UPC · Release
Debussy
Last verified:
The UPC for “Early Recordings by the Composer: The Condon Collection: Rare Recordings” by Debussy is 4003099887923. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBRKQ2165346, GBRKQ2165347, GBRKQ2165348.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Delphic Dances: Preludes BK 1 no. 1 | Claude Debussy | T-306.231.701-1 | |
| 2 | Submerged Cathedral: Preludes BK 1 no. 10 | Claude Debussy | — | |
| 3 | Dance of Puck: Preludes BK 1 no. 11 | Claude Debussy | T-306.231.700-0 | |
| 4 | Childrens Corner: Complete | Claude Debussy | T-306.041.891-5 | |
| 5 | From a Sketchbook | Claude Debussy | — | |
| 6 | A Slow Waltz | Claude Debussy | — | |
| 7 | Evening in Granada: Estampes no. 2 | Claude Debussy | T-305.797.505-6 | |
| 8 | Gardens in the Rain: Estampes no. 3 | Yolanda Mérő | T-305.797.513-6 | |
| 9 | The Girl With Flaxen Hair: Preludes BK 1 no. 8 | Rudolph Ganz | — | |
| 10 | At the Gate of the Vine: Preludes BK 2 no. 3 | Rudolph Ganz | — | |
| 11 | Arabesque no. 1 in E major | Leff Pouishnoff | — | |
| 12 | Arabesque no. 2 in G minor | Carol Robinson | — | |
| 13 | Sails: Preludes BK 1 no. 2 | Walter Gieseking | — | |
| 14 | Moonlight (Claire de Lune) from “Suite Bergamasque” | Suzanne Godenne | — | |
| 15 | Reverie | Federico Bufaletti | T-926.359.993-5 | |
| 16 | Goldfish: Images Set 2 no. 1 | Richard Buhlig | — | |
| 17 | Reflections in the Water: Images Set 1 no. 1 | Richard Buhlig | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
4003099887923 is a Universal Product Code (UPC) assigned to Early Recordings by the Composer: The Condon Collection: Rare Recordings by Debussy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Early Recordings by the Composer: The Condon Collection: Rare Recordings” by Debussy is 4003099887923. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBRKQ2165346, GBRKQ2165347, GBRKQ2165348.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Delphic Dances: Preludes BK 1 no. 1 | Claude Debussy | T-306.231.701-1 | |
| 2 | Submerged Cathedral: Preludes BK 1 no. 10 | Claude Debussy | — | |
| 3 | Dance of Puck: Preludes BK 1 no. 11 | Claude Debussy | T-306.231.700-0 | |
| 4 | Childrens Corner: Complete | Claude Debussy | T-306.041.891-5 | |
| 5 | From a Sketchbook | Claude Debussy | — | |
| 6 | A Slow Waltz | Claude Debussy | — | |
| 7 | Evening in Granada: Estampes no. 2 | Claude Debussy | T-305.797.505-6 | |
| 8 | Gardens in the Rain: Estampes no. 3 | Yolanda Mérő | T-305.797.513-6 | |
| 9 | The Girl With Flaxen Hair: Preludes BK 1 no. 8 | Rudolph Ganz | — | |
| 10 | At the Gate of the Vine: Preludes BK 2 no. 3 | Rudolph Ganz | — | |
| 11 | Arabesque no. 1 in E major | Leff Pouishnoff | — | |
| 12 | Arabesque no. 2 in G minor | Carol Robinson | — | |
| 13 | Sails: Preludes BK 1 no. 2 | Walter Gieseking | — | |
| 14 | Moonlight (Claire de Lune) from “Suite Bergamasque” | Suzanne Godenne | — | |
| 15 | Reverie | Federico Bufaletti | T-926.359.993-5 | |
| 16 | Goldfish: Images Set 2 no. 1 | Richard Buhlig | — | |
| 17 | Reflections in the Water: Images Set 1 no. 1 | Richard Buhlig | — |
