UPC · Release
Johann Sebastian Bach
Last verified:
The UPC for “Soli Deo Gloria - Meisterwerke in bedeutenden Aufnahmen” by Johann Sebastian Bach is 4011222045805. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. This release contains 325 tracks, each with its own ISRC. Tracks include GBAYC9901709, GBAYC0701662, GBAYC8902436.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 | Edwin Fischer | — | |
| 2 | BWV 847, Präludium & Fuge Nr 2 in C-Moll | — | ||
| 3 | BWV 848, Präludium & Fuge Nr 3 in Cis-Dur | — | ||
| 4 | BWV 849, Präludium & Fuge Nr 4 in Cis-Moll | — | ||
| 5 | BWV 850, Präludium & Fuge Nr 5 in D-Dur | — | ||
| 6 | BWV 851, Präludium & Fuge Nr 6 in D-Moll | — | ||
| 7 | BWV 852, Präludium & Fuge Nr 7 in Es-Dur | — | ||
| 8 | BWV 853, Präludium & Fuge Nr 8 in Es-Moll | — | ||
| 9 | BWV 854, Präludium & Fuge Nr 9 in E-Dur | — | ||
| 10 | BWV 855, Präludium & Fuge Nr 10 in E-Moll | — | ||
| 11 | BWV 856, Präludium & Fuge Nr 11 in F-Dur | — | ||
| 12 | BWV 857, Präludium & Fuge Nr 12 in F-Moll | — | ||
| 13 | BWV 858, Präludium & Fuge Nr 13 in Fis-Dur | — | ||
| 14 | BWV 859, Präludium & Fuge Nr 14 in Fis-Dur | — | ||
| 15 | BWV 860, Präludium & Fuge Nr 15 in G-Dur | — | ||
| 16 | BWV 861, Präludium & Fuge Nr 16 in G-Moll | — | ||
| 17 | BWV 862, Präludium & Fuge Nr 17 in As-Dur | — | ||
| 18 | BWV 863, Präludium & Fuge Nr 18 in Gis-Moll | — | ||
| 19 | BWV 864, Präludium & Fuge Nr 19 in A-Dur | — | ||
| 2-1 | BWV 865, Präludium & Fuge Nr 20 in A-Moll | — | ||
| 2-2 | BWV 866, Präludium & Fuge Nr 21 in B-Dur | — | ||
| 2-3 | BWV 867, Präludium & Fuge Nr 22 in B-Moll | — | ||
| 2-4 | BWV 868, Präludium & Fuge Nr 23 in H-Dur | — | ||
| 2-5 | BWV 869, Präludium & Fuge Nr 24 in H-Moll | — | ||
| 2-6 | BWV 870, Präludium & Fuge Nr 1 in C-Dur | — | ||
| 2-7 | BWV 871, Präludium & Fuge Nr 2 in C-Moll | — | ||
| 2-8 | BWV 872, Präludium & Fuge Nr 3 in Cis-Dur | — | ||
| 2-9 | BWV 873, Präludium & Fuge Nr 4 in Cis-Moll | — | ||
| 2-10 | BWV 874, Präludium & Fuge Nr 5 in D-Dur | — | ||
| 2-11 | BWV 875, Präludium & Fuge Nr 6 in D-Moll | — | ||
| 2-12 | BWV 876, Präludium & Fuge Nr 7 in Es-Dur | — | ||
| 2-13 | BWV 877, Präludium & Fuge Nr 8 in Es-Moll | — | ||
| 2-14 | BWV 878, Präludium & Fuge Nr 9 in E-Dur | — | ||
| 2-15 | The Well-Tempered Clavier, Book II: Prelude No. 10 in E minor, BWV 879 | Edwin Fischer | — | |
| 3-1 | BWV 879, Fuge Nr 10 in E-Moll | — | ||
| 3-2 | BWV 880, Präludium & Fuge Nr 11 in F-Dur | — | ||
| 3-3 | BWV 881, Präludium & Fuge Nr 12 in F-Moll | — | ||
| 3-4 | BWV 882, Präludium & Fuge Nr 13 in Fis-Dur | — | ||
| 3-5 | BWV 883, Präludium & Fuge Nr 14 in Fis-Moll | — | ||
| 3-6 | BWV 884, Präludium & Fuge Nr 15 in G-Dur | — | ||
| 3-7 | BWV 885, Präludium & Fuge Nr 16 in G-Moll | — | ||
| 3-8 | BWV 886, Präludium & Fuge Nr 17 in As-Dur | — | ||
| 3-9 | BWV 887, Präludium & Fuge Nr 18 in Gis-Moll | — | ||
| 3-10 | BWV 888, Präludium & Fuge Nr 19 in A-Dur | — | ||
| 3-11 | BWV 889, Präludium & Fuge Nr 20 in A-Moll | — | ||
| 3-12 | BWV 890, Präludium & Fuge Nr 21 in B-Dur | — | ||
| 3-13 | BWV 891, Präludium & Fuge Nr 22 in B-Moll | — | ||
| 3-14 | BWV 892, Präludium & Fuge Nr 23 in H-Dur | — | ||
| 3-15 | BWV 893, Präludium & Fuge Nr 24 in H-Moll | — | ||
| 4-1 | BWV 825, Partita Nr 1 in B-Dur : I. Prelude | — | ||
| 4-2 | BWV 825, Partita Nr 1 in B-Dur : II. Allemande | — | ||
| 4-3 | BWV 825, Partita Nr 1 in B-Dur : III. Courante | — | ||
| 4-4 | BWV 825, Partita Nr 1 in B-Dur : IV. Sarabande | — | ||
| 4-5 | BWV 825, Partita Nr 1 in B-Dur : V. Menuet 1 | — | ||
| 4-6 | BWV 825, Partita Nr 1 in B-Dur : VI. Menuet 2 | — | ||
| 4-7 | BWV 825, Partita Nr 1 in B-Dur : VII. Gigue | — | ||
| 4-8 | BWV 971, Italienisches Konzert : I. Allegro | — | ||
| 4-9 | BWV 971, Italienisches Konzert : II. Andante | — | ||
| 4-10 | BWV 971, Italienisches Konzert : III. Presto | — | ||
| 4-11 | BWV 147, "Jesus bleibet meine Freude" : Dame Myta Hess (Clavier) (rec 1940) | — | ||
| 4-12 | BWV 599, "Nun kommt der Heiden Heiland" : Wladimir Horowitz (Clavier) (rec 1947) | — | ||
| 4-13 | BWV 639, "Ich ruf zu Dir, Herr Jesus Christ" | — | ||
| 4-14 | BWV 734, "Nun freut euch, lieben Christen Gmein" : Wladimir Horowitz (Clavier) (rec 1934) | — | ||
| 5-1 | Contrapunctus 1 (Einfache Fugen) | — | ||
| 5-2 | Contrapunctus 2 (Einfache Fugen) | — | ||
| 5-3 | Contrapunctus 3 (Einfache Fugen) | — | ||
| 5-4 | Contrapunctus 4 (Einfache Fugen) | — | ||
| 5-5 | Contrapunctus 5 (Gegenfugen) | — | ||
| 5-6 | Contrapunctus 6 (Gegenfugen) | — | ||
| 5-7 | Contrapunctus 7 (Gegenfugen) | — | ||
| 5-8 | Contrapunctus 8 (Doppel- und Tripelfugen) | — | ||
| 5-9 | Contrapunctus 9 (Doppel- und Tripelfugen) | — | ||
| 5-10 | Contrapunctus 10 (Doppel- und Tripelfugen) | — | ||
| 5-11 | Contrapunctus 11 (Doppel- und Tripelfugen) | — | ||
| 6-1 | Canon 1 (Contrapunctus 12), | — | ||
| 6-2 | Canon 2 (Contrapunctus 13), | — | ||
| 6-3 | Canon 3 (Contrapunctus 14), | — | ||
| 6-4 | Canon 4 (Contrapunctus 15), | — | ||
| 6-5 | Contrapunctus 16a, Spiegelfugen | — | ||
| 6-6 | Contrapunctus 16b, Spiegelfugen | — | ||
| 6-7 | Contrapunctus 18a, Spiegelfugen | — | ||
| 6-8 | Contrapunctus 18b, Spiegelfugen | — | ||
| 6-9 | Contrapunctus 19, Quadrupelfuge | — | ||
| 7-1 | BWV 565, Toccata & Fuge in D-Moll (rec 1935) | — | ||
| 7-2 | BWV 654, Choralvorspiel "Schmücke dich, o liebe Seele" (rec 1936) | — | ||
| 7-3 | BWV 541, Päludium & Fuge in G-Dur (rec 1935) | — | ||
| 7-4 | BWV 653, Choralvorspiel "An Wasserflüssen Babylon" (rec 1936) | — | ||
| 7-5 | BWV 578, Fuge in G-Moll (rec 1935) | — | ||
| 7-6 | BWV 534, Präludium & Fuge in F-Moll (rec 1935) | — | ||
| 7-7 | BWV 543, Fuge in A-Moll (rec 1936) | — | ||
| 8-1 | BWV 611, Choralvorspiel "Christum, wir sollen loben schon" (rec 1937) | — | ||
| 8-2 | BWV 545, Präludium & Fuge in C-Dur (rec 1935) | — | ||
| 8-3 | BWV 731, Choralvorspiel "Liebster Jesu, wir sind hier" (rec 1937) | — | ||
| 8-4 | BWV 548, Präludium & Fuge in E-Moll (rec 1937) | — | ||
| 8-5 | BWV 665, Choralvorspiel "Jesus Christus, unser Heiland" (rec 1937) | — | ||
| 8-6 | BWV 656, Choralvorspiel "O Lamm Gottes, unschuldig" (rec 1937) | — | ||
| 9-1 | Goldberg Variations BWV 988: Aria | — | ||
| 9-2 | Goldberg Variations BWV 988: Variation 1 | — | ||
| 9-3 | Goldberg Variations BWV 988: Variation 2 | — | ||
| 9-4 | Goldberg Variations BWV 988: Variation 3 | — | ||
| 9-5 | Goldberg Variations BWV 988: Variation 4 | — | ||
