UPC · Release
Blue Grass 1959-1969
Bill Monroe
4000127155290
120 tracksReleased 1991-01-01Bear Family Records
Last verified:
4000127155290 is the Universal Product Code (UPC barcode) for the release “Blue Grass 1959-1969” by Bill Monroe, released 1991-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 120 tracks, each with its own ISRC. Tracks include USMC16009960, USMC16009922, USMC16009923.
Format
400GS1 prefix
0127Company prefix
15529Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCBlue Grass 1959-1969
ISRC26 recordings
ISWC64 works
IPI8 songwriters
Track List (120)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | When the Phone Rang | — | ||
| 2 | Tomorrow I'll Be Gone | — | ||
| 3 | Dark as the Night | — | ||
| 4 | Stoney Lonesome | — | ||
| 5 | Lonesome Wind Blues | — | ||
| 6 | Thinking About You | — | ||
| 7 | Come Go With Me | — | ||
| 8 | Sold Down the River | — | ||
| 9 | Linda Lou | Bill Monroe | T-700.037.667-2 | |
| 10 | You Live in a World All Your Own | — | ||
| 11 | Little Joe | — | ||
| 12 | Put My Rubber Doll Away | — | ||
| 13 | Seven Year Blues | — | ||
| 14 | Time Changes Everything | Bill Monroe | T-700.072.760-8 | |
| 15 | Lonesome Road Blues | Bill Monroe | T-700.038.799-7 | |
| 16 | Big River | — | ||
| 17 | Flowers of Love | — | ||
| 18 | It's Mighty Dark to Travel | — | ||
| 19 | Bluegrass, Part 1 (Bluegrass Twist) | — | ||
| 20 | Little Maggie | — | ||
| 21 | I’m Going Back to Old Kentucky | Bill Monroe | T-700.026.654-8 | |
| 22 | Toy Heart | Bill Monroe | — | |
| 23 | Shady Grove | — | ||
| 24 | Nine Pound Hammer | — | ||
| 25 | Live and Let Live | Bill Monroe | — | |
| 26 | Danny Boy | — | ||
| 27 | Cotton Fields | — | ||
| 28 | Journey's End | — | ||
| 29 | John Hardy | — | ||
| 30 | Bugle Call Rag | — | ||
| 31 | Old Joe Clark | Bill Monroe | — | |
| 2-1 | There Was Nothing We Could Do | — | ||
| 2-2 | I Was Left on the Street | — | ||
| 2-3 | Cheap Love Affair | — | ||
| 2-4 | When the Bees Are in the Hive | — | ||
| 2-5 | Big Ball in Brooklyn | — | ||
| 2-6 | Columbus Stockade Blues | Bill Monroe and His Blue Grass Boys | — | |
| 2-7 | Blue Ridge Mountain Blues | — | ||
| 2-8 | How Will I Explain About You? | — | ||
| 2-9 | Foggy River | — | ||
| 2-10 | The Old Country Baptising | — | ||
| 2-11 | I Found the Way | — | ||
| 2-12 | This World Is Not My Home | — | ||
| 2-13 | Way Down Deep in My Soul | — | ||
| 2-14 | Drifting Too Far From the Shore | Bill Monroe and His Blue Grass Boys | — | |
| 2-15 | Going Home | — | ||
| 2-16 | On the Jericho Road | — | ||
| 2-17 | We'll Understand It Better | — | ||
| 2-18 | Somebody Touched Me | Bill Monroe | T-071.218.197-9 | |
| 2-19 | Careless Love | — | ||
| 2-20 | I’m So Lonesome I Could Cry | Bill Monroe and His Blue Grass Boys | T-904.017.744-4 | |
| 2-21 | Jimmy Brown the Newsboy | Bill Monroe and the Bluegrass Boys | — | |
| 2-22 | Pass Me Not | — | ||
| 2-23 | The Gloryland Way | — | ||
| 2-24 | Farther Along | — | ||
| 2-25 | Big Sandy River | — | ||
| 2-26 | Baker's Breakdown | — | ||
| 2-27 | Darling Corey | — | ||
| 2-28 | Cindy | — | ||
| 2-29 | Master Builder | — | ||
| 2-30 | Let Me Rest at the End of the Day | — | ||
| 3-1 | Salt Creek | — | ||
| 3-2 | Devil's Dream | Bill Monroe | — | |
| 3-3 | Sailor's Hornpipe | — | ||
