UPC · Release
Ella Mae Morse
Last verified:
The UPC for “Barrelhouse, Boogie and the Blues” by Ella Mae Morse is 4000127161178. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. Label: Bear Family Records. This release contains 134 tracks, each with its own ISRC. Tracks include DEC530901645, DEC530901660, DEC530901662.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cow‐Cow Boogie | — | ||
| 2 | He’s My Guy | — | ||
| 3 | Mr. Five by Five | — | ||
| 4 | The Thrill Is Gone | — | ||
| 5 | Old Rob Roy | — | ||
| 6 | Get on Board, Little Chillun | — | ||
| 7 | Shoo Shooo Baby | — | ||
| 8 | No Love, No Nothin’ | — | ||
| 9 | Solid Potato Salad | — | ||
| 10 | Milkman Keep Those Bottles Quiet | — | ||
| 11 | Why Shouldn’t I | — | ||
| 12 | Boogie Blues | — | ||
| 13 | Tess’s Torch Song (I Had a Man) | — | ||
| 14 | Invitation to the Blues | — | ||
| 15 | The Patty Cake Man (alt.) | — | ||
| 16 | The Patty Cake Man | — | ||
| 17 | Hello Suzanne | — | ||
| 18 | Take Care of You for Me | — | ||
| 19 | Ya’ Betcha | — | ||
| 20 | Captain Kidd | — | ||
| 21 | Jumpin’ Jack | — | ||
| 22 | Rip Van Winkle | — | ||
| 23 | Buzz Me | — | ||
| 24 | The House of Blue Lights | Ella Mae Morse | T-070.074.458-6 | |
| 25 | Hey, Mr. Postman | — | ||
| 2-1 | Your Conscience Tells Me So | — | ||
| 2-2 | Pig Foot Pete | — | ||
| 2-3 | That’s My Home (alt.) | — | ||
| 2-4 | Mister Fine | — | ||
| 2-5 | The Merry Ha‐Ha (alt.) | — | ||
| 2-6 | That’s My Home | — | ||
| 2-7 | The Merry Ha‐Ha | — | ||
| 2-8 | Pine Top Schwartz | — | ||
| 2-9 | Hoodle Addle | — | ||
| 2-10 | Get Off It and Go | — | ||
| 2-11 | Old Shank’s Mare | — | ||
| 2-12 | A Little Further Down the Road a Piece | — | ||
| 2-13 | Early in the Morning | — | ||
| 2-14 | Bombo B. Bailey | — | ||
| 2-15 | On the Sunny Side of the Street | — | ||
| 2-16 | Tennessee Saturday Night | — | ||
| 2-17 | Sensational | — | ||
| 2-18 | Love Ya Like Mad | — | ||
| 2-19 | Old Spider Fingers | — | ||
| 2-20 | Love Me or Leave Me | — | ||
| 2-21 | The Blacksmith Blues | Ella Mae Morse | T-071.000.590-5 | |
| 2-22 | Am I in Love? | — | ||
| 2-23 | Okie Boogie (alt.) | — | ||
| 2-24 | Organ Grinder’s Swing | — | ||
| 2-25 | It’s So Exciting | — | ||
| 2-26 | Sleeping at the Foot of the Bed | — | ||
| 2-27 | Okie Boogie | Ella Mae Morse | — | |
| 3-1 | I’m Hog Tied Over You | — | ||
| 3-2 | False Hearted Girl | Ella Mae Morse, Tennessee Ernie Ford | — | |
| 3-3 | Here Comes the Blues | — | ||
| 3-4 | Male Call | — | ||
| 3-5 | The Song Is You | — | ||
| 3-6 | You’ve Taken an Unfair Advantage of Me | — | ||
| 3-7 | Greyhound | Ella Mae Morse | — | |
| 3-8 | Jump Back Honey | Ella Mae Morse | T-700.033.178-4 | |
| 3-9 | Bouncin’ Ball | Ella Mae Morse | — | |
| 3-10 | Find a Man for Me Mama | — | ||
| 3-11 | Good | — | ||
| 3-12 | You for Me | — | ||
| 3-13 | The Guy Who Invented Kissin’ | — | ||
| 3-14 | I’m a Rich Woman | — | ||
| 3-15 | Big Mamou (intro) | — | ||
| 3-16 | Big Mamou | Ella Mae Morse | T-300.985.567-4 | |
| 3-17 | Big Mamou (outro) | — | ||
| 3-18 | ‘T’ Aint Whatcha Do | — | ||
| 3-19 | Carioca | — | ||
| 3-20 | Is It Any Wonder | — | ||
| 3-21 | Forty Cups of Coffee | — | ||
| 3-22 | Oh You Crazy Moon | — | ||
| 3-23 | It Ain’t Necessarily So | — | ||
| 3-24 | ‘T’ Aint Whatcha Do (alt.) | — | ||
| 3-25 | Have Mercy Baby | — | ||
| 3-26 | Money Honey | Ella Mae Morse, Big Dave and His Orchestra | T-070.242.253-4 | |
| 3-27 | Rock Me All Night Long | — | ||
| 3-28 | Daddy, Daddy | — | ||
| 4-1 | I Love You, Yes I Do | — | ||
| 4-2 | 5‒10‒15 Hours | Ella Mae Morse, Big Dave and His Orchestra | T-070.940.955-1 | |
| 4-3 | How Can You Leave a Man Like This | — | ||
| 4-4 | It’s Raining Tears From My Eyes | — | ||
| 4-5 | It’s You I Love | — | ||
| 4-6 | Happy Habit | — | ||
| 4-7 | Dedicated to You | — | ||
| 4-8 | Lovey Dovey | Ella Mae Morse | T-071.000.872-2 | |
| 4-9 | Goodnight Sweetheart | — | ||
| 4-10 | (We’ve Reached) The Point of No Return | — | ||
| 4-11 | Give a Little Time to Your Lover | — | ||
| 4-12 | Bring Back My Baby | — | ||
| 4-13 | All I Need Is You | — | ||
| 4-14 | Livin’ Livin’ Livin’ | — | ||
| 4-15 | Won’t You Listen to Me Baby | Ella Mae Morse | — | |
| 4-16 | Smack Dab in the Middle | — | ||
| 4-17 | Afraid | — | ||
| 4-18 | Heart Full of Hope | — | ||
| 4-19 | Yes, Yes I Do | Ella Mae Morse | — | |
| 4-20 | Razzle Dazzle | Ella Mae Morse | — | |
| 4-21 | Ain’t That a Shame | Ella Mae Morse | T-070.231.863-5 | |
| 4-22 | Piddily Patter Patter | Ella Mae Morse | T-918.279.601-6 | |
| 4-23 | Seventeen | Ella Mae Morse | — | |
| 4-24 | Birmingham | — | ||
| 4-25 | An Occasional Man | — | ||
| 4-26 | Singing‐ing‐ing | — | ||
| 4-27 | When Boy Kiss Girl (It’s Love) | — | ||
| 4-28 | Give Me Love | Ella Mae Morse | — | |
| 4-29 | Once You’ve Been Lovers | — | ||
| 5-1 | What Good’ll It Do Me | — | ||
| 5-2 | Down in Mexico | — | ||
| 5-3 | I’m Gonna Walk | — | ||
| 5-4 | Rock and Roll Wedding | Ella Mae Morse, Freddie Slack | — | |
| 5-5 | Coffee Date | — | ||
| 5-6 | Put Your Arms Around Me, Honey | — | ||
| 5-7 | You Ought to Be Mine | — | ||
| 5-8 | Mister Memory Maker | — | ||
| 5-9 | A Long Time Ago | — | ||
| 5-10 | Ac‐Cent‐Tchu‐Ate the Positive | — | ||
| 5-11 | I’m Gonna Sit Right Down and Write Myself a Letter | — | ||
| 5-12 | My Funny Valentine | — | ||
| 5-13 | Baby Won’t You Please Come Home | — | ||
| 5-14 | Rockin’ and Rollin’ | — | ||
| 5-15 | Sway Me | — | ||
| 5-16 | I’m Hog Tied Over You | — | ||
| 5-17 | I’m Gone | — | ||
| 5-18 | Jersey Bounce | — | ||
| 5-19 | Heart and Soul | — | ||
| 5-20 | When My Sugar Walks Down the Street | — | ||
| 5-21 | I Can’t Get Started | — | ||
| 5-22 | Music, Maestro Please | — | ||
| 5-23 | Day In, Day Out | — | ||
| 5-24 | You Go to My Head | — | ||
| 5-25 | Dream a Little Dream of Me | — |
Identifier Graph
4000127161178 is a Universal Product Code (UPC) assigned to Barrelhouse, Boogie and the Blues by Ella Mae Morse. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 134 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Barrelhouse, Boogie and the Blues” by Ella Mae Morse is 4000127161178. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. Label: Bear Family Records. This release contains 134 tracks, each with its own ISRC. Tracks include DEC530901645, DEC530901660, DEC530901662.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cow‐Cow Boogie | — | ||
| 2 | He’s My Guy | — | ||
| 3 | Mr. Five by Five | — | ||
| 4 | The Thrill Is Gone | — | ||
| 5 | Old Rob Roy | — | ||
| 6 | Get on Board, Little Chillun | — | ||
| 7 | Shoo Shooo Baby | — | ||
| 8 | No Love, No Nothin’ | — | ||
| 9 | Solid Potato Salad | — | ||
| 10 | Milkman Keep Those Bottles Quiet | — | ||
| 11 | Why Shouldn’t I | — | ||
| 12 | Boogie Blues | — | ||
| 13 | Tess’s Torch Song (I Had a Man) | — | ||
| 14 | Invitation to the Blues | — | ||
| 15 | The Patty Cake Man (alt.) | — | ||
| 16 | The Patty Cake Man | — | ||
| 17 | Hello Suzanne | — | ||
| 18 | Take Care of You for Me | — | ||
| 19 | Ya’ Betcha | — | ||
| 20 | Captain Kidd | — | ||
| 21 | Jumpin’ Jack | — | ||
| 22 | Rip Van Winkle | — | ||
| 23 | Buzz Me | — | ||
| 24 | The House of Blue Lights | Ella Mae Morse | T-070.074.458-6 | |
| 25 | Hey, Mr. Postman | — | ||
| 2-1 | Your Conscience Tells Me So | — | ||
| 2-2 | Pig Foot Pete | — | ||
| 2-3 | That’s My Home (alt.) | — | ||
| 2-4 | Mister Fine | — | ||
| 2-5 | The Merry Ha‐Ha (alt.) | — | ||
| 2-6 | That’s My Home | — | ||
| 2-7 | The Merry Ha‐Ha | — | ||
| 2-8 | Pine Top Schwartz | — | ||
| 2-9 | Hoodle Addle | — | ||
| 2-10 | Get Off It and Go | — | ||
| 2-11 | Old Shank’s Mare | — | ||
| 2-12 | A Little Further Down the Road a Piece | — | ||
| 2-13 | Early in the Morning | — | ||
| 2-14 | Bombo B. Bailey | — | ||
| 2-15 | On the Sunny Side of the Street | — | ||
| 2-16 | Tennessee Saturday Night | — | ||
| 2-17 | Sensational | — | ||
| 2-18 | Love Ya Like Mad | — | ||
| 2-19 | Old Spider Fingers | — | ||
| 2-20 | Love Me or Leave Me | — | ||
| 2-21 | The Blacksmith Blues | Ella Mae Morse | T-071.000.590-5 | |
| 2-22 | Am I in Love? | — | ||
| 2-23 | Okie Boogie (alt.) | — | ||
| 2-24 | Organ Grinder’s Swing | — | ||
| 2-25 | It’s So Exciting | — | ||
| 2-26 | Sleeping at the Foot of the Bed | — | ||
| 2-27 | Okie Boogie | Ella Mae Morse | — | |
| 3-1 | I’m Hog Tied Over You | — | ||
| 3-2 | False Hearted Girl | Ella Mae Morse, Tennessee Ernie Ford | — | |
| 3-3 | Here Comes the Blues | — | ||
| 3-4 | Male Call | — | ||
| 3-5 | The Song Is You | — | ||
| 3-6 | You’ve Taken an Unfair Advantage of Me | — | ||
| 3-7 | Greyhound | Ella Mae Morse | — | |
| 3-8 | Jump Back Honey | Ella Mae Morse | T-700.033.178-4 | |
| 3-9 | Bouncin’ Ball | Ella Mae Morse | — | |
| 3-10 | Find a Man for Me Mama | — | ||
| 3-11 | Good | — | ||
| 3-12 | You for Me | — | ||
| 3-13 | The Guy Who Invented Kissin’ | — | ||
| 3-14 | I’m a Rich Woman | — | ||
| 3-15 | Big Mamou (intro) | — | ||
| 3-16 | Big Mamou | Ella Mae Morse | T-300.985.567-4 | |
| 3-17 | Big Mamou (outro) | — | ||
| 3-18 | ‘T’ Aint Whatcha Do | — | ||
| 3-19 | Carioca | — | ||
| 3-20 | Is It Any Wonder | — | ||
| 3-21 | Forty Cups of Coffee | — | ||
| 3-22 | Oh You Crazy Moon | — | ||
| 3-23 | It Ain’t Necessarily So | — | ||
| 3-24 | ‘T’ Aint Whatcha Do (alt.) | — | ||
| 3-25 | Have Mercy Baby | — | ||
| 3-26 | Money Honey | Ella Mae Morse, Big Dave and His Orchestra | T-070.242.253-4 | |
| 3-27 | Rock Me All Night Long | — | ||
| 3-28 | Daddy, Daddy | — | ||
| 4-1 | I Love You, Yes I Do | — | ||
| 4-2 | 5‒10‒15 Hours | Ella Mae Morse, Big Dave and His Orchestra | T-070.940.955-1 | |
| 4-3 | How Can You Leave a Man Like This | — | ||
| 4-4 | It’s Raining Tears From My Eyes | — | ||
| 4-5 | It’s You I Love | — | ||
| 4-6 | Happy Habit | — | ||
| 4-7 | Dedicated to You | — | ||
| 4-8 | Lovey Dovey | Ella Mae Morse | T-071.000.872-2 | |
| 4-9 | Goodnight Sweetheart | — | ||
| 4-10 | (We’ve Reached) The Point of No Return | — | ||
| 4-11 | Give a Little Time to Your Lover | — | ||
| 4-12 | Bring Back My Baby | — | ||
| 4-13 | All I Need Is You | — | ||
| 4-14 | Livin’ Livin’ Livin’ | — | ||
| 4-15 | Won’t You Listen to Me Baby | Ella Mae Morse | — | |
| 4-16 | Smack Dab in the Middle | — | ||
| 4-17 | Afraid | — | ||
| 4-18 | Heart Full of Hope | — | ||
| 4-19 | Yes, Yes I Do | Ella Mae Morse | — | |
| 4-20 | Razzle Dazzle | Ella Mae Morse | — | |
| 4-21 | Ain’t That a Shame | Ella Mae Morse | T-070.231.863-5 | |
| 4-22 | Piddily Patter Patter | Ella Mae Morse | T-918.279.601-6 | |
| 4-23 | Seventeen | Ella Mae Morse | — | |
| 4-24 | Birmingham | — | ||
| 4-25 | An Occasional Man | — | ||
| 4-26 | Singing‐ing‐ing | — | ||
| 4-27 | When Boy Kiss Girl (It’s Love) | — | ||
| 4-28 | Give Me Love | Ella Mae Morse | — | |
| 4-29 | Once You’ve Been Lovers | — | ||
| 5-1 | What Good’ll It Do Me | — | ||
| 5-2 | Down in Mexico | — | ||
| 5-3 | I’m Gonna Walk | — | ||
| 5-4 | Rock and Roll Wedding | Ella Mae Morse, Freddie Slack | — | |
| 5-5 | Coffee Date | — | ||
| 5-6 | Put Your Arms Around Me, Honey | — | ||
| 5-7 | You Ought to Be Mine | — | ||
| 5-8 | Mister Memory Maker | — | ||
| 5-9 | A Long Time Ago | — | ||
| 5-10 | Ac‐Cent‐Tchu‐Ate the Positive | — | ||
| 5-11 | I’m Gonna Sit Right Down and Write Myself a Letter | — | ||
| 5-12 | My Funny Valentine | — | ||
| 5-13 | Baby Won’t You Please Come Home | — | ||
| 5-14 | Rockin’ and Rollin’ | — | ||
| 5-15 | Sway Me | — | ||
| 5-16 | I’m Hog Tied Over You | — | ||
| 5-17 | I’m Gone | — | ||
| 5-18 | Jersey Bounce | — | ||
| 5-19 | Heart and Soul | — | ||
| 5-20 | When My Sugar Walks Down the Street | — | ||
| 5-21 | I Can’t Get Started | — | ||
| 5-22 | Music, Maestro Please | — | ||
| 5-23 | Day In, Day Out | — | ||
| 5-24 | You Go to My Head | — | ||
| 5-25 | Dream a Little Dream of Me | — |
