UPC · Release
Arabella
Richard Strauss, Eleanor Steber, George London, Hilde Güden, Brian Sullivan, Roberta Peters, Metropolitan Opera Orchestra, Metropolitan Opera Chorus, Rudolf Kempe
3830257450139
41 tracks
Last verified:
3830257450139 is the Universal Product Code (UPC barcode) for the release “Arabella” by Richard Strauss, Eleanor Steber, George London, Hilde Güden, Brian Sullivan, Roberta Peters, Metropolitan Opera Orchestra, Metropolitan Opera Chorus, Rudolf Kempe. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC.
Format
383GS1 prefix
0257Company prefix
45013Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Arabella, op. 79: Act I. "The cards are turning out" (Die Karten fallen) (Adelaide, Fortuneteller) | — | ||
| 2 | Arabella, op. 79: Act I. "They all want money" (Sie wollen alle Geld) (Zdenka, Matteo) | — | ||
| 3 | Arabella, op. 79: Act I. "Matteo!... Zdenko! Are you alone?" (Bist du allein?) (Zdenka, Matteo) | — | ||
| 4 | Arabella, op. 79: Act I. "Thank you, Fräulein" (Ich danke, Fräulein) (Zdenka, Arabella) | — | ||
| 5 | Arabella, op. 79: Act I. "I'm serious" (Ich red' im Ernst!) (Arabella) | — | ||
| 6 | Arabella, op. 79: Act I. "But if there is a man who is right for me" (Aber der Richtige wenn's einen gibt) (Arabella) | — | ||
| 7 | Arabella, op. 79: Act I. "That's Elemer's sleight" (Das ist der Schlitten vom Elemer) (Zdenka, Arabella) | — | ||
| 8 | Arabella, op. 79: Act I. "Elemer is here" (Da kommt der Elemer) (Zdenka, Arabella, Elemer) | — | ||
| 9 | Arabella, op. 79: Act I. "Have you got rid of him?" (Hast du ihn fortgeschickt?) (Zdenka, Arabella) | — | ||
| 10 | Arabella, op. 79: Act I. "Leave us, daughters" (Lasst uns allein, meine Kinder) (Adelaide, Waldner) | — | ||
| 11 | Arabella, op. 79: Act I. "The gentlemen is most anxious" (Der Herr fragt dringend an) (Waldner, Mandryka) | — | ||
| 12 | Arabella, op. 79: Act I. "Now I am Mandrika" (Heut bin ich der Mandryka, niemand sonst) (Mandryka, Waldner) | — | ||
| 13 | Arabella, op. 79: Act I. "May I? Perhaps you could do with some?" (Darf ich vielleicht?) (Mandryka, Waldner) | — | ||
| 14 | Arabella, op. 79: Act I. "Have I been dreaming?" (Hab ich geträumt?) (Waldner) | — | ||
| 15 | Arabella, op. 79: Act I. "Papa!.. He's gone" (Papa!... Er ist schon fort) (Zdenka, Matteo) | — | ||
| 16 | Arabella, op. 79: Act I. "My Elemer!" (Mein Elemer!) (Arabella) | — | ||
| 17 | Arabella, op. 79: Act II. "I see an angel" (Das ist ein Engel) (Mandryka) | — | ||
| 18 | Arabella, op. 79: Act II. "You don't look like the sort" (Sie seh'n nicht aus wie jemand) (Arabella, Mandryka) | — | ||
| 19 | Arabella, op. 79: Act II. "I had a wife" (Ich habe eine Frau gehabt) (Mandryka, Arabella) | — | ||
| 2-1 | Arabella, op. 79: Act II. "My father says you wish to marry me" (Sie woll'n mich heiraten, sagt mein Vater) (Arabella) | — | ||
| 2-2 | Arabella, op. 79: Act II. "I have never seen a person" (So wie Sie sind, so hab' ich keinen Menschen) (Mandryka) | — | ||
| 2-3 | Arabella, op. 79: Act II. "But now you must go home" (Jetzt aber fahren Sie nach Haus) (Arabella, Mandryka) | — | ||
| 2-4 | Arabella, op. 79: Act II. "You are alone?" (Sie sind allein?) (Adelaide, Mandryka) | — | ||
| 2-5 | Arabella, op. 79: Act II. "And now you must say farewell" (Und jetzt sag' ich Adieu) (Arabella) | — | ||
| 2-6 | Arabella, op. 79: Act II. "Something has happend to you!" (Mit dir ist was passiert!) (Elemer, Arabella) | — | ||
| 2-7 | Arabella, op. 79: Act II. "I am a coward" (Ein Feigling bin ich) (Zdenka, Matteo) | — | ||
| 2-8 | Arabella, op. 79: Act II. "Stop! Whoever you are!" (Halt! Du irgendeiner oder wer Du bist! ) (Mandryka) | — | ||
| 2-9 | Arabella, op. 79: Act II. "I could be in the mood!" (Ich wäre aufgelegt!) (Mandryka, Fiakermilli) | — | ||
| 2-10 | Arabella, op. 79: Act II. "Herr von Mandrika, where is my daughter?" (Wo ist meine Tochter?) (Adelaide) | — | ||
| 2-11 | Arabella, op. 79: Act III. Prelude (Orchestra) | — | ||
| 2-12 | Arabella, op. 79: Act III. "Through his fields the carriage" (Über seine Felder wird der Wagen fahren) (Arabella) | — | ||
| 2-13 | Arabella, op. 79: Act III. "What are you doing here?" (Sie hier? So spät?) (Arabella, Matteo) | — | ||
| 2-14 | Arabella, op. 79: Act III. "What an animated tête-à-tête" (Welch ein erregtes tête-à-tête) (Adelaide) | — | ||
| 2-15 | Arabella, op. 79: Act III. "I congratulate you, Lieutenant" (Ich gratuliere Ihnen) (Mandryka, Arabella) | — | ||
| 2-16 | Arabella, op. 79: Act III. "I alone am guilty" (Ich bin allein der Schuldige) (Matteo, Waldner) | — | ||
| 2-17 | Arabella, op. 79: Act III. "Papa! Mama!" (Zdenka, Arabella, Mandryka, Adelaide) | — | ||
| 2-18 | Arabella, op. 79: Act III. "How meekly do I stand before you" (Wie steh' ich vor Ihnen) (Mandryka, Arabella) | — | ||
| 2-19 | Arabella, op. 79: Act III. "Mandryka" (Arabella) | — | ||
| 2-20 | Arabella, op. 79: Act III. "All she meant was that she wanted" (Sie hat gar nichts gemeint) (Mandryka) | — | ||
| 2-21 | Arabella, op. 79: Act III. Interlude (Orchestra) | — | ||
| 2-22 | Arabella, op. 79: Act III. "I am glad, Mandryka" (Das war sehr gut, Mandryka) (Arabella, Mandryka) | — |
Arabella, op. 79: Act I. "The cards are turning out" (Die Karten fallen) (Adelaide, Fortuneteller)
—
Arabella, op. 79: Act I. "They all want money" (Sie wollen alle Geld) (Zdenka, Matteo)
—
Arabella, op. 79: Act I. "Matteo!... Zdenko! Are you alone?" (Bist du allein?) (Zdenka, Matteo)
—
Arabella, op. 79: Act I. "Thank you, Fräulein" (Ich danke, Fräulein) (Zdenka, Arabella)
—
Arabella, op. 79: Act I. "I'm serious" (Ich red' im Ernst!) (Arabella)
—
Arabella, op. 79: Act I. "But if there is a man who is right for me" (Aber der Richtige wenn's einen gibt) (Arabella)
—
Arabella, op. 79: Act I. "That's Elemer's sleight" (Das ist der Schlitten vom Elemer) (Zdenka, Arabella)
—
Arabella, op. 79: Act I. "Elemer is here" (Da kommt der Elemer) (Zdenka, Arabella, Elemer)
—
Arabella, op. 79: Act I. "Have you got rid of him?" (Hast du ihn fortgeschickt?) (Zdenka, Arabella)
—
Arabella, op. 79: Act I. "Leave us, daughters" (Lasst uns allein, meine Kinder) (Adelaide, Waldner)
—
Arabella, op. 79: Act I. "The gentlemen is most anxious" (Der Herr fragt dringend an) (Waldner, Mandryka)
—
Arabella, op. 79: Act I. "Now I am Mandrika" (Heut bin ich der Mandryka, niemand sonst) (Mandryka, Waldner)
—
Arabella, op. 79: Act I. "May I? Perhaps you could do with some?" (Darf ich vielleicht?) (Mandryka, Waldner)
—
Arabella, op. 79: Act I. "Have I been dreaming?" (Hab ich geträumt?) (Waldner)
—
Arabella, op. 79: Act I. "Papa!.. He's gone" (Papa!... Er ist schon fort) (Zdenka, Matteo)
—
Arabella, op. 79: Act I. "My Elemer!" (Mein Elemer!) (Arabella)
—
Arabella, op. 79: Act II. "I see an angel" (Das ist ein Engel) (Mandryka)
—
Arabella, op. 79: Act II. "You don't look like the sort" (Sie seh'n nicht aus wie jemand) (Arabella, Mandryka)
—
Arabella, op. 79: Act II. "I had a wife" (Ich habe eine Frau gehabt) (Mandryka, Arabella)
—
Arabella, op. 79: Act II. "My father says you wish to marry me" (Sie woll'n mich heiraten, sagt mein Vater) (Arabella)
—
Arabella, op. 79: Act II. "I have never seen a person" (So wie Sie sind, so hab' ich keinen Menschen) (Mandryka)
—
Arabella, op. 79: Act II. "But now you must go home" (Jetzt aber fahren Sie nach Haus) (Arabella, Mandryka)
—
Arabella, op. 79: Act II. "You are alone?" (Sie sind allein?) (Adelaide, Mandryka)
—
Arabella, op. 79: Act II. "And now you must say farewell" (Und jetzt sag' ich Adieu) (Arabella)
—
Arabella, op. 79: Act II. "Something has happend to you!" (Mit dir ist was passiert!) (Elemer, Arabella)
—
Arabella, op. 79: Act II. "I am a coward" (Ein Feigling bin ich) (Zdenka, Matteo)
—
Arabella, op. 79: Act II. "Stop! Whoever you are!" (Halt! Du irgendeiner oder wer Du bist! ) (Mandryka)
—
Arabella, op. 79: Act II. "I could be in the mood!" (Ich wäre aufgelegt!) (Mandryka, Fiakermilli)
—
Arabella, op. 79: Act II. "Herr von Mandrika, where is my daughter?" (Wo ist meine Tochter?) (Adelaide)
—
Arabella, op. 79: Act III. Prelude (Orchestra)
—
Arabella, op. 79: Act III. "Through his fields the carriage" (Über seine Felder wird der Wagen fahren) (Arabella)
—
Arabella, op. 79: Act III. "What are you doing here?" (Sie hier? So spät?) (Arabella, Matteo)
—
Arabella, op. 79: Act III. "What an animated tête-à-tête" (Welch ein erregtes tête-à-tête) (Adelaide)
—
Arabella, op. 79: Act III. "I congratulate you, Lieutenant" (Ich gratuliere Ihnen) (Mandryka, Arabella)
—
Arabella, op. 79: Act III. "I alone am guilty" (Ich bin allein der Schuldige) (Matteo, Waldner)
—
Arabella, op. 79: Act III. "Papa! Mama!" (Zdenka, Arabella, Mandryka, Adelaide)
—
Arabella, op. 79: Act III. "How meekly do I stand before you" (Wie steh' ich vor Ihnen) (Mandryka, Arabella)
—
Arabella, op. 79: Act III. "Mandryka" (Arabella)
—
Arabella, op. 79: Act III. "All she meant was that she wanted" (Sie hat gar nichts gemeint) (Mandryka)
—
Arabella, op. 79: Act III. Interlude (Orchestra)
—
Arabella, op. 79: Act III. "I am glad, Mandryka" (Das war sehr gut, Mandryka) (Arabella, Mandryka)
—
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What is UPC 3830257450139?
3830257450139 is a Universal Product Code (UPC) assigned to Arabella by Richard Strauss, Eleanor Steber, George London, Hilde Güden, Brian Sullivan, Roberta Peters, Metropolitan Opera Orchestra, Metropolitan Opera Chorus, Rudolf Kempe. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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