UPC · Release
Missa Assumpta est Maria
Marc‐Antoine Charpentier, Gaëtan Jarry, Ensemble Marguerite Louise, Tricou, Champion, Brooymans
Last verified:
3760385430515 is the Universal Product Code (UPC barcode) for the release “Missa Assumpta est Maria” by Marc‐Antoine Charpentier, Gaëtan Jarry, Ensemble Marguerite Louise, Tricou, Champion, Brooymans, released 2025-01-01 on Château de Versailles Spectacles. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (35)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa Assumpta est Maria, H. 11: I. Kyrie | — | ||
| 2 | Missa Assumpta est Maria, H. 11: II. Couplet d'orgue | — | ||
| 3 | Missa Assumpta est Maria, H. 11: III. Christe Eleison | — | ||
| 4 | Missa Assumpta est Maria, H. 11: IV. Kyrie (Reprise) | — | ||
| 5 | Missa Assumpta est Maria, H. 11: V. Gloria | — | ||
| 6 | Missa Assumpta est Maria, H. 11: VI. Et in terra pax | — | ||
| 7 | Missa Assumpta est Maria, H. 11: VII. Domine Deus | — | ||
| 8 | Missa Assumpta est Maria, H. 11: VIII. Credo | — | ||
| 9 | Missa Assumpta est Maria, H. 11: IX. Patrem omnipotentem | — | ||
| 10 | Missa Assumpta est Maria, H. 11: X. Et in unum Dominum | — | ||
| 11 | Missa Assumpta est Maria, H. 11: XI. Qui propter nos homines | — | ||
| 12 | Missa Assumpta est Maria, H. 11: XII. Et incarnatus | — | ||
| 13 | Missa Assumpta est Maria, H. 11: XIII. Crucifixus etiam | — | ||
| 14 | Missa Assumpta est Maria, H. 11: XIV. Et resurrexit | — | ||
| 15 | Missa Assumpta est Maria, H. 11: XV. Et iterum | — | ||
| 16 | Missa Assumpta est Maria, H. 11: XVI. Cujus regni non erit finis | — | ||
| 17 | Missa Assumpta est Maria, H. 11: XVII. Et in Spiritum sanctum | — | ||
| 18 | Missa Assumpta est Maria, H. 11: XVIII. Confiteor | — | ||
| 19 | Missa Assumpta est Maria, H. 11: XIX. Et vitam venturi saeculi | — | ||
| 20 | Concert pour quatre parties de violes, H. 545: I. Prélude | — | ||
| 21 | Concert pour quatre parties de violes, H. 545: III. Sarabande | — | ||
| 22 | Missa Assumpta est Maria, H. 11: XX. Sanctus | — | ||
| 23 | O salutaris hostia, H. 249 | — | ||
| 24 | Tierce en taille | — | ||
| 25 | Missa Assumpta est Maria, H. 11: XXI. Agnus Dei | — | ||
| 26 | Domine Salvum Fac Regem, H. 303 | — | ||
| 27 | Suite du Premier Ton: I. Plein-Jeu | — | ||
| 28 | Motet pour une longue offrande, H. 434: I. Prelude | — | ||
| 29 | Motet pour une longue offrande, H. 434: II. Paravit Dominus | — | ||
| 30 | Motet pour une longue offrande, H. 434: III. Prelude | — | ||
| 31 | Motet pour une longue offrande, H. 434: IV. Pluet super peccatores | — | ||
| 32 | Motet pour une longue offrande, H. 434: V. Vidi impium | — | ||
| 33 | Motet pour une longue offrande, H. 434: VI. Pluet super peccatores (Reprise) | — | ||
| 34 | Motet pour une longue offrande, H. 434: VII. Simphonie, Deus Justus | — | ||
| 35 | Motet pour une longue offrande, H. 434: VIII. Simphonie, Justus es Domine | — |
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What is UPC 3760385430515?
3760385430515 is a Universal Product Code (UPC) assigned to Missa Assumpta est Maria by Marc‐Antoine Charpentier, Gaëtan Jarry, Ensemble Marguerite Louise, Tricou, Champion, Brooymans. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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