UPC · Release
The Journey: Six Strings Away
Waylon Jennings
4000127163707
146 tracksReleased 2017-01-01Bear Family Records
Last verified:
4000127163707 is the Universal Product Code (UPC barcode) for the release “The Journey: Six Strings Away” by Waylon Jennings, released 2017-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 146 tracks, each with its own ISRC. Tracks include USRN10300217, USRN19600051, USRN10600169.
Format
400GS1 prefix
0127Company prefix
16370Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Journey: Six Strings Away
ISRC29 recordings
ISWC56 works
IPI4 songwriters
Track List (146)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Folsom Prison Blues | — | ||
| 2 | Today I Started Loving You Again | — | ||
| 3 | If You Were Mine to Lose | — | ||
| 4 | Six Strings Away | — | ||
| 5 | Cedartown, Georgia | Waylon Jennings | T-070.233.283-9 | |
| 6 | I Lost Me | — | ||
| 7 | Brown Eyed Handsome Man | Waylon Jennings | T-070.233.167-6 | |
| 8 | Alone | — | ||
| 9 | SOMETHING'S WRONG IN CALIFORNIA | Waylon Jennings | T-700.065.209-7 | |
| 10 | The Days of Sand and Shovels | — | ||
| 11 | JUST TO SATISFY YOU | Waylon Jennings, Willie Nelson | T-070.241.448-9 | |
| 12 | For the Kids | — | ||
| 13 | Farewell Party | — | ||
| 14 | Sing the Blues to Daddy | — | ||
| 15 | Change My Mind | — | ||
| 16 | Lonely Weekends | — | ||
| 17 | A World of Our Own | — | ||
| 18 | Come Stay With Me | — | ||
| 19 | MacArthur Park | — | ||
| 20 | Long Way Back Home | — | ||
| 21 | These New Changing Times | — | ||
| 22 | Cindy, Oh Cindy | — | ||
| 23 | Mary Ann Regrets | — | ||
| 24 | But You Know I Love You | — | ||
| 25 | Drivin’ Nails in the Wall | — | ||
| 26 | Let Me Tell You My Mind | — | ||
| 27 | Games People Play | — | ||
| 2-1 | Don’t Play the Game | — | ||
| 2-2 | The House Song | — | ||
| 2-3 | Delia’s Gone | — | ||
| 2-4 | It’s All Over Now | — | ||
| 2-5 | The Thirty Third of August | — | ||
| 2-6 | I’m Gonna Leave (While I Still Love You) | — | ||
| 2-7 | GREY EYES YOU KNOW | Waylon Jennings | T-700.018.642-7 | |
| 2-8 | I May Never Pass This Way Again | — | ||
| 2-9 | (I’d Be) A Legend in My Time | — | ||
| 2-10 | Lila | — | ||
| 2-11 | Willie and Laura Mae Jones | — | ||
| 2-12 | I Ain’t the One | Waylon, Jessi | — | |
| 2-13 | SINGER OF SAD SONGS | Waylon Jennings | T-700.063.496-0 | |
| 2-14 | Let Me Stay Awhile | — | ||
| 2-15 | SUNDAY MORNING COMING DOWN | Waylon Jennings | T-070.244.059-2 | |
| 2-16 | (I’d Be) A Legend in My Time | — | ||
| 2-17 | IT'S SURE BEEN FUN | Waylon Jennings | T-904.040.501-4 | |
| 2-18 | Where Love Has Died | — | ||
| 2-19 | Yellow Haired Woman | — | ||
| 2-20 | This Time Tomorrow (I’ll Be Gone) | — | ||
| 2-21 | Life Goes On | — | ||
| 2-22 | PEOPLE IN DALLAS GOT HAIR | Waylon Jennings | T-071.206.408-8 | |
| 2-23 | SIX WHITE HORSES | Waylon Jennings | T-925.048.039-8 | |
| 2-24 | Pickin’ White Gold | — | ||
| 2-25 | Donna on My Mind | — | ||
| 2-26 | Honky Tonk Woman | — | ||
| 2-27 | Time Between Bottles of Wine | — | ||
| 2-28 | Ragged but Right | — | ||
| 2-29 | If I Were a Carpenter | — | ||
| 2-30 | Must You Throw Dirt in My Face | — | ||
| 3-1 | She Comes Running | — | ||
| 3-2 | No Regrets | — | ||
| 3-3 | Rock, Salt and Nails | — | ||
| 3-4 | Sick and Tired | — | ||
| 3-5 | It Ain’t Easy | — | ||
| 3-6 | Woman You Need a Man | — | ||
| 3-7 | Marriage on the Rocks | — | ||
| 3-8 | To Beat the Devil | — | ||
| 3-9 | MISSISSIPPI WOMAN | Waylon Jennings | T-070.242.234-1 | |
| 3-10 | Ned Kelly | — | ||
| 3-11 | Shadow of the Gallows | — | ||
| 3-12 | Lonigan’s Widow | — | ||
| 3-13 | Ranchin’ in the Evening | — | ||
| 3-14 | Blame It on the Kellys | — | ||
| 3-15 | Pleasure of a Sunday Afternoon | — | ||
| 3-16 | BIG D | Waylon Jennings | T-925.020.311-3 | |
| 3-17 | Gone to Denver | — | ||
| 3-18 | The Taker | Waylon Jennings | T-070.244.188-0 | |
| 3-19 | Bridge Over Troubled Water | — | ||
| 3-20 | What About You | — | ||
| 3-21 | THANKS | — | ||
| 3-22 | YOU'LL LOOK FOR ME | Waylon Jennings | T-071.240.084-4 | |
| 3-23 | Tomorrow Night in Baltimore | — | ||
| 3-24 | One of My Bad Habits | — | ||
| 3-25 | Suspicious Minds | — | ||
| 3-26 | Sweetheart | — | ||
| 3-27 | I Knew You’d Be Leavin’ | — | ||
| 3-28 | (DON'T LET THE SUN SET ON YOU) TULSA | Waylon Jennings | — | |
| 4-1 | Lovin’ Her Was Easier (Than Anything I’ll Ever Do Again) | Waylon Jennings | T-070.242.006-1 | |
| 4-2 | Mobile Blues | — | ||
| 4-3 | Mama I’ll Sing One Song for You | — | ||
| 4-4 | CASEY'S LAST RIDE | Waylon Jennings | T-700.004.963-0 | |
| 4-5 | Love in the Afternoon | — | ||
| 4-6 | I’ve Got Eyes for You | — | ||
| 4-7 | Under Your Spell Again | Waylon, Jessi | T-071.017.403-0 | |
| 4-8 | Atlanta’s Burning Down | — | ||
| 4-9 | The Ghost of General Lee | — | ||
| 4-10 | Some Kind of Fool | — | ||
| 4-11 | I THINK IT'S TIME SHE LEARNED | — | ||
| 4-12 | The Same Old Lover Man | — | ||
| 4-13 | Low Down Freedom | — | ||
| 4-14 | Unsatisfied | — | ||
| 4-15 | It Should Be Easier Now | — | ||
| 4-16 | CRAZY ARMS | T-070.233.520-3 | ||
| 4-17 | Do No Good Woman | — | ||
| 4-18 | Sweet Dream Woman | Waylon Jennings | T-070.244.105-1 | |
| 4-19 | Good Hearted Woman | The Highwaymen | T-070.234.301-8 | |
| 4-20 | Revelation | — | ||
| 4-21 | Big, Big Love | — | ||
| 4-22 | Ladies Love Outlaws | Waylon Jennings | T-070.241.530-2 | |
| 4-23 | SURE DIDN'T TAKE HIM LONG | — | ||
| 4-24 | Nothin’ Worth Takin’ or Leavin’ | — | ||
| 4-25 | Lay It Down | — | ||
| 4-26 | Sandy Sends Her Best | — | ||
| 4-27 | The Last Letter | — | ||
| 5-1 | Come Early Mornin’ (1985) | — | ||
| 5-2 | You Can Have Her (1973) | — | ||
| 5-3 | My God and I (1985) | — | ||
| 5-4 | FRISCO DEPOT (SAN FRANCISCO DEPOT) | — | ||
| 5-5 | Me and Bobby McGee (1973) | — | ||
| 5-6 | Black Rose (1973) | — | ||
| 5-7 | Pretend I Never Happened (1972) | — | ||
| 5-8 | Delta Dawn (1972) | — | ||
| 5-9 | NEVER BEEN TO SPAIN | Waylon Jennings | T-070.242.448-3 | |
| 5-10 | Laid Back Country Picker (1985) | — | ||
| 5-11 | Good Time Charlie’s Got the Blues (1973) | — | ||
| 5-12 | Willy, the Wandering Gypsy (1973) | — | ||
| 5-13 | San Francisco Mabel Joy (1973) | — | ||
| 5-14 | Lonesome, On’ry and Mean (1973) | — | ||
| 5-15 | Freedom to Stay (1973) | — | ||
| 5-16 | Lisa’s Only Seven (1985) | — | ||
| 5-17 | The Last One to Leave Seattle (1985) | — | ||
| 5-18 | About That Woman (1985) | — | ||
| 5-19 | Poor Old Ugly Gladys Jones (1968) | — | ||
| 5-20 | Chet’s Tune (1968) | — | ||
| 6-2 | What Makes a Man Wander | — | ||
| 6-3 | John’s Back in Town | — | ||
| 6-4 | Cedartown Georgia | — | ||
| 6-5 | Something’s Wrong in California | — | ||
| 6-6 | The Days of Sand and Shovels | — | ||
| 6-7 | Just to Satisfy You | Waylon Jennings, Willie Nelson | T-070.241.448-9 | |
| 6-8 | For the Kids | — | ||
| 6-9 | Change My Mind | — | ||
| 6-10 | Lonely Weekends | — | ||
| 6-11 | Don’t Play the Game | — | ||
| 6-12 | The House Song | — | ||
| 6-13 | The Same Old Lover Man | — | ||
| 6-14 | Ned Kelly | — | ||
| 6-15 | Shadows of the Gallows | — |
Folsom Prison Blues
—
Today I Started Loving You Again
—
If You Were Mine to Lose
—
Six Strings Away
—
I Lost Me
—
Alone
—
The Days of Sand and Shovels
—
For the Kids
—
Farewell Party
—
Sing the Blues to Daddy
—
Change My Mind
—
Lonely Weekends
—
A World of Our Own
—
Come Stay With Me
—
MacArthur Park
—
Long Way Back Home
—
These New Changing Times
—
Cindy, Oh Cindy
—
Mary Ann Regrets
—
But You Know I Love You
—
Drivin’ Nails in the Wall
—
Let Me Tell You My Mind
—
Games People Play
—
Don’t Play the Game
—
The House Song
—
Delia’s Gone
—
It’s All Over Now
—
The Thirty Third of August
—
I’m Gonna Leave (While I Still Love You)
—
I May Never Pass This Way Again
—
(I’d Be) A Legend in My Time
—
Lila
—
Willie and Laura Mae Jones
—
I Ain’t the One
Waylon, Jessi
—
Let Me Stay Awhile
—
(I’d Be) A Legend in My Time
—
Where Love Has Died
—
Yellow Haired Woman
—
This Time Tomorrow (I’ll Be Gone)
—
Life Goes On
—
Pickin’ White Gold
—
Donna on My Mind
—
Honky Tonk Woman
—
Time Between Bottles of Wine
—
Ragged but Right
—
If I Were a Carpenter
—
Must You Throw Dirt in My Face
—
She Comes Running
—
No Regrets
—
Rock, Salt and Nails
—
Sick and Tired
—
It Ain’t Easy
—
Woman You Need a Man
—
Marriage on the Rocks
—
To Beat the Devil
—
Ned Kelly
—
Shadow of the Gallows
—
Lonigan’s Widow
—
Ranchin’ in the Evening
—
Blame It on the Kellys
—
Pleasure of a Sunday Afternoon
—
Gone to Denver
—
Bridge Over Troubled Water
—
What About You
—
THANKS
—
Tomorrow Night in Baltimore
—
One of My Bad Habits
—
Suspicious Minds
—
Sweetheart
—
I Knew You’d Be Leavin’
—
