UPC · Release
Salut les idoles : Spécial années 60
Various Artists
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3760108359574 is the Universal Product Code (UPC barcode) for the release “Salut les idoles : Spécial années 60” by Various Artists, released 2016-09-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 200 tracks, each with its own ISRC. Tracks include FRM039400310, FR60Z1800150, ES31E2501863.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (200)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Belles ! Belles ! Belles ! | Claude François | T-314.435.920-2 | |
| 2 | Nouvelle vague | Richard Anthony | — | |
| 3 | Apache | — | ||
| 4 | Tous les garçons et les filles | — | ||
| 5 | Le Locomotion | — | ||
| 6 | Souvenirs, souvenirs | Johnny Hallyday | T-902.685.506-1 | |
| 7 | Stand by Me | — | ||
| 8 | Le Petit Gonzales | Danyel Gérard | T-802.620.845-8 | |
| 9 | I’m Sorry | — | ||
| 10 | Daniela | Les Chaussettes Noires | T-003.008.131-2 | |
| 11 | Twist à Saint Tropez | — | ||
| 12 | Please Mr. Postman | — | ||
| 13 | J’entends siffler le train | Richard Anthony | T-918.612.116-4 | |
| 14 | La Plage aux romantiques | — | ||
| 15 | Diana | — | ||
| 16 | Dactylo rock | Les Chaussettes Noires, Eddy Mitchell | T-003.008.110-7 | |
| 17 | Le Temps de l’amour | Françoise Hardy | T-003.135.526-6 | |
| 18 | Let’s Twist Again | — | ||
| 19 | La Leçon de twist | — | ||
| 20 | Come prima | Dalida, Raymond Lefèvre et son orchestre | T-905.530.403-5 | |
| 2-1 | Derniers Baisers | — | ||
| 2-2 | Stupid Cupid | — | ||
| 2-3 | Don’t Make Me Over | — | ||
| 2-4 | Surfin’ Safari | — | ||
| 2-5 | Pour une amourette | Leny Escudero | T-003.014.496-7 | |
| 2-6 | Pas cette chanson | — | ||
| 2-7 | Tout l’amour | — | ||
| 2-8 | You Are My Destiny | — | ||
| 2-9 | L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — | |
| 2-10 | La Panne d’essence | — | ||
| 2-11 | My Baby Just Cares for Me | — | ||
| 2-12 | Kilimandjaro | — | ||
| 2-13 | Moi je pense encore à toi | — | ||
| 2-14 | St Tropez blues | — | ||
| 2-15 | En blue jeans et blouson de cuir | — | ||
| 2-16 | Georgia on My Mind | — | ||
| 2-17 | James Bond thème (Original motion picture soundtrack) | — | ||
| 2-18 | Tous mes copains | Sylvie Vartan | T-003.017.419-6 | |
| 2-19 | Itsi bitsi petit bikini | Dalida | T-906.873.994-6 | |
| 2-20 | Le lion est mort ce soir (The Lion Sleeps Tonight) | Henri Salvador | T-314.435.402-5 | |
| 3-1 | Misirlou (de « Pulp fiction ») | — | ||
| 3-2 | Je bois du lait | — | ||
| 3-3 | Est‐ce que tu le sais | — | ||
| 3-4 | Retiens la nuit | Johnny Hallyday | T-900.780.527-8 | |
| 3-5 | Shadoogie | — | ||
| 3-6 | L’Eau à la bouche | Serge Gainsbourg | T-003.008.786-5 | |
| 3-7 | Unchain My Heart | — | ||
| 3-8 | Sleepwalk | — | ||
| 3-9 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 3-10 | Can’t Help Falling in Love | — | ||
| 3-11 | Runaway | — | ||
| 3-12 | Peter Gunn | — | ||
| 3-13 | Only You | — | ||
| 3-14 | Les Enfants du Pirée | Dalida | T-004.015.494-6 | |
| 3-15 | Love Me Tender | — | ||
| 3-16 | (What a) Wonderful World | — | ||
| 3-17 | Sheila | Sheila | T-070.243.552-6 | |
