UPC · Release
Louis Jordan
Last verified:
The UPC for “Let the Good Times Roll (1938-1954)” by Louis Jordan is 4000127155573. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-01-01. Label: Bear Family Records. This release contains 215 tracks, each with its own ISRC. Tracks include USMC13965304, FRX194614979, USMC14673644.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toodle‐Loo on Down | — | ||
| 2 | So Good | — | ||
| 3 | Away From You | — | ||
| 4 | Honey in the Bee Ball | — | ||
| 5 | Barnacle Bill the Sailor | — | ||
| 6 | Flat Face | Louis Jordan and His Tympany Five | — | |
| 7 | Keep A‐Knockin’ (but You Can’t Come in) | — | ||
| 8 | Sam Jones Done Snagged His Britches On | — | ||
| 9 | Swinging in a Cocoanut Tree | — | ||
| 10 | Doug the Jitterbug | — | ||
| 11 | At the Swing Cat’s Ball | — | ||
| 12 | Jake, What a Snake | — | ||
| 13 | Honeysuckle Rose | — | ||
| 14 | ’Fore Day Blues | — | ||
| 15 | But I’ll Be Back | — | ||
| 16 | You Ain’t Nowhere | — | ||
| 17 | You’re My Meat | — | ||
| 18 | June Tenth Jamboree | — | ||
| 19 | You Run Your Mouth and I’ll Run My Business | — | ||
| 20 | I’m Alabama Bound | — | ||
| 21 | Hard Lovin’ Blues | — | ||
| 22 | You Got to Go When the Wagon Comes | — | ||
| 23 | Lovie Joe | — | ||
| 24 | Somebody Done Hoodooed the Hoodoo Man | — | ||
| 25 | Bounce the Ball (Do da Dittle Um Day) | — | ||
| 26 | Penthouse in the Basement | — | ||
| 27 | After School Swing Session (Swinging with Symphony Sid) | — | ||
| 2-1 | Oh Boy, I’m in the Groove | — | ||
| 2-2 | Never Let Your Left Hand Know What Your Right | — | ||
| 2-3 | Don’t Come Crying on My Shoulder | — | ||
| 2-4 | Waitin’ for the Robert E. Lee | — | ||
| 2-5 | A Chicken Ain’t Nothin’ but a Bird | — | ||
| 2-6 | Pompton Turnpike | — | ||
| 2-7 | Do You Call That a Buddy (Dirty Cat) | — | ||
| 2-8 | I Know You, I Know What You Wanna Do | — | ||
| 2-9 | Pinetop’s Boogie Woogie | — | ||
| 2-10 | The Two Little Squirrels (Nuts to You) | — | ||
| 2-11 | T‐Bone Blues | — | ||
| 2-12 | Pan Pan | — | ||
| 2-13 | Saint Vitus Dance | — | ||
| 2-14 | Saxa‐Woogie | — | ||
| 2-15 | Brotherly Love | — | ||
| 2-16 | De Laff’s on You | — | ||
| 2-17 | Boogie Woogie Came to Town | — | ||
| 2-18 | John, Stop Teasing Me | — | ||
| 2-19 | How ’bout That | — | ||
| 2-20 | Teacher (How I Love My Teacher) | — | ||
| 2-21 | Mama, Mama Blues (Rusty Dusty Blues) | — | ||
| 2-22 | Knock Me a Kiss | — | ||
| 2-23 | The Green Grass Grows All Around | — | ||
| 2-24 | Mister Lovingood | — | ||
| 2-25 | Small Town Boy | — | ||
| 2-26 | I’m Gonna Move to the Outskirts of Town | — | ||
| 3-1 | What’s the Use of Gettin’ Sober | — | ||
| 3-2 | The Chicks I Pick Are Slender, Tender, and Tall | — | ||
| 3-3 | I’m Gonna Leave You on the Outskirts of Town | — | ||
