UPC · Release
Miles Davis
Last verified:
The UPC for “The Complete Live Recordings 1948–1955” by Miles Davis is 3760138175038. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: United Archives. This release contains 108 tracks, each with its own ISRC. Tracks include USSM10502074.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Birth of the Cool Theme | — | ||
| 2 | Move | — | ||
| 3 | Moon Dreams | — | ||
| 4 | Budo | — | ||
| 5 | Godchild | — | ||
| 6 | S’il vous plaît | — | ||
| 7 | Darn That Dream | — | ||
| 8 | Why Do I Love You | — | ||
| 9 | Move | — | ||
| 10 | Moon Dreams | — | ||
| 11 | Budo | — | ||
| 12 | Just You, Just Me | — | ||
| 13 | Good Bait | — | ||
| 14 | Unknown Ballad | — | ||
| 2-1 | Half Nelson | — | ||
| 2-2 | Chasin’ the Bird | — | ||
| 2-3 | 52nd Street Theme | — | ||
| 2-4 | You Go to My Head | — | ||
| 2-5 | Anthropology | — | ||
| 2-6 | The Squirrel | — | ||
| 2-7 | How High the Moon | — | ||
| 2-8 | Good Bait | — | ||
| 2-9 | Focus | — | ||
| 2-10 | April in Paris | — | ||
| 2-11 | Sid’s Delight | — | ||
| 2-12 | Miles | — | ||
| 2-13 | Casbah | — | ||
| 3-1 | Rifftide | — | ||
| 3-2 | Good Baid | — | ||
| 3-3 | Don’t Blame Me | — | ||
| 3-4 | The Squirrel | — | ||
| 3-5 | Lady Bird | — | ||
| 3-6 | All the Things You Are | — | ||
| 3-7 | Wee | — | ||
| 3-8 | Perdido | — | ||
| 3-9 | Embraceable You | — | ||
| 3-10 | Ornithology | — | ||
| 3-11 | Farewell Blues | — | ||
| 3-12 | Move | — | ||
| 3-13 | Hot House | — | ||
| 3-14 | Ornithology | — | ||
| 4-1 | Conception | — | ||
| 4-2 | Ray’s Idea | — | ||
| 4-3 | Max Is Making Wax | — | ||
| 4-4 | Woody’n You | — | ||
| 4-5 | Wee | — | ||
| 4-6 | Ow! | — | ||
| 4-7 | Embraceable You | — | ||
| 4-8 | Max Is Making Wax | — | ||
| 5-1 | Hot House | — | ||
| 5-2 | Conception / Deception | — | ||
| 5-3 | Eronel / 52nd Street I | — | ||
| 5-4 | 52nd Street II | — | ||
| 5-5 | Move | — | ||
| 5-6 | Out of the Blue (Evance) | — | ||
| 5-7 | Half Nelson | — | ||
| 5-8 | Tempus Fugit | — | ||
| 6-1 | Down | — | ||
| 6-2 | Half Nelson | — | ||
| 6-3 | Move | — | ||
| 6-4 | The Squirrel | — | ||
| 6-5 | Move | — | ||
| 6-6 | Lady Bird | — | ||
| 6-7 | Rifftide | — | ||
| 6-8 | All the Things You Are | — | ||
| 6-9 | The Squirrel | — | ||
| 6-10 | Out of the Blue | — | ||
| 6-11 | Confirmation | — | ||
| 7-1 | A Night in Tunisia | — | ||
| 7-2 | Wee Dot | — | ||
| 7-3 | What’s New | — | ||
| 7-4 | Perdido | — | ||
| 7-5 | All the Things You Are | — | ||
| 7-6 | Our Delight | — | ||
| 7-7 | Lady Bird | — | ||
| 7-8 | Ow! | — | ||
| 7-9 | Ray’s Idea | — | ||
| 8-1 | Wee Dot | — | ||
| 8-2 | The Chase | — | ||
| 8-3 | It Could Happen to You | — | ||
| 8-4 | Out of the Blue (Evance) | — | ||
| 8-5 | Jumpin’ With Symphony Sid | — | ||
| 8-6 | Tune Up | — | ||
| 8-7 | Dig | — | ||
| 8-8 | Darn That Dream | — | ||
| 8-9 | Ray’s Idea | — | ||
| 8-10 | Nice Work If You Can Get It | — | ||
| 8-11 | Wee Dot | — | ||
| 9-1 | Alone Together | — | ||
| 9-2 | Well You Needn’t | — | ||
| 9-3 | A Night in Tunisia | — | ||
| 9-4 | Jumpin’ With Symphony Sid | — | ||
| 9-5 | Move | — | ||
| 9-6 | Tenderly | — | ||
| 9-7 | A Night in Tunisia | — | ||
| 9-8 | Dig | — | ||
| 9-9 | I Got Rhythm | — | ||
| 9-10 | The Bluest Blues | — | ||
| 9-11 | On the Sunny Side of the Street | — | ||
| 10-1 | ’Round Midnight | — | ||
| 10-2 | Night in Tunisia | — | ||
| 10-3 | Infinity Promenade | — | ||
| 10-4 | [introduction by Duke Ellington] | — | ||
| 10-5 | Hackensack | — | ||
| 10-6 | ’Round Midnight | Miles Davis | T-070.002.363-7 | |
| 10-7 | Now’s the Time | — | ||
| 10-8 | Max Is Making Wax | — | ||
| 10-9 | It Never Entered My Mind | — |
Credits Graph
