UPC · Release
Rock ’n’ Roll Arrives…
Bill Haley and His Comets
Last verified:
4000127165091 is the Universal Product Code (UPC barcode) for the release “Rock ’n’ Roll Arrives…” by Bill Haley and His Comets, released 2006-01-01 on Bear Family Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 113 tracks, each with its own ISRC. Tracks include GBEEJ0700733.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (113)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Too Many Parties, Too Many Pals | — | ||
| 2 | Four Leaf Clover Blues | — | ||
| 3 | Candy Kisses | — | ||
| 4 | Tennessee Border | — | ||
| 5 | The Covered Wagon Rolled Right Along | — | ||
| 6 | Yodel Your Blues Away | — | ||
| 7 | Behind the Eight Ball | — | ||
| 8 | Foolish Questions | — | ||
| 9 | Loveless Blues | — | ||
| 10 | Stand Up and Be Counted | — | ||
| 11 | Deal Me a Hand (I Play the Game Anyway) | — | ||
| 12 | Ten Gallon Stetson (With a Hole in the Crown) | — | ||
| 13 | Susan Van Dusan | — | ||
| 14 | I’m Not to Blame | — | ||
| 15 | I’m Gonna Dry Every Tear With a Kiss | — | ||
| 16 | Why Do I Cry Over You? | — | ||
| 17 | Teardrops From My Eyes | — | ||
| 18 | Loveless Blues | — | ||
| 19 | My Sweet Little Girl From Nevada | — | ||
| 20 | My Palomino and I | — | ||
| 2-1 | Rocket ‘88’ | — | ||
| 2-2 | Tearstains on My Heart | — | ||
| 2-3 | Green Tree Boogie | — | ||
| 2-4 | Down Deep in My Heart | — | ||
| 2-5 | I’m Crying | — | ||
| 2-6 | Pretty Baby | — | ||
| 2-7 | A Year Ago This Christmas | — | ||
| 2-8 | I Don’t Want to Be Alone This Christmas | — | ||
| 2-9 | Juke Box Cannon Ball | — | ||
| 2-10 | Sundown Boogie | — | ||
| 2-11 | Barnyard Special | — | ||
| 2-12 | Rose of My Heart | — | ||
| 2-13 | Two Timin’ Blues | — | ||
| 2-14 | Long Gone Daddy | — | ||
| 2-15 | I’m Lonesome | — | ||
| 2-16 | A Sweet Bunch of Roses | — | ||
| 2-17 | Please Make Up Your Fickle Mind | — | ||
| 2-18 | My Heart Tells Me (I’m Still in Love with You) | — | ||
| 2-19 | I’m Lonesome | — | ||
| 2-20 | A Sweet Bunch of Roses | — | ||
| 2-21 | Please Make Up Your Fickle Mind | — | ||
| 2-22 | My Heart Tells Me (I’m Still in Love with You) | — | ||
| 2-23 | Out Where the Westwind Blows | — | ||
| 2-24 | Who’s Gonna Kiss You When I’m Gone | — | ||
| 2-25 | Boogie Woogie Yodel | — | ||
| 2-26 | Baby I Found Out All About You | — | ||
| 3-1 | Rock the Joint | — | ||
| 3-2 | Icy Heart | — | ||
| 3-3 | Dance With a Dolly (with a Hole in Her Stockin’) | — | ||
| 3-4 | Rocking Chair on the Moon | — | ||
| 3-5 | Stop Beatin’ Around the Mulberry Bush | — | ||
| 3-6 | Real Rock Drive | — | ||
| 3-7 | Crazy Man, Crazy | — | ||
| 3-8 | What’cha Gonna Do? | — | ||
| 3-9 | Pat‐a‐Cake | — | ||
| 3-10 | Fractured | — | ||
| 3-11 | Live It Up! | — | ||
| 3-12 | Farewell, So Long, Goodbye | — | ||
| 3-13 | I’ll Be True | — | ||
| 3-14 | Ten Little Indians | — | ||
| 3-15 | Yes Indeed! | — | ||
| 3-16 | Yes Indeed! | — | ||
| 3-17 | Chattanooga Choo Choo | Bill Haley & His Comets | T-070.024.519-7 | |
| 3-18 | Straight Jacket | — | ||
| 4-1 | Rovin’ Eyes | — | ||
| 4-2 | Candy and Women | — | ||
| 4-3 | My Mom Heard Me Cry Over You | — | ||
| 4-4 | Cotton Haired Girl | — | ||
| 4-5 | The Wreck on the Highway | — | ||
| 4-6 | A Yodeler’s Lullaby | — | ||
| 4-7 | All I Need Is Some More Lovin’ | — | ||
| 4-8 | Candy and Women | — | ||
| 4-9 | Yodel Your Blues Away | — | ||
| 4-10 | Red River Valley | — | ||
| 4-11 | Behind the Eight Ball | — | ||
| 4-12 | Foolish Questions | — | ||
| 4-13 | Easy Rocking Chair | — | ||
| 4-14 | I Wasted a Nickel | — | ||
| 4-15 | My Bucket’s Got a Hole in It | — | ||
| 4-16 | Sunday Down in Tennessee | — | ||
| 4-17 | Behind the Eight Ball | — | ||
| 4-18 | Rose of My Heart | — | ||
| 4-19 | Within This Broken Heart of Mine | — | ||
| 4-20 | Down Home | — | ||
| 4-21 | Following the Sun All Day | — | ||
| 4-22 | She Taught Me How to Yodel | — | ||
| 4-23 | Cool Water | — | ||
| 4-24 | Baby, I Found Out All About You | — | ||
| 4-25 | Open Up Them Pearly Gates for Me | — | ||
| 4-26 | Who’s Gonna Kiss You When I’m Gone? | — | ||
| 4-27 | Arizona Cowboy Advert | — | ||
| 4-28 | Westinghouse and Twin Bars Advert | — | ||
| 5-1 | Rose of My Heart | — | ||
| 5-2 | Rose of My Heart | — | ||
| 5-3 | Cherry Tree Lane | — | ||
| 5-4 | Cute Little Brown‐Eyed Gal | — | ||
| 5-5 | A Sweet Bunch of Roses | — | ||
| 5-6 | Yodel Your Blues Away | — | ||
| 5-7 | Candy and Women | — | ||
| 5-8 | Behind the Eight Ball | — | ||
| 5-9 | Ages and Ages Ago | — | ||
| 5-10 | Honestly | — | ||
| 5-11 | I Dreamed of an Old Love Affair | — | ||
| 5-12 | Whispering | — | ||
| 5-13 | I Love You So Much It Hurts | — | ||
| 5-14 | Little Rock, Arkansas | — | ||
| 5-15 | A Bundle of Kisses | — | ||
| 5-16 | Are You Teasing Me? | — | ||
| 5-17 | I Want You | — | ||
| 5-18 | Gotta Have My Baby Back | — | ||
| 5-19 | Take Me in Your Arms and Hold Me | — | ||
| 5-20 | Candy and Women | — | ||
| 5-21 | Teardrops From My Eyes | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 4000127165091?
4000127165091 is a Universal Product Code (UPC) assigned to Rock ’n’ Roll Arrives… by Bill Haley and His Comets. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 113 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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