UPC · Release
Mexican Joe in the Caribbean
Mitchell Torok
4000127159069
111 tracksReleased 1996-01-01Bear Family Records
Last verified:
4000127159069 is the Universal Product Code (UPC barcode) for the release “Mexican Joe in the Caribbean” by Mitchell Torok, released 1996-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC.
Format
400GS1 prefix
0127Company prefix
15906Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMexican Joe in the Caribbean
IPI1 songwriter
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nacogdoches County Line | — | ||
| 2 | I’ll Get My Lovin’ From Someone Else | — | ||
| 3 | Clingin’ Heart | — | ||
| 4 | Piney Woods Boogie | — | ||
| 5 | Yearnin’ | — | ||
| 6 | Someday (When Someone Hurts You) | — | ||
| 7 | Table Hoppin’ Blues | — | ||
| 8 | Sober Up | — | ||
| 9 | Little Hoo‐Wee | — | ||
| 10 | Judalina | — | ||
| 11 | Caribbean | — | ||
| 12 | Weep Away | — | ||
| 13 | Caribbean (alt.) | — | ||
| 14 | Hootchy Kootchy Henry (From Hawaii) | — | ||
| 15 | Gigolo | — | ||
| 16 | Edgar the Eager Easter Bunny | — | ||
| 17 | Living on Love | — | ||
| 18 | The Haunting Waterfall | — | ||
| 19 | Dancerette | — | ||
| 20 | The World Keeps Turning Around | — | ||
| 21 | A Peasant’s Guitar | — | ||
| 22 | Roulette | — | ||
| 23 | Havana Huddle | — | ||
| 24 | Smooth Talk | — | ||
| 25 | My Silly Old Heart | — | ||
| 26 | Sit Down You’re Rocking the Boat | — | ||
| 27 | Too Late Now | — | ||
| 28 | My Kind of Woman | — | ||
| 29 | Little Hoo‐Wee | — | ||
| 2-1 | Marching My Blues Away | — | ||
| 2-2 | Country and Western (That’s for Me) | — | ||
| 2-3 | Red Light, Green Light | — | ||
| 2-4 | No Money Down | — | ||
| 2-5 | It’ll Be All Right | — | ||
| 2-6 | A Woman by Your Side | — | ||
| 2-7 | I Wish I Was a Little Bit Younger | — | ||
| 2-8 | Memories of You Haunting Me Night and Day | — | ||
| 2-9 | When Mexico Gave Up the Rhumba | — | ||
| 2-10 | Go Ahead and Be a Fool | — | ||
| 2-11 | Drink Up and Go Home | — | ||
| 2-12 | Take This Heart | — | ||
| 2-13 | Pledge of Love | — | ||
| 2-14 | Another Love From Now | — | ||
| 2-15 | What’s Behind the Strange Door | — | ||
| 2-16 | You Never Belonged to Me | — | ||
| 2-17 | Sweet Revenge | — | ||
| 2-18 | Love Me Like You Mean It | — | ||
| 2-19 | You Win Again | — | ||
| 2-20 | I Can’t Help It (If I’m Still in Love with You) | — | ||
| 2-21 | Love Your Touch (Love You So Much) | — | ||
| 2-22 | Two Words (True Love) | — | ||
| 2-23 | You’re Tempting Me | — | ||
| 2-24 | You Can’t Keep a Good Man Down | — | ||
| 2-25 | Honolulu Baby | — | ||
| 2-26 | Filipino Baby | — | ||
| 2-27 | How Much (Do I Love You) | — | ||
| 2-28 | Be Kind to Me | — | ||
| 2-29 | These Things I Hold Dear | — | ||
| 2-30 | A Date With a Teardrop | — | ||
| 2-31 | All Over Again, Again | — | ||
| 2-32 | You Can’t Get There From Here | — | ||
| 3-1 | You Drive, Buddy | — | ||
| 3-2 | The P.T.A. Rock and Roll | — | ||
| 3-3 | Here I Come Cruel World | — | ||
| 3-4 | Teenie Weenie Bikini | — | ||
| 3-5 | Cryin’ Honky Tonk Blues | — | ||
| 3-6 | Caribbean | — | ||
| 3-7 | New Guitar | — | ||
| 3-8 | You Are the One | — | ||
| 3-9 | Especially for You | — | ||
| 3-10 | Kish Leon | — | ||
| 3-11 | Johnny’s Gone Away to College | — | ||
| 3-12 | Mexican Joe | — | ||
| 3-13 | Little Hoo‐Wee | — | ||
| 3-14 | Rig‐A‐Jig‐A‐Boom | — | ||
| 3-15 | You Are the One | — | ||
| 3-16 | That’s My Desire | — | ||
| 3-17 | Guardian Angel | — | ||
| 3-18 | A Rose‐Covered Garden | — | ||
| 3-19 | When the Stars Get in Your Eyes | — | ||
| 3-20 | I Want to Know Everything | — | ||
| 3-21 | Guardian Angel | — | ||
| 3-22 | Pink Chiffon | — | ||
| 3-23 | The Seventeenth Summer | — | ||