3760138175038 is a Universal Product Code (UPC) assigned to The Complete Live Recordings 1948–1955 by Miles Davis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete Live Recordings 1948–1955” by Miles Davis is 3760138175038. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2006-01-01. Label: United Archives. This release contains 108 tracks, each with its own ISRC. Tracks include USSM10502074.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Birth of the Cool Theme | — | ||
| 2 | Move | — | ||
| 3 | Moon Dreams | — | ||
| 4 | Budo | — | ||
| 5 | Godchild | — | ||
| 6 | S’il vous plaît | — | ||
| 7 | Darn That Dream | — | ||
| 8 | Why Do I Love You | — | ||
| 9 | Move | — | ||
| 10 | Moon Dreams | — | ||
| 11 | Budo | — | ||
| 12 | Just You, Just Me | — | ||
| 13 | Good Bait | — | ||
| 14 | Unknown Ballad | — | ||
| 2-1 | Half Nelson | — | ||
| 2-2 | Chasin’ the Bird | — | ||
| 2-3 | 52nd Street Theme | — | ||
| 2-4 | You Go to My Head | — | ||
| 2-5 | Anthropology | — | ||
| 2-6 | The Squirrel | — | ||
| 2-7 | How High the Moon | — | ||
| 2-8 | Good Bait | — | ||
| 2-9 | Focus | — | ||
| 2-10 | April in Paris | — | ||
| 2-11 | Sid’s Delight | — | ||
| 2-12 | Miles | — | ||
| 2-13 | Casbah | — | ||
| 3-1 | Rifftide | — | ||
| 3-2 | Good Baid | — | ||
| 3-3 | Don’t Blame Me | — | ||
| 3-4 | The Squirrel | — | ||
| 3-5 | Lady Bird | — | ||
| 3-6 | All the Things You Are | — | ||
| 3-7 | Wee | — | ||
| 3-8 | Perdido | — | ||
| 3-9 | Embraceable You | — | ||
| 3-10 | Ornithology | — | ||
| 3-11 | Farewell Blues | — | ||
| 3-12 | Move | — | ||
| 3-13 | Hot House | — | ||
| 3-14 | Ornithology | — | ||
| 4-1 | Conception | — | ||
| 4-2 | Ray’s Idea | — | ||
| 4-3 | Max Is Making Wax | — | ||
| 4-4 | Woody’n You | — | ||
| 4-5 | Wee | — | ||
| 4-6 | Ow! | — | ||
| 4-7 | Embraceable You | — | ||
| 4-8 | Max Is Making Wax | — | ||
| 5-1 | Hot House | — | ||
| 5-2 | Conception / Deception | — | ||
| 5-3 | Eronel / 52nd Street I | — | ||
| 5-4 | 52nd Street II | — | ||
| 5-5 | Move | — | ||
| 5-6 | Out of the Blue (Evance) | — | ||
| 5-7 | Half Nelson | — | ||
| 5-8 | Tempus Fugit | — | ||
| 6-1 | Down | — | ||
| 6-2 | Half Nelson | — | ||
| 6-3 | Move | — | ||
| 6-4 | The Squirrel | — | ||
| 6-5 | Move | — | ||
| 6-6 | Lady Bird | — | ||
| 6-7 | Rifftide | — | ||
| 6-8 | All the Things You Are | — | ||
| 6-9 | The Squirrel | — | ||
| 6-10 | Out of the Blue | — | ||
| 6-11 | Confirmation | — | ||
| 7-1 | A Night in Tunisia | — | ||
| 7-2 | Wee Dot | — | ||
| 7-3 | What’s New | — | ||
| 7-4 | Perdido | — | ||
| 7-5 | All the Things You Are | — | ||
| 7-6 | Our Delight | — | ||
| 7-7 | Lady Bird | — | ||
| 7-8 | Ow! | — | ||
| 7-9 | Ray’s Idea | — | ||
| 8-1 | Wee Dot | — | ||
| 8-2 | The Chase | — | ||
| 8-3 | It Could Happen to You | — | ||
| 8-4 | Out of the Blue (Evance) | — | ||
| 8-5 | Jumpin’ With Symphony Sid | — | ||
| 8-6 | Tune Up | — | ||
| 8-7 | Dig | — | ||
| 8-8 | Darn That Dream | — | ||
| 8-9 | Ray’s Idea | — | ||
| 8-10 | Nice Work If You Can Get It | — | ||
| 8-11 | Wee Dot | — | ||
| 9-1 | Alone Together | — | ||
| 9-2 | Well You Needn’t | — | ||
| 9-3 | A Night in Tunisia | — | ||
| 9-4 | Jumpin’ With Symphony Sid | — | ||
| 9-5 | Move | — | ||
| 9-6 | Tenderly | — | ||
| 9-7 | A Night in Tunisia | — | ||
| 9-8 | Dig | — | ||
| 9-9 | I Got Rhythm | — | ||
| 9-10 | The Bluest Blues | — | ||
| 9-11 | On the Sunny Side of the Street | — | ||
| 10-1 | ’Round Midnight | — | ||
| 10-2 | Night in Tunisia | — | ||
| 10-3 | Infinity Promenade | — | ||
| 10-4 | [introduction by Duke Ellington] | — | ||
| 10-5 | Hackensack | — | ||
| 10-6 | ’Round Midnight | Miles Davis | T-070.002.363-7 | |
| 10-7 | Now’s the Time | — | ||
| 10-8 | Max Is Making Wax | — | ||
| 10-9 | It Never Entered My Mind | — |