| 3-4 | Were You There? | — | ||
| 3-5 | Pike County Breakdown | — | ||
| 3-6 | Shenandoah Breakdown | — | ||
| 3-7 | Santa Claus | — | ||
| 3-8 | I'll Meet You in Church Sunday Morning | — | ||
| 3-9 | Mary at the Home Place | — | ||
| 3-10 | Highway of Sorrow | Bill Monroe and His Blue Grass Boys | T-700.022.009-9 | |
| 3-11 | One of God's Sheep | — | ||
| 3-12 | Roll On Buddy, Roll On | Bill Monroe | T-070.940.069-0 | |
| 3-13 | Legend of the Blue Ridge Mountains | — | ||
| 3-14 | Last Old Dollar | — | ||
| 3-15 | Bill's Dream | — | ||
| 3-16 | Louisville Breakdown | — | ||
| 3-17 | Never Again | — | ||
| 3-18 | Just Over in Gloryland | Bill Monroe | — | |
| 3-19 | Fire on the Mountain | Bill Monroe | — | |
| 3-20 | The Long Black Veil | Bill Monroe | T-070.241.815-2 | |
| 3-21 | I Live in the Past | — | ||
| 3-22 | There's an Old, Old House | — | ||
| 3-23 | When My Blue Moon Turns to Gold Again | — | ||
| 3-24 | I Wonder Where You Are Tonight? | Bill Monroe | T-700.028.727-6 | |
| 3-25 | Turkey in the Straw | — | ||
| 3-26 | Pretty Fair Maiden in the Garden | — | ||
| 3-27 | Log Cabin in the Lane | — | ||
| 3-28 | Paddy on the Turnpike | — | ||
| 3-29 | That's All Right | — | ||
| 3-30 | It Makes No Difference Now | — | ||
| 3-31 | Dusty Miller | Bill Monroe | — | |
| 4-1 | Midnight on the Stormy Deep | Bill Monroe | — | |
| 4-2 | All the Good Times Are Past and Gone | — | ||
| 4-3 | Soldier's Joy | — | ||
| 4-4 | Blue Night | — | ||
| 4-5 | Grey Eagle | — | ||
| 4-6 | The Gold Rush | — | ||
| 4-7 | Sally Goodin | Bill Monroe | — | |
| 4-8 | Virginia Darlin' | — | ||
| 4-9 | Is the Blue Moon Still Shining? | — | ||
| 4-10 | Train 45 | — | ||
| 4-11 | Kentucky Mandolin | — | ||
| 4-12 | I Want to Go With You | — | ||
| 4-13 | Crossing the Cumberlands | — | ||
| 4-14 | Walls of Time | Bill Monroe | T-070.940.727-1 | |
| 4-15 | I Haven’t Seen Mary in Years | Bill Monroe, James Monroe | T-700.025.473-1 | |
| 4-16 | Fire Ball Mail | — | ||
| 4-17 | The Dead March | — | ||
| 4-18 | Cripple Creek | — | ||
| 4-19 | What About You? | — | ||
| 4-20 | With Body and Soul | Bill Monroe | T-070.248.076-9 | |
| 4-21 | Methodist Preacher | — | ||
| 4-22 | Walk Softly On My Heart | Bill Monroe | T-070.247.643-4 | |
| 4-23 | Tall Pines | — | ||
| 4-24 | Candy Gal | — | ||
| 4-25 | Going Up Caney | — | ||
| 4-26 | The Lee Weddin' Tune | — | ||
| 4-27 | Bonny | — | ||
| 4-28 | Mary and the Miles in Between | — |
When the Phone Rang
—
Tomorrow I'll Be Gone
—
Dark as the Night
—
Stoney Lonesome
—
Lonesome Wind Blues
—
Thinking About You
—
Come Go With Me
—
Sold Down the River
—
You Live in a World All Your Own
—
Little Joe
—
Put My Rubber Doll Away
—
Seven Year Blues
—
Big River
—
Flowers of Love
—
It's Mighty Dark to Travel
—
Bluegrass, Part 1 (Bluegrass Twist)
—
Little Maggie
—
Toy Heart
Bill Monroe
—
Shady Grove
—
Nine Pound Hammer
—
Live and Let Live
Bill Monroe
—
Danny Boy
—
Cotton Fields
—
Journey's End
—
John Hardy
—
Bugle Call Rag
—
Old Joe Clark
Bill Monroe
—
There Was Nothing We Could Do
—
I Was Left on the Street
—
Cheap Love Affair
—
When the Bees Are in the Hive
—
Big Ball in Brooklyn
—
Columbus Stockade Blues
Bill Monroe and His Blue Grass Boys
—
Blue Ridge Mountain Blues
—
How Will I Explain About You?