| 9-6 | Goldberg Variations BWV 988: Variation 5 | — | ||
| 9-7 | Goldberg Variations BWV 988: Variation 6 | — | ||
| 9-8 | Goldberg Variations BWV 988: Variation 7 | — | ||
| 9-9 | Goldberg Variations BWV 988: Variation 8 | — | ||
| 9-10 | Goldberg Variations BWV 988: Variation 9 | — | ||
| 9-11 | Goldberg Variations BWV 988: Variation 10 | — | ||
| 9-12 | Goldberg Variations BWV 988: Variation 11 | — | ||
| 9-13 | Goldberg Variations BWV 988: Variation 12 | — | ||
| 9-14 | Goldberg Variations BWV 988: Variation 13 | — | ||
| 9-15 | Goldberg Variations BWV 988: Variation 14 | — | ||
| 9-16 | Goldberg Variations BWV 988: Variation 15 | — | ||
| 9-17 | Goldberg Variations BWV 988: Variation 16 | — | ||
| 9-18 | Goldberg Variations BWV 988: Variation 17 | — | ||
| 9-19 | Goldberg Variations BWV 988: Variation 18 | — | ||
| 9-20 | Goldberg Variations BWV 988: Variation 19 | — | ||
| 9-21 | Goldberg Variations BWV 988: Variation 20 | — | ||
| 9-22 | Goldberg Variations BWV 988: Variation 21 | — | ||
| 9-23 | Goldberg Variations BWV 988: Variation 22 | — | ||
| 9-24 | Goldberg Variations BWV 988: Variation 23 | — | ||
| 9-25 | Goldberg Variations BWV 988: Variation 24 | — | ||
| 9-26 | Goldberg Variations BWV 988: Variation 25 | — | ||
| 9-27 | Goldberg Variations BWV 988: Variation 26 | — | ||
| 9-28 | Goldberg Variations BWV 988: Variation 27 | — | ||
| 9-29 | Goldberg Variations BWV 988: Variation 28 | — | ||
| 9-30 | Goldberg Variations BWV 988: Variation 29 | — | ||
| 9-31 | Goldberg Variations BWV 988: Variation 30 | — | ||
| 9-32 | Goldberg Variations BWV 988: Aria da capo | — | ||
| 10-1 | BWV 903, Chromatische Fantasie & Fuge in D-Moll | — | ||
| 10-2 | BWV 807, Englische Suite Nr 2 in A-Moll : I. Prelude | — | ||
| 10-3 | BWV 807, Englische Suite Nr 2 in A-Moll : II. Allemande | — | ||
| 10-4 | BWV 807, Englische Suite Nr 2 in A-Moll : III. Courante | — | ||
| 10-5 | BWV 807, Englische Suite Nr 2 in A-Moll : IV. Sarabande | — | ||
| 10-6 | BWV 807, Englische Suite Nr 2 in A-Moll : V. Bourrée | — | ||
| 10-7 | BWV 807, Englische Suite Nr 2 in A-Moll : VI. Gigue | — | ||
| 10-8 | BWV 817, Französische Suite Nr 6 in E-Dur : I. Allemande | — | ||
| 10-9 | BWV 817, Französische Suite Nr 6 in E-Dur : II. Courante | — | ||
| 10-10 | BWV 817, Französische Suite Nr 6 in E-Dur : III. Sarabande | — | ||
| 10-11 | BWV 817, Französische Suite Nr 6 in E-Dur : IV. Gavotte | — | ||
| 10-12 | BWV 817, Französische Suite Nr 6 in E-Dur : V. Polonaise | — | ||
| 10-13 | BWV 817, Französische Suite Nr 6 in E-Dur : VI. Menuett | — | ||
| 10-14 | BWV 817, Französische Suite Nr 6 in E-Dur : VII. Bourrée | — | ||
| 10-15 | BWV 817, Französische Suite Nr 6 in E-Dur : VIII. Gigue | — | ||
| 10-16 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : I. Adagio | — | ||
| 10-17 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : II. Allegro | — | ||
| 10-18 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : III. Adagio ma non tanto | — | ||
| 10-19 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : IV. Allegro | — | ||
| 11-1 | BWV 243, Magnificat in D-Dur: I. Chor "Magnificat" (rec 1949) | — | ||
| 11-2 | BWV 243, Magnificat in D-Dur: II. Arie "Et exsultavit spiritus meus" (rec 1949) | — | ||
| 11-3 | BWV 243, Magnificat in D-Dur: III. Arie "Quia respexit humilitatem" (rec 1949) | — | ||
| 11-4 | BWV 243, Magnificat in D-Dur: IV. Arie "Quia fecit mihi magna" (rec 1949) | — | ||
| 11-5 | BWV 243, Magnificat in D-Dur: V. Duett "Et misericordia" (rec 1949) | — | ||
| 11-6 | BWV 243, Magnificat in D-Dur: VI. Chor "Fecit potentiam" (rec 1949) | — | ||
| 11-7 | BWV 243, Magnificat in D-Dur: VII. Arie "Desposuit potentes" (rec 1949) | — | ||
| 11-8 | BWV 243, Magnificat in D-Dur: VIII. Arie "Esurientes implevit bonis" (rec 1949) | — | ||
| 11-9 | BWV 243, Magnificat in D-Dur: IX. Chor "Suscepit Israel" (rec 1949) | — | ||
| 11-10 | BWV 243, Magnificat in D-Dur: X. Chor "Sicut locutus est" (rec 1949) | — | ||
| 11-11 | BWV 243, Magnificat in D-Dur: XI. Chor "Gloria Patri" (rec 1949) | — | ||
| 11-12 | BWV 147, Kantate "Herz und Mund und Tat und Leben" ; Bach Cantata Club, Kennedy Scott (rec 1931) | — | ||
| 11-13 | BWV 82, Kantate "Ich habe genug" : I. Arie "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-14 | BWV 82, Kantate "Ich habe genug" : II. Rezitativ "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-15 | BWV 82, Kantate "Ich habe genug" : III. Arie "Schlummert ein, Ihr matten Augen" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-16 | BWV 82, Kantate "Ich habe genug" : VI. Rezitativ "Mein Gott! Wann kommt der schöne Nun!" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-17 | BWV 82, Kantate "Ich habe genug" : V. Arie "Ich freue mich auf meinen Tod" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 12-1 | BWV 493, Oh Jesulein süß Oh Jesulein mild : Karl Erb (rec 1934) | — | ||
| 12-2 | BWV 509, Gedenke doch mein Geist : Gérard Souzay (rec 1950) | — | ||
| 12-3 | BWV 515, So oft ich meine Tabakpfeife : Gérard Souzay (rec 1950) | — | ||
| 12-4 | BWV 517, Wie wohl ist mir : Gérard Souzay (rec 1950) | — | ||
| 12-5 | BWV 518, Willlst Du mir Dein Herz schenken : Gérard Souzay (rec 1950) | — | ||
| 12-6 | BWV 4, Jesus Christus Gottes Sohn : John McCormack (rec 1941) | — | ||
| 12-7 | BWV 12, Kreuz und Krone : Marian Anderson (rec 1946) | — | ||
| 12-8 | BWV 68, Mein gläubiges Herz : Germaine Lubin (rec 1930) | — | ||
| 12-9 | BWV 81, Jesus schläft was soll ich hoffen : Marian Anderson (rec 1946) | — | ||
| 12-10 | BWV 112, Zum reinen Wasser : Marian Anderson (rec 1946) | — | ||
| 12-11 | BWV 245, Es ist vollbracht : (rec 1941) | — | ||
| 12-12 | BWV 244, Erbarme dich oh mein Gott : (rec 1946) | — | ||
| 12-13 | BWV 248, Bereite dich Zion : Marian Anderson (rec 1946) | — | ||
| 12-14 | BWV 232, Et in spiritum sanctum Dominum : Friedrich Schorr (rec 1929) | — | ||
| 13-1 | Matthäus-Passion, BWV 244: Chor "Kommt Ihr Töchter, helft mir klagen" / Choral "O Lamm Gottess unschuldig" | — | ||
| 13-2 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Da Jesus diese Rede vollendet hatte" | — | ||
| 13-3 | Matthäus-Passion, BWV 244: Choral "Herzliebster Jesu" | — | ||
| 13-4 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da versammelten sich die Hohenpriester" | — | ||
| 13-5 | Matthäus-Passion, BWV 244: Chor "Ja nicht auf das Fest" | — | ||
| 13-6 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da nun Jesus war zu Bethanien" | — | ||
| 13-7 | Matthäus-Passion, BWV 244: Chor "Wozu dienet dieser Unrat" | — | ||
| 13-8 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Da das Jesus merkete" | — | ||
| 13-9 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Alt) "Du liebester Heiland Du" | — | ||
| 13-10 | Matthäus-Passion, BWV 244: Arie (Alt) "Buß' und Reu' " | — | ||
| 13-11 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da ging hin der Zwölfen einer" | — | ||
| 13-12 | Matthäus-Passion, BWV 244: Arie (Sopran) "Blute nur du liebes Herz" | — | ||
| 13-13 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Aber am ersten Tage" | — | ||
| 13-14 | Matthäus-Passion, BWV 244: Chor "Wo willst Du" | — | ||
| 13-15 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Er sprach: " | — | ||
| 13-16 | Matthäus-Passion, BWV 244: Choral "Ich bin's, ich sollte büßen" | — | ||
| 13-17 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da sie aber aßen" | — | ||
| 13-18 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Und da sie den Lobgesang gesprochen hatten" | — | ||
| 13-19 | Matthäus-Passion, BWV 244: Choral "Er kenne mich, mein Hüter" | — | ||
| 13-20 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Petrus aber antwortete" | — | ||
| 13-21 | Matthäus-Passion, BWV 244: Choral "Ich will hier bei Dir stehen" | — | ||
| 13-22 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Da kam Jesus" | — | ||
| 13-23 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor) "O, Schmerz" | — | ||
| 13-24 | Matthäus-Passion, BWV 244: Arie (Tenor) Chorus "Ich will bei meinem Jesu wachen" | — | ||
| 13-25 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Und ging hin ein wenig" | — | ||
| 13-26 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da kam er zu seinen Jüngern" | — | ||
| 13-27 | Matthäus-Passion, BWV 244: Duett (Sopran, Alt) "So ist mein Jesus nun gefangen" | — | ||
| 13-28 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Zu der Stund' " | — | ||
| 13-29 | Matthäus-Passion, BWV 244: Choral "O Mensch, bewein' dein' Sünde groß" | — | ||
| 14-1 | Matthäus-Passion, BWV 244: Arie (Alt) "Ach! Nun ist mein Heiland hin" | — | ||
| 14-2 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Und der Hoheprister stand auf" | — | ||
| 14-3 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 14-4 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) Chor "Und der Hoheprister antwortete" | — | ||
| 14-5 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) Chor "Da speieten sie aus" | — | ||
| 14-6 | Matthäus-Passion, BWV 244: Choral "Wer hat dich so geschlagen" | — | ||
| 14-7 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Petrus aber saß draußen im Palast" | — | ||
| 14-8 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da hub er an sich zu verfluchen" | — | ||
| 14-9 | Matthäus-Passion, BWV 244: Arie (Alt) "Erbarme Dich, mein Gott" | — | ||
| 14-10 | Matthäus-Passion, BWV 244: Choral "Bin ich gleich von Dir gewichen" | — | ||
| 14-11 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Des Morgens aber" | — | ||
| 14-12 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und er warf die Silberlinge" | — | ||
| 14-13 | Matthäus-Passion, BWV 244: Arie (Baß) "Gebt mir mir meinen Jesum wieder" | — | ||
| 14-14 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Jeus aber stand vor dem Landpfleger" | — | ||
| 14-15 | Matthäus-Passion, BWV 244: Choral "Befiehl Du deine Wege" | — | ||
| 14-16 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Auf das Fest" | — | ||
| 14-17 | Matthäus-Passion, BWV 244: Choral "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 14-18 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Sopran) "Er hat uns allen wohlgetan" | — | ||
| 14-19 | Matthäus-Passion, BWV 244: Arie (Sopran) "Aus Liebe will mein Heiland sterben" | — | ||
| 14-20 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da aber Pilatus sahe" | — | ||
| 14-21 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Alt) "Erbarm es Gott" | — | ||
| 14-22 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da nahmen die Kriegsknechte" | — | ||
| 14-23 | Matthäus-Passion, BWV 244: Choral "O Haupt voll Blut und Wunden" | — | ||
| 14-24 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und da sie ihn verspotten hatten" | — | ||
| 14-25 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und da wurden zween Mörder mit ihm gekreuzigt" | — | ||
| 14-26 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Desgleichen schmäheten ihn" | — | ||
| 14-27 | Matthäus-Passion, BWV 244: Rezitativ (Alt) "Ach Golgatha, unsel'ges Golgatha" | — | ||
| 14-28 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) Chor "Und von der sechsten Stunde an" | — | ||
| 14-29 | Choral "Wenn ich einmal soll scheiden" | — | ||
| 14-30 | Rezitativ (Tenor) Chor "Und siehe da" | — | ||
| 14-31 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Baß) "Am Abend, da es kühle war" | — | ||
| 14-32 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Und Joseph nahm den Leib" | — | ||
| 14-33 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor, Baß, Sopran) Chor "Nun ist der Herr zur Ruh' gebracht" | — | ||
| 14-34 | Matthäus-Passion, BWV 244: Schlußchor "Wir setzen uns mit Tränen nieder" | — | ||
| 15-1 | BWV 1049, 4. Konzert in G-Dur: I. Allegro (rec 1949) | — | ||
| 15-2 | BWV 1049, 4. Konzert in G-Dur: II. Andante (rec 1949) | — | ||
| 15-3 | BWV 1049, 4. Konzert in G-Dur: III. Presto (rec 1949) | — | ||
| 15-4 | BWV 1050, 5. Konzert in D-Dur: I. Allegro (rec 1949) | — | ||
| 15-5 | BWV 1050, 5. Konzert in D-Dur: II. Affettuoso (rec 1949) | — | ||
| 15-6 | BWV 1050, 5. Konzert in D-Dur: III. Allegro (rec 1949) | — | ||
| 15-7 | BWV 1051, 6. Konzert in B-Dur: I. Allegro (rec 1949) | — | ||
| 15-8 | BWV 1051, 6. Konzert in B-Dur: II. Adagio ma non tanto (rec 1949) | — | ||
| 15-9 | BWV 1051, 6. Konzert in B-Dur: III. Allegro (rec 1949) | — | ||
| 16-1 | BWV 1046, 1. Konzert in F-Dur: I. Allegro (rec 1949) | — | ||
| 16-2 | BWV 1046, 1. Konzert in F-Dur: II. Adagio (rec 1949) | — | ||
| 16-3 | BWV 1046, 1. Konzert in F-Dur: III. Allegro (rec 1949) | — | ||
| 16-4 | BWV 1046, 1. Konzert in F-Dur: IV. Menuet Trio, Polonaise Trio (rec 1949) | — | ||
| 16-5 | BWV 1047, 2. Konzert in F-Dur: I. Allegro (rec 1949) | — | ||
| 16-6 | BWV 1047, 2. Konzert in F-Dur: II. Andante (rec 1949) | — | ||
| 16-7 | BWV 1047, 2. Konzert in F-Dur: III. Allegro assai (rec 1949) | — | ||
