UPC · Release
La Reverdie
Last verified:
The UPC for “Knights, Maids and Miracles: The Spring of Middle Ages” by La Reverdie is 3760195733998. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Arcana (4). This release contains 93 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Laude novella sia cantata (late 13th century) | — | ||
| 2 | Qualis est dilectus tuus | — | ||
| 3 | Edi beo thu hevene quene (13th century) | — | ||
| 4 | Procurans odium (13th century) | — | ||
| 5 | Patrie pacis / Patria gaudentium (late 14th century) | — | ||
| 6 | Eya martyr Stephane (mid 15th century) | — | ||
| 7 | Dulcis amor | — | ||
| 8 | Acunt vont / Amor qui cor / Kyrie (13th century) | — | ||
| 9 | Amis tout dous | — | ||
| 10 | Ma douce amour | — | ||
| 11 | Tres douls amis (mid 14th century) | — | ||
| 12 | Questa fanciulla Amor | — | ||
| 13 | Questa fanciulla Amor [codex Reina] (early 15th century) | — | ||
| 14 | Quan je voy (mid 14th century) | — | ||
| 15 | Con dolce brama | — | ||
| 16 | Go hert | — | ||
| 17 | Ain graserin durch kulen tau | — | ||
| 18 | Trew on wam ys all my tryst | — | ||
| 19 | A poste messe | — | ||
| 20 | Or sus, vous dormés trop (late 14th century) | — | ||
| 21 | De luscinia (attrib.) | — | ||
| 22 | Sì dolce non sonò | — | ||
| 23 | Segugi a corde (attrib.) | — | ||
| 24 | Qui vult psallere (13th century) | — | ||
| 25 | Pantheon abluiter / Apollinis eclipsatur / Zodiacum signis lustrantibus (attrib.) | — | ||
| 26 | O tu chara sciença | — | ||
| 27 | Musica son / Già furon / Ciascun vuoli | — | ||
| 28 | Are post libamina / Nunc surgunt in populo | — | ||
| 29 | S' i', Monocordo Gentil | — | ||
| 30 | Non più doglie ebbe Dido | — | ||
| 31 | Chose Tassin | — | ||
| 32 | Nu sculon herigean | — | ||
| 33 | In omnem terram | — | ||
| 34 | Alleluja / Cantabant Sancti (2nd half of the 11th century) | — | ||
| 35 | Laus Trinitati | — | ||
| 36 | Ysaias cecini / Tytire tu patule (13th century) | — | ||
| 37 | Alma polis religio / Axe poli cum artica | — | ||
| 38 | Lo Signore ringraçando (late 13th Century) | — | ||
| 39 | Versus de Herico duce | — | ||
| 40 | O lilium convallium / Submersus iacet Pharao (10th century, Aquileia) | — | ||
| 41 | Tres enemics e dos mals seignors ai | — | ||
| 42 | Gewan ich ze minnen ie guoten wan | — | ||
| 43 | En mort d'En Joan de Cucanh (ca. 1272) | — | ||
| 44 | Lux purpurata radiis / Diligite iusticiam | — | ||
| 45 | O in Italia felice Liguria | — | ||
| 46 | O in Italia felice Liguria (arr. S. Doron for recorder and cornet) | — | ||
| 47 | Nel bel giardino che l'Adige | — | ||
| 48 | Pyrance la Bella Yguana (arr. E. de Mircovich for chamber ensemble) | — | ||
| 49 | Nell'acqua chiara | — | ||
| 50 | La nobil scala (Madrigal: 12th century, Venice) | — | ||
| 51 | Ave Corpus Sanctum / Adolescens protomartir / Ave Corpus Sanctum | — | ||
| 52 | Imperial sedendo | — | ||
| 53 | Imperial sedendo (early 15th century, Italy) | — | ||
| 54 | Rondeau sans texte (attrib.) | — | ||
| 55 | Strenua quem duxit / Gaudeat et tanti | — | ||
| 56 | Wyth right al my hert (15th century, England) | — | ||
| 57 | Tir na mBan | — | ||
| 58 | Se Genevre, Tristan | — | ||
| 59 | Lamento di Tristano, Rotta (14th century, Italy) | — | ||
| 60 | Tre fontane (14th century) | — | ||
| 61 | Deus tuorum militum / De flore martyrum / Ave Rex (early 14th century) | — | ||
| 62 | Ave miles celestis curie / Ave Rex patrone patrie / Ave Rex (early 14th century) | — | ||
| 63 | Nobilis humilis Magne martir (12th century, Orkney Isles) | — | ||
| 64 | Quene note (attrib.) (arr. Doron Sherwin) | — | ||
