| 17 | Piano Sonata no. 4 in E‐flat major, op. 7: I. Allegro molto e con brio (1955 recording) | Friedrich Gulda | — | |
| 18 | Piano Sonata no. 4 in E‐flat major, op. 7: II. Largo con gran espressione (1955 recording) | Friedrich Gulda | — | |
| 19 | Piano Sonata no. 4 in E‐flat major, op. 7: III. Allegro – Trio (1955 recording) | Friedrich Gulda | — | |
| 20 | Piano Sonata no. 4 in E‐flat major, op. 7: IV. Rondo (Poco allegretto e grazioso) (1955 recording) | Friedrich Gulda | — | |
| 21 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Artur Schnabel | — | |
| 22 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Artur Schnabel | — | |
| 23 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale, Prestissimo | Artur Schnabel | — | |
| 24 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Wilhelm Backhaus | — | |
| 25 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Wilhelm Backhaus | — | |
| 26 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Wilhelm Backhaus | — | |
| 27 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto (1948 recording) | Edwin Fischer | — | |
| 28 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto (1948 recording) | Edwin Fischer | — | |
| 29 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto (Allegro) – Trio (1948 recording) | Edwin Fischer | — | |
| 30 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo (Allegro) (1948 recording) | Edwin Fischer | — | |
| 31 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio (1959 recording) | Sviatoslav Richter | T-915.723.669-6 | |
| 32 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (1959 recording) | Sviatoslav Richter | — | |
| 33 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (Allegro) (1959 recording) | Sviatoslav Richter | — | |
| 34 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro (1947 recording) | Sviatoslav Richter | — | |
| 35 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto (1947 recording) | Sviatoslav Richter | — | |
| 36 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo (Allegro comodo) (1947 recording) | Sviatoslav Richter | — | |
| 37 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Wilhelm Kempff | T-070.160.313-5 | |
| 38 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Wilhelm Kempff | — | |
| 39 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (allegro assai) | Wilhelm Kempff | — | |
| 40 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Artur Schnabel | — | |
| 41 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Andante cantabile | Artur Schnabel | — | |
| 42 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo, Allegro | Artur Schnabel | — | |
| 43 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (1926 recording) | Frederic Lamond | — | |
| 44 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (Allegro) (1926 recording) | Frederic Lamond | — | |
| 2-1 | Sonate No. 11 en si bémol majeur, Op. 22: I. Allegro con brio | Yves Nat | — | |
| 2-2 | Sonate No. 11 en si bémol majeur, Op. 22: II. Adagio con molto espressione | Yves Nat | — | |
| 2-3 | Sonate No. 11 en si bémol majeur, Op. 22: III. Menuetto | Yves Nat | — | |
| 2-4 | Sonate No. 11 en si bémol majeur, Op. 22: IV. Rondo. Allegretto | Yves Nat | — | |
| 2-5 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Maria Yudina | — | |
| 2-6 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo - Allegro molto - Trio | Maria Yudina | — | |
| 2-7 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe - Maestoso andante | Maria Yudina | — | |
| 2-8 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Maria Yudina | — | |
| 2-9 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | Claudio Arrau | — | |
| 2-10 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | Claudio Arrau | — | |
| 2-11 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione | Claudio Arrau | — | |
| 2-12 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace | Claudio Arrau | — | |
| 2-13 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: I. Andante con variazioni (Tema – Variations Nos.1–5) (1953 recording) | Friedrich Gulda | — | |
| 2-14 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo (Allegro molto) – Trio (1953 recording) | Friedrich Gulda | — | |
| 2-15 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe (Maestoso andante) (1953 recording) | Friedrich Gulda | — | |
| 2-16 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro (1953 recording) | Friedrich Gulda | — | |
| 2-17 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (1953 recording) | Friedrich Gulda | — | |
| 2-18 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (1953 recording) | Friedrich Gulda | — | |