| 16-8 | BWV 1048, 3. Konzert in G-Dur: I. Allegro (rec 1949) | — | ||
| 16-9 | BWV 1048, 3. Konzert in G-Dur: II. Adagio Allegro (rec 1949) | — | ||
| 17-1 | BWV 1067, Orchestersuite Nr 2 in H-Moll: I. Ouverture (rec 1946) | — | ||
| 17-2 | BWV 1067, Orchestersuite Nr 2 in H-Moll: II. Rondeau (rec 1946) | — | ||
| 17-3 | BWV 1067, Orchestersuite Nr 2 in H-Moll: III. Sarabande (rec 1946) | — | ||
| 17-4 | BWV 1067, Orchestersuite Nr 2 in H-Moll: IV. Bourrée (rec 1946) | — | ||
| 17-5 | BWV 1067, Orchestersuite Nr 2 in H-Moll: V. Polonaise (rec 1946) | — | ||
| 17-6 | BWV 1067, Orchestersuite Nr 2 in H-Moll: VI. Menuett (rec 1946) | — | ||
| 17-7 | BWV 1067, Orchestersuite Nr 2 in H-Moll: VII. Badineriea (rec 1946) | — | ||
| 17-8 | BWV 1068, Orchestersuite Nr 3 in D-Dur: I. Ouverture (rec 1944) | — | ||
| 17-9 | BWV 1068, Orchestersuite Nr 3 in D-Dur: II. Air (rec 1944) | — | ||
| 17-10 | BWV 1068, Orchestersuite Nr 3 in D-Dur: III. Gavotte I und II (rec 1944) | — | ||
| 17-11 | BWV 1068, Orchestersuite Nr 3 in D-Dur: IV. Bourrée (rec 1944) | — | ||
| 17-12 | BWV 1068, Orchestersuite Nr 3 in D-Dur: V. Gigue (rec 1944) | — | ||
| 17-13 | BWV 249, Osteroratorium: Sinfonia(rec 1943) | — | ||
| 17-14 | BWV 1042, Violinkonzert Nr 2 in E-Dur: I. Allegro (rec 1933) | — | ||
| 17-15 | BWV 1042, Violinkonzert Nr 2 in E-Dur: II. Adagio (rec 1933) | — | ||
| 17-16 | BWV 1042, Violinkonzert Nr 2 in E-Dur: III. Allegro assai (rec 1933) | — | ||
| 18-1 | BWV 1041, Violinkonzert Nr 1 in A-Moll: I. Allegro (rec 1936) | — | ||
| 18-2 | BWV 1041, Violinkonzert Nr 1 in A-Moll: II. Andante(rec 1936) | — | ||
| 18-3 | BWV 1041, Violinkonzert Nr 1 in A-Moll: III. Allegro assai (rec 1936) | — | ||
| 18-4 | BWV 1043, Doppelkonzert in D-Moll: I. Vivace (rec 1945) | — | ||
| 18-5 | BWV 1043, Doppelkonzert in D-Moll: II. Largo ma non tanto (rec 1945) | — | ||
| 18-6 | BWV 1043, Doppelkonzert in D-Moll: III. Allegro (rec 1945) | — | ||
| 18-7 | BWV 1052, Cembalokonzert Nr 1 in D-Moll: I. Allegro (rec 1945) | — | ||
| 18-8 | BWV 1052, Cembalokonzert Nr 1 in D-Moll: II. Adagio (rec 1945) | — | ||
| 18-9 | BWV 1052, Cembalokonzert Nr 1 in D-Moll: III. Allegro (rec 1945) | — | ||
| 18-10 | BWV 1055, Cembalokonzert Nr 4 in A-Dur: I. Allegro (rec 1936) | Edwin Fischer, Kammerorchester Edwin Fischer | — | |
| 18-11 | BWV 1055, Cembalokonzert Nr 4 in A-Dur: II. Larghetto (rec 1936) | Edwin Fischer, Kammerorchester Edwin Fischer | — | |
| 18-12 | BWV 1055, Cembalokonzert Nr 4 in A-Dur: III. Allegro ma non tanto (rec 1936) | Edwin Fischer, Kammerorchester Edwin Fischer | — | |
| 19-1 | Cello Suite no. 1 in G: Prelude | Pablo Casals | T-915.432.414-8 | |
| 19-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — | |
| 19-3 | BWV 1007, Suite Nr 1 in G-Dur : III. Courante (rec 1938) | — | ||
| 19-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — | |
| 19-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — | |
| 19-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — | |
| 19-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pau Casals | T-909.229.948-4 | |
| 19-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pau Casals | — | |
| 19-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pau Casals | — | |
| 19-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pau Casals | — | |
| 19-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I and II | Pau Casals | — | |
| 19-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pau Casals | — | |
| 19-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pau Casals | — | |
| 19-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pau Casals | — | |
| 19-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pau Casals | — | |
| 19-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pau Casals | — | |
| 19-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I and II | Pau Casals | — | |
| 19-18 | Suite for Solo Cello No. 3 in C major BWV 1009: VI. Gigue | Pau Casals | — | |
| 20-1 | Gavotte en Rondeau (Andrés Segovia) (rec 1927) | — | ||
| 20-2 | Courante (Andrés Segovia) (rec 1927) | — | ||
| 20-3 | Prélude (Andrés Segovia) (rec 1935) | — | ||
| 20-4 | Prelude in C minor, BWV 999 | Andrés Segovia | — | |
| 20-5 | Suite for Lute no. 1 in E minor, BWV 996: II. Allemande | Andrés Segovia | — | |
| 20-6 | Fuge (Andrés Segovia) (rec 1927) | — | ||
| 20-7 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Allemande (Yehudin Menuhin) (rec 1935) | — | ||
| 20-8 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-9 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Courante (Yehudin Menuhin) (rec 1935) | — | ||
| 20-10 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-11 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Sarabande (Yehudin Menuhin) (rec 1935) | — | ||
| 20-12 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-13 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Tempo di Borea (Yehudin Menuhin) (rec 1935) | — | ||
| 20-14 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-15 | Unaccompanied Partita no. 3 in E major, BWV 1006: I. Preludio | Yehudi Menuhin | T-070.918.931-0 | |
| 20-16 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Loure (Yehudin Menuhin) (rec 1935) | — | ||
| 20-17 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Gavotte en Rondeau (Yehudin Menuhin) (rec 1935) | — | ||
| 20-18 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Menuetto I und II (Yehudin Menuhin) (rec 1935) | — | ||
| 20-19 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Bourrée (Yehudin Menuhin) (rec 1935) | — | ||
| 20-20 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Gigue (Yehudin Menuhin) (rec 1935) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
4011222045805 is a Universal Product Code (UPC) assigned to Soli Deo Gloria - Meisterwerke in bedeutenden Aufnahmen by Johann Sebastian Bach. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 325 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Suite no. 1 in G: Prelude | Pablo Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I and II | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I and II | Pau Casals | — |
| Suite for Solo Cello No. 3 in C major BWV 1009: VI. Gigue | Pau Casals | — |
Creative Contributors (ISNI)
The UPC for “Soli Deo Gloria - Meisterwerke in bedeutenden Aufnahmen” by Johann Sebastian Bach is 4011222045805. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. This release contains 325 tracks, each with its own ISRC. Tracks include GBAYC9901709, GBAYC0701662, GBAYC8902436.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846 | Edwin Fischer | — | |
| 2 | BWV 847, Präludium & Fuge Nr 2 in C-Moll | — | ||
| 3 | BWV 848, Präludium & Fuge Nr 3 in Cis-Dur | — | ||
| 4 | BWV 849, Präludium & Fuge Nr 4 in Cis-Moll | — | ||
| 5 | BWV 850, Präludium & Fuge Nr 5 in D-Dur | — | ||
| 6 | BWV 851, Präludium & Fuge Nr 6 in D-Moll | — | ||
| 7 | BWV 852, Präludium & Fuge Nr 7 in Es-Dur | — | ||
| 8 | BWV 853, Präludium & Fuge Nr 8 in Es-Moll | — | ||
| 9 | BWV 854, Präludium & Fuge Nr 9 in E-Dur | — | ||
| 10 | BWV 855, Präludium & Fuge Nr 10 in E-Moll | — | ||
| 11 | BWV 856, Präludium & Fuge Nr 11 in F-Dur | — | ||
| 12 | BWV 857, Präludium & Fuge Nr 12 in F-Moll | — | ||
| 13 | BWV 858, Präludium & Fuge Nr 13 in Fis-Dur | — | ||
| 14 | BWV 859, Präludium & Fuge Nr 14 in Fis-Dur | — | ||
| 15 | BWV 860, Präludium & Fuge Nr 15 in G-Dur | — | ||
| 16 | BWV 861, Präludium & Fuge Nr 16 in G-Moll | — | ||
| 17 | BWV 862, Präludium & Fuge Nr 17 in As-Dur | — | ||
| 18 | BWV 863, Präludium & Fuge Nr 18 in Gis-Moll | — | ||
| 19 | BWV 864, Präludium & Fuge Nr 19 in A-Dur | — | ||
| 2-1 | BWV 865, Präludium & Fuge Nr 20 in A-Moll | — | ||
| 2-2 | BWV 866, Präludium & Fuge Nr 21 in B-Dur | — | ||
| 2-3 | BWV 867, Präludium & Fuge Nr 22 in B-Moll | — | ||
| 2-4 | BWV 868, Präludium & Fuge Nr 23 in H-Dur | — | ||
| 2-5 | BWV 869, Präludium & Fuge Nr 24 in H-Moll | — | ||
| 2-6 | BWV 870, Präludium & Fuge Nr 1 in C-Dur | — | ||
| 2-7 | BWV 871, Präludium & Fuge Nr 2 in C-Moll | — | ||
| 2-8 | BWV 872, Präludium & Fuge Nr 3 in Cis-Dur | — | ||
| 2-9 | BWV 873, Präludium & Fuge Nr 4 in Cis-Moll | — | ||
| 2-10 | BWV 874, Präludium & Fuge Nr 5 in D-Dur | — | ||
| 2-11 | BWV 875, Präludium & Fuge Nr 6 in D-Moll | — | ||
| 2-12 | BWV 876, Präludium & Fuge Nr 7 in Es-Dur | — | ||
| 2-13 | BWV 877, Präludium & Fuge Nr 8 in Es-Moll | — | ||
| 2-14 | BWV 878, Präludium & Fuge Nr 9 in E-Dur | — | ||
| 2-15 | The Well-Tempered Clavier, Book II: Prelude No. 10 in E minor, BWV 879 | Edwin Fischer | — | |
| 3-1 | BWV 879, Fuge Nr 10 in E-Moll | — | ||
| 3-2 | BWV 880, Präludium & Fuge Nr 11 in F-Dur | — | ||
| 3-3 | BWV 881, Präludium & Fuge Nr 12 in F-Moll | — | ||
| 3-4 | BWV 882, Präludium & Fuge Nr 13 in Fis-Dur | — | ||
| 3-5 | BWV 883, Präludium & Fuge Nr 14 in Fis-Moll | — | ||
| 3-6 | BWV 884, Präludium & Fuge Nr 15 in G-Dur | — | ||
| 3-7 | BWV 885, Präludium & Fuge Nr 16 in G-Moll | — | ||
| 3-8 | BWV 886, Präludium & Fuge Nr 17 in As-Dur | — | ||
| 3-9 | BWV 887, Präludium & Fuge Nr 18 in Gis-Moll | — | ||
| 3-10 | BWV 888, Präludium & Fuge Nr 19 in A-Dur | — | ||
| 3-11 | BWV 889, Präludium & Fuge Nr 20 in A-Moll | — | ||
| 3-12 | BWV 890, Präludium & Fuge Nr 21 in B-Dur | — | ||
| 3-13 | BWV 891, Präludium & Fuge Nr 22 in B-Moll | — | ||
| 3-14 | BWV 892, Präludium & Fuge Nr 23 in H-Dur | — | ||
| 3-15 | BWV 893, Präludium & Fuge Nr 24 in H-Moll | — | ||
| 4-1 | BWV 825, Partita Nr 1 in B-Dur : I. Prelude | — | ||
| 4-2 | BWV 825, Partita Nr 1 in B-Dur : II. Allemande | — | ||
| 4-3 | BWV 825, Partita Nr 1 in B-Dur : III. Courante | — | ||
| 4-4 | BWV 825, Partita Nr 1 in B-Dur : IV. Sarabande | — | ||
| 4-5 | BWV 825, Partita Nr 1 in B-Dur : V. Menuet 1 | — | ||
| 4-6 | BWV 825, Partita Nr 1 in B-Dur : VI. Menuet 2 | — | ||
| 4-7 | BWV 825, Partita Nr 1 in B-Dur : VII. Gigue | — | ||
| 4-8 | BWV 971, Italienisches Konzert : I. Allegro | — | ||
| 4-9 | BWV 971, Italienisches Konzert : II. Andante | — | ||
| 4-10 | BWV 971, Italienisches Konzert : III. Presto | — | ||
| 4-11 | BWV 147, "Jesus bleibet meine Freude" : Dame Myta Hess (Clavier) (rec 1940) | — | ||
| 4-12 | BWV 599, "Nun kommt der Heiden Heiland" : Wladimir Horowitz (Clavier) (rec 1947) | — | ||
| 4-13 | BWV 639, "Ich ruf zu Dir, Herr Jesus Christ" | — | ||
| 4-14 | BWV 734, "Nun freut euch, lieben Christen Gmein" : Wladimir Horowitz (Clavier) (rec 1934) | — | ||
| 5-1 | Contrapunctus 1 (Einfache Fugen) | — | ||
| 5-2 | Contrapunctus 2 (Einfache Fugen) | — | ||
| 5-3 | Contrapunctus 3 (Einfache Fugen) | — | ||
| 5-4 | Contrapunctus 4 (Einfache Fugen) | — | ||
| 5-5 | Contrapunctus 5 (Gegenfugen) | — | ||
| 5-6 | Contrapunctus 6 (Gegenfugen) | — | ||
| 5-7 | Contrapunctus 7 (Gegenfugen) | — | ||
| 5-8 | Contrapunctus 8 (Doppel- und Tripelfugen) | — | ||
| 5-9 | Contrapunctus 9 (Doppel- und Tripelfugen) | — | ||
| 5-10 | Contrapunctus 10 (Doppel- und Tripelfugen) | — | ||
| 5-11 | Contrapunctus 11 (Doppel- und Tripelfugen) | — | ||
| 6-1 | Canon 1 (Contrapunctus 12), | — | ||
| 6-2 | Canon 2 (Contrapunctus 13), | — | ||
| 6-3 | Canon 3 (Contrapunctus 14), | — | ||
| 6-4 | Canon 4 (Contrapunctus 15), | — | ||
| 6-5 | Contrapunctus 16a, Spiegelfugen | — | ||
| 6-6 | Contrapunctus 16b, Spiegelfugen | — | ||
| 6-7 | Contrapunctus 18a, Spiegelfugen | — | ||
| 6-8 | Contrapunctus 18b, Spiegelfugen | — | ||
| 6-9 | Contrapunctus 19, Quadrupelfuge | — | ||
| 7-1 | BWV 565, Toccata & Fuge in D-Moll (rec 1935) | — | ||
| 7-2 | BWV 654, Choralvorspiel "Schmücke dich, o liebe Seele" (rec 1936) | — | ||
| 7-3 | BWV 541, Päludium & Fuge in G-Dur (rec 1935) | — | ||
| 7-4 | BWV 653, Choralvorspiel "An Wasserflüssen Babylon" (rec 1936) | — | ||
| 7-5 | BWV 578, Fuge in G-Moll (rec 1935) | — | ||
| 7-6 | BWV 534, Präludium & Fuge in F-Moll (rec 1935) | — | ||
| 7-7 | BWV 543, Fuge in A-Moll (rec 1936) | — | ||
| 8-1 | BWV 611, Choralvorspiel "Christum, wir sollen loben schon" (rec 1937) | — | ||
| 8-2 | BWV 545, Präludium & Fuge in C-Dur (rec 1935) | — | ||
| 8-3 | BWV 731, Choralvorspiel "Liebster Jesu, wir sind hier" (rec 1937) | — | ||
| 8-4 | BWV 548, Präludium & Fuge in E-Moll (rec 1937) | — | ||
| 8-5 | BWV 665, Choralvorspiel "Jesus Christus, unser Heiland" (rec 1937) | — | ||
| 8-6 | BWV 656, Choralvorspiel "O Lamm Gottes, unschuldig" (rec 1937) | — | ||
| 9-1 | Goldberg Variations BWV 988: Aria | — | ||
| 9-2 | Goldberg Variations BWV 988: Variation 1 | — | ||
| 9-3 | Goldberg Variations BWV 988: Variation 2 | — | ||
| 9-4 | Goldberg Variations BWV 988: Variation 3 | — | ||
| 9-5 | Goldberg Variations BWV 988: Variation 4 | — | ||
| 9-6 | Goldberg Variations BWV 988: Variation 5 | — | ||
| 9-7 | Goldberg Variations BWV 988: Variation 6 | — | ||
| 9-8 | Goldberg Variations BWV 988: Variation 7 | — | ||
| 9-9 | Goldberg Variations BWV 988: Variation 8 | — | ||
| 9-10 | Goldberg Variations BWV 988: Variation 9 | — | ||
| 9-11 | Goldberg Variations BWV 988: Variation 10 | — | ||
| 9-12 | Goldberg Variations BWV 988: Variation 11 | — | ||
| 9-13 | Goldberg Variations BWV 988: Variation 12 | — | ||
| 9-14 | Goldberg Variations BWV 988: Variation 13 | — | ||
| 9-15 | Goldberg Variations BWV 988: Variation 14 | — | ||
| 9-16 | Goldberg Variations BWV 988: Variation 15 | — | ||
| 9-17 | Goldberg Variations BWV 988: Variation 16 | — | ||
| 9-18 | Goldberg Variations BWV 988: Variation 17 | — | ||
| 9-19 | Goldberg Variations BWV 988: Variation 18 | — | ||
| 9-20 | Goldberg Variations BWV 988: Variation 19 | — | ||
| 9-21 | Goldberg Variations BWV 988: Variation 20 | — | ||
| 9-22 | Goldberg Variations BWV 988: Variation 21 | — | ||
| 9-23 | Goldberg Variations BWV 988: Variation 22 | — | ||
| 9-24 | Goldberg Variations BWV 988: Variation 23 | — | ||
| 9-25 | Goldberg Variations BWV 988: Variation 24 | — | ||
| 9-26 | Goldberg Variations BWV 988: Variation 25 | — | ||
| 9-27 | Goldberg Variations BWV 988: Variation 26 | — | ||
| 9-28 | Goldberg Variations BWV 988: Variation 27 | — | ||
| 9-29 | Goldberg Variations BWV 988: Variation 28 | — | ||
| 9-30 | Goldberg Variations BWV 988: Variation 29 | — | ||
| 9-31 | Goldberg Variations BWV 988: Variation 30 | — | ||
| 9-32 | Goldberg Variations BWV 988: Aria da capo | — | ||
| 10-1 | BWV 903, Chromatische Fantasie & Fuge in D-Moll | — | ||
| 10-2 | BWV 807, Englische Suite Nr 2 in A-Moll : I. Prelude | — | ||
| 10-3 | BWV 807, Englische Suite Nr 2 in A-Moll : II. Allemande | — | ||
| 10-4 | BWV 807, Englische Suite Nr 2 in A-Moll : III. Courante | — | ||
| 10-5 | BWV 807, Englische Suite Nr 2 in A-Moll : IV. Sarabande | — | ||
| 10-6 | BWV 807, Englische Suite Nr 2 in A-Moll : V. Bourrée | — | ||
| 10-7 | BWV 807, Englische Suite Nr 2 in A-Moll : VI. Gigue | — | ||
| 10-8 | BWV 817, Französische Suite Nr 6 in E-Dur : I. Allemande | — | ||
| 10-9 | BWV 817, Französische Suite Nr 6 in E-Dur : II. Courante | — | ||
| 10-10 | BWV 817, Französische Suite Nr 6 in E-Dur : III. Sarabande | — | ||
| 10-11 | BWV 817, Französische Suite Nr 6 in E-Dur : IV. Gavotte | — | ||
| 10-12 | BWV 817, Französische Suite Nr 6 in E-Dur : V. Polonaise | — | ||
| 10-13 | BWV 817, Französische Suite Nr 6 in E-Dur : VI. Menuett | — | ||
| 10-14 | BWV 817, Französische Suite Nr 6 in E-Dur : VII. Bourrée | — | ||
| 10-15 | BWV 817, Französische Suite Nr 6 in E-Dur : VIII. Gigue | — | ||
| 10-16 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : I. Adagio | — | ||
| 10-17 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : II. Allegro | — | ||
| 10-18 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : III. Adagio ma non tanto | — | ||
| 10-19 | BWV 1016, Sonate für Violine und Cembalo Nr 3 in E-Dur : IV. Allegro | — | ||
| 11-1 | BWV 243, Magnificat in D-Dur: I. Chor "Magnificat" (rec 1949) | — | ||
| 11-2 | BWV 243, Magnificat in D-Dur: II. Arie "Et exsultavit spiritus meus" (rec 1949) | — | ||
| 11-3 | BWV 243, Magnificat in D-Dur: III. Arie "Quia respexit humilitatem" (rec 1949) | — | ||
| 11-4 | BWV 243, Magnificat in D-Dur: IV. Arie "Quia fecit mihi magna" (rec 1949) | — | ||
| 11-5 | BWV 243, Magnificat in D-Dur: V. Duett "Et misericordia" (rec 1949) | — | ||
| 11-6 | BWV 243, Magnificat in D-Dur: VI. Chor "Fecit potentiam" (rec 1949) | — | ||
| 11-7 | BWV 243, Magnificat in D-Dur: VII. Arie "Desposuit potentes" (rec 1949) | — | ||
| 11-8 | BWV 243, Magnificat in D-Dur: VIII. Arie "Esurientes implevit bonis" (rec 1949) | — | ||
| 11-9 | BWV 243, Magnificat in D-Dur: IX. Chor "Suscepit Israel" (rec 1949) | — | ||
| 11-10 | BWV 243, Magnificat in D-Dur: X. Chor "Sicut locutus est" (rec 1949) | — | ||
| 11-11 | BWV 243, Magnificat in D-Dur: XI. Chor "Gloria Patri" (rec 1949) | — | ||
| 11-12 | BWV 147, Kantate "Herz und Mund und Tat und Leben" ; Bach Cantata Club, Kennedy Scott (rec 1931) | — | ||
| 11-13 | BWV 82, Kantate "Ich habe genug" : I. Arie "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-14 | BWV 82, Kantate "Ich habe genug" : II. Rezitativ "Ich habe genug" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-15 | BWV 82, Kantate "Ich habe genug" : III. Arie "Schlummert ein, Ihr matten Augen" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-16 | BWV 82, Kantate "Ich habe genug" : VI. Rezitativ "Mein Gott! Wann kommt der schöne Nun!" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 11-17 | BWV 82, Kantate "Ich habe genug" : V. Arie "Ich freue mich auf meinen Tod" ; Philharmonia Orchestra, Anthony Bernard (Conductor) (rec 1950) | — | ||
| 12-1 | BWV 493, Oh Jesulein süß Oh Jesulein mild : Karl Erb (rec 1934) | — | ||
| 12-2 | BWV 509, Gedenke doch mein Geist : Gérard Souzay (rec 1950) | — | ||
| 12-3 | BWV 515, So oft ich meine Tabakpfeife : Gérard Souzay (rec 1950) | — | ||
| 12-4 | BWV 517, Wie wohl ist mir : Gérard Souzay (rec 1950) | — | ||
| 12-5 | BWV 518, Willlst Du mir Dein Herz schenken : Gérard Souzay (rec 1950) | — | ||
| 12-6 | BWV 4, Jesus Christus Gottes Sohn : John McCormack (rec 1941) | — | ||
| 12-7 | BWV 12, Kreuz und Krone : Marian Anderson (rec 1946) | — | ||
| 12-8 | BWV 68, Mein gläubiges Herz : Germaine Lubin (rec 1930) | — | ||
| 12-9 | BWV 81, Jesus schläft was soll ich hoffen : Marian Anderson (rec 1946) | — | ||
| 12-10 | BWV 112, Zum reinen Wasser : Marian Anderson (rec 1946) | — | ||
| 12-11 | BWV 245, Es ist vollbracht : (rec 1941) | — | ||
| 12-12 | BWV 244, Erbarme dich oh mein Gott : (rec 1946) | — | ||
| 12-13 | BWV 248, Bereite dich Zion : Marian Anderson (rec 1946) | — | ||
| 12-14 | BWV 232, Et in spiritum sanctum Dominum : Friedrich Schorr (rec 1929) | — | ||
| 13-1 | Matthäus-Passion, BWV 244: Chor "Kommt Ihr Töchter, helft mir klagen" / Choral "O Lamm Gottess unschuldig" | — | ||
| 13-2 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Da Jesus diese Rede vollendet hatte" | — | ||
| 13-3 | Matthäus-Passion, BWV 244: Choral "Herzliebster Jesu" | — | ||
| 13-4 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da versammelten sich die Hohenpriester" | — | ||
| 13-5 | Matthäus-Passion, BWV 244: Chor "Ja nicht auf das Fest" | — | ||
| 13-6 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da nun Jesus war zu Bethanien" | — | ||
| 13-7 | Matthäus-Passion, BWV 244: Chor "Wozu dienet dieser Unrat" | — | ||
| 13-8 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Da das Jesus merkete" | — | ||
| 13-9 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Alt) "Du liebester Heiland Du" | — | ||
| 13-10 | Matthäus-Passion, BWV 244: Arie (Alt) "Buß' und Reu' " | — | ||
| 13-11 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da ging hin der Zwölfen einer" | — | ||
| 13-12 | Matthäus-Passion, BWV 244: Arie (Sopran) "Blute nur du liebes Herz" | — | ||
| 13-13 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Aber am ersten Tage" | — | ||
| 13-14 | Matthäus-Passion, BWV 244: Chor "Wo willst Du" | — | ||
| 13-15 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Er sprach: " | — | ||
| 13-16 | Matthäus-Passion, BWV 244: Choral "Ich bin's, ich sollte büßen" | — | ||
| 13-17 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da sie aber aßen" | — | ||
| 13-18 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Und da sie den Lobgesang gesprochen hatten" | — | ||
| 13-19 | Matthäus-Passion, BWV 244: Choral "Er kenne mich, mein Hüter" | — | ||
| 13-20 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Petrus aber antwortete" | — | ||
| 13-21 | Matthäus-Passion, BWV 244: Choral "Ich will hier bei Dir stehen" | — | ||
| 13-22 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Da kam Jesus" | — | ||
| 13-23 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor) "O, Schmerz" | — | ||
| 13-24 | Matthäus-Passion, BWV 244: Arie (Tenor) Chorus "Ich will bei meinem Jesu wachen" | — | ||
| 13-25 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Und ging hin ein wenig" | — | ||
| 13-26 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da kam er zu seinen Jüngern" | — | ||
| 13-27 | Matthäus-Passion, BWV 244: Duett (Sopran, Alt) "So ist mein Jesus nun gefangen" | — | ||
| 13-28 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) "Zu der Stund' " | — | ||
| 13-29 | Matthäus-Passion, BWV 244: Choral "O Mensch, bewein' dein' Sünde groß" | — | ||
| 14-1 | Matthäus-Passion, BWV 244: Arie (Alt) "Ach! Nun ist mein Heiland hin" | — | ||
| 14-2 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Und der Hoheprister stand auf" | — | ||
| 14-3 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" | — | ||
| 14-4 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) Chor "Und der Hoheprister antwortete" | — | ||
| 14-5 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) Chor "Da speieten sie aus" | — | ||
| 14-6 | Matthäus-Passion, BWV 244: Choral "Wer hat dich so geschlagen" | — | ||
| 14-7 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Petrus aber saß draußen im Palast" | — | ||
| 14-8 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da hub er an sich zu verfluchen" | — | ||
| 14-9 | Matthäus-Passion, BWV 244: Arie (Alt) "Erbarme Dich, mein Gott" | — | ||
| 14-10 | Matthäus-Passion, BWV 244: Choral "Bin ich gleich von Dir gewichen" | — | ||
| 14-11 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Des Morgens aber" | — | ||
| 14-12 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und er warf die Silberlinge" | — | ||
| 14-13 | Matthäus-Passion, BWV 244: Arie (Baß) "Gebt mir mir meinen Jesum wieder" | — | ||
| 14-14 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton, Baß) "Jeus aber stand vor dem Landpfleger" | — | ||
| 14-15 | Matthäus-Passion, BWV 244: Choral "Befiehl Du deine Wege" | — | ||
| 14-16 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Auf das Fest" | — | ||
| 14-17 | Matthäus-Passion, BWV 244: Choral "Wie wunderbarlich ist doch diese Strafe" | — | ||
| 14-18 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Sopran) "Er hat uns allen wohlgetan" | — | ||
| 14-19 | Matthäus-Passion, BWV 244: Arie (Sopran) "Aus Liebe will mein Heiland sterben" | — | ||
| 14-20 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Da aber Pilatus sahe" | — | ||
| 14-21 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Alt) "Erbarm es Gott" | — | ||
| 14-22 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Da nahmen die Kriegsknechte" | — | ||
| 14-23 | Matthäus-Passion, BWV 244: Choral "O Haupt voll Blut und Wunden" | — | ||
| 14-24 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und da sie ihn verspotten hatten" | — | ||
| 14-25 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Und da wurden zween Mörder mit ihm gekreuzigt" | — | ||
| 14-26 | Matthäus-Passion, BWV 244: Rezitativ (Tenor) "Desgleichen schmäheten ihn" | — | ||
| 14-27 | Matthäus-Passion, BWV 244: Rezitativ (Alt) "Ach Golgatha, unsel'ges Golgatha" | — | ||
| 14-28 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Bariton) Chor "Und von der sechsten Stunde an" | — | ||
| 14-29 | Choral "Wenn ich einmal soll scheiden" | — | ||
| 14-30 | Rezitativ (Tenor) Chor "Und siehe da" | — | ||
| 14-31 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Baß) "Am Abend, da es kühle war" | — | ||
| 14-32 | Matthäus-Passion, BWV 244: Rezitativ (Tenor, Baß) "Und Joseph nahm den Leib" | — | ||
| 14-33 | Matthäus-Passion, BWV 244: Begl. Rezitativ (Tenor, Baß, Sopran) Chor "Nun ist der Herr zur Ruh' gebracht" | — | ||
| 14-34 | Matthäus-Passion, BWV 244: Schlußchor "Wir setzen uns mit Tränen nieder" | — | ||
| 15-1 | BWV 1049, 4. Konzert in G-Dur: I. Allegro (rec 1949) | — | ||
| 15-2 | BWV 1049, 4. Konzert in G-Dur: II. Andante (rec 1949) | — | ||
| 15-3 | BWV 1049, 4. Konzert in G-Dur: III. Presto (rec 1949) | — | ||
| 15-4 | BWV 1050, 5. Konzert in D-Dur: I. Allegro (rec 1949) | — | ||
| 15-5 | BWV 1050, 5. Konzert in D-Dur: II. Affettuoso (rec 1949) | — | ||
| 15-6 | BWV 1050, 5. Konzert in D-Dur: III. Allegro (rec 1949) | — | ||
| 15-7 | BWV 1051, 6. Konzert in B-Dur: I. Allegro (rec 1949) | — | ||
| 15-8 | BWV 1051, 6. Konzert in B-Dur: II. Adagio ma non tanto (rec 1949) | — | ||
| 15-9 | BWV 1051, 6. Konzert in B-Dur: III. Allegro (rec 1949) | — | ||
| 16-1 | BWV 1046, 1. Konzert in F-Dur: I. Allegro (rec 1949) | — | ||
| 16-2 | BWV 1046, 1. Konzert in F-Dur: II. Adagio (rec 1949) | — | ||
| 16-3 | BWV 1046, 1. Konzert in F-Dur: III. Allegro (rec 1949) | — | ||
| 16-4 | BWV 1046, 1. Konzert in F-Dur: IV. Menuet Trio, Polonaise Trio (rec 1949) | — | ||
| 16-5 | BWV 1047, 2. Konzert in F-Dur: I. Allegro (rec 1949) | — | ||
| 16-6 | BWV 1047, 2. Konzert in F-Dur: II. Andante (rec 1949) | — | ||
| 16-7 | BWV 1047, 2. Konzert in F-Dur: III. Allegro assai (rec 1949) | — | ||
| 16-8 | BWV 1048, 3. Konzert in G-Dur: I. Allegro (rec 1949) | — | ||
| 16-9 | BWV 1048, 3. Konzert in G-Dur: II. Adagio Allegro (rec 1949) | — | ||
| 17-1 | BWV 1067, Orchestersuite Nr 2 in H-Moll: I. Ouverture (rec 1946) | — | ||
| 17-2 | BWV 1067, Orchestersuite Nr 2 in H-Moll: II. Rondeau (rec 1946) | — | ||
| 17-3 | BWV 1067, Orchestersuite Nr 2 in H-Moll: III. Sarabande (rec 1946) | — | ||
| 17-4 | BWV 1067, Orchestersuite Nr 2 in H-Moll: IV. Bourrée (rec 1946) | — | ||
| 17-5 | BWV 1067, Orchestersuite Nr 2 in H-Moll: V. Polonaise (rec 1946) | — | ||
| 17-6 | BWV 1067, Orchestersuite Nr 2 in H-Moll: VI. Menuett (rec 1946) | — | ||
| 17-7 | BWV 1067, Orchestersuite Nr 2 in H-Moll: VII. Badineriea (rec 1946) | — | ||
| 17-8 | BWV 1068, Orchestersuite Nr 3 in D-Dur: I. Ouverture (rec 1944) | — | ||
| 17-9 | BWV 1068, Orchestersuite Nr 3 in D-Dur: II. Air (rec 1944) | — | ||
| 17-10 | BWV 1068, Orchestersuite Nr 3 in D-Dur: III. Gavotte I und II (rec 1944) | — | ||
| 17-11 | BWV 1068, Orchestersuite Nr 3 in D-Dur: IV. Bourrée (rec 1944) | — | ||
| 17-12 | BWV 1068, Orchestersuite Nr 3 in D-Dur: V. Gigue (rec 1944) | — | ||
| 17-13 | BWV 249, Osteroratorium: Sinfonia(rec 1943) | — | ||
| 17-14 | BWV 1042, Violinkonzert Nr 2 in E-Dur: I. Allegro (rec 1933) | — | ||
| 17-15 | BWV 1042, Violinkonzert Nr 2 in E-Dur: II. Adagio (rec 1933) | — | ||
| 17-16 | BWV 1042, Violinkonzert Nr 2 in E-Dur: III. Allegro assai (rec 1933) | — | ||
| 18-1 | BWV 1041, Violinkonzert Nr 1 in A-Moll: I. Allegro (rec 1936) | — | ||
| 18-2 | BWV 1041, Violinkonzert Nr 1 in A-Moll: II. Andante(rec 1936) | — | ||
| 18-3 | BWV 1041, Violinkonzert Nr 1 in A-Moll: III. Allegro assai (rec 1936) | — | ||
| 18-4 | BWV 1043, Doppelkonzert in D-Moll: I. Vivace (rec 1945) | — | ||
| 18-5 | BWV 1043, Doppelkonzert in D-Moll: II. Largo ma non tanto (rec 1945) | — | ||
| 18-6 | BWV 1043, Doppelkonzert in D-Moll: III. Allegro (rec 1945) | — | ||
| 18-7 | BWV 1052, Cembalokonzert Nr 1 in D-Moll: I. Allegro (rec 1945) | — | ||
| 18-8 | BWV 1052, Cembalokonzert Nr 1 in D-Moll: II. Adagio (rec 1945) | — | ||
| 18-9 | BWV 1052, Cembalokonzert Nr 1 in D-Moll: III. Allegro (rec 1945) | — | ||
| 18-10 | BWV 1055, Cembalokonzert Nr 4 in A-Dur: I. Allegro (rec 1936) | Edwin Fischer, Kammerorchester Edwin Fischer | — | |
| 18-11 | BWV 1055, Cembalokonzert Nr 4 in A-Dur: II. Larghetto (rec 1936) | Edwin Fischer, Kammerorchester Edwin Fischer | — | |
| 18-12 | BWV 1055, Cembalokonzert Nr 4 in A-Dur: III. Allegro ma non tanto (rec 1936) | Edwin Fischer, Kammerorchester Edwin Fischer | — | |
| 19-1 | Cello Suite no. 1 in G: Prelude | Pablo Casals | T-915.432.414-8 | |
| 19-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — | |
| 19-3 | BWV 1007, Suite Nr 1 in G-Dur : III. Courante (rec 1938) | — | ||
| 19-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — | |
| 19-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — | |
| 19-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — | |
| 19-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pau Casals | T-909.229.948-4 | |
| 19-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pau Casals | — | |
| 19-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pau Casals | — | |
| 19-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pau Casals | — | |
| 19-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I and II | Pau Casals | — | |
| 19-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pau Casals | — | |
| 19-13 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pau Casals | — | |
| 19-14 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pau Casals | — | |
| 19-15 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pau Casals | — | |
| 19-16 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pau Casals | — | |
| 19-17 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I and II | Pau Casals | — | |
| 19-18 | Suite for Solo Cello No. 3 in C major BWV 1009: VI. Gigue | Pau Casals | — | |
| 20-1 | Gavotte en Rondeau (Andrés Segovia) (rec 1927) | — | ||
| 20-2 | Courante (Andrés Segovia) (rec 1927) | — | ||
| 20-3 | Prélude (Andrés Segovia) (rec 1935) | — | ||
| 20-4 | Prelude in C minor, BWV 999 | Andrés Segovia | — | |
| 20-5 | Suite for Lute no. 1 in E minor, BWV 996: II. Allemande | Andrés Segovia | — | |
| 20-6 | Fuge (Andrés Segovia) (rec 1927) | — | ||
| 20-7 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Allemande (Yehudin Menuhin) (rec 1935) | — | ||
| 20-8 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-9 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Courante (Yehudin Menuhin) (rec 1935) | — | ||
| 20-10 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-11 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Sarabande (Yehudin Menuhin) (rec 1935) | — | ||
| 20-12 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-13 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Tempo di Borea (Yehudin Menuhin) (rec 1935) | — | ||
| 20-14 | BWV 1002 : Partitia Nr 1 für Violine solo H-Moll: Double (Yehudin Menuhin) (rec 1935) | — | ||
| 20-15 | Unaccompanied Partita no. 3 in E major, BWV 1006: I. Preludio | Yehudi Menuhin | T-070.918.931-0 | |
| 20-16 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Loure (Yehudin Menuhin) (rec 1935) | — | ||
| 20-17 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Gavotte en Rondeau (Yehudin Menuhin) (rec 1935) | — | ||
| 20-18 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Menuetto I und II (Yehudin Menuhin) (rec 1935) | — | ||
| 20-19 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Bourrée (Yehudin Menuhin) (rec 1935) | — | ||
| 20-20 | BWV 1006 : Partitia Nr 3 für Violine solo E-Dur: Gigue (Yehudin Menuhin) (rec 1935) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Suite no. 1 in G: Prelude | Pablo Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: II. Allemande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: V. Menuets I and II | Pau Casals | — |
| Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: III. Courante | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I and II | Pau Casals | — |
| Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: I. Prelude | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: II. Allemande | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: III. Courante | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | Pau Casals | — |
| Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I and II | Pau Casals | — |
| Suite for Solo Cello No. 3 in C major BWV 1009: VI. Gigue | Pau Casals | — |
