3760195737019 is the Universal Product Code (UPC barcode) for the release “Masters Of Baroque” by Various, released 2014-01-01 on Outhere. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include BER180855414, BER181100413, BER181100414.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto a cinque, op. 9/2: II. Adagio | Paul Dombrecht, Il Fondamento | — | |
| 2 | Unknown | — | ||
| 3 | Unknown | — | ||
| 4 | ACH DASS ICH WASSERS GNUG HATTE | — | ||
| 5 | SCHLAGE DOCH GEWÜNSCHTE STUNDE, BWV 53 | — | ||
| 6 | Du aber Daniel, gehe hin, TWV 4:17: I. Sonata | Ricercar Consort | — | |
| 7 | Du aber Daniel, gehe hin, TWV 4:17: VI. Aria "Brecht ihr müden Augenlieder" | Greta de Reyghere, Ricercar Consort | — | |
| 8 | Kantate Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": I. Sonatina | Ricercar Consort | — | |
| 9 | Unknown | — | ||
| 10 | Unknown | — | ||
| 11 | Unknown | — | ||
| 12 | Concerto grosso no. 11, La mineur “A quattro violini”: Allegro e solo | Ensemble 415, Chiara Banchini | — | |
| 13 | Unknown | — | ||
| 14 | Concerto №1 en Ré Majeur: I. Adagio | Chiara Banchini, Stéphanie Pfister, Ensemble 415 | — | |
| 15 | Unknown | — | ||
| 16 | """""""""""""""12 VIOLIN SONATAS, OP. 5: SONATA NO. 12 IN D MINOR """"""""""""""""LA FOLIA""""""""""""""" | — | ||
| 17 | Suite en Mi mineur (IIe Livre de pièces de viole - 1701): Tombeau pour M. de Sainte-Colombe | Marianne Muller, Ensemble Spirale | — | |
| 18 | Concerto d’après BWV 1056 en sol mineur: II. Largo | Gli Incogniti, Amandine Beyer | — | |
| 19 | Concerto BWV 1041 en la mineur: I. Allegro | Gli Incogniti, Amandine Beyer | T-801.411.105-9 | |
| 20 | Concerto a quattro, op. 3, no. 10, RV 580 en Si Mineur: I. Allegro | Ensemble 415, Chiara Banchini | T-306.395.786-4 | |
| 21 | Concerto pour violon en Mi majeur "La primavera", op. 8 no. 1, RV 269: II. Largo | Amandine Beyer, Gli Incogniti | T-902.866.832-8 | |
| 22 | Concerto pour violon en Fa majeur "L'autunno", op. 8 no. 3, RV 293: III. Allegro | Amandine Beyer, Gli Incogniti | — | |
| 23 | Concerto pour violon en Fa mineur "L'inverno", op. 8 no. 4, RV 297: II. Largo | Amandine Beyer, Gli Incogniti | — | |
| 24 | Sonata no. 2 in C major, op. 2 no. 3: Largo | Chiara Banchini, Ensemble 415 | T-801.397.798-6 | |
| 25 | Unknown | — | ||
| 26 | I. SINFONIA | T-919.327.166-8 | ||
| 27 | """CANTATA, BWV 12 """"WEINEN, KLAGEN, SORGEN, ZAGEN"""": CHORUS """"WEINEN, KLAGEN, SORGEN, ZAGEN""""""" | — | ||
| 28 | Unknown | — | ||
| 29 | HERR, UNSER HERRSCHER | T-050.270.776-7 | ||
| 30 | Unknown | — | ||
| 31 | Unknown | — | ||
| 32 | Sonata BWV 1003: Andante | Amandine Beyer | — | |
| 33 | Partita, BWV 1006: Preludio | Amandine Beyer | — | |
| 34 | Unknown | — | ||
| 35 | SONATA NO. 3 IN E MAJOR, BWV 1016: III. ADAGIO MA NON TANTO | — | ||
| 36 | Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: I. Aria | Damien Guillon, Maude Gratton, Le Banquet Céleste | T-905.380.384-2 | |