| 3-4 | That’ll Just ’Bout Knock Me Out | — | ||
| 3-5 | Dirty Snake | — | ||
| 3-6 | Five Guys Named Moe | — | ||
| 3-7 | It’s a Low‐Down Dirty Shame | — | ||
| 3-8 | De Laff’s on You | — | ||
| 3-9 | Ration Blues | — | ||
| 3-10 | Is You Is or Is You Ain’t My Baby | — | ||
| 3-11 | Deacon Jones | — | ||
| 3-12 | The Things I Want I Can’t Get at Home | — | ||
| 3-13 | How High Am I? | — | ||
| 3-14 | I Like ’em Fat Like That | — | ||
| 3-15 | The Truth of the Matter | — | ||
| 3-16 | Hey! Now Let’s Live | — | ||
| 3-17 | Mop‐Mop | — | ||
| 3-18 | G.I. Jive | — | ||
| 3-19 | You Can’t Get That No More | — | ||
| 3-20 | Louis’ Oldsmobile Song | — | ||
| 3-21 | Your Socks Don’t Match | — | ||
| 3-22 | My Baby Said Yes (Yip, Yip de Hootie) | — | ||
| 3-23 | My Baby Said Yes (Yip, Yip de Hootie) | — | ||
| 3-24 | Your Socks Don’t Match | — | ||
| 4-1 | Buzz Me | — | ||
| 4-2 | They Raided the House | — | ||
| 4-3 | Caledonia Boogie | — | ||
| 4-4 | Somebody Done Changed the Lock on My Door | — | ||
| 4-5 | How Long Must I Wait for You? | — | ||
| 4-6 | Don’t Worry ’Bout That Mule | — | ||
| 4-7 | Salt Pork, West Virginia | — | ||
| 4-8 | Paper Boy | — | ||
| 4-9 | Don’t Worry ’bout That Mule | — | ||
| 4-10 | Reconversion Blues | — | ||
| 4-11 | It’s So Easy | — | ||
| 4-12 | Beware | — | ||
| 4-13 | Don’t Let the Sun Catch You Cryin’ | — | ||
| 4-14 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 4-15 | Ain’t That Just Like a Woman | — | ||
| 4-16 | That Chick’s Too Young to Fry | — | ||
| 4-17 | No Sale | — | ||
| 4-18 | If It’s Love You Want Baby, That’s Me | — | ||
| 4-19 | Ain’t Nobody Here but Us Chickens | Louis Jordan and His Tympany Five | T-070.000.463-2 | |
| 4-20 | Let the Good Times Roll | — | ||
| 4-21 | All for the Love of Lil | — | ||
| 4-22 | Texas and Pacific | — | ||
| 4-23 | Jack, You’re Dead | — | ||
| 4-24 | Reet Petite and Gone | — | ||
| 4-25 | Sure, Had a Wonderful Time | — | ||
| 4-26 | I Know What You’re Puttin’ Down | — | ||
| 4-27 | Open the Door Richard | — | ||
| 5-1 | Friendship | — | ||
| 5-2 | Open the Door Richard | — | ||
| 5-3 | Boogie Woogie Blue Plate | — | ||
| 5-4 | Barnyard Boogie | Louis Jordan and His Tympany Five | — | |
| 5-5 | Every Man to His Own Profession | — | ||
| 5-6 | Early in the Morning | — | ||
| 5-7 | Run Joe | — | ||
| 5-8 | Look Out | — | ||
| 5-9 | Beans and Corn Bread | — | ||
| 5-10 | Have You Got the Gumption | — | ||
| 5-11 | We Can’t Agree | — | ||
| 5-12 | Chicky‐Mo, Craney‐Crow | — | ||
| 5-13 | Roamin’ Blues | — | ||
| 5-14 | Inflation Blues | — | ||
| 5-15 | You’re Much Too Fat (and That’s That) | — | ||
| 5-16 | Chug Chug Boogie | — | ||
| 5-17 | There’ll Be No Days Like That | — | ||
| 5-18 | Pettin’ an Pokin’ | — | ||
| 5-19 | You’re on the Right Track, Baby | — | ||
