UPC · Release
Right or Wrong: 1954-1962
Wanda Jackson
Last verified:
4000127156297 is the Universal Product Code (UPC barcode) for the release “Right or Wrong: 1954-1962” by Wanda Jackson, released 1992-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC. Tracks include USRHD0531001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (124)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | If You Knew What I Know | — | ||
| 2 | Lovin’ Country Style | — | ||
| 3 | The Heart You Could Have Had | — | ||
| 4 | The Right to Love | — | ||
| 5 | You Can’t Have My Love | — | ||
| 6 | If You Don’t Somebody Else Will | — | ||
| 7 | You’d Be the First One to Know | — | ||
| 8 | It’s the Same World (Wherever You Go) | — | ||
| 9 | Tears at the Grand Ole Opry | — | ||
| 10 | Don’t Do the Things He’d Do | — | ||
| 11 | Nobody’s Darlin’ but Mine | — | ||
| 12 | Wasted | — | ||
| 13 | I Cried Again | — | ||
| 14 | I’d Rather Have a Broken Heart | — | ||
| 15 | You Won’t Forget (About Me) | — | ||
| 16 | Step by Step | — | ||
| 17 | Half as Good a Girl | — | ||
| 18 | I Gotta Know | — | ||
| 19 | Cryin’ Thru the Night | — | ||
| 20 | Baby Loves Him | — | ||
| 21 | Honey Bop | — | ||
| 22 | Silver Threads and Golden Needles | — | ||
| 23 | Hot Dog! That Made Him Mad | — | ||
| 24 | Did You Miss Me | — | ||
| 25 | Cool Love | — | ||
| 26 | Let Me Explain | — | ||
| 27 | Don’a Wan’a | — | ||
| 28 | No Wedding Bells for Joe | — | ||
| 29 | Fujiyama Mama | — | ||
| 30 | Just Queen for a Day | — | ||
| 2-1 | Makin’ Believe | — | ||
| 2-2 | Just Call Me Lonesome | — | ||
| 2-3 | Happy, Happy Birthday | — | ||
| 2-4 | Let Me Go, Lover | — | ||
| 2-5 | (Let’s Have a) Party | — | ||
| 2-6 | Day Dreaming | — | ||
| 2-7 | Heartbreak Ahead | — | ||
| 2-8 | Here We Are Again | — | ||
| 2-9 | I Wanna Waltz | — | ||
| 2-10 | I Can’t Make My Dreams Understand | — | ||
| 2-11 | Money Honey | — | ||
| 2-12 | Long Tall Sally | — | ||
| 2-13 | Sinful Heart | — | ||
| 2-14 | Mean Mean Man | — | ||
| 2-15 | Rock Your Baby | — | ||
| 2-16 | A Date With Jerry | — | ||
| 2-17 | (Every Time They Play) Our Song | — | ||
| 2-18 | You’ve Turned to a Stranger | — | ||
| 2-19 | Reaching | — | ||
| 2-20 | I’d Rather Have You | — | ||
| 2-21 | Savin’ My Love | — | ||
| 2-22 | You’re the One for Me | — | ||
| 2-23 | In the Middle of a Heartache | — | ||
| 2-24 | Please Call Today | — | ||
| 2-25 | My Destiny | — | ||
| 2-26 | The Wrong Kind of Girl | — | ||
| 2-27 | Kansas City | — | ||
| 2-28 | Fallin’ | — | ||
| 2-29 | Sparklin Brown Eyes | — | ||
| 2-30 | Hard Headed Woman | — | ||
| 2-31 | Baby, Baby, Bye Bye | — | ||
| 2-32 | It Doesn’t Matter Anymore | — | ||
| 3-1 | Lonely Weekends | — | ||
| 3-2 | Tweedle Dee | — | ||
| 3-3 | Riot in Cell Block # 9 | — | ||
| 3-4 | Little Charm Bracelet | — | ||
| 3-5 | Right or Wrong | — | ||
| 3-6 | Funnel of Love | Wanda Jackson | T-071.130.808-5 | |
| 3-7 | Tongue Tied | — | ||
| 3-8 | There’s a Party Goin’ On | — | ||
| 3-9 | Lost Weekend | — | ||
| 3-10 | Man We Had a Party | — | ||
| 3-11 | Why I’m Walkin’ | — | ||
| 3-12 | I May Never Get to Heaven | — | ||
| 3-13 | Stupid Cupid | — | ||
| 3-14 | Brown Eyed Handsome Man | — | ||
| 3-15 | I Cried Again | — | ||
| 3-16 | The Last Letter | — | ||
| 3-17 | Who Shot Sam | — | ||
| 3-18 | Slippin’ and Slidin’ | — | ||
| 3-19 | My Baby Left Me | — | ||
| 3-20 | So Soon | — | ||
| 3-21 | The Window Up Above | — | ||
| 3-22 | Sticks and Stones | — | ||
| 3-23 | I Don’t Wanta Go | — | ||
| 3-24 | In the Middle of a Heartache | — | ||
| 3-25 | A Little Bitty Tear | — | ||
| 3-26 | I’d Be Ashamed | — | ||
| 3-27 | Seven Lonely Days | — | ||
| 3-28 | Don’t Ask Me Why | — | ||
| 3-29 | I Need You Now | — | ||
| 3-30 | This Should Go on Forever | — | ||
| 3-31 | Is It Wrong | — | ||
| 3-32 | We Could | — | ||
| 4-1 | You Don’t Know Baby | — | ||
| 4-2 | Before I Lose My Mind | — | ||
| 4-3 | The Tip of My Fingers | — | ||
| 4-4 | Let Me Talk to You | — | ||
| 4-5 | (Let’s Stop) Kickin’ Our Hearts Around | — | ||
| 4-6 | Between the Window and the Phone | — | ||
| 4-7 | If I Cried Every Time You Hurt Me | — | ||
| 4-8 | I Misunderstood | — | ||
| 4-9 | Let My Love Walk In | — | ||
| 4-10 | To Tell You the Truth (alt.) | — | ||
| 4-11 | To Tell You the Truth | — | ||
| 4-12 | The Greatest Actor | — | ||
| 4-13 | You Bug Me Bad | — | ||
| 4-14 | One Teardrop at a Time | — | ||
| 4-15 | Funny How Time Slips Away | — | ||
| 4-16 | These Empty Arms | — | ||
| 4-17 | But I Was Lying | — | ||
| 4-18 | We Haven’t a Moment to Lose | — | ||
| 4-19 | How Important Can It Be | — | ||
| 4-20 | I May Never Get to Heaven | — | ||
| 4-21 | The Things I Might Have Been | — | ||
| 4-22 | Little Things Mean a Lot | — | ||
| 4-23 | Have You Ever Been Lonely | — | ||
| 4-24 | Please Love Me Forever | — | ||
| 4-25 | Since I Met You Baby | — | ||
| 4-26 | May You Never Be Alone | — | ||
| 4-27 | Sympathy | — | ||
| 4-28 | Whirlpool | — | ||
| 4-29 | Pledging My Love | — | ||
| 4-30 | What Am I Living For | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4000127156297?
4000127156297 is a Universal Product Code (UPC) assigned to Right or Wrong: 1954-1962 by Wanda Jackson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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