UPC · Release
20.3012-HI: Siesta at the Fiesta
Bennie Moten, Henry “Red” Allen
Last verified:
4011222030122 is the Universal Product Code (UPC barcode) for the release “20.3012-HI: Siesta at the Fiesta” by Bennie Moten, Henry “Red” Allen on History. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBSUW1517275, GBSUW1517276, GBSUW1517274.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | New Moten Stomp | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 2 | Somebody Stole My Gal | — | ||
| 3 | As Long as I Love You (Jeannette) | — | ||
| 4 | Now That I Need You | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 5 | When I’m Alone | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 6 | Liza Lee | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 7 | Professor Hot Stuff | — | ||
| 8 | The Count | Bennie Moten’s Kansas City Orchestra | — | |
| 9 | Get Goin' (Get Ready to Love) | — | ||
| 10 | Bouncin' Round | — | ||
| 11 | I Wanna Be Around My Baby All the Time | — | ||
| 12 | Ya Got Love | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 13 | Toby | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 14 | Moten Swing | Bennie Moten, Bennie Moten’s Kansas City Orchestra | T-900.240.804-0 | |
| 15 | The Blue Room | Bennie Moten, Bennie Moten’s Kansas City Orchestra | T-070.011.786-7 | |
| 16 | Imagination | — | ||
| 17 | New Orleans | Bennie Moten, Bennie Moten’s Kansas City Orchestra | T-801.115.189-7 | |
| 18 | The Only Girl I Ever Loved | — | ||
| 19 | Milenberg Joys | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 20 | Lafayette | Bennie Moten, Bennie Moten’s Kansas City Orchestra | T-070.094.869-1 | |
| 21 | Prince of Wails | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — | |
| 22 | Two Times | — | ||
| 2-1 | King Porter Stomp | — | ||
| 2-2 | Till the Clock Strikes Three | — | ||
| 2-3 | You'll Never Go to Heaven | — | ||
| 2-4 | Canal Street Blues | — | ||
| 2-5 | Have You Ever Been in Heaven? | — | ||
| 2-6 | The Miller's Daughter, Marianne | — | ||
| 2-7 | The Merry-Go-Round Broke Down | — | ||
| 2-8 | (Is It) Love or Infatuation? | — | ||
| 2-9 | I Owe You | — | ||
| 2-10 | Can I Forget You? | — | ||
| 2-11 | K.K. Boogie | — | ||
| 2-12 | Shim Me Sha Wabble | — | ||
| 2-13 | Jack the Bellboy | — | ||
| 2-14 | Sometimes I'm Happy, Part 1 | — | ||
| 2-15 | Ol' Man River | — | ||
| 2-16 | A Sheridan Square | — | ||
| 2-17 | Siesta at the Fiesta | — | ||
| 2-18 | Down in Jungle Town | — | ||
| 2-19 | Indiana | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Count | Bennie Moten’s Kansas City Orchestra | — |
| Prince of Wails | Bennie Moten, Bennie Moten’s Kansas City Orchestra | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
Verified on
What is UPC 4011222030122?
4011222030122 is a Universal Product Code (UPC) assigned to 20.3012-HI: Siesta at the Fiesta by Bennie Moten, Henry “Red” Allen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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