UPC · Release
Jan A.P. Kaczmarek
Last verified:
The UPC for “Lost Souls” by Jan A.P. Kaczmarek is 4005939619121. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Varèse Sarabande. This release contains 26 tracks, each with its own ISRC. Tracks include US3M50019101, US3M50019102, US3M50019104.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | LOST SOULS | T-913.467.837-8 | ||
| 2 | FATHER LAREAU ARRIVES | T-903.500.484-3 | ||
| 3 | Exorcismus | — | ||
| 4 | MAYA'S LULLABY | JAN A. P. KACZMAREK, JAN A.P. KACZMAREK | T-903.500.778-4 | |
| 5 | WHO IS PETER KELSON? | T-903.504.199-7 | ||
| 6 | BEDFORD CHURCH CHOIR | T-903.501.404-1 | ||
| 7 | WALKING INTO THE UNKNOWN | T-903.504.198-6 | ||
| 8 | VIOLENT VARIATION ON MAYA'S THEME | T-903.503.974-8 | ||
| 9 | BREAKING THE CODE | T-903.503.939-5 | ||
| 10 | MAYA MEETS PETER | T-903.503.559-7 | ||
| 11 | BIRDSON'S EYES OPEN | T-903.503.499-2 | ||
| 12 | PETER IS LONELY AND AFRAID | T-903.500.802-7 | ||
| 13 | DRIVING TO CONFRONT MAYA | T-903.500.919-9 | ||
| 14 | "You Are That Man, Peter" | — | ||
| 15 | What's Behind the Pictures? | — | ||
| 16 | XES -- Is There Hope? | — | ||
| 17 | HAUNTED HOUSE OF FATHER JOHN | T-903.503.098-9 | ||
| 18 | THE PENTACLE | T-903.502.283-4 | ||
| 19 | THE BRIDGE | T-913.451.764-9 | ||
| 20 | Father Lareaux Possessed | — | ||
| 21 | THE LAST EXORCISM | T-903.503.119-7 | ||
| 22 | Satans's Church | — | ||
| 23 | LAST RIDE | T-903.504.309-5 | ||
| 24 | MAYA | T-903.500.777-3 | ||
| 25 | Lost Souls -- End Credits | — | ||
| 26 | Postscriptum | — |
Identifier Graph
4005939619121 is a Universal Product Code (UPC) assigned to Lost Souls by Jan A.P. Kaczmarek. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Lost Souls” by Jan A.P. Kaczmarek is 4005939619121. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: Varèse Sarabande. This release contains 26 tracks, each with its own ISRC. Tracks include US3M50019101, US3M50019102, US3M50019104.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | LOST SOULS | T-913.467.837-8 | ||
| 2 | FATHER LAREAU ARRIVES | T-903.500.484-3 | ||
| 3 | Exorcismus | — | ||
| 4 | MAYA'S LULLABY | JAN A. P. KACZMAREK, JAN A.P. KACZMAREK | T-903.500.778-4 | |
| 5 | WHO IS PETER KELSON? | T-903.504.199-7 | ||
| 6 | BEDFORD CHURCH CHOIR | T-903.501.404-1 | ||
| 7 | WALKING INTO THE UNKNOWN | T-903.504.198-6 | ||
| 8 | VIOLENT VARIATION ON MAYA'S THEME | T-903.503.974-8 | ||
| 9 | BREAKING THE CODE | T-903.503.939-5 | ||
| 10 | MAYA MEETS PETER | T-903.503.559-7 | ||
| 11 | BIRDSON'S EYES OPEN | T-903.503.499-2 | ||
| 12 | PETER IS LONELY AND AFRAID | T-903.500.802-7 | ||
| 13 | DRIVING TO CONFRONT MAYA | T-903.500.919-9 | ||
| 14 | "You Are That Man, Peter" | — | ||
| 15 | What's Behind the Pictures? | — | ||
| 16 | XES -- Is There Hope? | — | ||
| 17 | HAUNTED HOUSE OF FATHER JOHN | T-903.503.098-9 | ||
| 18 | THE PENTACLE | T-903.502.283-4 | ||
| 19 | THE BRIDGE | T-913.451.764-9 | ||
| 20 | Father Lareaux Possessed | — | ||
| 21 | THE LAST EXORCISM | T-903.503.119-7 | ||
| 22 | Satans's Church | — | ||
| 23 | LAST RIDE | T-903.504.309-5 | ||
| 24 | MAYA | T-903.500.777-3 | ||
| 25 | Lost Souls -- End Credits | — | ||
| 26 | Postscriptum | — |
