UPC · Release
Memories Are Made of This
Dean Martin
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4000127157812 is the Universal Product Code (UPC barcode) for the release “Memories Are Made of This” by Dean Martin, released 2015-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 225 tracks, each with its own ISRC. Tracks include USCA29500774, USCA24800021, USCA21102406.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (225)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Which Way Did My Heart Go? | — | ||
| 2 | All of Me | — | ||
| 3 | I Got the Sun in the Morning | — | ||
| 4 | The Sweetheart of Sigma Chi | — | ||
| 5 | Oh, Marie | — | ||
| 6 | Walkin’ My Baby Back Home | — | ||
| 7 | Santa Lucia | — | ||
| 8 | Hold Me | — | ||
| 9 | Memory Lane | — | ||
| 10 | Louise | — | ||
| 11 | One Foot in Heaven | — | ||
| 12 | The Night Is Young and You’re So Beautiful | — | ||
| 13 | The Money Song | — | ||
| 14 | That Certain Party | — | ||
| 15 | Tarra Ta‐Larra Ta‐Lar | — | ||
| 16 | Once in Love With Amy | Dean Martin | T-070.159.068-2 | |
| 17 | You Was! | — | ||
| 18 | Powder Your Face with Sunshine (Smile! Smile! Smile!) | Dean Martin | T-070.166.428-9 | |
| 19 | Absence Makes the Heart Grow Fonder (for Somebody Else) | Dean Martin | T-071.850.521-5 | |
| 20 | Have a Little Sympathy | Dean Martin | — | |
| 21 | Johnny Get Your Girl | Dean Martin | — | |
| 22 | Dreamy Old New England Moon | Dean Martin, Paul Weston | T-070.040.285-2 | |
| 23 | Three Wishes | — | ||
| 24 | Just for Fun | Dean Martin | T-306.560.429-3 | |
| 25 | My Own, My Only, My All | — | ||
| 26 | That Lucky Old Sun | — | ||
| 27 | Vieni Su (Say You Love Me Too!) | — | ||
| 2-1 | Rain | — | ||
| 2-2 | Zing‐A Zing‐A Zing Boom | Dean Martin | — | |
| 2-3 | I’m Gonna Paper All My Walls With Your Love Letters | — | ||
| 2-4 | Muskrat Ramble | — | ||
| 2-5 | I Don’t Care If the Sun Don’t Shine | — | ||
| 2-6 | Choo’n Gum | — | ||
| 2-7 | Be Honest With Me | Dean Martin | T-070.010.562-9 | |
| 2-8 | I Still Get a Thrill | — | ||
| 2-9 | Bye Bye Blackbird | — | ||
| 2-10 | Happy Feet | — | ||
| 2-11 | Baby, Obey Me | — | ||
| 2-12 | I’ll Always Love You (Day After Day) | Dean Martin | T-070.903.324-8 | |
| 2-13 | The Darktown Strutters’ Ball | — | ||
| 2-14 | I’m in Love With You | Dean Martin, Margaret Whiting | T-070.152.240-8 | |
| 2-15 | Don’t Rock the Boat, Dear | Dean Martin, Margaret Whiting | — | |
| 2-16 | Tonda Wanda Hoy | Dean Martin | T-070.180.712-6 | |
| 2-17 | Who’s Sorry Now? | Dean Martin | T-071.192.605-4 | |
| 2-18 | Wham! Bam! Thank You Ma’am! | Dean Martin | — | |
| 2-19 | The Peddler’s Serenade | Dean Martin | — | |
| 2-20 | If | Dean Martin | T-010.434.113-0 | |
| 2-21 | Beside You | — | ||
| 2-22 | I Love the Way You Say Goodnight | — | ||
| 2-23 | You and Your Beautiful Eyes | Dean Martin | T-070.210.273-5 | |
| 2-24 | We Never Talk Much, We Just Sit Around | — | ||
| 2-25 | How D’Ya Like Your Eggs in the Morning | Dean Martin, Helen O’Connell | T-900.250.165-7 | |
| 2-26 | In the Cool, Cool, Cool of the Evening | Dean Martin | T-011.067.102-7 | |
| 2-27 | Bonne nuit (Goodnight) | Dean Martin | — | |
| 3-1 | Luna mezzo mare | Dean Martin | T-070.097.850-2 | |
| 3-2 | Pennies From Heaven | — | ||
| 3-3 | Go Go Go Go | — | ||
| 3-4 | Aw C’mon | Dean Martin | — | |
| 3-5 | Hangin’ Around With You | Dean Martin | T-070.072.208-2 | |
| 3-6 | Solitaire | Dean Martin | T-070.136.497-7 | |
| 3-7 | My Heart Has Found a Home Now | — | ||
| 3-8 | (Ma come bali) Bella bimba | Dean Martin | — | |
| 3-9 | Sailors’ Polka | Dean Martin | — | |
| 3-10 | I Ran All the Way Home | — | ||
| 3-11 | Meanderin’ | — | ||
| 3-12 | As You Are | — | ||
| 3-13 | Blue Smoke (Kohu‐Auwahi) | — | ||
| 3-14 | Night Train to Memphis | — | ||
| 3-15 | Until | — | ||
| 3-16 | Oh Boy! Oh Boy! Oh Boy! Oh Boy! Oh Boy! | — | ||
| 3-17 | Come Back to Sorrento | Dean Martin | — | |
| 3-18 | Never Before | — | ||
| 3-19 | When You’re Smiling | Dean Martin | T-071.192.563-1 | |
| 3-20 | Won’t You Surrender | — | ||
| 3-21 | All I Have to Give You | — | ||
| 3-22 | Pretty as a Picture | — | ||
| 3-23 | Oh Marie | Dean Martin | T-902.878.576-4 | |
| 3-24 | I Passed Your House Tonight | — | ||
| 3-25 | Bet‐I‐Cha | — | ||
| 4-1 | You Belong to Me | Dean Martin | T-070.248.207-2 | |
| 4-2 | Kiss | Dean Martin | T-070.092.565-0 | |
| 4-3 | What Could Be More Beautiful | — | ||
| 4-4 | Little Did We Know | — | ||
| 4-5 | Susan | — | ||
| 4-6 | The Peanut Vendor | — | ||
| 4-7 | I Know a Dream When I See One | — | ||
| 4-8 | Second Chance | — | ||
| 4-9 | Hominy Grits | — | ||
| 4-10 | Just One More Chance | Dean Martin | — | |
| 4-11 | I’m Yours | Dean Martin | T-070.905.967-5 | |
| 4-12 | With My Eyes Wide Open I’m Dreaming | Dean Martin | T-070.200.521-7 | |
| 4-13 | There’s My Lover | — | ||
| 4-14 | A Girl Named Mary and a Boy Named Bill | Dean Martin | — | |
| 4-15 | Louise | Dean Martin | — | |
| 4-16 | Who’s Your Little Who‐Zis! | Dean Martin | T-070.199.943-0 | |
| 4-17 | I Feel Like a Feather in the Breeze | Dean Martin | T-070.902.834-1 | |
| 4-18 | I Feel a Song Coming On | Dean Martin | T-070.902.828-3 | |
| 4-19 | ’Til I Find You | — | ||
| 4-20 | Don’t You Remember? | — | ||
| 4-21 | If I Could Sing Like Bing | — | ||
| 4-22 | Love Me! Love Me! | Dean Martin | — | |
| 4-23 | That’s Amore | Dean Martin | T-070.178.719-0 | |
| 4-24 | You’re the Right One | — | ||
| 4-25 | I’d Cry Like a Baby | — | ||
| 4-26 | Where Can I Go Without You? | — | ||
| 4-27 | If I Should Love Again | — | ||
| 4-28 | The Christmas Blues | Dean Martin | T-070.024.890-3 | |
| 5-1 | Cha cha cha d’amour | Dean Martin | T-011.217.584-4 | |
| 5-2 | Money Burns a Hole in My Pocket | Dean Martin | T-910.678.551-7 | |
| 5-3 | Moments Like This | — | ||
| 5-4 | That’s What I Like | — | ||
| 5-5 | I Want You | — | ||
| 5-6 | I’d Cry Like a Baby | Dean Martin | — | |
| 5-7 | How Do You Speak to an Angel? | — | ||
| 5-8 | Ev’ry Street ’s a Boulevard in Old New York | — | ||
| 5-9 | Money Burns a Hole in My Pocket | — | ||
| 5-10 | That’s What I Like | — | ||
| 5-11 | Belle from Barcelona (O‐O‐Le Mu‐Cha‐Cha) | — | ||
| 5-12 | Sway | Dean Martin | T-904.205.197-8 | |
| 5-13 | Under the Bridges of Paris | Dean Martin | T-071.017.402-9 | |
| 5-14 | The Peddler Man (Ten I Loved) | — | ||
| 5-15 | I Never Had a Chance | — | ||
| 5-16 | Confused | — | ||
| 5-17 | One More Time | — | ||
| 5-18 | Try Again | — | ||
| 5-19 | I’ll Gladly Make the Same Mistake Again | — | ||
| 5-20 | Open Up the Doghouse (Two Cats Are Coming In) | — | ||
| 5-21 | Long, Long Ago | — | ||
| 5-22 | Mississippi Mud | Dean Martin | T-070.109.584-2 | |
| 5-23 | When It’s Sleepy Time Down South | Dean Martin | T-071.192.536-8 | |
| 5-24 | Carolina Moon | Dean Martin | T-070.024.103-7 | |
| 5-25 | Way Down Yonder in New Orleans | Dean Martin | T-070.197.698-8 | |
| 5-26 | Just a Little Bit South of North Carolina | — | ||
| 5-27 | Georgia on My Mind | Dean Martin | T-072.412.184-9 | |
| 5-28 | Waiting for the Robert E. Lee | Dean Martin | T-914.730.492-5 | |
| 5-29 | Carolina in the Morning | Dean Martin | T-070.024.101-5 | |
| 6-1 | Let Me Go Lover | — | ||
| 6-2 | The Naughty Lady of Shady Lane | — | ||
| 6-3 | Mambo Italiano | Dean Martin | T-042.661.364-0 | |
| 6-4 | That’s All I Want From You | — | ||
| 6-5 | Young and Foolish | — | ||
| 6-6 | Basin Street Blues | Dean Martin | T-070.010.455-7 | |
| 6-7 | Is It True What They Say About Dixie? | Dean Martin | T-070.906.902-2 | |
| 6-8 | Dinah | Dean Martin | T-071.059.730-0 | |
| 6-9 | Alabamy Bound | Dean Martin | — | |
| 6-10 | Chee Chee‐Oo Chee (Sang the Little Bird) | — | ||
| 6-11 | In Napoli | — | ||
| 6-12 | The Lady With the Big Umbrella | — | ||
| 6-13 | I Like Them All | — | ||
| 6-14 | Chee Chee‐Oo Chee (Sang the Little Bird) | — | ||
| 6-15 | Love Is All That Matters | — | ||
| 6-16 | Simpatico | — | ||
| 6-17 | Ridin’ Into Love | — | ||
| 6-18 | Relax‐Ay‐Voo | Dean Martin, Line Renaud | T-070.274.409-9 | |
| 6-19 | Two Sleepy People | Line Renaud, Dean Martin | T-010.434.036-4 | |
| 6-20 | I Know Your Mother Loves You | — | ||
| 6-21 | Memories Are Made of This | — | ||
| 6-22 | Change of Heart | — | ||
| 6-23 | When You Pretend | — | ||
| 6-24 | The Lucky Song | — | ||
| 6-25 | When You Pretend | — | ||
| 6-26 | You Look So Familiar | — | ||
| 6-27 | You Belong to Me | Dean Martin | T-070.248.207-2 | |
| 7-1 | Just for Fun | — | ||
| 7-2 | A Song in the Air | — | ||
| 7-3 | My One, My Only, My All | — | ||
| 7-4 | Here’s to Love | — | ||
| 7-5 | Baby, Obey Me | — | ||
| 7-6 | Singing a Vagabond Song | — | ||
| 7-7 | I’ll Always Love You | — | ||
| 7-8 | Santa Lucia / The Fiddle and Guitar Band | — | ||
| 7-9 | Tonda Wanda Hoy | — | ||
| 7-10 | You and Your Beautiful Eyes | — | ||
| 7-11 | Tarra Ta‐Larra Ta‐Lar | — | ||
| 7-12 | Ballin’ the Jack | — | ||
| 7-13 | I’m in the Mood for Love | — | ||
| 7-14 | Today, Tomorrow, Forever | — | ||
| 7-15 | The Sailor’s Polka | — | ||
| 7-16 | The Old Calliope | — | ||
| 7-17 | Never Before | — | ||
| 7-18 | The Parachute Jump | — | ||
| 7-19 | The Big Blue Sky (Is the Place for Me) | — | ||
| 7-20 | I Know a Dream When I See One | — | ||
| 7-21 | Keep a Little Dream Handy | — | ||
| 7-22 | I’m Yours | — | ||
| 7-23 | Who’s Your Little Who Zis | — | ||
| 7-24 | With My Eyes Wide Open I’m Dreaming | — | ||
| 7-25 | I Feel a Song Coming On | — | ||
| 7-26 | A Girl Named Mary, a Boy Named Bill | — | ||
| 7-27 | I Feel Like a Feather in the Breeze | — | ||
| 7-28 | Just One More Chance | — | ||
| 7-29 | Who’s Your Little Who Zis | — | ||
| 8-1 | I Don’t Care If the Sun Don’t Shine | — | ||
| 8-2 | You Hit the Spot | — | ||
| 8-3 | What Have You Done for Me Lately? | — | ||
| 8-4 | San Domingo / The Bongo Bingo | — | ||
| 8-5 | When Someone Thinks You’re Wonderful | — | ||
| 8-6 | Song of the Enchilanda Man | — | ||
| 8-7 | What Would You Do Without Me? | — | ||
| 8-8 | That’s Amore | Dean Martin | T-070.178.719-0 | |
| 8-9 | You’re the Right One | — | ||
| 8-10 | It’s a Whistling Kinda Morning | — | ||
| 8-11 | What Would You Do Without Me? | — | ||
| 8-12 | Love Is the Same (All Over the World) | — | ||
| 8-13 | Moments Like This | — | ||
| 8-14 | I Only Have Eyes for You | — | ||
| 8-15 | That’s What I Like | — | ||
| 8-16 | How Do You Speak to an Angel | — | ||
| 8-17 | Money Burns a Hole in My Pocket | — | ||
| 8-18 | Ev’ry Street ’s a Boulevard in Old New York | — | ||
| 8-19 | It’s a Big Wide Wonderful World | — | ||
| 8-20 | Hey, Punchinello | — | ||
| 8-21 | Relax‐Ay‐Voo | — | ||
| 8-22 | I Know Your Mother Loves You | — | ||
| 8-23 | Love Is All That Matters | — | ||
| 8-24 | Face the Music | — | ||
| 8-25 | Simpatico | — | ||
| 8-26 | I Like to Hike | — | ||
| 8-27 | Artists and Models | — | ||
| 8-28 | When You Pretend | — | ||
| 8-29 | You Look So Familiar | — | ||
| 8-30 | The Lucky Song | — | ||
| 8-31 | Innamorata | — | ||
| 8-32 | Artists and Models | — | ||
| 8-33 | When You Pretend | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Standing on the Corner | Dean Martin | T-070.137.542-9 |
| Zing‐A Zing‐A Zing Boom | Dean Martin | T-071.850.092-5 |
| Standing on the Corner | Dean Martin | T-070.137.542-9 |
What other identifiers does this connect to?
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What is UPC 4000127157812?
4000127157812 is a Universal Product Code (UPC) assigned to Memories Are Made of This by Dean Martin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 225 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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