UPC · Release
Various Artists
Last verified:
The UPC for “The History of Rock Times Special, Schlager Goes Welthit” by Various Artists is 4010427451022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Zounds (3). This release contains 50 tracks, each with its own ISRC. Tracks include USBC19901480, USRC15308386, USEW10000025.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Just a Gigolo | — | ||
| 2 | Just a Gigolo | — | ||
| 3 | Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — | |
| 4 | You You You | The Ames Brothers, Hugo Winterhalter and His Orchestra and Chorus | T-070.266.346-4 | |
| 5 | Du Du Du, lass mein kleines Herz in Ruh’ | — | ||
| 6 | Mäckie-Messer-Song | — | ||
| 7 | Moritat (A Theme From the Three Penny Opera) | — | ||
| 8 | Mack the Knife | Bobby Darin | T-071.314.125-3 | |
| 9 | Die Dreigroschenoper (Kurzfassung): Ouvertüre und Moritat von Mackie Messer | Kurt Gerron, Lewis Ruth Band, Theo Mackeben | — | |
| 10 | The Third Man Theme | — | ||
| 11 | The Third Man Theme (Harry Lime Theme) | — | ||
| 12 | Lili Marleen | — | ||
| 13 | Lili Marleen | — | ||
| 14 | Answer Me, Lord Above | — | ||
| 15 | Answer Me, My Love | Nat King Cole | T-070.882.079-4 | |
| 16 | Mütterlein | Leila Negra | — | |
| 17 | Glaube mir | Wolfgang Sauer | — | |
| 18 | Beer Barrel Polka | — | ||
| 19 | Beer Barrel Polka / Rosamunde | — | ||
| 20 | The Glow Worm | — | ||
| 21 | The Faithful Hussar | — | ||
| 22 | You Can’t Be True, Dear | — | ||
| 23 | You Can’t Be True, Dear | — | ||
| 24 | When the White Lilacs Bloom Again | — | ||
| 25 | Wenn der weiße Flieder wieder blüht | — | ||
| 2-1 | I Kiss Your Hand, Madame | — | ||
| 2-2 | Ich küsse ihre Hand, Madame | — | ||
| 2-3 | The Happy Wanderer | — | ||
| 2-4 | The Happy Wanderer | — | ||
| 2-5 | Oh! My Pa‐Pa (O Mein Papa) | Eddie Fisher | — | |
| 2-6 | Oh, mein Papa | — | ||
| 2-7 | O mein Papa | — | ||
| 2-8 | Okeh Laughing Song | — | ||
| 2-9 | Lullaby | — | ||
| 2-10 | Wiegenlied | — | ||
| 2-11 | The Man With the Banjo | — | ||
| 2-12 | Banjo-Benny | — | ||
| 2-13 | Auf Wiederseh’n Sweetheart | Vera Lynn | T-801.979.664-7 | |
| 2-14 | Auf Wiedersehen | — | ||
| 2-15 | Plaisir d’amour | — | ||
| 2-16 | My Prayer | — | ||
| 2-17 | Warum müssen Jahre vergeh’n | — | ||
| 2-18 | Barcarole | — | ||
| 2-19 | G’schichten aus dem Wienerwald | — | ||
| 2-20 | Muß i denn | — | ||
| 2-21 | Morgen | Ivo Robić, Die Songmasters | T-902.886.064-2 | |
| 2-22 | Falling in Love Again | — | ||
| 2-23 | Ich bin von Kopf bis Fuß auf Liebe eingestellt | — | ||
| 2-24 | Die beschwipste Drahtkommode | — | ||
| 2-25 | The Crazy Otto | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Tom Dooley | The Kingston Trio | T-900.076.742-0 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | T-900.076.742-0 |
| Zambezi | Lou Busch & His Orchestra | T-071.194.507-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4010427451022 is a Universal Product Code (UPC) assigned to The History of Rock Times Special, Schlager Goes Welthit by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The History of Rock Times Special, Schlager Goes Welthit” by Various Artists is 4010427451022. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-01-01. Label: Zounds (3). This release contains 50 tracks, each with its own ISRC. Tracks include USBC19901480, USRC15308386, USEW10000025.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Just a Gigolo | — | ||
| 2 | Just a Gigolo | — | ||
| 3 | Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — | |
| 4 | You You You | The Ames Brothers, Hugo Winterhalter and His Orchestra and Chorus | T-070.266.346-4 | |
| 5 | Du Du Du, lass mein kleines Herz in Ruh’ | — | ||
| 6 | Mäckie-Messer-Song | — | ||
| 7 | Moritat (A Theme From the Three Penny Opera) | — | ||
| 8 | Mack the Knife | Bobby Darin | T-071.314.125-3 | |
| 9 | Die Dreigroschenoper (Kurzfassung): Ouvertüre und Moritat von Mackie Messer | Kurt Gerron, Lewis Ruth Band, Theo Mackeben | — | |
| 10 | The Third Man Theme | — | ||
| 11 | The Third Man Theme (Harry Lime Theme) | — | ||
| 12 | Lili Marleen | — | ||
| 13 | Lili Marleen | — | ||
| 14 | Answer Me, Lord Above | — | ||
| 15 | Answer Me, My Love | Nat King Cole | T-070.882.079-4 | |
| 16 | Mütterlein | Leila Negra | — | |
| 17 | Glaube mir | Wolfgang Sauer | — | |
| 18 | Beer Barrel Polka | — | ||
| 19 | Beer Barrel Polka / Rosamunde | — | ||
| 20 | The Glow Worm | — | ||
| 21 | The Faithful Hussar | — | ||
| 22 | You Can’t Be True, Dear | — | ||
| 23 | You Can’t Be True, Dear | — | ||
| 24 | When the White Lilacs Bloom Again | — | ||
| 25 | Wenn der weiße Flieder wieder blüht | — | ||
| 2-1 | I Kiss Your Hand, Madame | — | ||
| 2-2 | Ich küsse ihre Hand, Madame | — | ||
| 2-3 | The Happy Wanderer | — | ||
| 2-4 | The Happy Wanderer | — | ||
| 2-5 | Oh! My Pa‐Pa (O Mein Papa) | Eddie Fisher | — | |
| 2-6 | Oh, mein Papa | — | ||
| 2-7 | O mein Papa | — | ||
| 2-8 | Okeh Laughing Song | — | ||
| 2-9 | Lullaby | — | ||
| 2-10 | Wiegenlied | — | ||
| 2-11 | The Man With the Banjo | — | ||
| 2-12 | Banjo-Benny | — | ||
| 2-13 | Auf Wiederseh’n Sweetheart | Vera Lynn | T-801.979.664-7 | |
| 2-14 | Auf Wiedersehen | — | ||
| 2-15 | Plaisir d’amour | — | ||
| 2-16 | My Prayer | — | ||
| 2-17 | Warum müssen Jahre vergeh’n | — | ||
| 2-18 | Barcarole | — | ||
| 2-19 | G’schichten aus dem Wienerwald | — | ||
| 2-20 | Muß i denn | — | ||
| 2-21 | Morgen | Ivo Robić, Die Songmasters | T-902.886.064-2 | |
| 2-22 | Falling in Love Again | — | ||
| 2-23 | Ich bin von Kopf bis Fuß auf Liebe eingestellt | — | ||
| 2-24 | Die beschwipste Drahtkommode | — | ||
| 2-25 | The Crazy Otto | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Tom Dooley | The Kingston Trio | T-900.076.742-0 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | T-900.076.742-0 |
| Zambezi | Lou Busch & His Orchestra | T-071.194.507-1 |
