UPC · Release
Television’s Greatest Hits, Volume 5: In Living Color
Various Artists
Last verified:
4009880227428 is the Universal Product Code (UPC barcode) for the release “Television’s Greatest Hits, Volume 5: In Living Color” by Various Artists, released 1996-01-01 on TVT Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 61 tracks, each with its own ISRC. Tracks include FRX089750072, FRX089750093, FRX089750097.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (61)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Stingray | — | ||
| 2 | Thunderbirds | — | ||
| 3 | Gigantor | — | ||
| 4 | Cool McCool | — | ||
| 5 | The Go-Go Gophers | — | ||
| 6 | The World of Commander McBragg | — | ||
| 7 | Secret Squirrel | — | ||
| 8 | The Atom Ant Show | — | ||
| 9 | Wacky Races | — | ||
| 10 | Hong Kong Phooey | — | ||
| 11 | Superchicken | — | ||
| 12 | Tom Slick Racer | — | ||
| 13 | H.R. Pufnstuf | — | ||
| 14 | Land of the Lost | — | ||
| 15 | Sigmund and the Sea Monsters (Friends) | — | ||
| 16 | The Banana Splits (The Tra La La Song aka One Banana, Two Banana) | — | ||
| 17 | Please Don’t Eat the Daisies | Jeff Alexander | — | |
| 18 | The Ghost and Mrs. Muir | Dave Grusin | — | |
| 19 | Nanny and the Professor | — | ||
| 20 | Here Come the Brides (Seattle) | — | ||
| 21 | The Flying Nun (Who Needs Wings to Fly) | — | ||
| 22 | Family Affair | Frank DeVol | — | |
| 23 | The Dating Game | — | ||
| 24 | The Newlywed Game | — | ||
| 25 | Let's Make a Deal | — | ||
| 26 | All My Children | — | ||
| 27 | General Hospital | Jack Urbont | — | |
| 28 | Peyton Place | Franz Waxman | — | |
| 29 | Mary Hartman, Mary Hartman (Premiere Occasion; You Have Never Been in Love) | — | ||
| 30 | Gentle Ben | Harry Sukman, Samuel Goldwyn | — | |
| 31 | Skippy, the Bush Kangaroo | Eric Jupp | — | |
| 32 | Life and Times of Grizzly Adams (Maybe) | — | ||
| 33 | The High Chaparral | David Rose | — | |
| 34 | The Big Valley | George W. Duning | — | |
| 35 | Cimarron Strip | — | ||
| 36 | Laredo | — | ||
| 37 | The Men From Shiloh | — | ||
| 38 | It Takes a Thief | — | ||
| 39 | The Magician | — | ||
| 40 | Switch | — | ||
| 41 | The Felony Squad | — | ||
| 42 | Police Woman | Morton Stevens | — | |
| 43 | The Men | — | ||
| 44 | Cannon | John Carl Parker | — | |
| 45 | Judd for the Defense | — | ||
| 46 | Emergency! | — | ||
| 47 | Police Story | — | ||
| 48 | The Six Million Dollar Man Theme | Oliver Nelson | T-070.940.252-7 | |
| 49 | The Bionic Woman | — | ||
| 50 | The Girl From U.N.C.L.E. | — | ||
| 51 | Night Gallery | — | ||
| 52 | Kolchak: The Night Stalker | — | ||
| 53 | The Invaders | — | ||
| 54 | Land of the Giants | — | ||
| 55 | Lost In Space: Main Title | John Williams | T-700.126.458-2 | |
| 56 | Olympic Fanfare | — | ||
| 57 | Masterpiece Theatre | — | ||
| 58 | Where the Action Is (Action) | — | ||
| 59 | Rowan and Martin's Laugh-In (Inquisitive Tango) | — | ||
| 60 | The Dean Martin Show (Everybody Loves Somebody) | — | ||
| 61 | The Carol Burnett Show (I'm So Glad We Had This Time Together) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
+40 more
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 4009880227428?
4009880227428 is a Universal Product Code (UPC) assigned to Television’s Greatest Hits, Volume 5: In Living Color by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 61 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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