UPC · Release
Various Artists
Last verified:
The UPC for “Rarities, Volume 2: Early Recordings by the Composers: The Condon Collection: Rare Recordings” by Various Artists is 4003099847828. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Bellaphon. This release contains 25 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Stimmungsbilder, op. 9 nr. 1: "Auf stillem Waldespfad" | — | ||
| 2 | Tanz der sieben Schleier aus der Oper "Salome" | — | ||
| 3 | Zwei Fragmente aus der Oper "Salome" | — | ||
| 4 | Mazurka, op. 40 nr. 2 | — | ||
| 5 | Piezas españolas: 1. Aragonesa | — | ||
| 6 | Piezas españolas: 2. Cubana | — | ||
| 7 | Pavane für Orchester, op. 50 (Bearb. für Klavier) | — | ||
| 8 | Rhythmes espagnoles: Nr. 2. Tientos | — | ||
| 9 | Rhythmes espagnoles: Nr. 4. Calesera | — | ||
| 10 | Rhythmes espagnoles: Nr. 6. Soleá | — | ||
| 11 | Rhythmes espagnoles: Nr. 7. Paseo | — | ||
| 12 | Poursuite "Souvenirs of Youth" | — | ||
| 13 | Two Musical Relics of my Mother | — | ||
| 14 | Lotus Land, op. 47 no. 1 | — | ||
| 15 | Chinese Caprice | — | ||
| 16 | Black Dance, op. 58 no. 5 | — | ||
| 17 | Volkslied, op. 28 nr. 1 | — | ||
| 18 | Romanze, op. 45 | — | ||
| 19 | Rêverie (Träumerei), op. 18 | — | ||
| 20 | Saudade Do Brazil | — | ||
| 21 | Barcarole (Capri) | — | ||
| 22 | Inezia (aus "Inezie, tre pezzi facili") | — | ||
| 23 | London Pieces: Nr. 2. Ragamuffin | — | ||
| 24 | Amberley Wildbrooks | — | ||
| 25 | Intermezzo G-Moll, op. 45 nr. 5 | — |
Songwriters/Publishers (IPI)
Credits Graph
4003099847828 is a Universal Product Code (UPC) assigned to Rarities, Volume 2: Early Recordings by the Composers: The Condon Collection: Rare Recordings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Rarities, Volume 2: Early Recordings by the Composers: The Condon Collection: Rare Recordings” by Various Artists is 4003099847828. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: Bellaphon. This release contains 25 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Stimmungsbilder, op. 9 nr. 1: "Auf stillem Waldespfad" | — | ||
| 2 | Tanz der sieben Schleier aus der Oper "Salome" | — | ||
| 3 | Zwei Fragmente aus der Oper "Salome" | — | ||
| 4 | Mazurka, op. 40 nr. 2 | — | ||
| 5 | Piezas españolas: 1. Aragonesa | — | ||
| 6 | Piezas españolas: 2. Cubana | — | ||
| 7 | Pavane für Orchester, op. 50 (Bearb. für Klavier) | — | ||
| 8 | Rhythmes espagnoles: Nr. 2. Tientos | — | ||
| 9 | Rhythmes espagnoles: Nr. 4. Calesera | — | ||
| 10 | Rhythmes espagnoles: Nr. 6. Soleá | — | ||
| 11 | Rhythmes espagnoles: Nr. 7. Paseo | — | ||
| 12 | Poursuite "Souvenirs of Youth" | — | ||
| 13 | Two Musical Relics of my Mother | — | ||
| 14 | Lotus Land, op. 47 no. 1 | — | ||
| 15 | Chinese Caprice | — | ||
| 16 | Black Dance, op. 58 no. 5 | — | ||
| 17 | Volkslied, op. 28 nr. 1 | — | ||
| 18 | Romanze, op. 45 | — | ||
| 19 | Rêverie (Träumerei), op. 18 | — | ||
| 20 | Saudade Do Brazil | — | ||
| 21 | Barcarole (Capri) | — | ||
| 22 | Inezia (aus "Inezie, tre pezzi facili") | — | ||
| 23 | London Pieces: Nr. 2. Ragamuffin | — | ||
| 24 | Amberley Wildbrooks | — | ||
| 25 | Intermezzo G-Moll, op. 45 nr. 5 | — |