| 2-19 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (1953 recording) | Friedrich Gulda | — | |
| 2-20 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': I. Allegro | Wilhelm Backhaus | — | |
| 2-21 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': II. Andante | Wilhelm Backhaus | — | |
| 2-22 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': III. Scherzo (Allegro assai) | Wilhelm Backhaus | — | |
| 2-23 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': IV. Rondo (Allegro ma non troppo) | Wilhelm Backhaus | — | |
| 2-24 | Sonata No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | Yves Nat | — | |
| 2-25 | Sonata No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | Yves Nat | — | |
| 2-26 | Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | Yves Nat | — | |
| 2-27 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (1961 recording) | Maria Grinberg | — | |
| 2-28 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (1961 recording) | Maria Grinberg | — | |
| 2-29 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (1961 recording) | Maria Grinberg | — | |
| 2-30 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — | |
| 2-31 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | — | |
| 2-32 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | — | |
| 2-33 | Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | — | |
| 2-34 | Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — | |
| 2-35 | Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — | |
| 2-36 | Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — | |
| 2-37 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Wilhelm Kempff | T-070.160.313-5 | |
| 2-38 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (allegro) | Wilhelm Kempff | — | |
| 2-39 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | Wilhelm Kempff | — | |
| 2-40 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Wilhelm Kempff | T-312.439.209-8 | |
| 2-41 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: I. Allegro (1957 recording) | Clara Haskil | — | |
| 2-42 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: II. Scherzo (Allegretto vivace) (1957 recording) | Clara Haskil | — | |
| 2-43 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: III. Menuetto (Moderato e grazioso) (1957 recording) | Clara Haskil | — | |
| 2-44 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: IV. Presto con fuoco (1957 recording) | Clara Haskil | — | |
| 3-1 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / I. Allegro con brio | Rudolf Serkin | — | |
| 3-2 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / II. Introduzione. Adagio molto | Rudolf Serkin | — | |
| 3-3 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / III. Rondo. Allegretto moderato | Rudolf Serkin | — | |
| 3-4 | Piano Sonata no. 22 in F major, op. 54: I. In Tempo d’un menuetto (1960 recording) | Sviatoslav Richter | — | |
| 3-5 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto – Più allegro (1960 recording) | Sviatoslav Richter | — | |
| 3-6 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (1960 recording) | Claudio Arrau | — | |
| 3-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (1960 recording) | Claudio Arrau | — | |
| 3-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo – Presto (1960 recording) | Claudio Arrau | — | |
| 3-9 | Sonate n°24, Op.78, "à Thérèse", en fa dièse majeur: Adagio cantabile - Allegro | Walter Gieseking | — | |
| 3-10 | Sonate n°24, Op.78, "à Thérèse", en fa dièse majeur: Allegro vivace | Walter Gieseking | — | |
| 3-11 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Wilhelm Kempff | — | |
| 3-12 | Piano Sonata no. 25 in G major, op. 79: II. Andante | Wilhelm Kempff | — | |
| 3-13 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | Wilhelm Kempff | — | |
| 3-14 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 1. Das Lebewohl (Adagio – Allegro) | Benno Moiseiwitsch | — | |
| 3-15 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 2. Abwesenheit (Andante espressivo) | Benno Moiseiwitsch | — | |
| 3-16 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 3. Das Wiedersehen (Vivacissimamente) | Benno Moiseiwitsch | — | |
| 3-17 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Wilhelm Kempff | — | |
| 3-18 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Wilhelm Kempff | — | |
| 3-19 | Sonata no. 28 in A major, op. 101: I. Allegretto, ma non troppo | Solomon | — | |
| 3-20 | Sonata no. 28 in A major, op. 101: II. Vivace alla marcia | Solomon | — | |
| 3-21 | Piano Sonata No. 28 in A major, op. 101: III. Adagio, ma non troppo, con affetto | Solomon | — | |
| 3-22 | Piano Sonata No. 28 in A major, op. 101: IV. Allegro | Solomon | — | |
| 3-23 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (1961 recording) | Maria Grinberg | — | |
| 3-24 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (1961 recording) | Maria Grinberg | — | |
| 3-25 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo – Presto (1961 recording) | Maria Grinberg | — | |
| 4-1 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro | Solomon | — | |
| 4-2 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo | Solomon | — | |
| 4-3 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio e sostenuto | Solomon | — | |
| 4-4 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo – Un poco piu vivace – Allegro – Tempo – Prestissimo – Allegroris | Solomon | — | |
| 4-5 | Piano Sonata no. 30 in E major, op. 109: I. Vivace – Adagio espressivo (1959 recording) | Friedrich Gulda | — | |
| 4-6 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo (1959 recording) | Friedrich Gulda | — | |
| 4-7 | Piano Sonata no. 30 in E major, op. 109: III. Tema (Gesangvoll, mit innigster Empfindung) – Variations Nos.1–6 (1959 recording) | Friedrich Gulda | — | |
| 4-8 | Piano Sonata no. 30 in E major, op. 109: I. Vivace – Adagio espressivo (1953 recording) | Dame Myra Hess | — | |
| 4-9 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo (1953 recording) | Dame Myra Hess | — | |
| 4-10 | Piano Sonata no. 26 in E‐flat major, op. 81a: I. Adagio‐Allegro | Claudio Arrau | — | |
| 4-11 | Piano Sonata no. 26 in E‐flat major, op. 81a: II. Andante espressivo | Claudio Arrau | — | |
| 4-12 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — | |
| 4-13 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro (1950 recording) | Mieczysław Horszowski | — | |
| 4-14 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo (Assai vivace – Presto – Prestissimo) (1950 recording) | Mieczysław Horszowski | — | |
| 4-15 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento (1950 recording) | Mieczysław Horszowski | — | |
| 4-16 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Introduzione (Largo – Allegro) – Fuga (Allegro risoluto) (1950 recording) | Mieczysław Horszowski | — | |
| 4-17 | Piano Sonata no. 30 in E major, op. 109: I. Vivace – Adagio espressivo (1954 recording) | Edwin Fischer | — | |
| 4-18 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo (1954 recording) | Edwin Fischer | — | |
| 4-19 | Piano Sonata no. 30 in E major, op. 109: III. Tema (Gesangvoll, mit innigster Empfindung) – Variations Nos.1–6 (1954 Recording) | Edwin Fischer | — | |
| 4-20 | Piano Sonata no. 31 in A‐flat, op. 110: I. Moderato cantabile molto espressivo | Edwin Fischer | — | |
| 4-21 | Piano Sonata no. 31 in A‐flat, op. 110: II. Allegro molto | Edwin Fischer | — | |
| 4-22 | Piano Sonata no. 31 in A‐flat, op. 110: III. Adagio ma non troppo | Edwin Fischer | — | |
| 4-23 | Piano Sonata no. 31 in A‐flat, op. 110: IV. Fuga. Allegro ma non troppo | Edwin Fischer | — | |
| 4-24 | Sonate pour piano no. 32 en ut mineur, op. 111: I. Maestoso – Allegro con brio ed appassionato | Maria Yudina | — | |
| 4-25 | Sonate pour piano no. 32 en ut mineur, op. 111: II. Arietta. Adagio molto semplice e cantabile | Maria Yudina | — | |
| 4-26 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato (1961 recording) | Arturo Benedetti Michelangeli | — | |
| 4-27 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) (1961 recording) | Arturo Benedetti Michelangeli | — | |
| 4-28 | Piano Sonata no. 32 in C minor, op. 111: Maestro. Allegro con brio e appassionato | Elly Ney | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Wilhelm Kempff | — |
| Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Wilhelm Kempff | — |
| Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (allegro assai) | Wilhelm Kempff | — |
| Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Wilhelm Kempff | — |
| Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (allegro) | Wilhelm Kempff | — |
| Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | Wilhelm Kempff | — |
| Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Wilhelm Kempff | — |
| Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Wilhelm Kempff | — |
| Piano Sonata no. 25 in G major, op. 79: II. Andante | Wilhelm Kempff | — |
| Piano Sonata no. 25 in G major, op. 79: III. Vivace | Wilhelm Kempff | — |
| Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Wilhelm Kempff | — |
| Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Wilhelm Kempff | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a: I. Adagio‐Allegro | Claudio Arrau | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a: II. Andante espressivo | Claudio Arrau | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | T-310.769.687-3 |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | T-310.769.687-3 |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | T-011.422.353-8 |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — |
| Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Maria Yudina | — |
| Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo - Allegro molto - Trio | Maria Yudina | — |
| Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe - Maestoso andante | Maria Yudina | — |
| Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Maria Yudina | — |
| Sonate pour piano no. 32 en ut mineur, op. 111: I. Maestoso – Allegro con brio ed appassionato | Maria Yudina | — |
| Sonate pour piano no. 32 en ut mineur, op. 111: II. Arietta. Adagio molto semplice e cantabile | Maria Yudina | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
3701025830876 is a Universal Product Code (UPC) assigned to Les Sonates pour piano : La Discothèque idéale de Diapason, vol. 21 by Beethoven, Arrau, Backhaus, Benedetti Michelangeli, Fischer, Gieseking, Grinberg, Gulda, Haskil, Hess, Horszowski, Kempff, Lamond, Moiseiwitsch, Nat, Ney, Richter, Schnabel, Serkin, Solomon, Yudina. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 141 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Les Sonates pour piano : La Discothèque idéale de Diapason, vol. 21” by Beethoven, Arrau, Backhaus, Benedetti Michelangeli, Fischer, Gieseking, Grinberg, Gulda, Haskil, Hess, Horszowski, Kempff, Lamond, Moiseiwitsch, Nat, Ney, Richter, Schnabel, Serkin, Solomon, Yudina is 3701025830876. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: La Discothèque Idéale De Diapason. This release contains 141 tracks, each with its own ISRC. Tracks include FR8Z95321101, FR8Z95321102, FR8Z95321103.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Wilhelm Backhaus | — | |
| 2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Wilhelm Backhaus | — | |
| 3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto | Wilhelm Backhaus | — | |
| 4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Wilhelm Backhaus | — | |
| 5 | Sonate Nr. 2 A-Dur Op. 2/2: I Allegro | Friedrich Gulda | — | |
| 6 | Sonate Nr. 2 A-Dur Op. 2/2: II Largo Appassionato | Friedrich Gulda | — | |
| 7 | Sonate Nr. 2 A-Dur Op. 2/2: III Scherzo. Allegretto | Friedrich Gulda | — | |
| 8 | Sonate Nr. 2 A-Dur Op. 2/2: IV Rondo. Grazioso | Friedrich Gulda | — | |
| 9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo (Allegro) – Trio (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai (1955 recording) | Arturo Benedetti Michelangeli | — | |
| 13 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro (1959 recording) | Maria Grinberg | — | |
| 14 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio (1959 recording) | Maria Grinberg | — | |
| 15 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto (Allegretto) – Trio (1959 recording) | Maria Grinberg | — | |
| 16 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo (1959 recording) | Maria Grinberg | — | |
| 17 | Piano Sonata no. 4 in E‐flat major, op. 7: I. Allegro molto e con brio (1955 recording) | Friedrich Gulda | — | |
| 18 | Piano Sonata no. 4 in E‐flat major, op. 7: II. Largo con gran espressione (1955 recording) | Friedrich Gulda | — | |
| 19 | Piano Sonata no. 4 in E‐flat major, op. 7: III. Allegro – Trio (1955 recording) | Friedrich Gulda | — | |
| 20 | Piano Sonata no. 4 in E‐flat major, op. 7: IV. Rondo (Poco allegretto e grazioso) (1955 recording) | Friedrich Gulda | — | |
| 21 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Artur Schnabel | — | |
| 22 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Artur Schnabel | — | |
| 23 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale, Prestissimo | Artur Schnabel | — | |
| 24 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Wilhelm Backhaus | — | |
| 25 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Wilhelm Backhaus | — | |
| 26 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Wilhelm Backhaus | — | |
| 27 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto (1948 recording) | Edwin Fischer | — | |
| 28 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto (1948 recording) | Edwin Fischer | — | |
| 29 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto (Allegro) – Trio (1948 recording) | Edwin Fischer | — | |
| 30 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo (Allegro) (1948 recording) | Edwin Fischer | — | |
| 31 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio (1959 recording) | Sviatoslav Richter | T-915.723.669-6 | |
| 32 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (1959 recording) | Sviatoslav Richter | — | |
| 33 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (Allegro) (1959 recording) | Sviatoslav Richter | — | |
| 34 | Piano Sonata no. 9 in E major, op. 14 no. 1: I. Allegro (1947 recording) | Sviatoslav Richter | — | |
| 35 | Piano Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto (1947 recording) | Sviatoslav Richter | — | |
| 36 | Piano Sonata no. 9 in E major, op. 14 no. 1: III. Rondo (Allegro comodo) (1947 recording) | Sviatoslav Richter | — | |
| 37 | Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Wilhelm Kempff | T-070.160.313-5 | |
| 38 | Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Wilhelm Kempff | — | |
| 39 | Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (allegro assai) | Wilhelm Kempff | — | |
| 40 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | Artur Schnabel | — | |
| 41 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Andante cantabile | Artur Schnabel | — | |
| 42 | Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo, Allegro | Artur Schnabel | — | |
| 43 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (1926 recording) | Frederic Lamond | — | |
| 44 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo (Allegro) (1926 recording) | Frederic Lamond | — | |
| 2-1 | Sonate No. 11 en si bémol majeur, Op. 22: I. Allegro con brio | Yves Nat | — | |
| 2-2 | Sonate No. 11 en si bémol majeur, Op. 22: II. Adagio con molto espressione | Yves Nat | — | |
| 2-3 | Sonate No. 11 en si bémol majeur, Op. 22: III. Menuetto | Yves Nat | — | |
| 2-4 | Sonate No. 11 en si bémol majeur, Op. 22: IV. Rondo. Allegretto | Yves Nat | — | |
| 2-5 | Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Maria Yudina | — | |
| 2-6 | Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo - Allegro molto - Trio | Maria Yudina | — | |
| 2-7 | Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe - Maestoso andante | Maria Yudina | — | |
| 2-8 | Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Maria Yudina | — | |
| 2-9 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: I. Andante | Claudio Arrau | — | |
| 2-10 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: II. Allegro molto e vivace | Claudio Arrau | — | |
| 2-11 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: III. Adagio con espressione | Claudio Arrau | — | |
| 2-12 | Sonata for Piano no. 13 in E-flat major, op. 27 no. 1: IV. Allegro vivace | Claudio Arrau | — | |
| 2-13 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: I. Andante con variazioni (Tema – Variations Nos.1–5) (1953 recording) | Friedrich Gulda | — | |
| 2-14 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: II. Scherzo (Allegro molto) – Trio (1953 recording) | Friedrich Gulda | — | |
| 2-15 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: III. Marcia funebre sulla morte d’un eroe (Maestoso andante) (1953 recording) | Friedrich Gulda | — | |
| 2-16 | Piano Sonata no. 12 in A‐flat major, op. 26 “Funeral March”: IV. Allegro (1953 recording) | Friedrich Gulda | — | |
| 2-17 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (1953 recording) | Friedrich Gulda | — | |
| 2-18 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (1953 recording) | Friedrich Gulda | — | |
| 2-19 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (1953 recording) | Friedrich Gulda | — | |
| 2-20 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': I. Allegro | Wilhelm Backhaus | — | |
| 2-21 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': II. Andante | Wilhelm Backhaus | — | |
| 2-22 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': III. Scherzo (Allegro assai) | Wilhelm Backhaus | — | |
| 2-23 | Piano Sonata no. 15 in D major, op. 28 'Pastoral': IV. Rondo (Allegro ma non troppo) | Wilhelm Backhaus | — | |
| 2-24 | Sonata No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | Yves Nat | — | |
| 2-25 | Sonata No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | Yves Nat | — | |
| 2-26 | Sonata No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | Yves Nat | — | |
| 2-27 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (1961 recording) | Maria Grinberg | — | |
| 2-28 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (1961 recording) | Maria Grinberg | — | |
| 2-29 | Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (1961 recording) | Maria Grinberg | — | |
| 2-30 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — | |
| 2-31 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | — | |
| 2-32 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | — | |
| 2-33 | Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | — | |
| 2-34 | Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — | |
| 2-35 | Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — | |
| 2-36 | Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — | |
| 2-37 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Wilhelm Kempff | T-070.160.313-5 | |
| 2-38 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (allegro) | Wilhelm Kempff | — | |
| 2-39 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | Wilhelm Kempff | — | |
| 2-40 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Wilhelm Kempff | T-312.439.209-8 | |
| 2-41 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: I. Allegro (1957 recording) | Clara Haskil | — | |
| 2-42 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: II. Scherzo (Allegretto vivace) (1957 recording) | Clara Haskil | — | |
| 2-43 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: III. Menuetto (Moderato e grazioso) (1957 recording) | Clara Haskil | — | |
| 2-44 | Piano Sonata no. 18 in E‐flat major, op. 31 no. 3: IV. Presto con fuoco (1957 recording) | Clara Haskil | — | |
| 3-1 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / I. Allegro con brio | Rudolf Serkin | — | |
| 3-2 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / II. Introduzione. Adagio molto | Rudolf Serkin | — | |
| 3-3 | Sonata No. 21 in C Major, Op. 53 (Waldstein) / III. Rondo. Allegretto moderato | Rudolf Serkin | — | |
| 3-4 | Piano Sonata no. 22 in F major, op. 54: I. In Tempo d’un menuetto (1960 recording) | Sviatoslav Richter | — | |
| 3-5 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto – Più allegro (1960 recording) | Sviatoslav Richter | — | |
| 3-6 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (1960 recording) | Claudio Arrau | — | |
| 3-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (1960 recording) | Claudio Arrau | — | |
| 3-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo – Presto (1960 recording) | Claudio Arrau | — | |
| 3-9 | Sonate n°24, Op.78, "à Thérèse", en fa dièse majeur: Adagio cantabile - Allegro | Walter Gieseking | — | |
| 3-10 | Sonate n°24, Op.78, "à Thérèse", en fa dièse majeur: Allegro vivace | Walter Gieseking | — | |
| 3-11 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Wilhelm Kempff | — | |
| 3-12 | Piano Sonata no. 25 in G major, op. 79: II. Andante | Wilhelm Kempff | — | |
| 3-13 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | Wilhelm Kempff | — | |
| 3-14 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 1. Das Lebewohl (Adagio – Allegro) | Benno Moiseiwitsch | — | |
| 3-15 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 2. Abwesenheit (Andante espressivo) | Benno Moiseiwitsch | — | |
| 3-16 | Piano Sonata no. 26 in E‐flat, op. 81a “Les adieux”: 3. Das Wiedersehen (Vivacissimamente) | Benno Moiseiwitsch | — | |
| 3-17 | Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Wilhelm Kempff | — | |
| 3-18 | Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Wilhelm Kempff | — | |
| 3-19 | Sonata no. 28 in A major, op. 101: I. Allegretto, ma non troppo | Solomon | — | |
| 3-20 | Sonata no. 28 in A major, op. 101: II. Vivace alla marcia | Solomon | — | |
| 3-21 | Piano Sonata No. 28 in A major, op. 101: III. Adagio, ma non troppo, con affetto | Solomon | — | |
| 3-22 | Piano Sonata No. 28 in A major, op. 101: IV. Allegro | Solomon | — | |
| 3-23 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (1961 recording) | Maria Grinberg | — | |
| 3-24 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (1961 recording) | Maria Grinberg | — | |
| 3-25 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo – Presto (1961 recording) | Maria Grinberg | — | |
| 4-1 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro | Solomon | — | |
| 4-2 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo | Solomon | — | |
| 4-3 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio e sostenuto | Solomon | — | |
| 4-4 | Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Largo – Un poco piu vivace – Allegro – Tempo – Prestissimo – Allegroris | Solomon | — | |
| 4-5 | Piano Sonata no. 30 in E major, op. 109: I. Vivace – Adagio espressivo (1959 recording) | Friedrich Gulda | — | |
| 4-6 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo (1959 recording) | Friedrich Gulda | — | |
| 4-7 | Piano Sonata no. 30 in E major, op. 109: III. Tema (Gesangvoll, mit innigster Empfindung) – Variations Nos.1–6 (1959 recording) | Friedrich Gulda | — | |
| 4-8 | Piano Sonata no. 30 in E major, op. 109: I. Vivace – Adagio espressivo (1953 recording) | Dame Myra Hess | — | |
| 4-9 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo (1953 recording) | Dame Myra Hess | — | |
| 4-10 | Piano Sonata no. 26 in E‐flat major, op. 81a: I. Adagio‐Allegro | Claudio Arrau | — | |
| 4-11 | Piano Sonata no. 26 in E‐flat major, op. 81a: II. Andante espressivo | Claudio Arrau | — | |
| 4-12 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — | |
| 4-13 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: I. Allegro (1950 recording) | Mieczysław Horszowski | — | |
| 4-14 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: II. Scherzo (Assai vivace – Presto – Prestissimo) (1950 recording) | Mieczysław Horszowski | — | |
| 4-15 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto, appassionato e con molto sentimento (1950 recording) | Mieczysław Horszowski | — | |
| 4-16 | Piano Sonata no. 29 in B‐flat major, op. 106 “Hammerklavier”: IV. Introduzione (Largo – Allegro) – Fuga (Allegro risoluto) (1950 recording) | Mieczysław Horszowski | — | |
| 4-17 | Piano Sonata no. 30 in E major, op. 109: I. Vivace – Adagio espressivo (1954 recording) | Edwin Fischer | — | |
| 4-18 | Piano Sonata no. 30 in E major, op. 109: II. Prestissimo (1954 recording) | Edwin Fischer | — | |
| 4-19 | Piano Sonata no. 30 in E major, op. 109: III. Tema (Gesangvoll, mit innigster Empfindung) – Variations Nos.1–6 (1954 Recording) | Edwin Fischer | — | |
| 4-20 | Piano Sonata no. 31 in A‐flat, op. 110: I. Moderato cantabile molto espressivo | Edwin Fischer | — | |
| 4-21 | Piano Sonata no. 31 in A‐flat, op. 110: II. Allegro molto | Edwin Fischer | — | |
| 4-22 | Piano Sonata no. 31 in A‐flat, op. 110: III. Adagio ma non troppo | Edwin Fischer | — | |
| 4-23 | Piano Sonata no. 31 in A‐flat, op. 110: IV. Fuga. Allegro ma non troppo | Edwin Fischer | — | |
| 4-24 | Sonate pour piano no. 32 en ut mineur, op. 111: I. Maestoso – Allegro con brio ed appassionato | Maria Yudina | — | |
| 4-25 | Sonate pour piano no. 32 en ut mineur, op. 111: II. Arietta. Adagio molto semplice e cantabile | Maria Yudina | — | |
| 4-26 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato (1961 recording) | Arturo Benedetti Michelangeli | — | |
| 4-27 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta (Adagio molto semplice e cantabile) (1961 recording) | Arturo Benedetti Michelangeli | — | |
| 4-28 | Piano Sonata no. 32 in C minor, op. 111: Maestro. Allegro con brio e appassionato | Elly Ney | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Wilhelm Kempff | — |
| Piano Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Wilhelm Kempff | — |
| Piano Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo (allegro assai) | Wilhelm Kempff | — |
| Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | Wilhelm Kempff | — |
| Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo (allegro) | Wilhelm Kempff | — |
| Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | Wilhelm Kempff | — |
| Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | Wilhelm Kempff | — |
| Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Wilhelm Kempff | — |
| Piano Sonata no. 25 in G major, op. 79: II. Andante | Wilhelm Kempff | — |
| Piano Sonata no. 25 in G major, op. 79: III. Vivace | Wilhelm Kempff | — |
| Piano Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Wilhelm Kempff | — |
| Piano Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Wilhelm Kempff | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a: I. Adagio‐Allegro | Claudio Arrau | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a: II. Andante espressivo | Claudio Arrau | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | T-310.769.687-3 |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | T-310.769.687-3 |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | Sviatoslav Richter | — |
| Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | Sviatoslav Richter | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | T-011.422.353-8 |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — |
| Piano Sonata no. 12 in A-flat major, op. 26: I. Andante con variazioni | Maria Yudina | — |
| Piano Sonata no. 12 in A-flat major, op. 26: II. Scherzo - Allegro molto - Trio | Maria Yudina | — |
| Piano Sonata no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe - Maestoso andante | Maria Yudina | — |
| Piano Sonata no. 12 in A-flat major, op. 26: IV. Allegro | Maria Yudina | — |
| Sonate pour piano no. 32 en ut mineur, op. 111: I. Maestoso – Allegro con brio ed appassionato | Maria Yudina | — |
| Sonate pour piano no. 32 en ut mineur, op. 111: II. Arietta. Adagio molto semplice e cantabile | Maria Yudina | — |