| 37 | Concerto da chiesa, op. VI no. 8 in G minor « Fatto per la notte di Natale »: Adagio – Allegro – Adagio | Amandine Beyer, Alba Roca, Gli Incogniti | — | |
| 38 | Cinquième concerto Brandebourgeois en Ré majeur, BWV 1050: I. Allegro | Café Zimmermann | T-914.323.771-2 | |
| 39 | Suite no. 1, Sol majeur, BWV 1007 : Prélude | Bruno Cocset | — | |
| 40 | Unknown | — | ||
| 41 | CONCERTO FOR 2 VIOLINS IN D MINOR, BWV 1043: II. LARGO MA NON TANTO | — | ||
| 42 | CONCERTO FOR OBOE AND VIOLIN IN C MINOR, BWV 1060: II. ADAGIO | — | ||
| 43 | ORCHESTRAL SUITE NO. 2 IN B MINOR, BWV 1067: VII. BADINERIE (2) | T-011.654.484-3 | ||
| 44 | Motet “Der Gerechte kommt um” | Ensemble Pygmalion, Raphaël Pichon | — | |
| 45 | Missa Brevis en sol mineur, BWV 235: Qui tollis peccata mundi | Ensemble Pygmalion, Raphaël Pichon | — | |
| 46 | Dido & Aeneas, Z. 626: Overture | Teodor Currentzis, MusicAeterna | — | |
| 47 | Dido & Aeneas, Z. 626: Act III: Dido’s Lament | Teodor Currentzis, MusicAeterna | — | |
| 48 | Dido & Aeneas, Z. 626: Act III: Chorus “With Drooping Wings” | Teodor Currentzis, MusicAeterna | — | |
| 49 | Deuxième concert Brandebourgois en fa majeur, BWV 1047 : III. Allegro assai | Café Zimmermann | T-314.429.625-9 | |
| 50 | Zaïs : Ouverture | Frédérick Haas, Ausonia | T-010.010.868-6 | |
| 51 | Zaïs : Prologue (Oromazès) : Eveillez-vous, troupe immortelle | Frédérick Haas, Ausonia | — | |
| 52 | Zaïs : Prologue : Aurore | Frédérick Haas, Ausonia | — | |
| 53 | Missa Brevis en fa majeur, BWV 233: Gloria | Ensemble Pygmalion, Raphaël Pichon | — | |
| 54 | Motetto “O Jesu Christ, meins lebens Licht”, BWV 118 | Ensemble Pygmalion, Raphaël Pichon | — | |
| 55 | Ouverture no. 3 en ré majeur, BWV 1068: I. Ouverture | Café Zimmermann | — | |
| 56 | Ouverture no. 3 en ré majeur, BWV 1068: II. Air | Café Zimmermann | T-914.248.874-2 | |
| 57 | Concert Brandebourgeois no. 6 en si bémol majeur, BWV 1051: II. Adagio ma non tanto | Café Zimmermann | — | |
| 58 | Concert brandebourgeois no. 1 en fa majeur, BWV 1046 : III. Allegro | Café Zimmermann | — | |
| 59 | Missa, BWV 232: Gloria: Gloria in excelsis Deo | Ensemble Pygmalion, Raphaël Pichon | — | |
| 60 | Missa, BWV 232: Gloria: Et in terra pax | Ensemble Pygmalion, Raphaël Pichon | — | |
| 61 | Missa, BWV 232: Gloria: Gratias agimus tibi | Ensemble Pygmalion, Raphaël Pichon | — | |
| 62 | Missa, BWV 232: Gloria: Quoniam tu solus sanctus | Konstantin Wolff, Ensemble Pygmalion, Raphaël Pichon | — | |
| 63 | Missa, BWV 232: Gloria: Cum Sancto Spiritu | Ensemble Pygmalion, Raphaël Pichon | — | |
| 64 | Sonate en mi mineur pour flûte & basse continue, BWV 1034 : Andante | François Lazarevitch, Les Musiciens de Saint-Julien | — | |
| 65 | Te Deum, H. 146: Prélude | Vincent Dumestre, Capella Cracoviensis, Le Poème Harmonique | T-001.455.798-2 | |
| 66 | Te Deum, H. 146: Te Deum laudamus | Benoît Arnould, Vincent Dumestre, Capella Cracoviensis, Le Poème Harmonique | T-031.661.210-8 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
3760195737019 is a Universal Product Code (UPC) assigned to Masters Of Baroque by Various. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
3760195737019 is the Universal Product Code (UPC barcode) for the release “Masters Of Baroque” by Various, released 2014-01-01 on Outhere. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include BER180855414, BER181100413, BER181100414.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto a cinque, op. 9/2: II. Adagio | Paul Dombrecht, Il Fondamento | — | |
| 2 | Unknown | — | ||
| 3 | Unknown | — | ||
| 4 | ACH DASS ICH WASSERS GNUG HATTE | — | ||
| 5 | SCHLAGE DOCH GEWÜNSCHTE STUNDE, BWV 53 | — | ||
| 6 | Du aber Daniel, gehe hin, TWV 4:17: I. Sonata | Ricercar Consort | — | |
| 7 | Du aber Daniel, gehe hin, TWV 4:17: VI. Aria "Brecht ihr müden Augenlieder" | Greta de Reyghere, Ricercar Consort | — | |
| 8 | Kantate Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": I. Sonatina | Ricercar Consort | — | |
| 9 | Unknown | — | ||
| 10 | Unknown | — | ||
| 11 | Unknown | — | ||
| 12 | Concerto grosso no. 11, La mineur “A quattro violini”: Allegro e solo | Ensemble 415, Chiara Banchini | — | |
| 13 | Unknown | — | ||
| 14 | Concerto №1 en Ré Majeur: I. Adagio | Chiara Banchini, Stéphanie Pfister, Ensemble 415 | — | |
| 15 | Unknown | — | ||
| 16 | """""""""""""""12 VIOLIN SONATAS, OP. 5: SONATA NO. 12 IN D MINOR """"""""""""""""LA FOLIA""""""""""""""" | — | ||
| 17 | Suite en Mi mineur (IIe Livre de pièces de viole - 1701): Tombeau pour M. de Sainte-Colombe | Marianne Muller, Ensemble Spirale | — | |
| 18 | Concerto d’après BWV 1056 en sol mineur: II. Largo | Gli Incogniti, Amandine Beyer | — | |
| 19 | Concerto BWV 1041 en la mineur: I. Allegro | Gli Incogniti, Amandine Beyer | T-801.411.105-9 | |
| 20 | Concerto a quattro, op. 3, no. 10, RV 580 en Si Mineur: I. Allegro | Ensemble 415, Chiara Banchini | T-306.395.786-4 | |
| 21 | Concerto pour violon en Mi majeur "La primavera", op. 8 no. 1, RV 269: II. Largo | Amandine Beyer, Gli Incogniti | T-902.866.832-8 | |
| 22 | Concerto pour violon en Fa majeur "L'autunno", op. 8 no. 3, RV 293: III. Allegro | Amandine Beyer, Gli Incogniti | — | |
| 23 | Concerto pour violon en Fa mineur "L'inverno", op. 8 no. 4, RV 297: II. Largo | Amandine Beyer, Gli Incogniti | — | |
| 24 | Sonata no. 2 in C major, op. 2 no. 3: Largo | Chiara Banchini, Ensemble 415 | T-801.397.798-6 | |
| 25 | Unknown | — | ||
| 26 | I. SINFONIA | T-919.327.166-8 | ||
| 27 | """CANTATA, BWV 12 """"WEINEN, KLAGEN, SORGEN, ZAGEN"""": CHORUS """"WEINEN, KLAGEN, SORGEN, ZAGEN""""""" | — | ||
| 28 | Unknown | — | ||
| 29 | HERR, UNSER HERRSCHER | T-050.270.776-7 | ||
| 30 | Unknown | — | ||
| 31 | Unknown | — | ||
| 32 | Sonata BWV 1003: Andante | Amandine Beyer | — | |
| 33 | Partita, BWV 1006: Preludio | Amandine Beyer | — | |
| 34 | Unknown | — | ||
| 35 | SONATA NO. 3 IN E MAJOR, BWV 1016: III. ADAGIO MA NON TANTO | — | ||
| 36 | Cantate «Vergnügte Ruh', Beliebte Seelenlust», BWV 170: I. Aria | Damien Guillon, Maude Gratton, Le Banquet Céleste | T-905.380.384-2 | |
| 37 | Concerto da chiesa, op. VI no. 8 in G minor « Fatto per la notte di Natale »: Adagio – Allegro – Adagio | Amandine Beyer, Alba Roca, Gli Incogniti | — | |
| 38 | Cinquième concerto Brandebourgeois en Ré majeur, BWV 1050: I. Allegro | Café Zimmermann | T-914.323.771-2 | |
| 39 | Suite no. 1, Sol majeur, BWV 1007 : Prélude | Bruno Cocset | — | |
| 40 | Unknown | — | ||
| 41 | CONCERTO FOR 2 VIOLINS IN D MINOR, BWV 1043: II. LARGO MA NON TANTO | — | ||
| 42 | CONCERTO FOR OBOE AND VIOLIN IN C MINOR, BWV 1060: II. ADAGIO | — | ||
| 43 | ORCHESTRAL SUITE NO. 2 IN B MINOR, BWV 1067: VII. BADINERIE (2) | T-011.654.484-3 | ||
| 44 | Motet “Der Gerechte kommt um” | Ensemble Pygmalion, Raphaël Pichon | — | |
| 45 | Missa Brevis en sol mineur, BWV 235: Qui tollis peccata mundi | Ensemble Pygmalion, Raphaël Pichon | — | |
| 46 | Dido & Aeneas, Z. 626: Overture | Teodor Currentzis, MusicAeterna | — | |
| 47 | Dido & Aeneas, Z. 626: Act III: Dido’s Lament | Teodor Currentzis, MusicAeterna | — | |
| 48 | Dido & Aeneas, Z. 626: Act III: Chorus “With Drooping Wings” | Teodor Currentzis, MusicAeterna | — | |
| 49 | Deuxième concert Brandebourgois en fa majeur, BWV 1047 : III. Allegro assai | Café Zimmermann | T-314.429.625-9 | |
| 50 | Zaïs : Ouverture | Frédérick Haas, Ausonia | T-010.010.868-6 | |
| 51 | Zaïs : Prologue (Oromazès) : Eveillez-vous, troupe immortelle | Frédérick Haas, Ausonia | — | |
| 52 | Zaïs : Prologue : Aurore | Frédérick Haas, Ausonia | — | |
| 53 | Missa Brevis en fa majeur, BWV 233: Gloria | Ensemble Pygmalion, Raphaël Pichon | — | |
| 54 | Motetto “O Jesu Christ, meins lebens Licht”, BWV 118 | Ensemble Pygmalion, Raphaël Pichon | — | |
| 55 | Ouverture no. 3 en ré majeur, BWV 1068: I. Ouverture | Café Zimmermann | — | |
| 56 | Ouverture no. 3 en ré majeur, BWV 1068: II. Air | Café Zimmermann | T-914.248.874-2 | |
| 57 | Concert Brandebourgeois no. 6 en si bémol majeur, BWV 1051: II. Adagio ma non tanto | Café Zimmermann | — | |
| 58 | Concert brandebourgeois no. 1 en fa majeur, BWV 1046 : III. Allegro | Café Zimmermann | — | |
| 59 | Missa, BWV 232: Gloria: Gloria in excelsis Deo | Ensemble Pygmalion, Raphaël Pichon | — | |
| 60 | Missa, BWV 232: Gloria: Et in terra pax | Ensemble Pygmalion, Raphaël Pichon | — | |
| 61 | Missa, BWV 232: Gloria: Gratias agimus tibi | Ensemble Pygmalion, Raphaël Pichon | — | |
| 62 | Missa, BWV 232: Gloria: Quoniam tu solus sanctus | Konstantin Wolff, Ensemble Pygmalion, Raphaël Pichon | — | |
| 63 | Missa, BWV 232: Gloria: Cum Sancto Spiritu | Ensemble Pygmalion, Raphaël Pichon | — | |
| 64 | Sonate en mi mineur pour flûte & basse continue, BWV 1034 : Andante | François Lazarevitch, Les Musiciens de Saint-Julien | — | |
| 65 | Te Deum, H. 146: Prélude | Vincent Dumestre, Capella Cracoviensis, Le Poème Harmonique | T-001.455.798-2 | |
| 66 | Te Deum, H. 146: Te Deum laudamus | Benoît Arnould, Vincent Dumestre, Capella Cracoviensis, Le Poème Harmonique | T-031.661.210-8 |