UPC · Album

Edition Bachakademie, Volume 10: Cantatas BWV 30-31

Johann Sebastian Bach, Bach-Ensemble, Helmuth Rilling

4010276015109
21 tracksReleased 1999-01-01Hänssler Classic

Last verified:

4010276015109 is the Universal Product Code (UPC barcode) for the release Edition Bachakademie, Volume 10: Cantatas BWV 30-31 by Johann Sebastian Bach, Bach-Ensemble, Helmuth Rilling, released 1999-01-01 on Hänssler Classic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include DEA559800617, DEA559800618, DEA559800619.

Format

401GS1 prefix
0276Company prefix
01510Product
9Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCEdition Bachakademie, Volume 10: Cantatas BWV 30-31
ISRC21 recordings
ISWC1 work

Track List (21)

Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil I, I. Coro „Freue dich, erlöste Schar“
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil I, II. Recitativo (Basso) „Wir haben Rast“
Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil I, III. Aria (Basso) „Gelobet sei Gott, gelobet sein Name“
Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil I, IV. Recitativo (Alto) „Der Herold kömmt und meldt den König an“
Mechthild Georg, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil I, V. Aria (Alto) „Kommt, ihr angefochtnen Sünder“
Mechthild Georg, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil I, VI. Choral „Eine Stimme lässt sich hören“
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil II, VII. Recitativo (Basso) „So bist du denn, mein Heil, bedacht“
Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil II, VIII. Aria (Basso) „Ich will nun hassen“
Philippe Huttenlocher, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil II, IX. Recitativo (Soprano) „Und obwohl sonst der Unbestand“
Costanza Cuccaro, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil II, X. Aria (Soprano) „Eilt, ihr Stunden, kommt herbei“
Costanza Cuccaro, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil II, XI. Recitativo (Tenore) „Geduld, der angenehme Tag“
Aldo Baldin, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 30 „Freue dich, erlöste Schar“: Teil II, XII. Coro „Freude dich, geheilgte Schar“
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: I. Sonata
Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: II. Coro „Der Himmel lacht! die Erde jubilieret“
Indiana University Chamber Singers, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: III. Recitativo (Basso) „Erwünschter Tag! sei, Seele, wieder froh!“
Wolfgang Schöne, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: IV. Aria (Basso) „Fürst des Lebens, starker Streiter“
Wolfgang Schöne, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: V. Recitativo (Tenore) „So stehe dann, du gottergebne Seele“
Adalbert Kraus, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: VI. Aria (Tenore) „Adam muss in uns verwesen“
Adalbert Kraus, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: VII. Recitativo (Soprano) „Weil dann das Haupt sein Glied“
Arleen Augér, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: VIII. Aria (Soprano) e Choral „Letzte Stunde, brich herein“
Arleen Augér, Bach-Collegium Stuttgart, Helmuth Rilling
Kantate, BWV 31 „Der Himmel lacht! die Erde jubilieret“: IX. Choral „So fahr ich hin zu Jesu Christ“
Indiana University Chamber Singers, Bach-Collegium Stuttgart, Helmuth Rilling

People also ask

What is UPC 4010276015109?
UPC 4010276015109 is the Universal Product Code (barcode) for "Edition Bachakademie, Volume 10: Cantatas BWV 30-31" by Johann Sebastian Bach, Bach-Ensemble, Helmuth Rilling, released on Hänssler Classic.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4010276015109?
UPC 4010276015109 contains 21 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 4010276015109?

4010276015109 is a Universal Product Code (UPC) assigned to Edition Bachakademie, Volume 10: Cantatas BWV 30-31 by Johann Sebastian Bach, Bach-Ensemble, Helmuth Rilling. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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