| 65 | Di novo è giunto un chavalier errante | — | ||
| 66 | S'on me regarde / Prenés i garde / Hé mi enfant (13th century, France) | — | ||
| 67 | Seguendo'l canto | — | ||
| 68 | Nel bosco sença foglie | — | ||
| 69 | Ave Maris Stella (15th century, Italy) | — | ||
| 70 | Crist et Sainte Marie | — | ||
| 71 | Sainte Marie Viergene | — | ||
| 72 | Prima cedit femina / Mulierum hodie / Mulierum (13th century) | — | ||
| 73 | Ave mutter kuniginne | — | ||
| 74 | Nox | — | ||
| 75 | Victimæ pascali laudes | — | ||
| 76 | Mors a primi patris / Mors, que stimulo / Mors morsu nata / Mors | — | ||
| 77 | Occasum | — | ||
| 78 | Pange melos lacrimosum (13th century, France) | — | ||
| 79 | Balaam inquit / Huic plascuit tres Magi (13th century, France) | — | ||
| 80 | Iam nubes dissolvitur / Solem (13th century, France) | — | ||
| 81 | An doz mois de mai / Crux forma (13th century, France) | — | ||
| 82 | A la clarté qui tout / Et illiminare (13th century, France) | — | ||
| 83 | Porta preminentie / Porta penitentie / Portas (13th century, France) | — | ||
| 84 | Miri it is hwile sumer ilasts (Merry It Is While Summer Lasts) (13th century, England) | — | ||
| 85 | Salve mater gracie / Do way Robin (13th century, England) | — | ||
| 86 | Rosa fragrans (13th century, England) | — | ||
| 87 | Mors et vita duello | — | ||
| 88 | Caligo terrae scinditur / Virgo Maria (14th century, England) | — | ||
| 89 | Anglia tibi turbidas spera lucem (14th century, England) | — | ||
| 90 | Ich spur ain lufft aus kulem tufft | — | ||
| 91 | Resvellies vous et faites chiere lye a 3 | — | ||
| 92 | Resvellies vous et faites chiere lye a 3 (after G. Dufay) | — | ||
| 93 | Lux | — |
Creative Contributors (ISNI)
Credits Graph
3760195733998 is a Universal Product Code (UPC) assigned to Knights, Maids and Miracles: The Spring of Middle Ages by La Reverdie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 93 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Knights, Maids and Miracles: The Spring of Middle Ages” by La Reverdie is 3760195733998. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2016-01-01. Label: Arcana (4). This release contains 93 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Laude novella sia cantata (late 13th century) | — | ||
| 2 | Qualis est dilectus tuus | — | ||
| 3 | Edi beo thu hevene quene (13th century) | — | ||
| 4 | Procurans odium (13th century) | — | ||
| 5 | Patrie pacis / Patria gaudentium (late 14th century) | — | ||
| 6 | Eya martyr Stephane (mid 15th century) | — | ||
| 7 | Dulcis amor | — | ||
| 8 | Acunt vont / Amor qui cor / Kyrie (13th century) | — | ||
| 9 | Amis tout dous | — | ||
| 10 | Ma douce amour | — | ||
| 11 | Tres douls amis (mid 14th century) | — | ||
| 12 | Questa fanciulla Amor | — | ||
| 13 | Questa fanciulla Amor [codex Reina] (early 15th century) | — | ||
| 14 | Quan je voy (mid 14th century) | — | ||
| 15 | Con dolce brama | — | ||
| 16 | Go hert | — | ||
| 17 | Ain graserin durch kulen tau | — | ||
| 18 | Trew on wam ys all my tryst | — | ||
| 19 | A poste messe | — | ||
| 20 | Or sus, vous dormés trop (late 14th century) | — | ||
| 21 | De luscinia (attrib.) | — | ||
| 22 | Sì dolce non sonò | — | ||
| 23 | Segugi a corde (attrib.) | — | ||
| 24 | Qui vult psallere (13th century) | — | ||
| 25 | Pantheon abluiter / Apollinis eclipsatur / Zodiacum signis lustrantibus (attrib.) | — | ||
| 26 | O tu chara sciença | — | ||
| 27 | Musica son / Già furon / Ciascun vuoli | — | ||
| 28 | Are post libamina / Nunc surgunt in populo | — | ||
| 29 | S' i', Monocordo Gentil | — | ||
| 30 | Non più doglie ebbe Dido | — | ||
| 31 | Chose Tassin | — | ||
| 32 | Nu sculon herigean | — | ||
| 33 | In omnem terram | — | ||
| 34 | Alleluja / Cantabant Sancti (2nd half of the 11th century) | — | ||
| 35 | Laus Trinitati | — | ||
| 36 | Ysaias cecini / Tytire tu patule (13th century) | — | ||
| 37 | Alma polis religio / Axe poli cum artica | — | ||
| 38 | Lo Signore ringraçando (late 13th Century) | — | ||
| 39 | Versus de Herico duce | — | ||
| 40 | O lilium convallium / Submersus iacet Pharao (10th century, Aquileia) | — | ||
| 41 | Tres enemics e dos mals seignors ai | — | ||
| 42 | Gewan ich ze minnen ie guoten wan | — | ||
| 43 | En mort d'En Joan de Cucanh (ca. 1272) | — | ||
| 44 | Lux purpurata radiis / Diligite iusticiam | — | ||
| 45 | O in Italia felice Liguria | — | ||
| 46 | O in Italia felice Liguria (arr. S. Doron for recorder and cornet) | — | ||
| 47 | Nel bel giardino che l'Adige | — | ||
| 48 | Pyrance la Bella Yguana (arr. E. de Mircovich for chamber ensemble) | — | ||
| 49 | Nell'acqua chiara | — | ||
| 50 | La nobil scala (Madrigal: 12th century, Venice) | — | ||
| 51 | Ave Corpus Sanctum / Adolescens protomartir / Ave Corpus Sanctum | — | ||
| 52 | Imperial sedendo | — | ||
| 53 | Imperial sedendo (early 15th century, Italy) | — | ||
| 54 | Rondeau sans texte (attrib.) | — | ||
| 55 | Strenua quem duxit / Gaudeat et tanti | — | ||
| 56 | Wyth right al my hert (15th century, England) | — | ||
| 57 | Tir na mBan | — | ||
| 58 | Se Genevre, Tristan | — | ||
| 59 | Lamento di Tristano, Rotta (14th century, Italy) | — | ||
| 60 | Tre fontane (14th century) | — | ||
| 61 | Deus tuorum militum / De flore martyrum / Ave Rex (early 14th century) | — | ||
| 62 | Ave miles celestis curie / Ave Rex patrone patrie / Ave Rex (early 14th century) | — | ||
| 63 | Nobilis humilis Magne martir (12th century, Orkney Isles) | — | ||
| 64 | Quene note (attrib.) (arr. Doron Sherwin) | — | ||
| 65 | Di novo è giunto un chavalier errante | — | ||
| 66 | S'on me regarde / Prenés i garde / Hé mi enfant (13th century, France) | — | ||
| 67 | Seguendo'l canto | — | ||
| 68 | Nel bosco sença foglie | — | ||
| 69 | Ave Maris Stella (15th century, Italy) | — | ||
| 70 | Crist et Sainte Marie | — | ||
| 71 | Sainte Marie Viergene | — | ||
| 72 | Prima cedit femina / Mulierum hodie / Mulierum (13th century) | — | ||
| 73 | Ave mutter kuniginne | — | ||
| 74 | Nox | — | ||
| 75 | Victimæ pascali laudes | — | ||
| 76 | Mors a primi patris / Mors, que stimulo / Mors morsu nata / Mors | — | ||
| 77 | Occasum | — | ||
| 78 | Pange melos lacrimosum (13th century, France) | — | ||
| 79 | Balaam inquit / Huic plascuit tres Magi (13th century, France) | — | ||
| 80 | Iam nubes dissolvitur / Solem (13th century, France) | — | ||
| 81 | An doz mois de mai / Crux forma (13th century, France) | — | ||
| 82 | A la clarté qui tout / Et illiminare (13th century, France) | — | ||
| 83 | Porta preminentie / Porta penitentie / Portas (13th century, France) | — | ||
| 84 | Miri it is hwile sumer ilasts (Merry It Is While Summer Lasts) (13th century, England) | — | ||
| 85 | Salve mater gracie / Do way Robin (13th century, England) | — | ||
| 86 | Rosa fragrans (13th century, England) | — | ||
| 87 | Mors et vita duello | — | ||
| 88 | Caligo terrae scinditur / Virgo Maria (14th century, England) | — | ||
| 89 | Anglia tibi turbidas spera lucem (14th century, England) | — | ||
| 90 | Ich spur ain lufft aus kulem tufft | — | ||
| 91 | Resvellies vous et faites chiere lye a 3 | — | ||
| 92 | Resvellies vous et faites chiere lye a 3 (after G. Dufay) | — | ||
| 93 | Lux | — |