| 5-20 | Don’t Burn the Candle at Both Ends | — | ||
| 5-21 | Why’d You Do It, Baby | — | ||
| 5-22 | Daddy‐O | — | ||
| 5-23 | Safe, Sane, and Single | — | ||
| 5-24 | I Know What I’ve Got, Don’t Know What I’m Getting | — | ||
| 5-25 | You Broke Your Promise | — | ||
| 5-26 | Push‐Ka‐Pee She Pie (The Saga of Saga Boy) | — | ||
| 6-1 | Cole Slaw | — | ||
| 6-2 | Beans and Corn Bread | — | ||
| 6-3 | Onion | Louis Jordan and His Tympany Five | — | |
| 6-4 | Baby’s Gonna Go, Bye Bye | — | ||
| 6-5 | Heed My Warning | — | ||
| 6-6 | Psycho‐Loco | — | ||
| 6-7 | School Days | — | ||
| 6-8 | Hungry Man | — | ||
| 6-9 | Love You ’til Your Money’s Gone Blues | — | ||
| 6-10 | Saturday Night Fish Fry, Parts 1 & 2 | Louis Jordan and His Tympany Five | T-070.243.362-2 | |
| 6-11 | I Want a Roof Over My Head | — | ||
| 6-12 | Show Me How (You Milk the Cow) | — | ||
| 6-13 | Blue Light Boogie | Louis Jordan and His Tympany Five | T-070.880.856-3 | |
| 6-14 | Tamburitza Boogie | — | ||
| 6-15 | (You Dyed Your Hair) Chartreuse | Louis Jordan and His Tympany Five | — | |
| 6-16 | Lemonade | — | ||
| 6-17 | It’s a Great, Great Pleasure | — | ||
| 6-18 | You Will Always Have a Friend | — | ||
| 6-19 | Louisville Lodge Meeting | — | ||
| 6-20 | Trouble Then Satisfaction | — | ||
| 6-21 | Crazy Baby | — | ||
| 6-22 | Life Is So Peculiar | — | ||
| 6-23 | (I’ll Be Glad When You’re Dead) You, Rascal You | — | ||
| 6-24 | Teardrops From My Eyes | — | ||
| 7-1 | If You’ve Got Someplace to Go | — | ||
| 7-2 | Weak Minded Blues | — | ||
| 7-3 | Is My Pop in There? | — | ||
| 7-4 | I Can’t Give You Anything but Love, Baby | — | ||
| 7-5 | If You So Smart, How Come You Ain’t Rich? | — | ||
| 7-6 | Trust in Me | — | ||
| 7-7 | Louisville Lodge Meeting | — | ||
| 7-8 | How Blue Can You Get? | — | ||
| 7-9 | Happy Birthday Boogie | — | ||
| 7-10 | May Every Day Be Christmas | — | ||
| 7-11 | Please Don’t Leave Me | — | ||
| 7-12 | Bone Dry | — | ||
| 7-13 | I Love That Kinda Carryin’ On | — | ||
| 7-14 | Three Handed Woman | — | ||
| 7-15 | Fat Sam From Birmingham | — | ||
| 7-16 | Cock‐A‐Doodle‐Doo | — | ||
| 7-17 | Garmoochie | — | ||
| 7-18 | There Must Be a Way | — | ||
| 7-19 | Come and Get It | — | ||
| 7-20 | Stop Makin’ Music | — | ||
| 7-21 | Slow Down | — | ||
| 7-22 | Work, Baby Work | — | ||
| 7-23 | Never Trust a Woman | — | ||
| 7-24 | All of Me | — | ||
| 7-25 | There Goes My Heart | — | ||
| 7-26 | Lay Something on the Bar (Besides Your Elbow) | — | ||
| 7-27 | Gimme Gimme Blues | — | ||
| 8-1 | Junco Partner | — | ||
| 8-2 | Time Marches On | — | ||
| 8-3 | Azure‐Te (Paris Blues) | — | ||
| 8-4 | Oil Well, Texas | — | ||
| 8-5 | There’s Nothing Else That I Can Do 1992a | — | ||
| 8-6 | Jordan for President | — | ||
| 8-7 | The Soon‐A Baby 1992 | — | ||