(DON'T LET THE SUN SET ON YOU) TULSA
Waylon Jennings
—
Mobile Blues
—
Mama I’ll Sing One Song for You
—
Love in the Afternoon
—
I’ve Got Eyes for You
—
Atlanta’s Burning Down
—
The Ghost of General Lee
—
Some Kind of Fool
—
I THINK IT'S TIME SHE LEARNED
—
The Same Old Lover Man
—
Low Down Freedom
—
Unsatisfied
—
It Should Be Easier Now
—
Do No Good Woman
—
Revelation
—
Big, Big Love
—
SURE DIDN'T TAKE HIM LONG
—
Nothin’ Worth Takin’ or Leavin’
—
Lay It Down
—
Sandy Sends Her Best
—
The Last Letter
—
Come Early Mornin’ (1985)
—
You Can Have Her (1973)
—
My God and I (1985)
—
FRISCO DEPOT (SAN FRANCISCO DEPOT)
—
Me and Bobby McGee (1973)
—
Black Rose (1973)
—
Pretend I Never Happened (1972)
—
Delta Dawn (1972)
—
Laid Back Country Picker (1985)
—
Good Time Charlie’s Got the Blues (1973)
—
Willy, the Wandering Gypsy (1973)
—
San Francisco Mabel Joy (1973)
—
Lonesome, On’ry and Mean (1973)
—
Freedom to Stay (1973)
—
Lisa’s Only Seven (1985)
—
The Last One to Leave Seattle (1985)
—
About That Woman (1985)
—
Poor Old Ugly Gladys Jones (1968)
—
Chet’s Tune (1968)
—
What Makes a Man Wander
—
John’s Back in Town
—
Cedartown Georgia
—
Something’s Wrong in California
—
The Days of Sand and Shovels
—
For the Kids
—
Change My Mind
—
Lonely Weekends
—
Don’t Play the Game
—
The House Song
—
The Same Old Lover Man
—
Ned Kelly
—
Shadows of the Gallows
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| SWEET DREAM WOMAN | — | |
| A Good Hearted Woman | Waylon Jennings, Willie Nelson | T-070.234.301-8 |
| I Ain’t the One | Waylon, Jessi | — |
SWEET DREAM WOMAN
—
Waylon Jennings, Willie Nelson
I Ain’t the One
Waylon, Jessi
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-011.363.508-7T-030.024.134-2T-031.654.436-1T-037.661.446-8T-070.233.167-6T-070.234.301-8T-070.241.448-9T-070.242.006-1T-070.244.188-0T-070.027.391-1
+46 more
T-070.028.207-0T-070.041.446-5T-070.055.040-8T-070.056.939-6T-070.066.813-8T-070.075.665-5T-070.096.765-2T-070.112.536-1T-070.226.640-7T-070.232.992-7T-070.233.167-6T-070.233.283-9T-070.233.430-2T-070.233.520-3T-070.233.991-0T-070.234.176-1T-070.234.301-8T-070.234.322-3T-070.240.515-9T-070.241.448-9T-070.241.530-2T-070.241.902-0T-070.242.006-1T-070.242.234-1T-070.242.448-3T-070.242.545-3T-070.244.059-2T-070.244.099-0T-070.244.105-1T-070.244.188-0T-070.247.402-9T-070.248.219-6T-070.255.581-4T-070.338.710-3T-070.349.680-3T-070.350.483-9T-070.847.852-7T-070.880.931-7T-070.881.132-8T-070.919.056-6T-070.939.701-2T-070.940.841-2T-071.017.403-0T-071.000.682-8T-071.000.950-9T-071.017.295-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4000127163707?
4000127163707 is a Universal Product Code (UPC) assigned to The Journey: Six Strings Away by Waylon Jennings. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 146 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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