—
Foggy River
—
The Old Country Baptising
—
I Found the Way
—
This World Is Not My Home
—
Way Down Deep in My Soul
—
Drifting Too Far From the Shore
Bill Monroe and His Blue Grass Boys
—
Going Home
—
On the Jericho Road
—
We'll Understand It Better
—
Careless Love
—
Jimmy Brown the Newsboy
Bill Monroe and the Bluegrass Boys
—
Pass Me Not
—
The Gloryland Way
—
Farther Along
—
Big Sandy River
—
Baker's Breakdown
—
Darling Corey
—
Cindy
—
Master Builder
—
Let Me Rest at the End of the Day
—
Salt Creek
—
Devil's Dream
Bill Monroe
—
Sailor's Hornpipe
—
Were You There?
—
Pike County Breakdown
—
Shenandoah Breakdown
—
Santa Claus
—
I'll Meet You in Church Sunday Morning
—
Mary at the Home Place
—
One of God's Sheep
—
Legend of the Blue Ridge Mountains
—
Last Old Dollar
—
Bill's Dream
—
Louisville Breakdown
—
Never Again
—
Just Over in Gloryland
Bill Monroe
—
Fire on the Mountain
Bill Monroe
—
I Live in the Past
—
There's an Old, Old House
—
When My Blue Moon Turns to Gold Again
—
Turkey in the Straw
—
Pretty Fair Maiden in the Garden
—
Log Cabin in the Lane
—
Paddy on the Turnpike
—
That's All Right
—
It Makes No Difference Now
—
Dusty Miller
Bill Monroe
—
Midnight on the Stormy Deep
Bill Monroe
—
All the Good Times Are Past and Gone
—
Soldier's Joy
—
Blue Night
—
Grey Eagle
—
The Gold Rush
—
Sally Goodin
Bill Monroe
—
Virginia Darlin'
—
Is the Blue Moon Still Shining?
—
Train 45
—
Kentucky Mandolin
—
I Want to Go With You
—
Crossing the Cumberlands
—
Fire Ball Mail
—
The Dead March
—
Cripple Creek
—
What About You?
—
Methodist Preacher
—
Tall Pines
—
Candy Gal
—
Going Up Caney
—
The Lee Weddin' Tune
—
Bonny
—
Mary and the Miles in Between
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-070.241.815-2T-070.247.643-4T-070.248.076-9T-070.940.727-1T-070.011.253-3T-070.054.608-2T-070.054.995-6T-070.237.683-7T-070.241.815-2T-070.246.450-3
+54 more
T-070.247.643-4T-070.248.076-9T-070.881.176-0T-070.940.727-1T-071.218.197-9T-071.057.268-1T-071.076.533-5T-071.077.760-8T-071.148.076-0T-071.208.457-5T-071.218.197-9T-071.226.231-1T-071.240.044-6T-071.731.489-0T-302.067.080-4T-314.792.577-3T-700.022.009-9T-700.026.654-8T-700.028.727-6T-700.037.667-2T-700.038.799-7T-700.072.760-8T-700.001.394-7T-700.002.233-5T-700.002.349-6T-700.002.902-9T-700.003.389-8T-700.008.595-2T-700.017.253-4T-700.022.009-9T-700.025.772-9T-700.025.820-0T-700.026.028-8T-700.026.654-8T-700.028.727-6T-700.031.086-3T-700.032.955-7T-700.036.183-3T-700.037.667-2T-700.038.036-1T-700.038.071-4T-700.038.550-4T-700.038.799-7T-700.038.820-7T-700.042.433-1T-700.043.465-3T-700.050.197-5T-700.052.695-6T-700.060.294-0T-700.062.555-0T-700.068.934-1T-904.017.744-4T-070.940.069-0T-700.025.473-1
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4000127155290?
4000127155290 is a Universal Product Code (UPC) assigned to Blue Grass 1959-1969 by Bill Monroe. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 120 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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