Barrelhouse, Boogie and the Blues

UPC · Release

Barrelhouse, Boogie and the Blues

Ella Mae Morse

4000127161178
29 tracksReleased 1997-01-01Bear Family Records

Last verified:

4000127161178 is the Universal Product Code (UPC barcode) for the release Barrelhouse, Boogie and the Blues by Ella Mae Morse, released 1997-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include DEC530901646, DEC530901649, DEC530901661.

Format

400GS1 prefix
0127Company prefix
16117Product
8Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCBarrelhouse, Boogie and the Blues
ISRC9 recordings
ISWC30 works
IPI3 songwriters

Track List (29)

I Love You, Yes I Do
I Love You, Yes I Do
5‒10‒15 Hours
Ella Mae Morse, Big Dave and His Orchestra
How Can You Leave a Man Like This
How Can You Leave a Man Like This
It’s Raining Tears From My Eyes
It’s Raining Tears From My Eyes
It’s You I Love
It’s You I Love
Happy Habit
Happy Habit
Dedicated to You
Dedicated to You
Goodnight Sweetheart
Goodnight Sweetheart
(We’ve Reached) The Point of No Return
(We’ve Reached) The Point of No Return
Give a Little Time to Your Lover
Give a Little Time to Your Lover
Bring Back My Baby
Bring Back My Baby
All I Need Is You
All I Need Is You
Livin’ Livin’ Livin’
Livin’ Livin’ Livin’
Won’t You Listen to Me Baby
Won’t You Listen to Me Baby
Ella Mae Morse
Smack Dab in the Middle
Smack Dab in the Middle
Afraid
Afraid
Heart Full of Hope
Heart Full of Hope
Yes, Yes I Do
Yes, Yes I Do
Ella Mae Morse
Razzle Dazzle
Razzle Dazzle
Ella Mae Morse
Seventeen
Seventeen
Ella Mae Morse
Birmingham
Birmingham
An Occasional Man
An Occasional Man
Singing‐ing‐ing
Singing‐ing‐ing
When Boy Kiss Girl (It’s Love)
When Boy Kiss Girl (It’s Love)
Give Me Love
Give Me Love
Ella Mae Morse
Once You’ve Been Lovers
Once You’ve Been Lovers

Additional database matches (10)

Ella Mae Morse, Big Dave and His Orchestra
False Hearted Girl
Ella Mae Morse, Tennessee Ernie Ford
Greyhound
Ella Mae Morse
Bouncin’ Ball
Ella Mae Morse
Okie Boogie
Ella Mae Morse
Rock and Roll Wedding
Ella Mae Morse, Freddie Slack

Credits Graph

People also ask

What is UPC 4000127161178?
UPC 4000127161178 is the Universal Product Code (barcode) for "Barrelhouse, Boogie and the Blues" by Ella Mae Morse, released on Bear Family Records.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4000127161178?
UPC 4000127161178 contains 29 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 4000127161178?

4000127161178 is a Universal Product Code (UPC) assigned to Barrelhouse, Boogie and the Blues by Ella Mae Morse. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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