UPC · Release
Twangin' From Phoenix to L.A.
Duane Eddy
4000127157782
140 tracksReleased 1994-01-01Bear Family Records
Last verified:
4000127157782 is the Universal Product Code (UPC barcode) for the release “Twangin' From Phoenix to L.A.” by Duane Eddy, released 1994-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 140 tracks, each with its own ISRC. Tracks include USRC19305777, UKU6H1904397, UKU6H1904409.
Format
400GS1 prefix
0127Company prefix
15778Product
2Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCTwangin' From Phoenix to L.A.
ISRC9 recordings
ISWC9 works
IPI3 songwriters
Track List (140)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Want Some Lovin' Baby | — | ||
| 2 | Soda Fountain Girl | — | ||
| 3 | Ramrod | — | ||
| 5 | Up and Down | — | ||
| 6 | Moovin' 'n' Groovin' | — | ||
| 7 | Pretty Jane | — | ||
| 8 | Want Me | — | ||
| 9 | Rebel Rouser | — | ||
| 10 | Stalkin' | — | ||
| 11 | Have Love, Will Travel | — | ||
| 12 | Look at Me! | — | ||
| 13 | Doo Waddie | — | ||
| 14 | Dear 53310761 | — | ||
| 15 | Ramrod | — | ||
| 16 | The Walker | — | ||
| 17 | The Lonely One | — | ||
| 18 | Cannonball | — | ||
| 19 | Mason Dixon Lion | — | ||
| 20 | Detour | — | ||
| 21 | Lonesome Road | — | ||
| 22 | I Almost Lost My Mind | — | ||
| 23 | Loving You (without strings) | — | ||
| 24 | Anytime | — | ||
| 25 | Three-30-Blues | — | ||
| 26 | Loving You (master) | — | ||
| 27 | Yep (take 5, incomplete) | — | ||
| 28 | Yep (take 7) | — | ||
| 29 | Dixie, Part 1 | — | ||
| 30 | Dixie, Part 2 | — | ||
| 2-1 | Yep! (master) | — | ||
| 2-2 | The Raid | — | ||
| 2-3 | The Quiet Three (basic track) | — | ||
| 2-4 | Peter Gunn | Duane Eddy | T-070.165.624-7 | |
| 2-5 | Lover | — | ||
| 2-7 | Along the Navajo Trail (basic track) | — | ||
| 2-8 | Only Child | — | ||
| 2-10 | Along Came Linda (first overdub) | — | ||
| 2-11 | Tuxedo Junction (mono sax overdub) | — | ||
| 2-12 | Quiniela | — | ||
| 2-13 | Just Because (overdub, take 4, false start) | — | ||
| 2-14 | Just Because (master) | — | ||
| 2-15 | Trouble in Mind (sax overdub, take 4) | — | ||
| 2-16 | Fuzz | — | ||
| 2-17 | Trouble in Mind (mastter) | — | ||
| 2-18 | Along Came Linda (master) | — | ||
| 2-19 | Tuxedo Junction (stereo, sax overdub) | — | ||
| 2-20 | Hard Times | — | ||
| 2-21 | Along The Navajo Trail (master) | — | ||
| 2-22 | First Love, First Tears | — | ||
| 2-23 | The Quiet Three (master) | — | ||
| 2-24 | Forty Miles of Bad Road (without overdub) | — | ||
| 2-25 | Forty Miles of Bad Road (released master) | — | ||
| 2-26 | Some Kinda Earthquake (master) | — | ||
| 2-28 | Route #1 | — | ||
| 2-29 | Tiger Love and Turnip Greens | Duane Eddy | — | |
| 2-30 | Trambone | — | ||
| 3-1 | My Blue Heaven | Duane Eddy | — | |
| 3-2 | The Secret Seven (without overdub) | — | ||
| 3-3 | You Are My Sunshine | — | ||
| 3-4 | The Last Minute of Innocence | — | ||
| 3-5 | Rebel Walk (without overdub) | — | ||
| 3-6 | Blueberry Hill | — | ||
| 3-7 | The Battle (without overdub) | — | ||
| 3-8 | St. Louis Blues | Duane Eddy | T-802.458.253-5 | |
| 3-9 | Night Train to Memphis | — | ||
| 3-10 | Bonnie Come Back | — | ||
| 3-11 | Lost Island (master) | — | ||
| 3-12 | Kommotion (without string overdub) | — | ||
| 3-13 | Rebel Walk (master) | — | ||
| 3-14 | The Battle (master) | — | ||
| 3-15 | Easy | — | ||
| 3-17 | Cripple Creek | Duane Eddy | — | |
| 3-18 | Riddle Song | — | ||
| 3-19 | John Henry | — | ||
| 3-20 | Streets of Laredo | — | ||
| 3-21 | Prisoner's Song | Duane Eddy | — | |
| 3-22 | In the Pines | — | ||
| 3-23 | Old Joe Clark (takes 22/23) | — | ||
| 3-24 | Old Joe Clark (take 27, master) | — | ||
| 3-25 | The Wayfaring Stranger | — | ||
| 3-26 | Top of Old Smokey | — | ||
| 3-27 | Mule Train | — | ||
| 3-28 | Scarlet Ribbons | — | ||
| 4-1 | Shazam! | — | ||
| 4-2 | Kommotion (master) | — | ||
| 4-3 | The Secret Seven (master) | — | ||
| 4-4 | Kommotion (female chorus overdub) | — | ||
| 4-5 | Because They're Young (chatter, plus 2 false start) | — | ||
| 4-6 | Because They're Young (take 20) | — | ||
| 4-7 | Theme for Moon Children (take 1) | — | ||
| 4-8 | Because They're Young (take 27, master) | — | ||
| 4-9 | Theme for Moon Children (take 4, master) | — | ||
| 4-10 | Back Porch, Part 1 | — | ||
| 4-11 | Back Porch, Part 2 | — | ||
| 4-12 | Words Mean Nothing | — | ||
| 4-13 | The Girl on Death Row | — | ||
| 4-14 | "Pepe" | Duane Eddy | T-802.138.619-7 | |
| 4-15 | Lost Friend | — | ||
| 4-16 | Runaway Pony (without overdub) | — | ||
| 4-17 | Drivin' Home | — | ||
| 4-18 | (Brenda) I Want to Be Wanted, That's All You Gotta Do, I'm Sorry | — | ||
| 4-19 | Mary Ann | — | ||
| 4-20 | Annette | — | ||
| 4-21 | Sioux City Sue | — | ||
| 4-22 | Sweet Cindy | — | ||
| 4-23 | Tuesday | — | ||
| 4-24 | Jo Ann | — | ||
| 4-25 | Big Liza | — | ||
| 4-26 | Mona Lisa | — | ||
| 4-27 | Patricia | — | ||
| 4-28 | Tammy | — | ||
| 4-29 | Connie | — | ||
| 4-30 | Carol | — | ||
| 5-1 | Theme From Dixie | — | ||
| 5-2 | Gidget Goes Hawaiian | — | ||
| 5-3 | Theme From Dixie | — | ||
| 5-5 | Ring of Fire | — | ||
| 5-6 | Bobbie | Duane Eddy | — | |
| 5-7 | The Avenger | — | ||
| 5-8 | Londonderry Air | — | ||
| 5-9 | Runaway Pony | — | ||
| 5-10 | Just Because | — | ||
| 5-11 | Caravan, Part 1 | — | ||
| 5-12 | Caravan, Part 2 | — | ||
| 5-13 | Stalkin' (basic track, take 10) | — | ||
| 5-14 | Rebel Rouser (basic track) | — | ||
| 5-15 | Three-30 Blues (7" edit) | — | ||
| 5-16 | Yep! (basic track, take 2) | — | ||
| 5-17 | Yep! (basic track, take 4) | — | ||
| 5-18 | Dixie (session, take 1) | — | ||
| 5-19 | Dixie (master) | — | ||
| 5-21 | Along Came Linda (basic track) | — | ||
| 5-22 | Trouble in Mind (master overdub, take 2) | — | ||
| 5-23 | Trouble in Mind (master overdub, take 6) | — | ||
| 5-25 | The Battle (7" edit) | — | ||
| 5-26 | My Blue Heaven | Duane Eddy | — | |
| 5-27 | Annette (long basic track) | — | ||
| 5-28 | Back Porch (take 4 false start / take 5) | — | ||
| 5-29 | Pepe (different rhythm, incomplete, take 18) | — | ||
| 5-30 | The Avenger (before take 1, test) | — |
I Want Some Lovin' Baby
—
Soda Fountain Girl
—
Ramrod
—
Up and Down
—
Moovin' 'n' Groovin'
—
Pretty Jane
—
Want Me
—
Rebel Rouser
—
Stalkin'
—
Have Love, Will Travel
—
Look at Me!
—
Doo Waddie
—
Dear 53310761
—
Ramrod
—
The Walker
—
The Lonely One
—
Cannonball
—
Mason Dixon Lion
—
Detour
—
Lonesome Road
—
I Almost Lost My Mind
—
Loving You (without strings)
—
Anytime
—
Three-30-Blues
—
Loving You (master)
—
Yep (take 5, incomplete)
—
Yep (take 7)
—
Dixie, Part 1
—
Dixie, Part 2
—
Yep! (master)
—
The Raid
—
The Quiet Three (basic track)
—
Lover
—
Along the Navajo Trail (basic track)
—
Only Child
—
Along Came Linda (first overdub)
—
Tuxedo Junction (mono sax overdub)
—
Quiniela
—
Just Because (overdub, take 4, false start)
—
Just Because (master)
—
Trouble in Mind (sax overdub, take 4)
—
Fuzz
—
Trouble in Mind (mastter)
—
Along Came Linda (master)
—
Tuxedo Junction (stereo, sax overdub)
—
Hard Times
—
Along The Navajo Trail (master)
—
First Love, First Tears
—
The Quiet Three (master)
—
Forty Miles of Bad Road (without overdub)
—
Forty Miles of Bad Road (released master)
—
Some Kinda Earthquake (master)
—
Route #1
—
Tiger Love and Turnip Greens
Duane Eddy
—
Trambone
—
My Blue Heaven
Duane Eddy
—
The Secret Seven (without overdub)
—
You Are My Sunshine
—
The Last Minute of Innocence
—
Rebel Walk (without overdub)
—
Blueberry Hill
—
The Battle (without overdub)
—
Night Train to Memphis
—
Bonnie Come Back
—
Lost Island (master)
—
Kommotion (without string overdub)
—
Rebel Walk (master)
—
The Battle (master)
—
Easy
—
Cripple Creek
Duane Eddy
—
Riddle Song
—
John Henry
—
Streets of Laredo
—
Prisoner's Song
Duane Eddy
—
In the Pines
—
Old Joe Clark (takes 22/23)
—
Old Joe Clark (take 27, master)
—
The Wayfaring Stranger
—
Top of Old Smokey
—
Mule Train
—
Scarlet Ribbons
—
Shazam!
—
Kommotion (master)
—
The Secret Seven (master)
—
Kommotion (female chorus overdub)
—
Because They're Young (chatter, plus 2 false start)
—
Because They're Young (take 20)
—
Theme for Moon Children (take 1)
—
Because They're Young (take 27, master)
—
Theme for Moon Children (take 4, master)
—
Back Porch, Part 1
—
Back Porch, Part 2
—
Words Mean Nothing
—
The Girl on Death Row
—
Lost Friend
—
Runaway Pony (without overdub)
—
Drivin' Home
—
(Brenda) I Want to Be Wanted, That's All You Gotta Do, I'm Sorry
—
Mary Ann
—
Annette
—
Sioux City Sue
—
Sweet Cindy
—
Tuesday
—
Jo Ann
—
Big Liza
—
Mona Lisa
—
Patricia
—
Tammy
—
Connie
—
Carol
—
Theme From Dixie
—
Gidget Goes Hawaiian
—
Theme From Dixie
—
Ring of Fire
—
Bobbie
Duane Eddy
—
The Avenger
—
Londonderry Air
—
Runaway Pony
—
Just Because
—
Caravan, Part 1
—
Caravan, Part 2
—
Stalkin' (basic track, take 10)
—
Rebel Rouser (basic track)
—
Three-30 Blues (7" edit)
—
Yep! (basic track, take 2)
—
Yep! (basic track, take 4)
—
Dixie (session, take 1)
—
Dixie (master)
—
Along Came Linda (basic track)
—
Trouble in Mind (master overdub, take 2)
—
Trouble in Mind (master overdub, take 6)
—
The Battle (7" edit)
—
My Blue Heaven
Duane Eddy
—
Annette (long basic track)
—
Back Porch (take 4 false start / take 5)
—
Pepe (different rhythm, incomplete, take 18)
—
The Avenger (before take 1, test)
—
What other identifiers does this connect to?
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 4000127157782?
4000127157782 is a Universal Product Code (UPC) assigned to Twangin' From Phoenix to L.A. by Duane Eddy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 140 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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