| 3-18 | The Great Pretender | — | ||
| 3-19 | FBI | — | ||
| 3-20 | All I Have to Do Is Dream | — | ||
| 4-1 | Charlie Brown | — | ||
| 4-2 | Chariot | — | ||
| 4-3 | Sidonie | Brigitte Bardot | — | |
| 4-4 | Hit the Road Jack | — | ||
| 4-5 | Do You Wanna Dance | — | ||
| 4-6 | Green Onions | — | ||
| 4-7 | C’est à l’amour auquel je pense | Françoise Hardy | T-900.755.183-9 | |
| 4-8 | Please, Please, Please | — | ||
| 4-9 | Telstar | — | ||
| 4-10 | Let’s Dance | — | ||
| 4-11 | Nivram | — | ||
| 4-12 | The Loco‐Motion | — | ||
| 4-13 | Hello Mary Lou | — | ||
| 4-14 | Stranger on the Shore | — | ||
| 4-15 | Travellin’ Light | — | ||
| 4-16 | C’est pas sérieux (Theme for a Dream) | — | ||
| 4-17 | The Twist | — | ||
| 4-18 | Guitar Tango | — | ||
| 4-19 | When the Girl in Your Arms Is the Girl in Your Heart | — | ||
| 4-20 | Save the Last Dance for Me | — | ||
| 5-1 | Tu parles trop | — | ||
| 5-2 | Orange Blossom Special | — | ||
| 5-3 | Eddie sois bon | Les Chaussettes Noires | — | |
| 5-4 | Dieu merci, il m’aime aussi | — | ||
| 5-5 | Dedicated to the One I Love | — | ||
| 5-6 | Moon River (de « Diamants sur canapé ») | — | ||
| 5-7 | Trois en amour | — | ||
| 5-8 | Bye Bye Love | — | ||
| 5-9 | Bambino | Dalida, Raymond Lefèvre et son orchestre | — | |
| 5-10 | The Young Ones | — | ||
| 5-11 | 24 mille baisers | Dalida | — | |
| 5-12 | Le Jazz et la Java | — | ||
| 5-13 | Walk Don’t Run | — | ||
| 5-14 | Cathy | Alain Barrière | T-702.038.210-1 | |
| 5-15 | Gondolier (With All My Heart) | Dalida | T-900.757.217-0 | |
| 5-16 | Kili Watch | — | ||
| 5-17 | J’irai pleurer sous la pluie | Richard Anthony | — | |
| 5-18 | What’d I Say | — | ||
| 5-19 | You’re Sixteen | — | ||
| 5-20 | Perfidia | — | ||
| 6-1 | D’où reviens-tu, Billie Boy | — | ||
| 6-2 | Scoubidou | — | ||
| 6-3 | Cigarettes, whisky et p’tites pépées | — | ||
| 6-4 | Laisse les filles | — | ||
| 6-5 | Mon truc en plumes | — | ||
| 6-6 | Living Doll | — | ||
| 6-7 | Mustapha (Chérie je t’aime, chérie je t’adore) | Bob Azzam | — | |
| 6-8 | Si tu vas à Rio | — | ||
| 6-9 | Moi j’attends Adèle | Pierre Perret | T-003.012.370-6 | |
| 6-10 | The Rumble | — | ||
| 6-11 | La partita di pallone | — | ||
| 6-12 | Shaking All Over | — | ||
| 6-13 | Ya Ya Twist | — | ||
| 6-14 | Brigitte | — | ||
| 6-15 | Garde‐moi la dernière danse | Dalida | — | |
| 6-16 | Pepito | — | ||
| 6-17 | Oh ! Quelle nuit | — | ||
| 6-18 | Le Poinçonneur des Lilas | Serge Gainsbourg | T-003.014.294-9 | |
| 6-19 | Et maintenant | Gilbert Bécaud | T-003.009.238-6 | |
| 6-20 | Ballade de Davy Crockett | — | ||
| 7-1 | ’O sole mio | — | ||
| 7-2 | Kon Tiki | — | ||
| 7-3 | Oh ! Marie Line | — | ||
| 7-4 | La Bamba rock | Les Chaussettes Noires | T-071.000.650-0 | |
| 7-5 | Gee Whizz It’s You | — | ||
| 7-6 | The Frightened City | — | ||
| 7-7 | Tu parles trop | — | ||
| 7-8 | Guitare et tambourin | — | ||
| 7-9 | Man of Mystery | — | ||
| 7-10 | Twistin’ USA | — | ||
| 7-11 | What Do You Want | — | ||
| 7-12 | Spanish Harlem | — | ||
| 7-13 | Le Déserteur | Boris Vian | T-004.760.249-2 | |
| 7-14 | Salade de fruits | Bourvil | T-003.015.626-3 | |
| 7-15 | Peggy Sue | — | ||
| 7-16 | Comme un p’tit coqu’licot | Mouloudji | T-003.007.673-3 | |
| 7-17 | Sur ma vie | — | ||
| 7-18 | Baby John | — | ||
| 7-19 | Les Fous du twist | — | ||
| 7-20 | On the Banks of the Ohio | — | ||
| 8-1 | Viens danser le twist | — | ||
| 8-2 | St. Tropez | — | ||
| 8-3 | It’s All in the Game | — | ||
| 8-4 | La Bamba | — | ||
| 8-5 | La Ballade irlandaise (Un oranger) | Bourvil | T-003.005.994-9 | |
| 8-6 | Mr. Sandman | — | ||
| 8-7 | Rock With the Caveman | — | ||
| 8-8 | Rock On | — | ||
| 8-9 | You’re Driving Me Crazy | — | ||
| 8-10 | Blue Moon | — | ||
| 8-11 | A Girl Like You | — | ||
| 8-12 | That’ll Be the Day | — | ||
| 8-13 | Un jour tu verras | — | ||
| 8-14 | Reach for the Stars | Shirley Bassey | — | |
| 8-15 | Remember Me | — | ||
| 8-16 | Midnight in Moscow | — | ||
| 8-17 | T’aimer follement | — | ||
| 8-18 | Teenage Idol | Ricky Nelson | T-071.190.015-0 | |
| 8-19 | J’suis d’accord | — | ||
| 8-20 | Wake Up Little Susie | — | ||
| 9-1 | Remember You’re Mine | — | ||
| 9-2 | Whatever Will Be Will Be | — | ||
| 9-3 | A Woman in Love | — | ||
| 9-4 | Oh Carol | — | ||
| 9-5 | I’ll Be Home | — | ||
| 9-6 | Sailor | Petula Clark | T-042.624.410-1 | |
| 9-7 | Are You Lonesome Tonight | — | ||
| 9-8 | Pepe | — | ||
| 9-9 | Walk Right Back | — | ||
| 9-10 | Rubber Ball | — | ||
| 9-11 | Are You Sure | — | ||
| 9-12 | Will You Still Love Me Tomorrow | — | ||
| 9-13 | Who Am I | — | ||
| 9-14 | Wonderful Land | — | ||
| 9-15 | La Ballade des baladins | Gilbert Bécaud | T-004.011.743-8 | |
| 9-16 | Sherry | — | ||
| 9-17 | My Kind of Girl | — | ||
| 9-18 | Don’t Treat Me Like a Child | — | ||
| 9-19 | More Than I Can Say | — | ||
| 9-20 | Surrender | — | ||
| 10-1 | Halfway to Paradise | — | ||
| 10-2 | Temptation | — | ||
| 10-3 | Pasadena | — | ||
| 10-4 | Walkin’ Back to Happiness | — | ||
| 10-5 | Sa jeunesse entre ses mains | Charles Aznavour | T-900.851.870-5 | |
| 10-6 | Marguerite | — | ||
| 10-7 | Lazy River | — | ||
| 10-8 | I’ve Got the World on a String | — | ||
| 10-9 | Please Don’t Tease | — | ||
| 10-10 | L’Eau vive | — | ||
| 10-11 | Dance On | — | ||
| 10-12 | Le Locomotion | — | ||
| 10-13 | Le Transistor | — | ||
| 10-14 | Le Jet | — | ||
| 10-15 | Dance With Me | — | ||
| 10-16 | Croque la pomme | — | ||
| 10-17 | Bye bye mon amour | — | ||
| 10-18 | Last Night | — | ||
| 10-19 | Tequila | — | ||
| 10-20 | Multiplication | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — |
| Garde‐moi la dernière danse | Dalida | — |
| L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — |
| L’Idole des jeunes (Teenage Idol) | Johnny Hallyday | — |
| Nouvelle vague | Richard Anthony | — |
| Reach for the Stars | Shirley Bassey | — |
| Reach for the Stars | Shirley Bassey | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Identifier Graph
People also ask
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What is UPC 3760108359574?
3760108359574 is a Universal Product Code (UPC) assigned to Salut les idoles : Spécial années 60 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 200 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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