UPC · Release
Diggin’ Deeper – 200 Legendary Blues Treasures
Various Artists
4011222220240
20 tracksReleased 2004-01-01The Intense Media
Last verified:
4011222220240 is the Universal Product Code (UPC barcode) for the release “Diggin’ Deeper – 200 Legendary Blues Treasures” by Various Artists, released 2004-01-01 on The Intense Media. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEU240305530, GBEEJ0700250, GBBLY0702829.
Format
401GS1 prefix
1222Company prefix
22024Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDiggin’ Deeper – 200 Legendary Blues Treasures
ISRC7 recordings
ISWC41 works
IPI30 songwriters
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5-1 | Come Home Early | — | ||
| 5-2 | Moonshine | — | ||
| 5-3 | Who’s Been Fooling You | — | ||
| 5-4 | Floating Bridge | — | ||
| 5-5 | Sally Mae | John Lee Hooker | T7000600217 | |
| 5-6 | Bukka’s Jitterbug Swing | — | ||
| 5-7 | Fort Worth and Dallas Blues | — | ||
| 5-8 | Experience Blues | — | ||
| 5-9 | Phonograph Blues (take 1) | Robert Johnson | — | |
| 5-10 | Ice Man | — | ||
| 5-11 | Cold Winter Blues | — | ||
| 5-12 | Countin’ the Blues | — | ||
| 5-13 | Janie’s Joys | — | ||
| 5-14 | Baby Won’t You Please Come Home Blues | Bessie Smith | T-914.986.189-2 | |
| 5-15 | Burr Clover Blues | — | ||
| 5-16 | Katie Mae Blues | Lightnin’ Hopkins | T-700.033.913-1 | |
| 5-17 | Step It Up and Go | — | ||
| 5-18 | Train Fare Blues | Sonny Boy Williamson | — | |
| 5-19 | I Want Some of Your Pie | Blind Boy Fuller, Sonny Terry | — | |
| 5-20 | Praying on the Old Camp Ground | Mississippi John Hurt | — |
Come Home Early
—
Moonshine
—
Who’s Been Fooling You
—
Floating Bridge
—
Bukka’s Jitterbug Swing
—
Fort Worth and Dallas Blues
—
Experience Blues
—
Phonograph Blues (take 1)
Robert Johnson
—
Ice Man
—
Cold Winter Blues
—
Countin’ the Blues
—
Janie’s Joys
—
Burr Clover Blues
—
Step It Up and Go
—
Train Fare Blues
Sonny Boy Williamson
—
I Want Some of Your Pie
Blind Boy Fuller, Sonny Terry
—
Praying on the Old Camp Ground
Mississippi John Hurt
—
Additional database matches (78)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Alberta | John Lee Hooker | — |
| Henry’s Swing Club | John Lee Hooker | — |
| Boogie Chillen | John Lee Hooker | T-071.001.505-6 |
| Alberta | John Lee Hooker | — |
| Better Cut That Out | Sonny Boy Williamson | — |
| Welfare Store Blues | Sonny Boy Williamson | — |
| My Black Name Blues | Sonny Boy Williamson | — |
| Check Up on My Baby Blues | Sonny Boy Williamson | — |
| Stop Breaking Down | Sonny Boy Williamson | T-011.333.430-7 |
| Hoodoo Hoodoo | Sonny Boy Williamson | — |
| Shake the Boogie | Sonny Boy Williamson | — |
| Better Cut That Out | Sonny Boy Williamson | — |
| Good Gin Blues | Bukka White | — |
| Strange Place Blues | Bukka White | — |
| Down Hearted Blues | Bessie Smith | — |
| Got the Blues, Can’t Be Satisfied | Mississippi John Hurt | — |
| Fixin’ to Die Blues | Bukka White | — |
| I Believe I’ll Dust My Broom | Robert Johnson | T-301.203.303-9 |
