UPC · Release
Symphonies No. 1-9 / Adagio
Gustav Mahler, SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen
4010276014676
56 tracksReleased 2004-05-10
Last verified:
4010276014676 is the Universal Product Code (UPC barcode) for the release “Symphonies No. 1-9 / Adagio” by Gustav Mahler, SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen, released 2004-05-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC.
Format
401GS1 prefix
0276Company prefix
01467Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSymphonies No. 1-9 / Adagio
ISWC1 work
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 1 in D major: I. Langsam. Schleppend - im Anfang sehr gemachlich | — | ||
| 2 | Symphony No. 1 in D major: II. Kraftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony No. 1 in D major: IV. Stürmisch bewegt | — | ||
| 2-1 | Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-2 | Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen | — | ||
| 2-3 | Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung | — | ||
| 2-4 | Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht | — | ||
| 3-1 | Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso | — | ||
| 3-2 | Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden | — | ||
| 4-1 | Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig | — | ||
| 4-2 | Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast | — | ||
| 4-3 | Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp | — | ||
| 4-4 | Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck | — | ||
| 4-5 | Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 5-1 | Symphony No. 4 in G major: I. Bedächtig, Nicht eilen | — | ||
| 5-2 | Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast | — | ||
| 5-3 | Symphony No. 4 in G major: III. Ruhevoll | — | ||
| 5-4 | Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn | — | ||
| 6-1 | Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt | — | ||
| 6-2 | Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 6-3 | Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell | — | ||
| 6-4 | Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam | — | ||
| 6-5 | Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch | — | ||
| 7-1 | Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo | — | ||
| 7-2 | Symphony No. 6 in A minor "Tragic": II. Scherzo | — | ||
| 7-3 | Symphony No. 6 in A minor "Tragic": III. Andante moderato | — | ||
| 8-1 | Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico | — | ||
| 9-1 | Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo | — | ||
| 9-2 | Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato | — | ||
| 9-3 | Symphony No. 7 in E minor: III. Scherzo. Schattenhaft | — | ||
| 9-4 | Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso | — | ||
| 9-5 | Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico) | — | ||
| 10-1 | Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus | — | ||
| 10-2 | Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia | — | ||
| 10-3 | Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis | — | ||
| 10-4 | Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus | — | ||
| 10-5 | Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere | — | ||
| 10-6 | Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino | — | ||
| 11-1 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran | — | ||
| 11-2 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand | — | ||
| 11-3 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen | — | ||
| 11-4 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied | — | ||
| 11-5 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest | — | ||
| 11-6 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei | — | ||
| 11-7 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren | — | ||
| 11-8 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen | — | ||
| 11-9 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche | — | ||
| 11-10 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären | — | ||
| 11-11 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick | — | ||
| 11-12 | Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis | — | ||
| 12-1 | Symphony No. 9 in D major: I. Andante comodo | — | ||
| 12-2 | Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 12-3 | Symphony No. 9 in D major: III. Rondo. Burleske | — | ||
| 13-1 | Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend | — | ||
| 13-2 | Symphony No. 10 in F-sharp major: Adagio | — |
Symphony No. 1 in D major: I. Langsam. Schleppend - im Anfang sehr gemachlich
—
Symphony No. 1 in D major: II. Kraftig bewegt, doch nicht zu schnell
—
Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
—
Symphony No. 1 in D major: IV. Stürmisch bewegt
—
Symphony No. 2 in C minor "Resurrection": Part One: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
—
Symphony No. 2 in C minor "Resurrection": Part Two: II. Andante moderato. Sehr gemächlich. Nie eilen
—
Symphony No. 2 in C minor "Resurrection": Part Two: III. In ruhig fließender Bewegung
—
Symphony No. 2 in C minor "Resurrection": Part Two: IV. "Urlicht". Sehr feierlich aber schlicht
—
Symphony No. 2 in C minor "Resurrection": Part Two: V. Im Tempo des Scherzo's, wild herausfarend - Langsam. Misterioso
—
Symphony No. 3 in D minor: Part One: I. Kräftig. Entschieden
—
Symphony No. 3 in D minor: Part Two: II. Tempo di Menuetto. Sehr mabig
—
Symphony No. 3 in D minor: Part Two: III. Comodo. Scherzando. Ohne Hast
—
Symphony No. 3 in D minor: Part Two: IV. Sehr langsam. Misterioso. Durchaus ppp
—
Symphony No. 3 in D minor: Part Two: V. Lustig im Tempo und keck im Ausdruck
—
Symphony No. 3 in D minor: Part Two: VI. Langsam. Ruhevoll. Empfunden
—
Symphony No. 4 in G major: I. Bedächtig, Nicht eilen
—
Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
—
Symphony No. 4 in G major: III. Ruhevoll
—
Symphony No. 4 in G major: IV. Sehr behaglich, Aus des Knaben Wunderhorn
—
Symphony No. 5 in C-sharp minor: Part One: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
—
Symphony No. 5 in C-sharp minor: Part One: II. Stürmisch bewegt. Mit größter Vehemenz
—
Symphony No. 5 in C-sharp minor: Part Two: III. Scherzo. Kräftig, nicht zu schnell
—
Symphony No. 5 in C-sharp minor: Part Three: IV. Adagietto. Sehr langsam
—
Symphony No. 5 in C-sharp minor: Part Three: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch
—
Symphony No. 6 in A minor "Tragic": I. Allegro energico, ma non troppo
—
Symphony No. 6 in A minor "Tragic": II. Scherzo
—
Symphony No. 6 in A minor "Tragic": III. Andante moderato
—
Symphony No. 6 in A minor "Tragic": IV. Finale. Allegro moderato — Allegro energico
—
Symphony No. 7 in E minor: I. Langsam - Allegro risoluto, ma non troppo
—
Symphony No. 7 in E minor: II. Nachtmusik I. Allegro moderato
—
Symphony No. 7 in E minor: III. Scherzo. Schattenhaft
—
Symphony No. 7 in E minor: IV. Nachtmusik II. Andante amoroso
—
Symphony No. 7 in E minor: V. Rondo - Finale. Tempo I (tempo ordinario) Tempo II (Allegro moderato ma energico)
—
Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ia. Veni, Creator spiritus
—
Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ib. Imple superna gratia
—
Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ic. Infirma nostri corporis
—
Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Id. Accende lumen sensibus
—
Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: Ie. Tu septiformis munere
—
Symphony No. 8 in E-flat major: Part One: Hymnus: Veni, Creator spiritus: If. Gloria Patri Domino
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIa. Waldung, sie schwankt heran
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIb. Ewiger Wonnebrand
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIc. Wie Felsenagrund mir zu Füßen
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IId. Gerettet ist das edle Glied
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIe. Uns bleibt ein Erdenrest
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIf. Hier ist die Aussicht frei
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIg. Dir, der unberührbaren
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIh. Bei der Liebe, die den Füßen
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIi. Neige, neige, du Ohnegleiche
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIj. Komm! Hebe dich zu höhern Sphären
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIk. Blicket auf zum Retterblick
—
Symphony No. 8 in E-flat major: Part Two: Final Scene from Faust II: IIm. Alles Vergängliche ist nur ein Gleichnis
—
Symphony No. 9 in D major: I. Andante comodo
—
Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers
—
Symphony No. 9 in D major: III. Rondo. Burleske
—
Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
—
Symphony No. 10 in F-sharp major: Adagio
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 4010276014676?
4010276014676 is a Universal Product Code (UPC) assigned to Symphonies No. 1-9 / Adagio by Gustav Mahler, SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm