UPC · Release
Forever Amber
David Raksin
Last verified:
4011222218049 is the Universal Product Code (UPC barcode) for the release “Forever Amber” by David Raksin, released 2004-01-01 on Μουσική Ακτή. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 5 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (5)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Twentieth Century Fox Fanfare | — | ||
| 2 | Part I: Main Title / The Chase / Escape / Fanfare / The Royal Court | — | ||
| 3 | Part II: Romance / Royalty / Amber / The Prison / Birth | — | ||
| 4 | Part III: Amber's Theme / Ride / Death / Sickness / Attack / Ordeal | — | ||
| 5 | Part IV: Music of the Court / The King / The Return / Memories / Whitehall / The Fire / End Title | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4011222218049?
4011222218049 is a Universal Product Code (UPC) assigned to Forever Amber by David Raksin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 5 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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