UPC · Release
Everybody Loves Somebody: The Reprise Years 1962–1966
Dean Martin
4000127163431
168 tracksReleased 2001-01-01Bear Family Records
Last verified:
4000127163431 is the Universal Product Code (UPC barcode) for the release “Everybody Loves Somebody: The Reprise Years 1962–1966” by Dean Martin, released 2001-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 168 tracks, each with its own ISRC. Tracks include USQX91301959, USQX91400121, USQX91301964.
Format
400GS1 prefix
0127Company prefix
16343Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCEverybody Loves Somebody: The Reprise Years 1962–1966
ISRC45 recordings
ISWC92 works
Track List (168)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Senza fine | — | ||
| 2 | Dame su amor | — | ||
| 3 | Baby‐O | Dean Martin | T-070.013.144-7 | |
| 4 | Just Close Your Eyes | Dean Martin | T-070.089.196-8 | |
| 5 | Tik‐A‐Tee, Tik‐A‐Tay | — | ||
| 6 | C’est si bon | — | ||
| 7 | The Poor People of Paris | — | ||
| 8 | The River Seine | — | ||
| 9 | I Love Paris | — | ||
| 10 | The Last Time I Saw Paris | — | ||
| 11 | Mimi | — | ||
| 12 | April in Paris | — | ||
| 13 | Darling, je vous aime beaucoup | — | ||
| 14 | Gigi | — | ||
| 15 | La Vie en rose | — | ||
| 16 | C’est magnifique | — | ||
| 17 | Mam’selle | — | ||
| 18 | Manana | — | ||
| 19 | South of the Border | — | ||
| 20 | Tangerine | — | ||
| 21 | In a Little Spanish Town | — | ||
| 22 | Alla en el Rancho Grande | — | ||
| 23 | What a Difference a Day Made | — | ||
| 24 | Always in My Heart | — | ||
| 25 | Magic Is the Moonlight | — | ||
| 26 | Besame Mucho | — | ||
| 27 | From the Bottom of My Heart (Dammi, Dammi, Dammi) | — | ||
| 28 | Who’s Got the Action | — | ||
| 29 | La Paloma | — | ||
| 2-1 | Sam’s Song | — | ||
| 2-2 | Anytime | — | ||
| 2-3 | Room Full of Roses | — | ||
| 2-4 | My Heart Cries for You | Dean Martin | T-070.110.903-6 | |
| 2-5 | I’m So Lonesome I Could Cry | Dean Martin | T-904.017.744-4 | |
| 2-6 | Shutters and Boards | Dean Martin | T-070.243.598-0 | |
| 2-7 | Singing the Blues | Dean Martin | T-070.940.240-3 | |
| 2-8 | Ain’t Gonna Try Anymore | — | ||
| 2-9 | Face in a Crowd | Dean Martin | T-700.013.059-8 | |
| 2-10 | Things | — | ||
| 2-11 | Blue Blue Day | — | ||
| 2-12 | Hey Good Lookin’ | — | ||
| 2-13 | I Walk the Line | Dean Martin | T-070.904.584-0 | |
| 2-14 | My Sugar’s Gone | — | ||
| 2-15 | Candy Kisses | — | ||
| 2-16 | Take Good Care of Her | Dean Martin | T-070.177.828-0 | |
| 2-17 | I Can’t Help It (If I’m Still in Love With You) | Dean Martin | T-070.240.487-2 | |
| 2-18 | I’m Gonna Change Everything | Dean Martin | T-070.240.757-5 | |
| 2-19 | Bouquet of Roses | Dean Martin | T-070.012.250-4 | |
| 2-20 | From Lover to Loser | Dean Martin | T-070.056.114-3 | |
| 2-21 | Rockin’ Alone (in an Old Rocking Chair) | Dean Martin | — | |
| 2-22 | Second Hand Rose (Second Hand Heart) | Dean Martin | — | |
| 2-23 | Corrine Corrina | — | ||
| 2-24 | The Middle of the Night Is My Cryin’ Time | Dean Martin | T-070.111.850-4 | |
| 2-25 | Just a Little Lovin’ | Dean Martin | T-070.939.652-0 | |
| 2-26 | Via Vento | — | ||
| 2-27 | Mama Roma | — | ||
| 2-28 | Grazie, Prego, Scusi | — | ||
| 2-29 | Marina | — | ||
| 2-30 | Take Me | — | ||
| 3-1 | La Giostra (The Merry‐Go‐Round) | — | ||
| 3-2 | Smile | Dean Martin | T-010.433.407-7 | |
| 3-3 | I’m Confessin’ (That I Love You) | — | ||
| 3-4 | Fools Rush In | Dean Martin | T-070.055.087-3 | |
| 3-5 | I’ll Buy That Dream | Dean Martin | T-070.905.517-3 | |
| 3-6 | If You Were the Only Girl in the World | — | ||
| 3-7 | Gimme a Little Kiss (Will Ya, Huh)? | Dean Martin | T-926.429.035-9 | |
| 3-8 | My Melancholy Baby | Dean Martin | T-914.727.001-7 | |
| 3-9 | Baby Won’t You Please Come Home | Dean Martin | T-914.986.189-2 | |
| 3-10 | I Don’t Know Why (I Just Do) | — | ||
| 3-11 | Blue Moon | Dean Martin | T-070.011.746-9 | |
| 3-12 | Everybody Loves Somebody | Dean Martin | T-070.049.769-3 | |
| 3-13 | Hands Across the Table | Dean Martin | T-071.062.675-7 | |
| 3-14 | Style | — | ||
| 3-15 | Mr. Booze | — | ||
| 3-16 | Don’t Be a Do‐Badder | — | ||
| 3-17 | Any Man Who Loves His Mother | — | ||
| 3-18 | On the Street Where You Live | Dean Martin, orchestra conducted by Nelson Riddle | T-037.659.054-3 | |
| 3-19 | Your Other Love | — | ||
| 3-20 | We Open in Venice | — | ||
| 3-21 | Bianca | — | ||
| 3-22 | If This Isn’t Love | — | ||
| 3-23 | Fugue for Tinhorns | — | ||
| 3-24 | The Oldest Established (Permanent Floating Crap Game in New York) | — | ||
| 3-25 | Guys and Dolls | — | ||
| 3-26 | Guys and Dolls (reprise) | — | ||
| 3-27 | Peace on Earth / Silent Night | Dean Martin | T-070.119.154-9 | |
| 4-1 | Siesta Fiesta | Dean Martin | T-070.139.806-2 | |
| 4-2 | A Little Voice | Dean Martin | T-070.098.249-5 | |
| 4-3 | So Long Baby | — | ||
| 4-4 | Carolina in the Morning | Dean Martin | T-070.024.101-5 | |
| 4-5 | You’re Nobody ’til Somebody Loves You | Dean Martin | T-070.211.368-5 | |
| 4-6 | Every Minute, Every Hour | — | ||
| 4-7 | We’ll Sing in the Sunshine | — | ||
| 4-8 | Clinging Vine | — | ||
| 4-9 | Always Together | — | ||
| 4-10 | In the Misty Moonlight | Dean Martin | T-070.919.153-6 | |
| 4-11 | Have a Heart | — | ||
| 4-12 | You’ll Always Be the One I Love | — | ||
| 4-13 | Wedding Bells | — | ||
| 4-14 | Sophia | — | ||
| 4-15 | Send Me the Pillow You Dream On | Dean Martin | T-070.940.166-0 | |
| 4-16 | I’ll Be Seeing You | — | ||
| 4-17 | Send Me Some Lovin’ | — | ||
| 4-18 | In the Chapel in the Moonlight | Dean Martin | T-010.820.665-0 | |
| 4-19 | My Heart Is an Open Book | — | ||
| 4-20 | I’ll Be Seeing You | — | ||
| 4-21 | Remember Me (I’m the One Who Loves You) | — | ||
| 4-22 | Here Comes My Baby | — | ||
| 4-23 | Welcome to My World | — | ||
| 4-24 | The Birds and the Bees | — | ||
| 4-25 | I Don’t Think You Love Me Anymore | — | ||
| 4-26 | My Shoes Keep Walking Back to You | — | ||
| 4-27 | Born to Lose | — | ||
| 5-1 | King of the Road | — | ||
| 5-2 | Take These Chains From My Heart | — | ||
| 5-3 | Walk on By | — | ||
| 5-4 | Bumming Around | — | ||
| 5-5 | Red Roses for a Blue Lady | — | ||
| 5-6 | Love Love Love | — | ||
| 5-7 | Houston | Dean Martin | T-070.075.418-2 | |
| 5-8 | Little Lovely One | Dean Martin | T-700.038.063-4 | |
| 5-9 | I Will | Dean Martin | T-070.240.983-3 | |
| 5-10 | Down Home | — | ||
| 5-11 | Old Yellow Line | — | ||
| 5-12 | The First Thing Ev’ry Morning (and the Last Thing Ev’ry Night) | Dean Martin | T-070.881.426-9 | |
| 5-13 | Everybody but Me | — | ||
| 5-14 | You’re the Reason I’m in Love | Dean Martin | — | |
| 5-15 | Hammer and Nails | Dean Martin | T-070.908.027-2 | |
| 5-16 | Snap Your Fingers | Dean Martin | T-070.243.709-9 | |
| 5-17 | Detour | Dean Martin | — | |
| 5-18 | Somewhere There’s a Someone | — | ||
| 5-19 | That Old Clock on the Wall | — | ||
| 5-20 | South of the Border | — | ||
| 5-21 | Empty Saddles | — | ||
| 5-22 | Red Sails in the Sunset | — | ||
| 5-23 | On the Sunny Side of the Street | Dean Martin | T-070.918.068-6 | |
| 5-24 | The Glory of Love | Dean Martin | T-070.064.388-4 | |
| 5-25 | Side by Side | — | ||
| 5-26 | If I Knew Susie | — | ||
| 5-27 | The Last Rond‐Up | — | ||
| 6-1 | Who’s Got the Action | — | ||
| 6-2 | Any Man Who Loves His Mother | — | ||
| 6-3 | Style | — | ||
| 6-4 | Mr. Booze | — | ||
| 6-5 | Don’t Be a Do‐Badder | — | ||
| 6-6 | ’s Wonderful | — | ||
| 6-7 | ’s Wonderful | — | ||
| 6-8 | Sophia | — | ||
| 6-9 | Empty Saddles / If I Knew Susie | — | ||
| 6-10 | On the Sunny Side of the Street / The Last Round Up | — | ||
| 6-11 | South of the Border | — | ||
| 6-12 | Red Sails in the Sunset | — | ||
| 6-13 | Side by Side | — | ||
| 6-14 | The Glory of Love | — | ||
| 6-15 | The Glory of Love | — | ||
| 6-16 | Unidentified: True Love (Italian) | — | ||
| 6-17 | Unidentified: Everybody Loves Somebody (Italian) | — | ||
| 6-18 | Unidentified: Everybody Loves Somebody (Spanish) | — | ||
| 6-19 | Unidentified: Everybody Loves Somebody (French) | — | ||
| 6-20 | Unidentified: Everybody Loves Somebody (Japanese) | — | ||
| 6-21 | Radio Advertising: What a Way to Go (1) | — | ||
| 6-22 | Radio Advertising: What a Way to Go (2) | — | ||
| 6-23 | Radio Advertising: Who’s Been Sleeping in My Bed (1) | — | ||
| 6-24 | Radio Advertising: Who’s Been Sleeping in My Bed (2) | — | ||
| 6-25 | Radio Advertising: Who’s Been Sleeping in My Bed (3) | — | ||
| 6-26 | Radio Advertising: The Silencers (1) | — | ||
| 6-27 | Radio Advertising: The Silencers (2) | — | ||
| 6-28 | Radio Advertising: The Silencers (3) | — |
Senza fine
—
Dame su amor
—
Tik‐A‐Tee, Tik‐A‐Tay
—
C’est si bon
—
The Poor People of Paris
—
The River Seine
—
I Love Paris
—
The Last Time I Saw Paris
—
Mimi
—
April in Paris
—
Darling, je vous aime beaucoup
—
Gigi
—
La Vie en rose
—
C’est magnifique
—
Mam’selle
—
Manana
—
South of the Border
—
Tangerine
—
In a Little Spanish Town
—
Alla en el Rancho Grande
—
What a Difference a Day Made
—
Always in My Heart
—
Magic Is the Moonlight
—
Besame Mucho
—
From the Bottom of My Heart (Dammi, Dammi, Dammi)
—
Who’s Got the Action
—
La Paloma
—
Sam’s Song
—
Anytime
—
Room Full of Roses
—
Ain’t Gonna Try Anymore
—
Things
—
Blue Blue Day
—
Hey Good Lookin’
—
My Sugar’s Gone
—
Candy Kisses
—
Rockin’ Alone (in an Old Rocking Chair)
Dean Martin
—
Second Hand Rose (Second Hand Heart)
Dean Martin
—
Corrine Corrina
—
Via Vento
—
Mama Roma
—
Grazie, Prego, Scusi
—
Marina
—
Take Me
—
La Giostra (The Merry‐Go‐Round)
—
I’m Confessin’ (That I Love You)
—
If You Were the Only Girl in the World
—
I Don’t Know Why (I Just Do)
—
Style
—
Mr. Booze
—
Don’t Be a Do‐Badder
—
Any Man Who Loves His Mother
—
Your Other Love
—
We Open in Venice
—
Bianca
—
If This Isn’t Love
—
Fugue for Tinhorns
—
The Oldest Established (Permanent Floating Crap Game in New York)
—
Guys and Dolls
—
Guys and Dolls (reprise)
—
So Long Baby
—
Every Minute, Every Hour
—
We’ll Sing in the Sunshine
—
Clinging Vine
—
Always Together
—
Have a Heart
—
You’ll Always Be the One I Love
—
Wedding Bells
—
Sophia
—
I’ll Be Seeing You
—
Send Me Some Lovin’
—
My Heart Is an Open Book
—
I’ll Be Seeing You
—
Remember Me (I’m the One Who Loves You)
—
Here Comes My Baby
—
Welcome to My World
—
The Birds and the Bees
—
I Don’t Think You Love Me Anymore
—
My Shoes Keep Walking Back to You
—
Born to Lose
—
King of the Road
—
Take These Chains From My Heart
—
Walk on By
—
Bumming Around
—
Red Roses for a Blue Lady
—
Love Love Love
—
Down Home
—
Old Yellow Line
—
Everybody but Me
—
You’re the Reason I’m in Love
Dean Martin
—
Detour
Dean Martin
—
Somewhere There’s a Someone
—
That Old Clock on the Wall
—
South of the Border
—
Empty Saddles
—
Red Sails in the Sunset
—
Side by Side
—
If I Knew Susie
—
The Last Rond‐Up
—
Who’s Got the Action
—
Any Man Who Loves His Mother
—
Style
—
Mr. Booze
—
Don’t Be a Do‐Badder
—
’s Wonderful
—
’s Wonderful
—
Sophia
—
Empty Saddles / If I Knew Susie
—
On the Sunny Side of the Street / The Last Round Up
—
South of the Border
—
Red Sails in the Sunset
—
Side by Side
—
The Glory of Love
—
The Glory of Love
—
Unidentified: True Love (Italian)
—
Unidentified: Everybody Loves Somebody (Italian)
—
Unidentified: Everybody Loves Somebody (Spanish)
—
Unidentified: Everybody Loves Somebody (French)
—
Unidentified: Everybody Loves Somebody (Japanese)
—
Radio Advertising: What a Way to Go (1)
—
Radio Advertising: What a Way to Go (2)
—
Radio Advertising: Who’s Been Sleeping in My Bed (1)
—
Radio Advertising: Who’s Been Sleeping in My Bed (2)
—
Radio Advertising: Who’s Been Sleeping in My Bed (3)
—
Radio Advertising: The Silencers (1)
—
Radio Advertising: The Silencers (2)
—
Radio Advertising: The Silencers (3)
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Door Is Still Open (to My Heart) | Dean Martin | T-070.233.782-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.433.407-7T-010.820.665-0T-010.433.407-7T-010.434.162-9T-010.490.850-0T-010.820.665-0T-011.196.422-7T-011.208.543-4T-011.251.426-7T-011.600.009-9
+82 more
T-037.659.054-3T-037.658.919-3T-037.659.067-8T-070.011.746-9T-070.012.250-4T-070.024.101-5T-070.049.769-3T-070.055.087-3T-070.056.114-3T-070.075.418-2T-070.089.196-8T-070.098.249-5T-070.110.903-6T-070.111.850-4T-070.119.154-9T-070.139.806-2T-070.177.828-0T-070.211.368-5T-070.233.782-3T-070.240.487-2T-070.240.757-5T-070.240.983-3T-070.243.598-0T-070.243.709-9T-070.881.426-9T-070.904.584-0T-070.905.517-3T-070.918.068-6T-070.919.153-6T-070.939.652-0T-070.940.166-0T-070.940.240-3T-070.001.027-0T-070.002.526-8T-070.010.985-8T-070.011.746-9T-070.012.250-4T-070.013.529-0T-070.027.056-9T-070.038.406-0T-070.049.769-3T-070.050.109-2T-070.055.087-3T-070.056.114-3T-070.064.082-9T-070.065.489-2T-070.075.405-7T-070.075.418-2T-070.086.610-9T-070.089.196-8T-070.095.047-5T-070.098.249-5T-070.107.961-9T-070.108.195-9T-070.110.903-6T-070.111.850-4T-070.119.154-9T-070.126.265-8T-070.134.021-7T-070.135.404-2T-070.139.806-2T-070.177.828-0T-070.177.868-8T-070.177.932-9T-070.179.965-6T-070.195.415-5T-070.196.007-7T-070.196.388-3T-070.201.329-3T-070.211.368-5T-070.233.055-9T-070.233.782-3T-071.062.675-7T-700.013.059-8T-700.038.063-4T-904.017.744-4T-914.727.001-7T-914.986.189-2T-926.429.035-9T-070.013.144-7T-070.064.388-4T-070.908.027-2
Creative Contributors (ISNI)
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What is UPC 4000127163431?
4000127163431 is a Universal Product Code (UPC) assigned to Everybody Loves Somebody: The Reprise Years 1962–1966 by Dean Martin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 168 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm