UPC · Release
The Locust Years… and the Return to the Promised Land
Jerry Lee Lewis
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4000127157836 is the Universal Product Code (UPC barcode) for the release “The Locust Years… and the Return to the Promised Land” by Jerry Lee Lewis, released 1995-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 158 tracks, each with its own ISRC. Tracks include USUM71409874, USIR20080251, USIR20400813.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (158)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Whole Lotta Shaking Going On | Jerry Lee Lewis | T-070.199.897-1 | |
| 2 | Crazy Arms | Jerry Lee Lewis | T-070.233.520-3 | |
| 3 | GREAT BALLS OF FIRE | JERRY LEE LEWIS | T-904.750.389-9 | |
| 4 | HIGH SCHOOL CONFIDENTIAL (1964 VERSION) | JERRY LEE LEWIS | T-070.240.302-8 | |
| 5 | I'll Make It All Up to You | Jerry Lee Lewis | T-070.079.417-7 | |
| 6 | Break Up | — | ||
| 7 | Down the Line | — | ||
| 9 | END OF THE ROAD (1964 VERSION) | JERRY LEE LEWIS | T-070.252.910-9 | |
| 10 | Your Cheatin' Heart | Jerry Lee Lewis | T-070.248.357-5 | |
| 11 | Wedding Bells | — | ||
| 12 | Just Because | — | ||
| 13 | Breathless | Jerry Lee Lewis | T-071.000.591-6 | |
| 14 | He Took It Like a Man | — | ||
| 15 | Drinkin’ Wine Spo-Dee-O-Dee | — | ||
| 16 | JOHNNY B. GOODE (SMASH VERSION) | JERRY LEE LEWIS | T-070.939.624-6 | |
| 17 | Hallelujah, I Love Her So | — | ||
| 18 | YOU WENT BACK ON YOUR WORD | JERRY LEE LEWIS | — | |
| 19 | Pen and Paper | — | ||
| 20 | The Hole He Said He’d Dig for Me (alternate) (stereo) | — | ||
| 21 | The Hole He Said He’d Dig for Me (mono) | — | ||
| 22 | You Win Again | Jerry Lee Lewis | T-070.248.349-5 | |
| 23 | Fools Like Me | Jerry Lee Lewis | T-700.014.535-9 | |
| 25 | I’m on Fire (alternate) | — | ||
| 26 | I’m on Fire | — | ||
| 27 | She Was My Baby (He Was My Friend) | — | ||
| 28 | Bread and Butter Man | — | ||
| 29 | I Bet You’re Gonna Like It | — | ||
| 2-1 | Got You on My Mind | Jerry Lee Lewis | T-071.134.110-4 | |
| 2-2 | Mathilda | — | ||
| 2-3 | CORINE CORINA | JERRY LEE LEWIS | T-070.259.363-2 | |
| 2-4 | SEXY WAYS | JERRY LEE LEWIS | T-070.243.454-5 | |
| 2-5 | Wild Side of Life | — | ||
| 2-6 | Flip Flop and Fly | Jerry Lee Lewis | T-071.000.619-1 | |
| 2-7 | DON'T LET GO | JERRY LEE LEWIS | T-070.881.840-9 | |
| 2-8 | Maybelline | Jerry Lee Lewis | T-901.126.441-8 | |
| 2-9 | ROLL OVER BEETHOVEN | JERRY LEE LEWIS | T-070.940.070-3 | |
| 2-10 | Just in Time (mono) | — | ||
| 2-11 | I BELIEVE IN YOU | JERRY LEE LEWIS | — | |
| 2-12 | HERMAN THE HERMIT | JERRY LEE LEWIS | — | |
| 2-13 | Baby, Hold Me Close | Jerry Lee Lewis | — | |
| 2-14 | Skid Row (mono) | — | ||
| 2-15 | This Must Be the Place | — | ||
| 2-16 | Rockin’ Pneumonia and the Boogie Woogie Flu | — | ||
| 2-17 | SEASONS OF MY HEART | JERRY LEE LEWIS | T-071.213.915-5 | |
| 2-18 | Big Boss Man | — | ||
| 2-19 | Too Young | — | ||
| 2-20 | Danny Boy (mono) | — | ||
| 2-21 | Crazy Arms | Jerry Lee Lewis | T-070.233.520-3 | |
| 2-22 | CITY LIGHTS | JERRY LEE LEWIS | — | |
| 2-23 | FUNNY HOW TIME SLIPS AWAY | JERRY LEE LEWIS | T-070.881.524-0 | |
| 2-24 | NORTH TO ALASKA | JERRY LEE LEWIS,LINDA GAIL LEWIS | T-070.242.564-6 | |
| 2-25 | WALK RIGHT IN | JERRY LEE LEWIS | — | |
| 2-26 | WOLVERTON MOUNTAIN | JERRY LEE LEWIS | T-070.248.093-0 | |
| 2-27 | KING OF THE ROAD | JERRY LEE LEWIS | T-071.000.635-1 | |
| 2-28 | DETROIT CITY | JERRY LEE LEWIS | T-070.240.196-4 | |
| 3-1 | RING OF FIRE | JERRY LEE LEWIS, JERRY LEE LEWIS, JERRY KENNEDY, SHELBY SINGLETON, VARIOUS ARTISTS | T-010.046.865-2 | |
| 3-2 | Baby (You’ve Got What It Takes) | — | ||
| 3-3 | Green, Green Grass of Home | Jerry Lee Lewis | T-070.881.928-6 | |
| 3-4 | Sticks and Stones | — | ||
| 3-5 | What a Heck of a Mess | — | ||
| 3-6 | Lincoln Limousine | — | ||
| 3-7 | Rockin’ Jerry Lee (mono) | — | ||
| 3-8 | Memphis Beat | — | ||
| 3-9 | The Urge | — | ||
| 3-10 | Whenever You’re Ready | — | ||
| 3-11 | She Thinks I Still Care | — | ||
| 3-14 | Twenty Four Hours a Day | — | ||
| 3-15 | Twenty Four Hours a Day (with strings) (mono) | — | ||
| 3-16 | Swinging Doors (mono) | — | ||
| 3-17 | Swinging Doors (with strings) | — | ||
| 3-18 | If I Had It All to Do Over | — | ||
| 3-19 | If I Had It All to Do Over (with strings) (mono) | — | ||
| 3-20 | Just Dropped In | — | ||
| 3-21 | It’s a Hang Up Baby | — | ||
| 3-22 | Holdin’ On | — | ||
| 3-23 | Hey Baby | — | ||
| 3-24 | Dream Baby (How Long Must I Dream) | — | ||
| 3-25 | Treat Her Right | — | ||
| 3-26 | Turn on Your Love Light | — | ||
| 3-27 | Shotgun Man | — | ||
| 4-1 | ALL THE GOOD IS GONE | JERRY LEE LEWIS | — | |
| 4-2 | ANOTHER PLACE ANOTHER TIME | JERRY LEE LEWIS | T-070.231.993-4 | |
| 4-3 | Walking the Floor Over You | — | ||
| 4-4 | I’m a Lonesome Fugitive | — | ||
| 4-5 | BREAK MY MIND | JERRY LEE LEWIS | T-070.233.135-8 | |
| 4-6 | Play Me a Song I Can Cry To | — | ||
| 4-7 | BEFORE THE NEXT TEARDROP FALLS | JERRY LEE LEWIS | T-070.880.773-1 | |
| 4-8 | ALL NIGHT LONG | JERRY LEE LEWIS | — | |
| 4-9 | We Live in Two Different Worlds | — | ||
| 4-10 | What Made Milwaukee Famous (Has Made a Loser Out of Me) | Jerry Lee Lewis | T-070.247.834-9 | |
| 4-11 | On the Back Row | — | ||
| 4-12 | Slipping Around | — | ||
| 4-13 | She Still Comes Around (To Love What’s Left of Me) | — | ||
| 4-14 | Today I Started Loving You Again | — | ||
| 4-15 | Louisiana Man | — | ||
| 4-16 | There Stands the Glass | — | ||
| 4-17 | I Can’t Have Merry Christmas, Mary (Without You) | — | ||
| 4-18 | Out of My Mind | — | ||
| 4-19 | I Can’t Get Over You | — | ||
| 4-20 | Listen, They’re Playing My Song | — | ||
| 4-21 | ECHOES | JERRY LEE LEWIS | T-317.015.239-9 | |
| 4-22 | Release Me | — | ||
| 4-23 | Let’s Talk About Us | — | ||
| 4-24 | To Make Love Sweeter for You | — | ||
| 5-1 | Don’t Let Me Cross Over | — | ||
| 5-2 | BORN TO LOSE | JERRY LEE LEWIS | T-923.851.874-6 | |
| 5-3 | YOU BELONG TO ME | JERRY LEE LEWIS | T-070.248.207-2 | |
| 5-4 | OH LONESOME ME | JERRY LEE LEWIS | T-071.001.201-3 | |
| 5-5 | SWEET DREAMS | JERRY LEE LEWIS | T-070.244.106-2 | |
| 5-6 | COLD, COLD HEART | JERRY LEE LEWIS | T-070.233.402-8 | |
| 5-7 | FRAULEIN | JERRY LEE LEWIS | T-071.130.516-6 | |
| 5-8 | Why Don’t You Love Me (Like You Used to Do) | — | ||
| 5-9 | FOUR WALLS | JERRY LEE LEWIS | T-070.881.489-4 | |
| 5-10 | IT MAKES NO DIFFERENCE NOW | JERRY LEE LEWIS | — | |
| 5-11 | I LOVE YOU BECAUSE | JERRY LEE LEWIS | T-070.228.602-9 | |
| 5-12 | I’m So Lonesome I Could Cry | Jerry Lee Lewis | T-904.017.744-4 | |
| 5-13 | Jambalaya | — | ||
| 5-14 | MORE AND MORE | JERRY LEE LEWIS | T-071.001.024-4 | |
| 5-15 | ONE HAS MY NAME (THE OTHER HAS MY HEART) | JERRY LEE LEWIS | T-070.159.180-1 | |
| 5-16 | BURNING MEMORIES | JERRY LEE LEWIS | T-071.129.199-4 | |
| 5-17 | Mom and Dad’s Waltz | Jerry Lee Lewis | T-071.001.007-3 | |
| 5-18 | PICK ME UP ON YOUR WAY DOWN | JERRY LEE LEWIS | T-070.242.892-9 | |
| 5-19 | HEARTACHES BY THE NUMBER | JERRY LEE LEWIS | T-070.234.492-0 | |
| 5-20 | I Can’t Stop Loving You | Jerry Lee Lewis | T-010.937.857-5 | |
| 5-21 | My Blue Heaven | — | ||
| 5-22 | I WONDER WHERE YOU ARE TONIGHT | JERRY LEE LEWIS | T-700.028.727-6 | |
| 6-1 | JACKSON | JERRY LEE LEWIS, JERRY LEE LEWIS & LINDA GAIL LEWIS, JERRY LEE LEWIS LINDA GAIL LEWIS, JERRY LEE LEWIS, LINDA GAIL LEWIS, JERRY LEE LEWIS,LINDA GAIL LEWIS, JERRY LEE LEWIS;LINDA GAIL LEWIS, LINDA GAIL LEWIS JERRY LEE LEWIS, LINDA GAIL LEWIS, JERRY LEE LEWIS, LINDA GAIL LEWIS,JERRY LEE LEWIS | T-070.089.276-7 | |
| 6-2 | SWEET THANG | JERRY LEE LEWIS, JERRY LEE LEWIS & LINDA GAIL LEWIS, JERRY LEE LEWIS LINDA GAIL LEWIS, JERRY LEE LEWIS, LINDA GAIL LEWIS, JERRY LEE LEWIS,LINDA GAIL LEWIS, JERRY LEE LEWIS;LINDA GAIL LEWIS, LINDA GAIL LEWIS, LINDA GAIL LEWIS, JERRY LEE LEWIS | T-070.244.126-6 | |
| 6-3 | He’ll Have to Go | Jerry Lee Lewis | T-070.918.696-8 | |
| 6-4 | You’ve Still Got a Place in My Heart | Jerry Lee Lewis | T-070.940.933-5 | |
| 6-5 | I Get the Blues When It Rains | Jerry Lee Lewis | T-070.902.906-0 | |
| 6-6 | Gotta Travel On | — | ||
| 6-7 | Milwaukee Here I Come | — | ||
| 6-8 | Cryin’ Time | — | ||
| 6-9 | Roll Over Beethoven | — | ||
| 6-10 | Secret Places | — | ||
| 6-11 | Don’t Take It Out on Me | — | ||
| 6-12 | Earth Up Above (Grand Ole Moon Up Above) | — | ||
| 6-13 | Waitin’ for a Train | — | ||
| 6-14 | Love for All Seasons | — | ||
| 6-15 | She Even Woke Me Up to Say Goodbye | — | ||
| 6-16 | When the Grass Grows Over Me | — | ||
| 6-17 | Wine Me Up | — | ||
| 6-18 | Since I Met You Baby | — | ||
| 6-19 | Workin’ Man Blues | — | ||
| 6-22 | You Went Out of Your Way (To Walk on Me) | — | ||
| 6-23 | My Only Claim to Fame | — | ||
| 6-24 | Brown Eyed Handsome Man | — | ||
| 7-2 | Little Queenie | — | ||
| 7-3 | BLUE SUEDE SHOES (OUTTAKE - LIVE AT PANTHER HALL, FORT WORTH, TX/1966) | JERRY LEE LEWIS | T-918.221.726-1 | |
| 7-4 | How’s My Ex Treating You | — | ||
| 7-5 | JOHNNY B. GOODE (LIVE AT PANTHER HALL, FORT WORTH, TX/1966) | JERRY LEE LEWIS | T-070.939.624-6 | |
| 7-6 | Crazy Arms | Jerry Lee Lewis | T-070.233.520-3 | |
| 7-7 | Green Green Grass of Home | — | ||
| 7-8 | Lovin’ Up a Storm | — | ||
| 7-9 | Mean Woman Blues | — | ||
| 7-10 | What’d I Say Parts 1 & 2 / Closing | — | ||
| 8-1 | Interview (Beverly Hills Hotel, Toronto, 1976-01-19) | — |
What other identifiers does this connect to?
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What is UPC 4000127157836?
4000127157836 is a Universal Product Code (UPC) assigned to The Locust Years… and the Return to the Promised Land by Jerry Lee Lewis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 158 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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