UPC · Release
Transmissions: Live at the BBC
Colosseum
Last verified:
4009910134627 is the Universal Product Code (UPC barcode) for the release “Transmissions: Live at the BBC” by Colosseum, released 2021-01-01 on Disk Union. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (73)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Road She Walked Before | — | ||
| 2 | Backwater Blues | — | ||
| 3 | A Whiter Shade of Powell | — | ||
| 4 | Walking in the Park | — | ||
| 5 | Interview With Jon Hiseman | — | ||
| 6 | Beware the Ides of March | — | ||
| 7 | Plenty Hard Luck | — | ||
| 8 | Elegy | — | ||
| 9 | Walking in the Park | — | ||
| 10 | Butty’s Blues | — | ||
| 11 | I Can’t Live Without You | — | ||
| 12 | Elegy | — | ||
| 13 | The Grass Is Greener | — | ||
| 14 | Hiseman’s Condensed History of Mankind | — | ||
| 15 | February’s Valentyne | — | ||
| 16 | Elegy | — | ||
| 17 | The Road She Walked Before | — | ||
| 18 | Walking in the Park | — | ||
| 19 | Butty’s Blues | — | ||
| 2-1 | Elegy (take 1) | — | ||
| 2-2 | I Can’t Live Without You | — | ||
| 2-3 | Walking in the Park | — | ||
| 2-4 | Those About to Die (take 1) | — | ||
| 2-5 | Butty’s Blues (take 1) | — | ||
| 2-6 | Mandarin | — | ||
| 2-7 | The Grass Is Greener | — | ||
| 2-8 | Interview With Dick Heckstall‐Smith | — | ||
| 2-9 | Lost Angeles | — | ||
| 2-10 | Arthur’s Moustache | — | ||
| 2-11 | Jumping Off the Sun | — | ||
| 2-12 | Them for an Imaginary Western | — | ||
| 2-13 | Take Me Back to Doomsday | — | ||
| 2-14 | Lost Angeles (Partial) | — | ||
| 2-15 | Angle | — | ||
| 2-16 | The Machine Demands a Sacrifice | — | ||
| 3-1 | Lost Angeles | — | ||
| 3-2 | Interview: John Peel and Jon Hiseman | — | ||
| 3-3 | Downhill and Shadows | — | ||
| 3-4 | Announcement John Peel | — | ||
| 3-5 | Theme for an Imaginary Western | — | ||
| 3-6 | Introduction: John Peel | — | ||
| 3-7 | The Machine Demands a Sacrifice | — | ||
| 3-8 | Announcement John Peel | — | ||
| 3-9 | Walking in the Park | — | ||
| 3-10 | Bring Out Your Dead | — | ||
| 3-11 | Time Lament | — | ||
| 3-12 | Daughter of Time | — | ||
| 4-1 | Introduction: John Peel | — | ||
| 4-2 | Rope Ladder to the Moon | — | ||
| 4-3 | Introduction: John Peel | — | ||
| 4-4 | Downhill and Shadows | — | ||
| 4-5 | Introduction: John Peel | — | ||
| 4-6 | Tanglewood ’63 | — | ||
| 4-7 | Introduction: John Peel | — | ||
| 4-8 | Time Lament | — | ||
| 4-9 | Introduction: John Peel | — | ||
| 4-10 | Lost Angeles | — | ||
| 5-1 | Butty’s Blues | — | ||
| 5-2 | Shades of Blue | — | ||
| 5-3 | Rope Ladder to the Moon | — | ||
| 5-4 | Tanglewood ’63 | — | ||
| 5-5 | Take Me Back to Doomsday | — | ||
| 5-6 | Skellington | — | ||
| 5-7 | The Pirate’s Dream | — | ||
| 5-8 | Tanglewood ’63 | — | ||
| 6-1 | Jumping Off the Sun | — | ||
| 6-2 | Sleepwalker | — | ||
| 6-3 | The Pirate’s Dream | — | ||
| 6-4 | Upon Tomorrow | — | ||
| 6-5 | Walking in the Park (Off‐Air) | — | ||
| 6-6 | Those About to Die (take 2) | — | ||
| 6-7 | Butty’s Blues (take 2) | — | ||
| 6-8 | Elegy (take 2) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
What is UPC 4009910134627?
4009910134627 is a Universal Product Code (UPC) assigned to Transmissions: Live at the BBC by Colosseum. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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