| 8-8 | There’s Nothing Else That I Can Do 1992b | — | ||
| 8-9 | The Soon‐A Baby 1953 | — | ||
| 8-10 | You Didn’t Want Me Baby | — | ||
| 8-11 | A Man’s Best Friend Is a Bed | — | ||
| 8-12 | I Didn’t Know What Time It Was | — | ||
| 8-13 | It’s Better to Wait for Love | — | ||
| 8-14 | Only Yesterday | — | ||
| 8-15 | Just Like a Butterfly (That’s Caught in the Rain) | — | ||
| 8-16 | Hog Wash | — | ||
| 8-17 | House Party | — | ||
| 8-18 | Everything That’s Made of Wood | — | ||
| 8-19 | I Want You to Be My Baby | Louis Jordan and His Tympany Five | T-070.904.725-5 | |
| 8-20 | You Know It Too | — | ||
| 8-21 | Locked Up | — | ||
| 8-22 | I Gotta Move | — | ||
| 8-23 | Nobody Knows You When You’re Down and Out | — | ||
| 8-24 | If It’s True | — | ||
| 8-25 | Wake Up Jacob | — | ||
| 8-26 | Lollypop | — | ||
| 8-27 | Perdido (instrumental) | — | ||
| 9-1 | Stone Cold Dead in the Market | Louis Jordan and His Tympany Five, Ella Fitzgerald | T-070.275.731-0 | |
| 9-2 | Petootie Pie | — | ||
| 9-3 | Petootie Pie | — | ||
| 9-4 | Baby, It’s Cold Outside | — | ||
| 9-5 | Don’t Cry, Cry Baby | — | ||
| 9-6 | Ain’t Nobody’s Business but My Own | — | ||
| 9-7 | I’ll Never Be Free | — |
Identifier Graph
4000127155573 is a Universal Product Code (UPC) assigned to Let the Good Times Roll (1938-1954) by Louis Jordan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 215 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Barnyard Boogie | Louis Jordan and His Tympany Five | T-072.194.136-1 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Let the Good Times Roll (1938-1954)” by Louis Jordan is 4000127155573. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-01-01. Label: Bear Family Records. This release contains 215 tracks, each with its own ISRC. Tracks include USMC13965304, FRX194614979, USMC14673644.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Toodle‐Loo on Down | — | ||
| 2 | So Good | — | ||
| 3 | Away From You | — | ||
| 4 | Honey in the Bee Ball | — | ||
| 5 | Barnacle Bill the Sailor | — | ||
| 6 | Flat Face | Louis Jordan and His Tympany Five | — | |
| 7 | Keep A‐Knockin’ (but You Can’t Come in) | — | ||
| 8 | Sam Jones Done Snagged His Britches On | — | ||
| 9 | Swinging in a Cocoanut Tree | — | ||
| 10 | Doug the Jitterbug | — | ||
| 11 | At the Swing Cat’s Ball | — | ||
| 12 | Jake, What a Snake | — | ||
| 13 | Honeysuckle Rose | — | ||
| 14 | ’Fore Day Blues | — | ||
| 15 | But I’ll Be Back | — | ||
| 16 | You Ain’t Nowhere | — | ||
| 17 | You’re My Meat | — | ||
| 18 | June Tenth Jamboree | — | ||
| 19 | You Run Your Mouth and I’ll Run My Business | — | ||
| 20 | I’m Alabama Bound | — | ||
| 21 | Hard Lovin’ Blues | — | ||
| 22 | You Got to Go When the Wagon Comes | — | ||
| 23 | Lovie Joe | — | ||
| 24 | Somebody Done Hoodooed the Hoodoo Man | — | ||
| 25 | Bounce the Ball (Do da Dittle Um Day) | — | ||
| 26 | Penthouse in the Basement | — | ||
| 27 | After School Swing Session (Swinging with Symphony Sid) | — | ||
| 2-1 | Oh Boy, I’m in the Groove | — | ||
| 2-2 | Never Let Your Left Hand Know What Your Right | — | ||
| 2-3 | Don’t Come Crying on My Shoulder | — | ||
| 2-4 | Waitin’ for the Robert E. Lee | — | ||
| 2-5 | A Chicken Ain’t Nothin’ but a Bird | — | ||
| 2-6 | Pompton Turnpike | — | ||
| 2-7 | Do You Call That a Buddy (Dirty Cat) | — | ||
| 2-8 | I Know You, I Know What You Wanna Do | — | ||
| 2-9 | Pinetop’s Boogie Woogie | — | ||
| 2-10 | The Two Little Squirrels (Nuts to You) | — | ||
| 2-11 | T‐Bone Blues | — | ||
| 2-12 | Pan Pan | — | ||
| 2-13 | Saint Vitus Dance | — | ||
| 2-14 | Saxa‐Woogie | — | ||
| 2-15 | Brotherly Love | — | ||
| 2-16 | De Laff’s on You | — | ||
| 2-17 | Boogie Woogie Came to Town | — | ||
| 2-18 | John, Stop Teasing Me | — | ||
| 2-19 | How ’bout That | — | ||
| 2-20 | Teacher (How I Love My Teacher) | — | ||
| 2-21 | Mama, Mama Blues (Rusty Dusty Blues) | — | ||
| 2-22 | Knock Me a Kiss | — | ||
| 2-23 | The Green Grass Grows All Around | — | ||
| 2-24 | Mister Lovingood | — | ||
| 2-25 | Small Town Boy | — | ||
| 2-26 | I’m Gonna Move to the Outskirts of Town | — | ||
| 3-1 | What’s the Use of Gettin’ Sober | — | ||
| 3-2 | The Chicks I Pick Are Slender, Tender, and Tall | — | ||
| 3-3 | I’m Gonna Leave You on the Outskirts of Town | — | ||
| 3-4 | That’ll Just ’Bout Knock Me Out | — | ||
| 3-5 | Dirty Snake | — | ||
| 3-6 | Five Guys Named Moe | — | ||
| 3-7 | It’s a Low‐Down Dirty Shame | — | ||
| 3-8 | De Laff’s on You | — | ||
| 3-9 | Ration Blues | — | ||
| 3-10 | Is You Is or Is You Ain’t My Baby | — | ||
| 3-11 | Deacon Jones | — | ||
| 3-12 | The Things I Want I Can’t Get at Home | — | ||
| 3-13 | How High Am I? | — | ||
| 3-14 | I Like ’em Fat Like That | — | ||
| 3-15 | The Truth of the Matter | — | ||
| 3-16 | Hey! Now Let’s Live | — | ||
| 3-17 | Mop‐Mop | — | ||
| 3-18 | G.I. Jive | — | ||
| 3-19 | You Can’t Get That No More | — | ||
| 3-20 | Louis’ Oldsmobile Song | — | ||
| 3-21 | Your Socks Don’t Match | — | ||
| 3-22 | My Baby Said Yes (Yip, Yip de Hootie) | — | ||
| 3-23 | My Baby Said Yes (Yip, Yip de Hootie) | — | ||
| 3-24 | Your Socks Don’t Match | — | ||
| 4-1 | Buzz Me | — | ||
| 4-2 | They Raided the House | — | ||
| 4-3 | Caledonia Boogie | — | ||
| 4-4 | Somebody Done Changed the Lock on My Door | — | ||
| 4-5 | How Long Must I Wait for You? | — | ||
| 4-6 | Don’t Worry ’Bout That Mule | — | ||
| 4-7 | Salt Pork, West Virginia | — | ||
| 4-8 | Paper Boy | — | ||
| 4-9 | Don’t Worry ’bout That Mule | — | ||
| 4-10 | Reconversion Blues | — | ||
| 4-11 | It’s So Easy | — | ||
| 4-12 | Beware | — | ||
| 4-13 | Don’t Let the Sun Catch You Cryin’ | — | ||
| 4-14 | Choo Choo Ch’boogie | Louis Jordan and His Tympany Five | T-070.024.822-1 | |
| 4-15 | Ain’t That Just Like a Woman | — | ||
| 4-16 | That Chick’s Too Young to Fry | — | ||
| 4-17 | No Sale | — | ||
| 4-18 | If It’s Love You Want Baby, That’s Me | — | ||
| 4-19 | Ain’t Nobody Here but Us Chickens | Louis Jordan and His Tympany Five | T-070.000.463-2 | |
| 4-20 | Let the Good Times Roll | — | ||
| 4-21 | All for the Love of Lil | — | ||
| 4-22 | Texas and Pacific | — | ||
| 4-23 | Jack, You’re Dead | — | ||
| 4-24 | Reet Petite and Gone | — | ||
| 4-25 | Sure, Had a Wonderful Time | — | ||
| 4-26 | I Know What You’re Puttin’ Down | — | ||
| 4-27 | Open the Door Richard | — | ||
| 5-1 | Friendship | — | ||
| 5-2 | Open the Door Richard | — | ||
| 5-3 | Boogie Woogie Blue Plate | — | ||
| 5-4 | Barnyard Boogie | Louis Jordan and His Tympany Five | — | |
| 5-5 | Every Man to His Own Profession | — | ||
| 5-6 | Early in the Morning | — | ||
| 5-7 | Run Joe | — | ||
| 5-8 | Look Out | — | ||
| 5-9 | Beans and Corn Bread | — | ||
| 5-10 | Have You Got the Gumption | — | ||
| 5-11 | We Can’t Agree | — | ||
| 5-12 | Chicky‐Mo, Craney‐Crow | — | ||
| 5-13 | Roamin’ Blues | — | ||
| 5-14 | Inflation Blues | — | ||
| 5-15 | You’re Much Too Fat (and That’s That) | — | ||
| 5-16 | Chug Chug Boogie | — | ||
| 5-17 | There’ll Be No Days Like That | — | ||
| 5-18 | Pettin’ an Pokin’ | — | ||
| 5-19 | You’re on the Right Track, Baby | — | ||
| 5-20 | Don’t Burn the Candle at Both Ends | — | ||
| 5-21 | Why’d You Do It, Baby | — | ||
| 5-22 | Daddy‐O | — | ||
| 5-23 | Safe, Sane, and Single | — | ||
| 5-24 | I Know What I’ve Got, Don’t Know What I’m Getting | — | ||
| 5-25 | You Broke Your Promise | — | ||
| 5-26 | Push‐Ka‐Pee She Pie (The Saga of Saga Boy) | — | ||
| 6-1 | Cole Slaw | — | ||
| 6-2 | Beans and Corn Bread | — | ||
| 6-3 | Onion | Louis Jordan and His Tympany Five | — | |
| 6-4 | Baby’s Gonna Go, Bye Bye | — | ||
| 6-5 | Heed My Warning | — | ||
| 6-6 | Psycho‐Loco | — | ||
| 6-7 | School Days | — | ||
| 6-8 | Hungry Man | — | ||
| 6-9 | Love You ’til Your Money’s Gone Blues | — | ||
| 6-10 | Saturday Night Fish Fry, Parts 1 & 2 | Louis Jordan and His Tympany Five | T-070.243.362-2 | |
| 6-11 | I Want a Roof Over My Head | — | ||
| 6-12 | Show Me How (You Milk the Cow) | — | ||
| 6-13 | Blue Light Boogie | Louis Jordan and His Tympany Five | T-070.880.856-3 | |
| 6-14 | Tamburitza Boogie | — | ||
| 6-15 | (You Dyed Your Hair) Chartreuse | Louis Jordan and His Tympany Five | — | |
| 6-16 | Lemonade | — | ||
| 6-17 | It’s a Great, Great Pleasure | — | ||
| 6-18 | You Will Always Have a Friend | — | ||
| 6-19 | Louisville Lodge Meeting | — | ||
| 6-20 | Trouble Then Satisfaction | — | ||
| 6-21 | Crazy Baby | — | ||
| 6-22 | Life Is So Peculiar | — | ||
| 6-23 | (I’ll Be Glad When You’re Dead) You, Rascal You | — | ||
| 6-24 | Teardrops From My Eyes | — | ||
| 7-1 | If You’ve Got Someplace to Go | — | ||
| 7-2 | Weak Minded Blues | — | ||
| 7-3 | Is My Pop in There? | — | ||
| 7-4 | I Can’t Give You Anything but Love, Baby | — | ||
| 7-5 | If You So Smart, How Come You Ain’t Rich? | — | ||
| 7-6 | Trust in Me | — | ||
| 7-7 | Louisville Lodge Meeting | — | ||
| 7-8 | How Blue Can You Get? | — | ||
| 7-9 | Happy Birthday Boogie | — | ||
| 7-10 | May Every Day Be Christmas | — | ||
| 7-11 | Please Don’t Leave Me | — | ||
| 7-12 | Bone Dry | — | ||
| 7-13 | I Love That Kinda Carryin’ On | — | ||
| 7-14 | Three Handed Woman | — | ||
| 7-15 | Fat Sam From Birmingham | — | ||
| 7-16 | Cock‐A‐Doodle‐Doo | — | ||
| 7-17 | Garmoochie | — | ||
| 7-18 | There Must Be a Way | — | ||
| 7-19 | Come and Get It | — | ||
| 7-20 | Stop Makin’ Music | — | ||
| 7-21 | Slow Down | — | ||
| 7-22 | Work, Baby Work | — | ||
| 7-23 | Never Trust a Woman | — | ||
| 7-24 | All of Me | — | ||
| 7-25 | There Goes My Heart | — | ||
| 7-26 | Lay Something on the Bar (Besides Your Elbow) | — | ||
| 7-27 | Gimme Gimme Blues | — | ||
| 8-1 | Junco Partner | — | ||
| 8-2 | Time Marches On | — | ||
| 8-3 | Azure‐Te (Paris Blues) | — | ||
| 8-4 | Oil Well, Texas | — | ||
| 8-5 | There’s Nothing Else That I Can Do 1992a | — | ||
| 8-6 | Jordan for President | — | ||
| 8-7 | The Soon‐A Baby 1992 | — | ||
| 8-8 | There’s Nothing Else That I Can Do 1992b | — | ||
| 8-9 | The Soon‐A Baby 1953 | — | ||
| 8-10 | You Didn’t Want Me Baby | — | ||
| 8-11 | A Man’s Best Friend Is a Bed | — | ||
| 8-12 | I Didn’t Know What Time It Was | — | ||
| 8-13 | It’s Better to Wait for Love | — | ||
| 8-14 | Only Yesterday | — | ||
| 8-15 | Just Like a Butterfly (That’s Caught in the Rain) | — | ||
| 8-16 | Hog Wash | — | ||
| 8-17 | House Party | — | ||
| 8-18 | Everything That’s Made of Wood | — | ||
| 8-19 | I Want You to Be My Baby | Louis Jordan and His Tympany Five | T-070.904.725-5 | |
| 8-20 | You Know It Too | — | ||
| 8-21 | Locked Up | — | ||
| 8-22 | I Gotta Move | — | ||
| 8-23 | Nobody Knows You When You’re Down and Out | — | ||
| 8-24 | If It’s True | — | ||
| 8-25 | Wake Up Jacob | — | ||
| 8-26 | Lollypop | — | ||
| 8-27 | Perdido (instrumental) | — | ||
| 9-1 | Stone Cold Dead in the Market | Louis Jordan and His Tympany Five, Ella Fitzgerald | T-070.275.731-0 | |
| 9-2 | Petootie Pie | — | ||
| 9-3 | Petootie Pie | — | ||
| 9-4 | Baby, It’s Cold Outside | — | ||
| 9-5 | Don’t Cry, Cry Baby | — | ||
| 9-6 | Ain’t Nobody’s Business but My Own | — | ||
| 9-7 | I’ll Never Be Free | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Barnyard Boogie | Louis Jordan and His Tympany Five | T-072.194.136-1 |