| Stop Breakin’ Down Blues (take 1) | Robert Johnson | T-011.333.430-7 |
| Little Queen of Spades (take 1) | Robert Johnson | T-902.777.581-1 |
| When You Got a Good Friend | Robert Johnson | — |
| Dead Shrimp Blues | Robert Johnson | — |
| I’m a Steady Rollin’ Man | Robert Johnson | — |
| From Four Until Late | Robert Johnson | — |
| Malted Milk | Robert Johnson | T-070.242.059-4 |
| Come On in My Kitchen (take 2) | Robert Johnson | — |
| Shake ’Em On Down | Bukka White | T-700.061.921-8 |
| Candy Man Blues | Mississippi John Hurt | — |
| S.K. Blues, Part 1 | Big Joe Turner | — |
| S.K. Blues, Part 2 | Big Joe Turner | — |
| New York City | Lead Belly | — |
| Welfare Store Blues | Sonny Boy Williamson | — |
| Bumble Bee | Memphis Minnie | T-072.278.760-1 |
| Me and My Chauffeur Blues | Memphis Minnie | T-902.185.585-6 |
| S.K. Blues, Part 1 | Big Joe Turner | — |
| Down Hearted Blues | Bessie Smith | — |
| Down Hearted Blues | Bessie Smith | — |
| Phonograph Blues (take 1) | Robert Johnson | T3057653660 |
| Dead Shrimp Blues | Robert Johnson | T9027709519 |
| I’m a Steady Rollin’ Man | Robert Johnson | T9250127254 |
| From Four Until Late | Robert Johnson | T9027749899 |
| Come on in My Kitchen | Robert Johnson | T-010446475-6 |
| When You Got a Good Friend | Robert Johnson | T9027775833 |
| Steady Rollin’ Man | Robert Johnson | T9250127254 |
| Nobody’s Dirty Business | Mississippi John Hurt | — |
| Ain’t No Tellin’ | Mississippi John Hurt | — |
| Louis Collins | Mississippi John Hurt | — |
| Avalon Blues | Mississippi John Hurt | T-700.001.016-4 |
| Candy Man Blues | Mississippi John Hurt | — |
| Got the Blues, Can’t Be Satisfied | Mississippi John Hurt | — |
| Blessed Be the Name | Mississippi John Hurt | — |
| Blue Harvest Blues | Mississippi John Hurt | — |
| Spike Driver Blues | Mississippi John Hurt | — |
| Boogie Chillen | John Lee Hooker | T-071001505-6 |
| Boogie Chillen | John Lee Hooker | T-071.001.505-6 |
| I Believe I’ll Dust My Broom | Robert Johnson | T-301.203.303-9 |
| I Believe I’ll Dust My Broom | Robert Johnson | T-301.203.303-9 |
| I Believe I’ll Dust My Broom | Robert Johnson | T-301203303-9 |
| Stop Breakin’ Down Blues (take 1) | Robert Johnson | T-011.333.430-7 |
| Stop Breakin’ Down Blues (take 1) | Robert Johnson | T-011.333.430-7 |
| Stop Breakin’ Down Blues (take 1) | Robert Johnson | T-011.333.430-7 |
| Little Queen of Spades (take 1) | Robert Johnson | T-902.777.581-1 |
| Little Queen of Spades (take 1) | Robert Johnson | T-902.777.581-1 |
| Malted Milk | Robert Johnson | T-070.242.059-4 |
| Malted Milk | Robert Johnson | T-070.242.059-4 |
| Malted Milk | Robert Johnson | T-070.242.059-4 |
| Shake ’Em On Down | Bukka White | T-700.061.921-8 |
| Me and My Chauffeur Blues | Memphis Minnie | T-902.185.585-6 |
| Phonograph Blues (take 1) | Robert Johnson | T3057653660 |
| Phonograph Blues (take 1) | Robert Johnson | T3057653660 |
| Dead Shrimp Blues | Robert Johnson | T9027709519 |
| Dead Shrimp Blues | Robert Johnson | T9027709519 |
| I’m a Steady Rollin’ Man | Robert Johnson | T9250127254 |
| From Four Until Late | Robert Johnson | T9027749899 |
| From Four Until Late | Robert Johnson | T9027749899 |
| Come On in My Kitchen | Robert Johnson | T-010446475-6 |
| When You Got a Good Friend | Robert Johnson | T9027775833 |
| When You Got a Good Friend | Robert Johnson | T9027775833 |
Alberta
John Lee Hooker
—
Henry’s Swing Club
John Lee Hooker
—
John Lee Hooker
Alberta
John Lee Hooker
—
Better Cut That Out
Sonny Boy Williamson
—
Welfare Store Blues
Sonny Boy Williamson
—
My Black Name Blues
Sonny Boy Williamson
—
Check Up on My Baby Blues
Sonny Boy Williamson
—
Sonny Boy Williamson
Hoodoo Hoodoo
Sonny Boy Williamson
—
Shake the Boogie
Sonny Boy Williamson
—
Better Cut That Out
Sonny Boy Williamson
—
Good Gin Blues
Bukka White
—
Strange Place Blues
Bukka White
—
Down Hearted Blues
Bessie Smith
—
Got the Blues, Can’t Be Satisfied
Mississippi John Hurt
—
Fixin’ to Die Blues
Bukka White
—
Robert Johnson
Robert Johnson
Robert Johnson
When You Got a Good Friend
Robert Johnson
—
Dead Shrimp Blues
Robert Johnson
—
I’m a Steady Rollin’ Man
Robert Johnson
—
From Four Until Late
Robert Johnson
—
Robert Johnson
Come On in My Kitchen (take 2)
Robert Johnson
—
Bukka White
Candy Man Blues
Mississippi John Hurt
—
S.K. Blues, Part 1
Big Joe Turner
—
S.K. Blues, Part 2
Big Joe Turner
—
New York City
Lead Belly
—
Welfare Store Blues
Sonny Boy Williamson
—
Memphis Minnie
Memphis Minnie
S.K. Blues, Part 1
Big Joe Turner
—
Down Hearted Blues
Bessie Smith
—
Down Hearted Blues
Bessie Smith
—
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Nobody’s Dirty Business
Mississippi John Hurt
—
Ain’t No Tellin’
Mississippi John Hurt
—
Louis Collins
Mississippi John Hurt
—
Mississippi John Hurt
Candy Man Blues
Mississippi John Hurt
—
Got the Blues, Can’t Be Satisfied
Mississippi John Hurt
—
Blessed Be the Name
Mississippi John Hurt
—
Blue Harvest Blues
Mississippi John Hurt
—
Spike Driver Blues
Mississippi John Hurt
—
John Lee Hooker
John Lee Hooker
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Bukka White
Memphis Minnie
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
Robert Johnson
What other identifiers does this connect to?
Musical Works (ISWC)
T-011.333.430-7T-011333430-7T-070.242.059-4T-070234865-9T-070240476-9T-070242059-4T-070247648-9T-071.001.505-6T-071001505-6T-072.278.760-1
+31 more
T-072278760-1T-072279237-1T-072279522-3T-301.203.303-9T-301203303-9T-305776896-0T-700.001.016-4T-700.033.913-1T-700.061.921-8T-700001016-4T-700033913-1T-700061921-8T-700095948-0T-902.185.585-6T-902.777.581-1T-902185585-6T-902759260-5T-902777581-1T-902777585-5T-904175227-6T-914.986.189-2T-914986189-2T-919808779-5T-925377498-0T0104464756T3057653660T7000600217T9027709519T9027749899T9027775833T9250127254
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 4011222220240?
4011222220240 is a Universal Product Code (UPC) assigned to Diggin’ Deeper – 200 Legendary Blues Treasures by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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