UPC · Release
Johann Sebastian Bach, Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart
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The UPC for “St. John Passion, BWV 245” by Johann Sebastian Bach, Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart is 4010276008224. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. Label: Hänssler Classic. This release contains 85 tracks, each with its own ISRC. Tracks include DEA550003658, DEA550003659, DEA550003660.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Johannes‐Passion, BWV 245: Teil I. No. 1 Chorus „Herr, unser Herrscher“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | T-050.270.776-7 | |
| 2 | Johannes‐Passion, BWV 245: Teil I. No. 2 „Jesus ging mit seinen Jüngern“ (Evangelista, Chorus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3 | Johannes‐Passion, BWV 245: Teil I. No. 3 Choral „O große Lieb“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 4 | Johannes‐Passion, BWV 245: Teil I. No. 4 „Auf daß das Wort erfüllet werde“ (Evangelista, Jesus) | Matthias Goerne, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 5 | Johannes‐Passion, BWV 245: Teil I. No. 5 Choral „Dein Will gescheh, Herr Gott, zugleich“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 6 | Johannes‐Passion, BWV 245: Teil I. No. 6 „Die Schar aber und der Oberhauptmann“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 7 | Johannes‐Passion, BWV 245: Teil I. No. 7 Aria (Alt) „Von den Stricken meiner Sünden“ | Ingeborg Danz, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 8 | Johannes‐Passion, BWV 245: Teil I. No. 8 „Simon Petrus aber folgete Jesu nach“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 9 | Johannes‐Passion, BWV 245: Teil I. No. 9 Aria (Sopran) „Ich folge dir gleichfalls“ | Juliane Banse, Bach-Collegium Stuttgart, Helmuth Rilling | T-919.099.460-6 | |
| 10 | Johannes‐Passion, BWV 245: Teil I. No. 10 „Derselbige Jünger war“ (Evangelista, Ancilla, Servus, Petrus, Jesus) | Matthias Goerne, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 11 | Johannes‐Passion, BWV 245: Teil I. No. 11 Choral „Wer hat dich so geschlagen“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 12 | Johannes‐Passion, BWV 245: Teil I. No. 12 „Und Hannas sandte ihn gebunden“ (Evangelista, Chorus, Servus, Petrus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 13 | Johannes‐Passion, BWV 245: Teil I. No. 13 Aria (Tenor) „Ach, mein Sinn“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 14 | Johannes‐Passion, BWV 245: Teil I. No. 14 Choral „Petrus, der nicht denkt zurück“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 15 | Johannes‐Passion, BWV 245: Teil II. No. 15 Choral „Christus, der uns selig macht“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 16 | Johannes‐Passion, BWV 245: Teil II. No. 16 „Da führeten sie Jesum“ (Evangelista, Pilatus, Jesus, Chorus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 17 | Johannes‐Passion, BWV 245: Teil II. No. 17 Choral „Ach großer König“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 18 | Johannes‐Passion, BWV 245: Teil II. No. 18 „Da sprch Pilatus zu ihm“ (Evangelista, Pilatus, Jesus, Chorus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 19 | Johannes‐Passion, BWV 245: Teil II. No. 19 Arioso (Tenor) „Betrachte, meine Seel“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 20 | Johannes‐Passion, BWV 245: Teil II. No. 20 Aria (Tenor) „Erwäge, wie sein blutgefärbter Rücken“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-1 | Johannes‐Passion, BWV 245: Teil II. No. 21 „Und die Kriegsknechte flochten“ (Evangelista, Chorus, Pilatus, Jesus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-2 | Johannes‐Passion, BWV 245: Teil II. No. 22 Choral „Durch dein Gefängnis, Gottes Sohn“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-3 | Johannes‐Passion, BWV 245: Teil II. No. 23 „Die Juden aber schrieen“ (Evangelista, Chorus, Pilatus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-4 | Johannes‐Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) „Eilt, ihr angefochtnen Seelen“ | Gächinger Kantorei Stuttgart, Andreas Schmidt, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-5 | Johannes‐Passion, BWV 245: Teil II. No. 25 „Allda kreuzigten sie ihn“ (Evangelista, Chorus, Pilatus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-6 | Johannes‐Passion, BWV 245: Teil II. No. 26 Choral „In meines Herzens Grunde“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-7 | Johannes‐Passion, BWV 245: Teil II. No. 27 „Die Kriegsknechte aber“ (Evangelista, Chorus, Jesus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-8 | Johannes‐Passion, BWV 245: Teil II. No. 28 Choral „Er nahm alles wohl in acht“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-9 | Johannes‐Passion, BWV 245: Teil II. No. 29 „Und von Stund an“ (Evangelista, Jesus) | Matthias Goerne, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-10 | Johannes‐Passion, BWV 245: Teil II. No. 30 Aria (Alt) „Es ist vollbracht“ | Ingeborg Danz, Bach-Collegium Stuttgart, Helmuth Rilling | T-915.681.108-4 | |
| 2-11 | Johannes‐Passion, BWV 245: Teil II. No. 31 „Und neiget sein Haupt“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-12 | Johannes‐Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) „Mein teurer Heiland, laß dich fragen“ | Gächinger Kantorei Stuttgart, Andreas Schmidt, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-13 | Johannes‐Passion, BWV 245: Teil II. No. 33 „Und siehe da, der Vorhang“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-14 | Johannes‐Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) „Mein Herz, in dem die ganze Welt“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-15 | Johannes‐Passion, BWV 245: Teil II. No. 35 Aria (Sopran) „Zerfließe, mein Herze“ | Juliane Banse, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-16 | Johannes‐Passion, BWV 245: Teil II. No. 36 „Die Juden aber“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-17 | Johannes‐Passion, BWV 245: Teil II. No. 37 Choral „O hilf, Christe, Gottes Sohn“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-18 | Johannes‐Passion, BWV 245: Teil II. No. 38 „Darnach bat Pilatum“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-19 | Johannes‐Passion, BWV 245: Teil II. No. 39 Chorus „Ruht wohl, ihr heiligen Gebeine“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | T-915.682.948-0 | |
| 2-20 | Johannes‐Passion, BWV 245: Teil II. No. 40 Choral „Ach Herr, laß dein lieb Engelein“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-1 | Introduction | — | ||
| 3-2 | Johannes‐Passion, BWV 245: No. 1/II Choral „O Mensch, bewein dein Sünde groß“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-3 | Commentary | — | ||
| 3-4 | Johannes‐Passion, BWV 245: No. 11/II Aria (Bass, Sopran, Chorus) & Choral „Himmel, reiße, Welt erhebe“ | Juliane Banse, Gächinger Kantorei Stuttgart, Andreas Schmidt, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-5 | Commentary | — | ||
| 3-6 | Johannes‐Passion, BWV 245: No. 13/II Aria (Tenor) „Zerschmettert mich“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-7 | Commentary | — | ||
| 3-8 | Johannes‐Passion, BWV 245: No. 19/II Aria (Tenor) „Ach, windet euch nicht so“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-9 | Commentary | — | ||
| 3-10 | Johannes‐Passion, BWV 245: No. 40/II Chorus „Christe, du Lamm Gottes“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | T-050.423.201-2 | |
| 3-11 | Commentary | — | ||
| 3-12 | Version III: 19. Arioso | — | ||
| 3-13 | Commentary | — | ||
| 3-14 | Version III: 20. Aria / Air, Bars / Mesures 1-5 | — | ||
| 3-15 | Commentary | — | ||
| 3-16 | Version IV: 9. Aria / Air, Bars / Mesures 16-10 | — | ||
| 3-17 | Commentary | — | ||
| 3-18 | Version IV: 9. Aria / Air, Bars / Mesures 48-66 | — | ||
| 3-19 | Commentary | — | ||
| 3-20 | Version IV: 35. Aria / Air, Bars / Mesures 1-16 | — | ||
| 3-21 | Commentary | — | ||
| 3-22 | Older Version / Version Ancienne: 10. [Recitativo /Récitatif], Bars / Mesures 5-11 | — | ||
| 3-23 | Commentary | — | ||
| 3-24 | Usual Version / Version Habituelle: 10. [Recitativo /Récitatif], Bars / Mesures 5-11 | — | ||
| 3-25 | Commentary | — | ||
| 3-26 | Older Version / Version Ancienne: 4. [Recitativo /Récitatif], Bars / Mesure / 11 To End / - Fin | — | ||
| 3-27 | Commentary | — | ||
| 3-28 | Usual Version / Version Habituelle: 4. [Recitativo /Récitatif], Bars / Mesure / 11 To End / - Fin | — | ||
| 3-29 | Commentary | — | ||
| 3-30 | Older Version / Version Ancienne: 7. Aria / Air, Bars / Mesures 29-39 | — | ||
| 3-31 | Commentary | — | ||
| 3-32 | Usual Version / Version Habituelle: 7. Aria / Air, Bars / Mesures 29-39 | — | ||
| 3-33 | Commentary | — | ||
| 3-34 | Older Version / Version Ancienne: 9. Aria / Air, Bars / Mesures 141-148 | — | ||
| 3-35 | Commentary | — | ||
| 3-36 | Usual Version / Version Habituelle: 9. Aria / Air, Bars / Mesures 141-148 | — | ||
| 3-37 | Commentary | — | ||
| 3-38 | Older Version / Version Ancienne: 1. Chorus / Choeur, Bars / Mesures 1-6 | — | ||
| 3-39 | Commentary | — | ||
| 3-40 | Usual Version / Version Habituelle: 1. Chorus / Choeur, Bars / Mesures 1-6 | — | ||
| 3-41 | Commentary | — | ||
| 3-42 | Older Version / Version Ancienne: 3. Chorus / Choeur, Bars / Mesures 3-9 | — | ||
| 3-43 | Commentary | — | ||
| 3-44 | Usual Version / Version Habituelle: 3. Chorus / Choeur, Bars / Mesures 3-9 | — | ||
| 3-45 | Closing Commentary | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4010276008224 is a Universal Product Code (UPC) assigned to St. John Passion, BWV 245 by Johann Sebastian Bach, Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “St. John Passion, BWV 245” by Johann Sebastian Bach, Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart is 4010276008224. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1997-01-01. Label: Hänssler Classic. This release contains 85 tracks, each with its own ISRC. Tracks include DEA550003658, DEA550003659, DEA550003660.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Johannes‐Passion, BWV 245: Teil I. No. 1 Chorus „Herr, unser Herrscher“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | T-050.270.776-7 | |
| 2 | Johannes‐Passion, BWV 245: Teil I. No. 2 „Jesus ging mit seinen Jüngern“ (Evangelista, Chorus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3 | Johannes‐Passion, BWV 245: Teil I. No. 3 Choral „O große Lieb“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 4 | Johannes‐Passion, BWV 245: Teil I. No. 4 „Auf daß das Wort erfüllet werde“ (Evangelista, Jesus) | Matthias Goerne, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 5 | Johannes‐Passion, BWV 245: Teil I. No. 5 Choral „Dein Will gescheh, Herr Gott, zugleich“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 6 | Johannes‐Passion, BWV 245: Teil I. No. 6 „Die Schar aber und der Oberhauptmann“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 7 | Johannes‐Passion, BWV 245: Teil I. No. 7 Aria (Alt) „Von den Stricken meiner Sünden“ | Ingeborg Danz, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 8 | Johannes‐Passion, BWV 245: Teil I. No. 8 „Simon Petrus aber folgete Jesu nach“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 9 | Johannes‐Passion, BWV 245: Teil I. No. 9 Aria (Sopran) „Ich folge dir gleichfalls“ | Juliane Banse, Bach-Collegium Stuttgart, Helmuth Rilling | T-919.099.460-6 | |
| 10 | Johannes‐Passion, BWV 245: Teil I. No. 10 „Derselbige Jünger war“ (Evangelista, Ancilla, Servus, Petrus, Jesus) | Matthias Goerne, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 11 | Johannes‐Passion, BWV 245: Teil I. No. 11 Choral „Wer hat dich so geschlagen“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 12 | Johannes‐Passion, BWV 245: Teil I. No. 12 „Und Hannas sandte ihn gebunden“ (Evangelista, Chorus, Servus, Petrus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 13 | Johannes‐Passion, BWV 245: Teil I. No. 13 Aria (Tenor) „Ach, mein Sinn“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 14 | Johannes‐Passion, BWV 245: Teil I. No. 14 Choral „Petrus, der nicht denkt zurück“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 15 | Johannes‐Passion, BWV 245: Teil II. No. 15 Choral „Christus, der uns selig macht“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 16 | Johannes‐Passion, BWV 245: Teil II. No. 16 „Da führeten sie Jesum“ (Evangelista, Pilatus, Jesus, Chorus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 17 | Johannes‐Passion, BWV 245: Teil II. No. 17 Choral „Ach großer König“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 18 | Johannes‐Passion, BWV 245: Teil II. No. 18 „Da sprch Pilatus zu ihm“ (Evangelista, Pilatus, Jesus, Chorus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 19 | Johannes‐Passion, BWV 245: Teil II. No. 19 Arioso (Tenor) „Betrachte, meine Seel“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 20 | Johannes‐Passion, BWV 245: Teil II. No. 20 Aria (Tenor) „Erwäge, wie sein blutgefärbter Rücken“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-1 | Johannes‐Passion, BWV 245: Teil II. No. 21 „Und die Kriegsknechte flochten“ (Evangelista, Chorus, Pilatus, Jesus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-2 | Johannes‐Passion, BWV 245: Teil II. No. 22 Choral „Durch dein Gefängnis, Gottes Sohn“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-3 | Johannes‐Passion, BWV 245: Teil II. No. 23 „Die Juden aber schrieen“ (Evangelista, Chorus, Pilatus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-4 | Johannes‐Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) „Eilt, ihr angefochtnen Seelen“ | Gächinger Kantorei Stuttgart, Andreas Schmidt, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-5 | Johannes‐Passion, BWV 245: Teil II. No. 25 „Allda kreuzigten sie ihn“ (Evangelista, Chorus, Pilatus) | Gächinger Kantorei Stuttgart, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-6 | Johannes‐Passion, BWV 245: Teil II. No. 26 Choral „In meines Herzens Grunde“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-7 | Johannes‐Passion, BWV 245: Teil II. No. 27 „Die Kriegsknechte aber“ (Evangelista, Chorus, Jesus) | Matthias Goerne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-8 | Johannes‐Passion, BWV 245: Teil II. No. 28 Choral „Er nahm alles wohl in acht“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-9 | Johannes‐Passion, BWV 245: Teil II. No. 29 „Und von Stund an“ (Evangelista, Jesus) | Matthias Goerne, Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-10 | Johannes‐Passion, BWV 245: Teil II. No. 30 Aria (Alt) „Es ist vollbracht“ | Ingeborg Danz, Bach-Collegium Stuttgart, Helmuth Rilling | T-915.681.108-4 | |
| 2-11 | Johannes‐Passion, BWV 245: Teil II. No. 31 „Und neiget sein Haupt“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-12 | Johannes‐Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) „Mein teurer Heiland, laß dich fragen“ | Gächinger Kantorei Stuttgart, Andreas Schmidt, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-13 | Johannes‐Passion, BWV 245: Teil II. No. 33 „Und siehe da, der Vorhang“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-14 | Johannes‐Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) „Mein Herz, in dem die ganze Welt“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-15 | Johannes‐Passion, BWV 245: Teil II. No. 35 Aria (Sopran) „Zerfließe, mein Herze“ | Juliane Banse, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-16 | Johannes‐Passion, BWV 245: Teil II. No. 36 „Die Juden aber“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-17 | Johannes‐Passion, BWV 245: Teil II. No. 37 Choral „O hilf, Christe, Gottes Sohn“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-18 | Johannes‐Passion, BWV 245: Teil II. No. 38 „Darnach bat Pilatum“ (Evangelista) | Michael Schade, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 2-19 | Johannes‐Passion, BWV 245: Teil II. No. 39 Chorus „Ruht wohl, ihr heiligen Gebeine“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | T-915.682.948-0 | |
| 2-20 | Johannes‐Passion, BWV 245: Teil II. No. 40 Choral „Ach Herr, laß dein lieb Engelein“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-1 | Introduction | — | ||
| 3-2 | Johannes‐Passion, BWV 245: No. 1/II Choral „O Mensch, bewein dein Sünde groß“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-3 | Commentary | — | ||
| 3-4 | Johannes‐Passion, BWV 245: No. 11/II Aria (Bass, Sopran, Chorus) & Choral „Himmel, reiße, Welt erhebe“ | Juliane Banse, Gächinger Kantorei Stuttgart, Andreas Schmidt, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-5 | Commentary | — | ||
| 3-6 | Johannes‐Passion, BWV 245: No. 13/II Aria (Tenor) „Zerschmettert mich“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-7 | Commentary | — | ||
| 3-8 | Johannes‐Passion, BWV 245: No. 19/II Aria (Tenor) „Ach, windet euch nicht so“ | James Taylor, Bach-Collegium Stuttgart, Helmuth Rilling | — | |
| 3-9 | Commentary | — | ||
| 3-10 | Johannes‐Passion, BWV 245: No. 40/II Chorus „Christe, du Lamm Gottes“ | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | T-050.423.201-2 | |
| 3-11 | Commentary | — | ||
| 3-12 | Version III: 19. Arioso | — | ||
| 3-13 | Commentary | — | ||
| 3-14 | Version III: 20. Aria / Air, Bars / Mesures 1-5 | — | ||
| 3-15 | Commentary | — | ||
| 3-16 | Version IV: 9. Aria / Air, Bars / Mesures 16-10 | — | ||
| 3-17 | Commentary | — | ||
| 3-18 | Version IV: 9. Aria / Air, Bars / Mesures 48-66 | — | ||
| 3-19 | Commentary | — | ||
| 3-20 | Version IV: 35. Aria / Air, Bars / Mesures 1-16 | — | ||
| 3-21 | Commentary | — | ||
| 3-22 | Older Version / Version Ancienne: 10. [Recitativo /Récitatif], Bars / Mesures 5-11 | — | ||
| 3-23 | Commentary | — | ||
| 3-24 | Usual Version / Version Habituelle: 10. [Recitativo /Récitatif], Bars / Mesures 5-11 | — | ||
| 3-25 | Commentary | — | ||
| 3-26 | Older Version / Version Ancienne: 4. [Recitativo /Récitatif], Bars / Mesure / 11 To End / - Fin | — | ||
| 3-27 | Commentary | — | ||
| 3-28 | Usual Version / Version Habituelle: 4. [Recitativo /Récitatif], Bars / Mesure / 11 To End / - Fin | — | ||
| 3-29 | Commentary | — | ||
| 3-30 | Older Version / Version Ancienne: 7. Aria / Air, Bars / Mesures 29-39 | — | ||
| 3-31 | Commentary | — | ||
| 3-32 | Usual Version / Version Habituelle: 7. Aria / Air, Bars / Mesures 29-39 | — | ||
| 3-33 | Commentary | — | ||
| 3-34 | Older Version / Version Ancienne: 9. Aria / Air, Bars / Mesures 141-148 | — | ||
| 3-35 | Commentary | — | ||
| 3-36 | Usual Version / Version Habituelle: 9. Aria / Air, Bars / Mesures 141-148 | — | ||
| 3-37 | Commentary | — | ||
| 3-38 | Older Version / Version Ancienne: 1. Chorus / Choeur, Bars / Mesures 1-6 | — | ||
| 3-39 | Commentary | — | ||
| 3-40 | Usual Version / Version Habituelle: 1. Chorus / Choeur, Bars / Mesures 1-6 | — | ||
| 3-41 | Commentary | — | ||
| 3-42 | Older Version / Version Ancienne: 3. Chorus / Choeur, Bars / Mesures 3-9 | — | ||
| 3-43 | Commentary | — | ||
| 3-44 | Usual Version / Version Habituelle: 3. Chorus / Choeur, Bars / Mesures 3-9 | — | ||
| 3-45 | Closing Commentary | — |
