UPC · Release
Tokyo Dome 1990
Prince
Last verified:
3851137302621 is the Universal Product Code (UPC barcode) for the release “Tokyo Dome 1990” by Prince, released 2022-01-01 on Timeline (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Intro | — | ||
| 2 | The Future | — | ||
| 3 | 1999 | — | ||
| 4 | Housequake | — | ||
| 5 | Sexy Dancer | — | ||
| 6 | Kiss / I’m in the Mood | — | ||
| 7 | Purple Rain | — | ||
| 8 | Take Me With U | — | ||
| 9 | Bambi | — | ||
| 10 | Alphabet St. / It Takes Two | — | ||
| 2-1 | The Question of U | — | ||
| 2-2 | When Doves Cry | — | ||
| 2-3 | Do Me Baby | — | ||
| 2-4 | Little Red Corvette | — | ||
| 2-5 | Batdance | — | ||
| 2-6 | Partyman | — | ||
| 2-7 | Baby I’m a Star | — | ||
| 2-8 | Ain’t No Way | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 3851137302621?
3851137302621 is a Universal Product Code (UPC) assigned to Tokyo Dome 1990 by Prince. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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