UPC · Release
The All-American Boy
Bobby Bare
4000127156631
125 tracksReleased 1994-01-01Bear Family Records
Last verified:
4000127156631 is the Universal Product Code (UPC barcode) for the release “The All-American Boy” by Bobby Bare, released 1994-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 125 tracks, each with its own ISRC. Tracks include USRN19600337, USRN19600339, USRN19600340.
Format
400GS1 prefix
0127Company prefix
15663Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe All-American Boy
ISRC5 recordings
ISWC55 works
IPI2 songwriters
Track List (125)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Darlin’ Don’t | — | ||
| 2 | Another Love Has Ended | — | ||
| 3 | Down on the Corner of Love | — | ||
| 4 | The Life of a Fool | — | ||
| 5 | A Beggar | — | ||
| 6 | The Livin’ End | — | ||
| 7 | Vampira | — | ||
| 8 | Tender Years | — | ||
| 9 | When the One You Love (incomplete take) | — | ||
| 10 | All American Boy | Bobby Bare | T-070.222.695-6 | |
| 11 | What You Gonna Do Now | — | ||
| 12 | I’m Hanging Up My Rifle (alternate take) | — | ||
| 13 | That’s Where I Want to Be | — | ||
| 14 | I’m Hanging Up My Rifle (master) | — | ||
| 15 | Lynching Party (Fraternity master) | — | ||
| 16 | Lynching Party (alternate take) | — | ||
| 18 | Sweet Singin’ Sam (single master) | — | ||
| 19 | Lynching Party (RCA release) | — | ||
| 20 | More Than a Poor Boy Could Give | — | ||
| 21 | No Letter From My Baby | — | ||
| 22 | Book of Love | — | ||
| 23 | Can Can | — | ||
| 24 | Lorena | — | ||
| 25 | Zig Zag Twist | — | ||
| 26 | Island of Love | — | ||
| 27 | Sailor Man | — | ||
| 28 | These Tender Years | — | ||
| 29 | Lovesick | — | ||
| 30 | Great Big Car | — | ||
| 31 | Brooklyn Bridge (alternate take) | — | ||
| 32 | That Mean Old Clock | — | ||
| 33 | The Day My Rainbow Fell | — | ||
| 34 | Brooklyn Bridge (master) | — | ||
| 2-1 | Above and Beyond | — | ||
| 2-2 | Shame on Me | — | ||
| 2-3 | To Whom It May Concern | — | ||
| 2-4 | Wallflower | — | ||
| 2-5 | I Don’t Believe I’ll Fall in Love Today | — | ||
| 2-6 | Dear Waste Basket | — | ||
| 2-7 | Baby, Don’t Believe Him | — | ||
| 2-8 | I’m Gettin’ Lonely | — | ||
| 2-9 | Heart of Ice | — | ||
| 2-10 | Candy Coated Kisses | — | ||
| 2-11 | The Gods Were Angry With Me | — | ||
| 2-12 | I’d Fight the World | — | ||
| 2-13 | Is It Wrong (for Loving You) | — | ||
| 2-14 | Dear Waste Basket | — | ||
| 2-15 | Detroit City | Bobby Bare | T-070.240.196-4 | |
| 2-16 | Lonely Town | — | ||
| 2-17 | She Called Me Baby | — | ||
| 2-18 | 500 Miles Away From Home | Bobby Bare | T-071.129.510-1 | |
| 2-19 | It All Depends on Linda | — | ||
| 2-20 | Worried Man Blues | — | ||
| 2-21 | Homestead on the Farm | — | ||
| 2-22 | Abilene | — | ||
| 2-23 | Gotta Travel On | — | ||
| 2-24 | Noah’s Ark | — | ||
| 2-25 | I Wonder Where You Are Tonight | — | ||
| 2-26 | Let Me Tell You About Mary | — | ||
| 2-27 | What Kind of Bird Is That | — | ||
| 2-28 | Jeannie’s Last Kiss | — | ||
| 2-29 | Miller’s Cave | Bobby Bare | T-070.242.200-1 | |
| 2-30 | Sittin’ and Thinkin’ | — | ||
| 2-31 | Have I Stayed Away Too Long | — | ||
| 3-1 | Long Way to Tennessee | — | ||
| 3-2 | Long Black Limousine | — | ||
| 3-3 | Down in Mexico | — | ||
| 3-4 | I Was Coming Home to You | — | ||
| 3-5 | Another Bridge to Burn | — | ||
| 3-6 | I’ve Lived a Lot in My Time | — | ||
| 3-7 | He Was a Friend of Mine | — | ||
| 3-8 | Take Me Home | — | ||
| 3-9 | When I’m Gone | — | ||
| 3-10 | Sweeter Than the Flowers | — | ||
| 3-11 | I Was Coming Home to You | — | ||
| 3-12 | Four Strong Winds | — | ||
| 3-13 | When the Wind Blows in Chicago | — | ||
| 3-14 | Just to Satisfy You | — | ||
| 3-15 | Let It Be Me | — | ||
| 3-16 | In the Misty Moonlight | — | ||
| 3-17 | I Love You | — | ||
| 3-18 | Too Used to Being With You | — | ||
| 3-19 | Together Again | — | ||
| 3-20 | We’ll Sing in the Sunshine | — | ||
| 3-21 | Out of Our Minds | — | ||
| 3-22 | I Don’t Care | — | ||
| 3-23 | That’s All I Want From You | — | ||
| 3-24 | Invisible Tears | — | ||
| 3-25 | A Dear John Letter | — | ||
| 3-26 | True Love | — | ||
| 3-27 | Rosalie (German) | — | ||
| 3-28 | Alle glauben daß ich glücklich bin | — | ||
| 3-29 | Times Are Gettin’ Hard | — | ||
| 3-30 | I’m a Long Way From Home | — | ||
| 4-1 | The Deepening Snow | — | ||
| 4-2 | I’m a Man of Constant Sorrow | — | ||
| 4-3 | She Picked a Perfect Day | — | ||
| 4-4 | One Day at a Time | — | ||
| 4-5 | So Soon | — | ||
| 4-6 | Countin’ the Hours – Countin’ the Days | — | ||
| 4-7 | Don’t Think Twice, It’s All Right | — | ||
| 4-8 | Blowin’ in the Wind | — | ||
| 4-9 | Delia’s Gone | — | ||
| 4-10 | Lemon Tree | — | ||
| 4-11 | It’s Alright | — | ||
| 4-12 | Salt Lake City | — | ||
| 4-13 | Changing My Mind | — | ||
| 4-14 | Good Old Tennessee (German) | — | ||
| 4-15 | Das Haus auf der Sierra | — | ||
| 4-16 | Wilder Wolf und brauner Bär (So ist das Leben) | — | ||
| 4-17 | Molly Brown (German) | — | ||
| 4-18 | A Little Bit Later on Down the Line | Bobby Bare | T-918.240.497-3 | |
| 4-19 | Got Leavin’ on Her Mind | — | ||
| 4-20 | Try to Remember | — | ||
| 4-21 | All the Good Times Are Past and Gone | — | ||
| 4-22 | Memories | — | ||
| 4-23 | Heaven Help My Soul | — | ||
| 4-24 | (For a While) We Helped Each Other Out | — | ||
| 4-25 | In the Same Old Way | — | ||
| 4-26 | Talk Me Some Sense (with recitation) | — | ||
| 4-27 | You Can’t Stop the Wild Wind From Blowing | — | ||
| 4-28 | It Ain’t Me Babe | — | ||
| 4-29 | The Long Black Veil | — | ||
| 4-30 | Passin’ Through | — | ||
| 4-31 | What Color (Is a Man) | — |
Darlin’ Don’t
—
Another Love Has Ended
—
Down on the Corner of Love
—
The Life of a Fool
—
A Beggar
—
The Livin’ End
—
Vampira
—
Tender Years
—
When the One You Love (incomplete take)
—
What You Gonna Do Now
—
I’m Hanging Up My Rifle (alternate take)
—
That’s Where I Want to Be
—
I’m Hanging Up My Rifle (master)
—
Lynching Party (Fraternity master)
—
Lynching Party (alternate take)
—
Sweet Singin’ Sam (single master)
—
Lynching Party (RCA release)
—
More Than a Poor Boy Could Give
—
No Letter From My Baby
—
Book of Love
—
Can Can
—
Lorena
—
Zig Zag Twist
—
Island of Love
—
Sailor Man
—
These Tender Years
—
Lovesick
—
Great Big Car
—
Brooklyn Bridge (alternate take)
—
That Mean Old Clock
—
The Day My Rainbow Fell
—
Brooklyn Bridge (master)
—
Above and Beyond
—
Shame on Me
—
To Whom It May Concern
—
Wallflower
—
