UPC · Release
10000 Years Ago
Wally Whyton, The Vipers Skiffle Group
Last verified:
4000127159540 is the Universal Product Code (UPC barcode) for the release “10000 Years Ago” by Wally Whyton, The Vipers Skiffle Group, released 1996-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (64)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ain't You Glad | — | ||
| 2 | Pick a Bale of Cotton | — | ||
| 3 | It Takes a Worried Man to Sing a Worried Song | — | ||
| 4 | Don't You Rock Me Daddy-O | — | ||
| 5 | 10,000 Years Ago | — | ||
| 6 | Hey Liley, Liley Lo | — | ||
| 7 | Jim Dandy | — | ||
| 8 | The Cumberland Gap | — | ||
| 9 | Maggie May | — | ||
| 10 | Sam Hall | — | ||
| 11 | Kevin Barry | — | ||
| 12 | Charlie Is My Darling | — | ||
| 13 | My Bonnie Lies Over the Ocean | — | ||
| 14 | I Know Where I'm Going | — | ||
| 15 | The Derby Ram | — | ||
| 16 | Liverpool Blues | — | ||
| 17 | The Ash Grove | — | ||
| 18 | She Was Poor, but She Was Honest | — | ||
| 19 | Wild Colonial Boy | — | ||
| 20 | Spinning Wheel | — | ||
| 21 | Three Lovely Lasses | — | ||
| 22 | Greensleeves | — | ||
| 23 | Clementine | — | ||
| 2-1 | Darlin' | — | ||
| 2-2 | Streamline Train | — | ||
| 2-3 | Railroad Steamboat | — | ||
| 2-4 | This Land Is Your Land | — | ||
| 2-5 | Poor Lazarus | — | ||
| 2-6 | The Glory Land | — | ||
| 2-7 | Precious Memories | — | ||
| 2-8 | Pay Me My Money Down | — | ||
| 2-9 | I Know the Lord Laid His Hands on Me | — | ||
| 2-10 | Easy Rider (See See Rider Blues) | — | ||
| 2-11 | Wanderin' | — | ||
| 2-12 | Old Joe Clark | — | ||
| 2-13 | Old Joe Clark | — | ||
| 2-14 | Homing Bird | — | ||
| 2-15 | If I Had a Hammer | — | ||
| 2-16 | I Saw the Light | — | ||
| 2-17 | John B. Sails | — | ||
| 2-18 | All Shook Up / Last Train to San Fernando | — | ||
| 2-19 | Putting on the Style / Wandering Eyes | — | ||
| 2-20 | Skiffle Party 1: Comin' Round the Mountain / On Top of Old Smokey / Rock Island Line | — | ||
| 2-21 | Skiffle Party 2: Wabash Cannonball / Gimme Crack Corn / Skip to My Lou | — | ||
| 3-1 | Baby Why? | — | ||
| 3-2 | No Other Baby | — | ||
| 3-3 | Make Ready for Love | — | ||
| 3-4 | Nothing Will Ever Change (My Love for You) | — | ||
| 3-5 | Banks of the Ohio | — | ||
| 3-6 | Trouble in Mind | — | ||
| 3-7 | Worried Man Blues | — | ||
| 3-8 | Experimental (instrumental) | — | ||
| 3-9 | Summertime Blues | — | ||
| 3-10 | Liverpool Blues | — | ||
| 3-11 | Cool Gool | — | ||
| 3-12 | The Horror Show | — | ||
| 3-13 | Don't Tell Me Your Troubles | — | ||
| 3-14 | It's All Over Now | — | ||
| 3-15 | All Over This World | — | ||
| 3-16 | Got Me a Girl | — | ||
| 3-17 | It's a Rat Race | — | ||
| 3-18 | Marriage of Convenience | — | ||
| 3-19 | 95% of Me Loves You | — | ||
| 3-20 | You're Going to Be Caught | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 4000127159540?
4000127159540 is a Universal Product Code (UPC) assigned to 10000 Years Ago by Wally Whyton, The Vipers Skiffle Group. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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