| 3-24 | What You Don’t Know (Won’t Hurt You) | — | ||
| 3-25 | Happy Street | — | ||
| 3-26 | Little Boy in Love | — | ||
| 3-27 | King of Holiday Island | — | ||
| 4-1 | El Tigre | — | ||
| 4-2 | Eating My Heart Out | — | ||
| 4-3 | The Comancheros | — | ||
| 4-4 | Rio Grande | — | ||
| 4-5 | Fool’s Disguise | — | ||
| 4-6 | A Mighty, Mighty Man | — | ||
| 4-7 | For Somebody Who’s Supposed to Be Hurtin’ | — | ||
| 4-8 | I’m Not Myself | — | ||
| 4-9 | Hawaiian Sunset | — | ||
| 4-10 | Little Secrets | — | ||
| 4-11 | I Wish | — | ||
| 4-12 | Timid Soul | — | ||
| 4-13 | El Tigre | — | ||
| 4-14 | Summer Romance | — | ||
| 4-15 | Your Love | — | ||
| 4-16 | Too Bad | — | ||
| 4-17 | Four Your Precious Love | — | ||
| 4-18 | The Tree | — | ||
| 4-19 | What Goes on in Your Heart | — | ||
| 4-20 | Imagination | — | ||
| 4-21 | Hidin’ the Hurt | — | ||
| 4-22 | Little Teenage Heart | — | ||
| 4-23 | Country Music I Gave You the Best Years of My Life | — |
Nacogdoches County Line
—
I’ll Get My Lovin’ From Someone Else
—
Clingin’ Heart
—
Piney Woods Boogie
—
Yearnin’
—
Someday (When Someone Hurts You)
—
Table Hoppin’ Blues
—
Sober Up
—
Little Hoo‐Wee
—
Judalina
—
Caribbean
—
Weep Away
—
Caribbean (alt.)
—
Hootchy Kootchy Henry (From Hawaii)
—
Gigolo
—
Edgar the Eager Easter Bunny
—
Living on Love
—
The Haunting Waterfall
—
Dancerette
—
The World Keeps Turning Around
—
A Peasant’s Guitar
—
Roulette
—
Havana Huddle
—
Smooth Talk
—
My Silly Old Heart
—
Sit Down You’re Rocking the Boat
—
Too Late Now
—
My Kind of Woman
—
Little Hoo‐Wee
—
Marching My Blues Away
—
Country and Western (That’s for Me)
—
Red Light, Green Light
—
No Money Down
—
It’ll Be All Right
—
A Woman by Your Side
—
I Wish I Was a Little Bit Younger
—
Memories of You Haunting Me Night and Day
—
When Mexico Gave Up the Rhumba
—
Go Ahead and Be a Fool
—
Drink Up and Go Home
—
Take This Heart
—
Pledge of Love
—
Another Love From Now
—
What’s Behind the Strange Door
—
You Never Belonged to Me
—
Sweet Revenge
—
Love Me Like You Mean It
—
You Win Again
—
I Can’t Help It (If I’m Still in Love with You)
—
Love Your Touch (Love You So Much)
—
Two Words (True Love)
—
You’re Tempting Me
—
You Can’t Keep a Good Man Down
—
Honolulu Baby
—
Filipino Baby
—
How Much (Do I Love You)
—
Be Kind to Me
—
These Things I Hold Dear
—
A Date With a Teardrop
—
All Over Again, Again
—
You Can’t Get There From Here
—
You Drive, Buddy
—
The P.T.A. Rock and Roll
—
Here I Come Cruel World
—
Teenie Weenie Bikini
—
Cryin’ Honky Tonk Blues
—
Caribbean
—
New Guitar
—
You Are the One
—
Especially for You
—
Kish Leon
—
Johnny’s Gone Away to College
—
Mexican Joe
—
Little Hoo‐Wee
—
Rig‐A‐Jig‐A‐Boom
—
You Are the One
—
That’s My Desire
—
Guardian Angel
—
A Rose‐Covered Garden
—
When the Stars Get in Your Eyes
—
I Want to Know Everything
—
Guardian Angel
—
Pink Chiffon
—
The Seventeenth Summer
—
What You Don’t Know (Won’t Hurt You)
—
Happy Street
—
Little Boy in Love
—
King of Holiday Island
—
El Tigre
—
Eating My Heart Out
—
The Comancheros
—
Rio Grande
—
Fool’s Disguise
—
A Mighty, Mighty Man
—
For Somebody Who’s Supposed to Be Hurtin’
—
I’m Not Myself
—
Hawaiian Sunset
—
Little Secrets
—
I Wish
—
Timid Soul
—
El Tigre
—
Summer Romance
—
Your Love
—
Too Bad
—
Four Your Precious Love
—
The Tree
—
What Goes on in Your Heart
—
Imagination
—
Hidin’ the Hurt
—
Little Teenage Heart
—
Country Music I Gave You the Best Years of My Life
—
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What is UPC 4000127159069?
4000127159069 is a Universal Product Code (UPC) assigned to Mexican Joe in the Caribbean by Mitchell Torok. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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