I Don’t Believe I’ll Fall in Love Today
—
Dear Waste Basket
—
Baby, Don’t Believe Him
—
I’m Gettin’ Lonely
—
Heart of Ice
—
Candy Coated Kisses
—
The Gods Were Angry With Me
—
I’d Fight the World
—
Is It Wrong (for Loving You)
—
Dear Waste Basket
—
Lonely Town
—
She Called Me Baby
—
It All Depends on Linda
—
Worried Man Blues
—
Homestead on the Farm
—
Abilene
—
Gotta Travel On
—
Noah’s Ark
—
I Wonder Where You Are Tonight
—
Let Me Tell You About Mary
—
What Kind of Bird Is That
—
Jeannie’s Last Kiss
—
Sittin’ and Thinkin’
—
Have I Stayed Away Too Long
—
Long Way to Tennessee
—
Long Black Limousine
—
Down in Mexico
—
I Was Coming Home to You
—
Another Bridge to Burn
—
I’ve Lived a Lot in My Time
—
He Was a Friend of Mine
—
Take Me Home
—
When I’m Gone
—
Sweeter Than the Flowers
—
I Was Coming Home to You
—
Four Strong Winds
—
When the Wind Blows in Chicago
—
Just to Satisfy You
—
Let It Be Me
—
In the Misty Moonlight
—
I Love You
—
Too Used to Being With You
—
Together Again
—
We’ll Sing in the Sunshine
—
Out of Our Minds
—
I Don’t Care
—
That’s All I Want From You
—
Invisible Tears
—
A Dear John Letter
—
True Love
—
Rosalie (German)
—
Alle glauben daß ich glücklich bin
—
Times Are Gettin’ Hard
—
I’m a Long Way From Home
—
The Deepening Snow
—
I’m a Man of Constant Sorrow
—
She Picked a Perfect Day
—
One Day at a Time
—
So Soon
—
Countin’ the Hours – Countin’ the Days
—
Don’t Think Twice, It’s All Right
—
Blowin’ in the Wind
—
Delia’s Gone
—
Lemon Tree
—
It’s Alright
—
Salt Lake City
—
Changing My Mind
—
Good Old Tennessee (German)
—
Das Haus auf der Sierra
—
Wilder Wolf und brauner Bär (So ist das Leben)
—
Molly Brown (German)
—
Got Leavin’ on Her Mind
—
Try to Remember
—
All the Good Times Are Past and Gone
—
Memories
—
Heaven Help My Soul
—
(For a While) We Helped Each Other Out
—
In the Same Old Way
—
Talk Me Some Sense (with recitation)
—
You Can’t Stop the Wild Wind From Blowing
—
It Ain’t Me Babe
—
The Long Black Veil
—
Passin’ Through
—
What Color (Is a Man)
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-004.017.817-3T-011.268.925-4T-070.222.695-6T-070.240.196-4T-070.242.200-1T-070.056.028-6T-070.072.621-1T-070.095.328-1T-070.139.442-4T-070.181.401-8
+45 more
T-070.201.329-3T-070.222.695-6T-070.231.825-9T-070.231.827-1T-070.234.338-1T-070.234.452-2T-070.240.196-4T-070.240.518-2T-070.240.536-4T-070.241.253-0T-070.241.448-9T-070.241.815-2T-070.242.200-1T-070.243.477-2T-070.245.362-0T-070.247.391-3T-070.249.957-7T-070.249.989-5T-070.250.039-7T-070.350.024-6T-070.881.716-6T-070.881.914-0T-070.918.916-1T-070.918.990-1T-070.919.153-6T-070.919.176-3T-070.919.182-1T-070.940.772-6T-071.129.510-1T-071.129.510-1T-071.137.584-6T-071.145.375-6T-071.178.302-6T-071.184.784-5T-071.197.323-7T-071.205.963-6T-072.109.803-8T-700.008.839-3T-700.008.932-9T-700.008.949-8T-700.026.426-8T-700.028.492-6T-700.028.727-6T-700.030.506-8T-918.240.497-3
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
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What is UPC 4000127156631?
4000127156631 is a Universal Product Code (UPC) assigned to The All-American Boy by Bobby Bare. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 125 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm