UPC · Release
Ouvertüren & Concerti
Georg Philipp Telemann, Akademie für Alte Musik, Berliner Barock Compagney, Leipziger Bach Collegium, Cappella Coloniensis
4006408494263
111 tracksReleased 2005-01-01Capriccio (2)
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4006408494263 is the Universal Product Code (UPC barcode) for the release “Ouvertüren & Concerti” by Georg Philipp Telemann, Akademie für Alte Musik, Berliner Barock Compagney, Leipziger Bach Collegium, Cappella Coloniensis, released 2005-01-01 on Capriccio (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 111 tracks, each with its own ISRC.
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400GS1 prefix
6408Company prefix
49426Product
3Check digit
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Credit Chain
UPCOuvertüren & Concerti
IPI1 songwriter
Track List (111)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 1. Ouvertüre | — | ||
| 2 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 2. Harlequinade | — | ||
| 3 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 3. Espagniol | — | ||
| 4 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 4. Bourrée en trompette | — | ||
| 5 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 5. Sommeille | — | ||
| 6 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 6. Rondeau | — | ||
| 7 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 7. Menuett I&II | — | ||
| 8 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 8. Gigue | — | ||
| 9 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 1. Hamburger Ebb und Fluth, Ouvertüre | — | ||
| 10 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 2. Sarabande, Die schlaffende Thetis | — | ||
| 11 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 3. Bourrée, Die erwachende Thetis | — | ||
| 12 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 4. Loure, Der verliebte Neptunus | — | ||
| 13 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 5. Gavotte, Die spielenden Najaden | — | ||
| 14 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 6. Harlequinade, Der schertzende Tritonus | — | ||
| 15 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 7. Der stürmende Aeolus | — | ||
| 16 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 8. Menuett, Der angenehme Zephir | — | ||
| 17 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 9. Gigue, Ebb und Fluth | — | ||
| 18 | Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 10. Canarie, Die lustigen Bots Leute | — | ||
| 19 | Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 1. Ouvertüre | — | ||
| 20 | Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 2. Réjuissance | — | ||
| 21 | Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 3. Air | — | ||
| 22 | Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 4. Gigue | — | ||
| 23 | Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 5. Menuett | — | ||
| 24 | Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 6. Forlane | — | ||
| 2-1 | Ouvertüre D-Dur: 1. Ouverture | — | ||
| 2-2 | Ouvertüre D-Dur: 2. Le Podagre | — | ||
| 2-3 | Ouvertüre D-Dur: 3. Remède expérimenté: La poste et la Dance | — | ||
| 2-4 | Ouvertüre D-Dur: 4. L'Hypocondre | — | ||
| 2-5 | Ouvertüre D-Dur: 5. Rèmede: Souffrance Heroique | — | ||
| 2-6 | Ouvertüre D-Dur: 6. Le petit-maitre | — | ||
| 2-7 | Ouvertüre D-Dur: 7. Rèmede: Petite-maison | — | ||
| 2-8 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 1. Ouverture | — | ||
| 2-9 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 2. Pallas in cannon | — | ||
| 2-10 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 3. Alster Echo | — | ||
| 2-11 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 4. Carillons de Hambourg | — | ||
| 2-12 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 5. Swansong | — | ||
| 2-13 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 6. Alster Schäffer Dorff Music | — | ||
| 2-14 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 7. Concerto des grenouilles | — | ||
| 2-15 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 8. Pan | — | ||
| 2-16 | Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 9. Depart des Nymphes | — | ||
| 2-17 | Ouvertüre D-Dur, TWV 55:D15: 1. Ouverture | — | ||
| 2-18 | Ouvertüre D-Dur, TWV 55:D15: 2. Prélude | — | ||
| 2-19 | Ouvertüre D-Dur, TWV 55:D15: 3. Gigue | — | ||
| 2-20 | Ouvertüre D-Dur, TWV 55:D15: 4. Menuett I/II | — | ||
| 2-21 | Ouvertüre D-Dur, TWV 55:D15: 5. Harlequinade | — | ||
| 2-22 | Ouvertüre D-Dur, TWV 55:D15: 6. Loure | — | ||
| 2-23 | Ouvertüre D-Dur, TWV 55:D15: 7. Rondeau | — | ||
| 2-24 | Ouvertüre D-Dur, TWV 55:D15: 8. Réjouissance | — | ||
| 3-1 | Ouvertüre (Suite) D-Dur, TWV D18: I. Ouvertüre | — | ||
| 3-2 | Ouvertüre (Suite) D-Dur, TWV D18: II. Passacaglia | — | ||
| 3-3 | Ouvertüre (Suite) D-Dur, TWV D18: III. Air | — | ||
| 3-4 | Ouvertüre (Suite) D-Dur, TWV D18: IV. Les postillons | — | ||
| 3-5 | Ouvertüre (Suite) D-Dur, TWV D18: V. Fanfare | — | ||
| 3-6 | Ouvertüre (Suite) D-Dur, TWV 55:D6: I. Ouvertüre | — | ||
| 3-7 | Ouvertüre (Suite) D-Dur, TWV 55:D6: II. La Trompette | — | ||
| 3-8 | Ouvertüre (Suite) D-Dur, TWV 55:D6: III. Sarabande | — | ||
| 3-9 | Ouvertüre (Suite) D-Dur, TWV 55:D6: IV. Rondeau | — | ||
| 3-10 | Ouvertüre (Suite) D-Dur, TWV 55:D6: V. Bourrée | — | ||
| 3-11 | Ouvertüre (Suite) D-Dur, TWV 55:D6: VI. Courante - Double | — | ||
| 3-12 | Ouvertüre (Suite) D-Dur, TWV 55:D6: VII. Gigue (Presto) | — | ||
| 3-13 | Ouvertüre (Suite) D-Dur, TWV D7: I. Ouvertüre | — | ||
| 3-14 | Ouvertüre (Suite) D-Dur, TWV D7: II. Air | — | ||
| 3-15 | Ouvertüre (Suite) D-Dur, TWV D7: III. Plainte | — | ||
| 3-16 | Ouvertüre (Suite) D-Dur, TWV D7: IV. Furies | — | ||
| 3-17 | Ouvertüre (Suite) D-Dur, TWV D7: V. Trezza | — | ||
| 3-18 | Ouvertüre (Suite) D-Dur, TWV D7: VI. Menuett | — | ||
| 3-19 | Ouvertüre (Suite) D-Dur, TWV D7: VII. Rigaudon | — | ||
| 3-20 | Ouvertüre (Suite) F-Dur: I. Ouvertüre | — | ||
| 3-21 | Ouvertüre (Suite) F-Dur: II. Sarabande | — | ||
| 3-22 | Ouvertüre (Suite) F-Dur: III. Menuetto | — | ||
| 3-23 | Ouvertüre (Suite) F-Dur: IV. La Badinerie | — | ||
| 4-1 | Concerto A-Dur: 1. Grave | — | ||
| 4-2 | Concerto A-Dur: 2. Allegro | — | ||
| 4-3 | Concerto A-Dur: 3. Adagio | — | ||
| 4-4 | Concerto A-Dur: 4. Vivace | — | ||
| 4-5 | Concerto h-moll: 1. Grave | — | ||
| 4-6 | Concerto h-moll: 2. Vivace | — | ||
| 4-7 | Concerto h-moll: 3. Dolce | — | ||
| 4-8 | Concerto h-moll: 4. Allegro | — | ||
| 4-9 | Concerto D-Dur: 1. Largo | — | ||
| 4-10 | Concerto D-Dur: 2. Vitement | — | ||
| 4-11 | Concerto D-Dur: 3. Largo | — | ||
| 4-12 | Concerto D-Dur: 4. Vivace | — | ||
| 4-13 | Concerto e-moll: 1. Largo | — | ||
| 4-14 | Concerto e-moll: 2. Presto | — | ||
| 4-15 | Concerto e-moll: 3. Cantabile | — | ||
| 4-16 | Concerto e-moll: 4. Menuet | — | ||
| 4-17 | Concerto G-Dur: 1. Andante | — | ||
| 4-18 | Concerto G-Dur: 2. Allegro | — | ||
| 4-19 | Concerto G-Dur: 3. Largo | — | ||
| 4-20 | Concerto G-Dur: 4. Presto | — | ||
| 5-1 | Concerto no. 3 in D-Dur: I. Allegro | — | ||
| 5-2 | Concerto no. 3 in D-Dur: II. Adagio | — | ||
| 5-3 | Concerto no. 3 in D-Dur: III. Aria | — | ||
| 5-4 | Concerto no. 3 in D-Dur: IV. Allegro | — | ||
| 5-5 | Concerto da Camera G-moll, TWV 43:G3: I. Allegro | — | ||
| 5-6 | Concerto da Camera G-moll, TWV 43:G3: II. Siciliana | — | ||
| 5-7 | Concerto da Camera G-moll, TWV 43:G3: III. Bourée | — | ||
| 5-8 | Concerto da Camera G-moll, TWV 43:G3: IV. Menuet | — | ||
| 5-9 | Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): I. Affettuoso | — | ||
| 5-10 | Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): II. Allegro | — | ||
| 5-11 | Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): III. Dolce | — | ||
| 5-12 | Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): IV. Vivace | — | ||
| 5-13 | Sonate A-Dur, TWV 43:A7: I. Largo | — | ||
| 5-14 | Sonate A-Dur, TWV 43:A7: II. Vivace | — | ||
| 5-15 | Sonate A-Dur, TWV 43:A7: III. Aria en Menuet | — | ||
| 5-16 | Sonate A-Dur, TWV 43:A7: IV. Bourrée I/II | — | ||
| 5-17 | Concerto E-moll: I. Largo | — | ||
| 5-18 | Concerto E-moll: II. Allegro | — | ||
| 5-19 | Concerto E-moll: III. Largo | — | ||
| 5-20 | Concerto E-moll: IV. Presto | — |
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 1. Ouvertüre
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 2. Harlequinade
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 3. Espagniol
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 4. Bourrée en trompette
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 5. Sommeille
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 6. Rondeau
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Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 7. Menuett I&II
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Ouvertüre (Orchestersuite) C-Dur, TWV 55:C6: 8. Gigue
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 1. Hamburger Ebb und Fluth, Ouvertüre
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 2. Sarabande, Die schlaffende Thetis
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 3. Bourrée, Die erwachende Thetis
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 4. Loure, Der verliebte Neptunus
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 5. Gavotte, Die spielenden Najaden
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 6. Harlequinade, Der schertzende Tritonus
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 7. Der stürmende Aeolus
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 8. Menuett, Der angenehme Zephir
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 9. Gigue, Ebb und Fluth
—
Ouvertüre (Orchestersuite) C-Dur, TWV 55:C3: 10. Canarie, Die lustigen Bots Leute
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Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 1. Ouvertüre
—
Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 2. Réjuissance
—
Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 3. Air
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Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 4. Gigue
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Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 5. Menuett
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Ouvertüre (Orchestersuite) E-moll, TWV 55:E5: 6. Forlane
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Ouvertüre D-Dur: 1. Ouverture
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Ouvertüre D-Dur: 2. Le Podagre
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Ouvertüre D-Dur: 3. Remède expérimenté: La poste et la Dance
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Ouvertüre D-Dur: 4. L'Hypocondre
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Ouvertüre D-Dur: 5. Rèmede: Souffrance Heroique
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Ouvertüre D-Dur: 6. Le petit-maitre
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Ouvertüre D-Dur: 7. Rèmede: Petite-maison
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 1. Ouverture
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 2. Pallas in cannon
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 3. Alster Echo
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 4. Carillons de Hambourg
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 5. Swansong
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 6. Alster Schäffer Dorff Music
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 7. Concerto des grenouilles
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 8. Pan
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Ouvertüre (Orchestersuite) F-Dur 'Alster-Echo', TWV 55:F11: 9. Depart des Nymphes
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Ouvertüre D-Dur, TWV 55:D15: 1. Ouverture
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Ouvertüre D-Dur, TWV 55:D15: 2. Prélude
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Ouvertüre D-Dur, TWV 55:D15: 3. Gigue
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Ouvertüre D-Dur, TWV 55:D15: 4. Menuett I/II
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Ouvertüre D-Dur, TWV 55:D15: 5. Harlequinade
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Ouvertüre D-Dur, TWV 55:D15: 6. Loure
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Ouvertüre D-Dur, TWV 55:D15: 7. Rondeau
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Ouvertüre D-Dur, TWV 55:D15: 8. Réjouissance
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Ouvertüre (Suite) D-Dur, TWV D18: I. Ouvertüre
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Ouvertüre (Suite) D-Dur, TWV D18: II. Passacaglia
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Ouvertüre (Suite) D-Dur, TWV D18: III. Air
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Ouvertüre (Suite) D-Dur, TWV D18: IV. Les postillons
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Ouvertüre (Suite) D-Dur, TWV D18: V. Fanfare
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Ouvertüre (Suite) D-Dur, TWV 55:D6: I. Ouvertüre
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Ouvertüre (Suite) D-Dur, TWV 55:D6: II. La Trompette
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Ouvertüre (Suite) D-Dur, TWV 55:D6: III. Sarabande
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Ouvertüre (Suite) D-Dur, TWV 55:D6: IV. Rondeau
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Ouvertüre (Suite) D-Dur, TWV 55:D6: V. Bourrée
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Ouvertüre (Suite) D-Dur, TWV 55:D6: VI. Courante - Double
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Ouvertüre (Suite) D-Dur, TWV 55:D6: VII. Gigue (Presto)
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Ouvertüre (Suite) D-Dur, TWV D7: I. Ouvertüre
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Ouvertüre (Suite) D-Dur, TWV D7: II. Air
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Ouvertüre (Suite) D-Dur, TWV D7: III. Plainte
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Ouvertüre (Suite) D-Dur, TWV D7: IV. Furies
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Ouvertüre (Suite) D-Dur, TWV D7: V. Trezza
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Ouvertüre (Suite) D-Dur, TWV D7: VI. Menuett
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Ouvertüre (Suite) D-Dur, TWV D7: VII. Rigaudon
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Ouvertüre (Suite) F-Dur: I. Ouvertüre
—
Ouvertüre (Suite) F-Dur: II. Sarabande
—
Ouvertüre (Suite) F-Dur: III. Menuetto
—
Ouvertüre (Suite) F-Dur: IV. La Badinerie
—
Concerto A-Dur: 1. Grave
—
Concerto A-Dur: 2. Allegro
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Concerto A-Dur: 3. Adagio
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Concerto A-Dur: 4. Vivace
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Concerto h-moll: 1. Grave
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Concerto h-moll: 2. Vivace
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Concerto h-moll: 3. Dolce
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Concerto h-moll: 4. Allegro
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Concerto D-Dur: 1. Largo
—
Concerto D-Dur: 2. Vitement
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Concerto D-Dur: 3. Largo
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Concerto D-Dur: 4. Vivace
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Concerto e-moll: 1. Largo
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Concerto e-moll: 2. Presto
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Concerto e-moll: 3. Cantabile
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Concerto e-moll: 4. Menuet
—
Concerto G-Dur: 1. Andante
—
Concerto G-Dur: 2. Allegro
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Concerto G-Dur: 3. Largo
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Concerto G-Dur: 4. Presto
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Concerto no. 3 in D-Dur: I. Allegro
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Concerto no. 3 in D-Dur: II. Adagio
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Concerto no. 3 in D-Dur: III. Aria
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Concerto no. 3 in D-Dur: IV. Allegro
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Concerto da Camera G-moll, TWV 43:G3: I. Allegro
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Concerto da Camera G-moll, TWV 43:G3: II. Siciliana
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Concerto da Camera G-moll, TWV 43:G3: III. Bourée
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Concerto da Camera G-moll, TWV 43:G3: IV. Menuet
—
Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): I. Affettuoso
—
Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): II. Allegro
—
Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): III. Dolce
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Trio für Flöte, Oboe und Basso Continuo E-moll (Tafelmusik 1733, II no.4): IV. Vivace
—
Sonate A-Dur, TWV 43:A7: I. Largo
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Sonate A-Dur, TWV 43:A7: II. Vivace
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Sonate A-Dur, TWV 43:A7: III. Aria en Menuet
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Sonate A-Dur, TWV 43:A7: IV. Bourrée I/II
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Concerto E-moll: I. Largo
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Concerto E-moll: II. Allegro
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Concerto E-moll: III. Largo
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Concerto E-moll: IV. Presto
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What is UPC 4006408494263?
4006408494263 is a Universal Product Code (UPC) assigned to Ouvertüren & Concerti by Georg Philipp Telemann, Akademie für Alte Musik, Berliner Barock Compagney, Leipziger Bach Collegium, Cappella Coloniensis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 111 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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