Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies

UPC · Release

Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies

Gustav Mahler

4011222221452
26 tracksReleased 2004-01-01Quadromania

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4011222221452 is the Universal Product Code (UPC barcode) for the release Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies by Gustav Mahler, released 2004-01-01 on Quadromania. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.

Format

401GS1 prefix
1222Company prefix
22145Product
2Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (26)

Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante
Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet
Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet
Das Lied von der Erde: III. Von der Jugend. Behaglich heiter
Das Lied von der Erde: III. Von der Jugend. Behaglich heiter
Das Lied von der Erde: IV. Von der Schönheit. Commodo Dolcissimo
Das Lied von der Erde: IV. Von der Schönheit. Commodo Dolcissimo
Das Lied von der Erde: V. Der Trunkeneim Frühling. Allegro. Keck, aber nicht zu schnell
Das Lied von der Erde: V. Der Trunkeneim Frühling. Allegro. Keck, aber nicht zu schnell
Das Lied von der Erde: VI. Der Abschied. Schwer
Das Lied von der Erde: VI. Der Abschied. Schwer
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen
Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen
Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung
Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung
Symphony no. 2 in C minor “Resurrection”: IV. Sehr feierlich, aber schlicht. Choralmäßig
Symphony no. 2 in C minor “Resurrection”: IV. Sehr feierlich, aber schlicht. Choralmäßig
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend
Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Veni, creator spiritus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Veni, creator spiritus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Infirma nostri corporis
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Infirma nostri corporis
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Accende lumen sensibus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Accende lumen sensibus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Gloria Patri Domino
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Gloria Patri Domino
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Poco adagio. Più mosso
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Poco adagio. Più mosso
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Heilige Anachoreten (Chorus and Echo). Pater Ecstatucus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Heilige Anachoreten (Chorus and Echo). Pater Ecstatucus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Pater Profundus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Pater Profundus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Engel. Chor seliger Knaben. Die jüngeren Engel
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Engel. Chor seliger Knaben. Die jüngeren Engel
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Die vollendeteren Engel. Die jüngeren Engel. Die seligen Knaben. Doctor Marianus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Die vollendeteren Engel. Die jüngeren Engel. Die seligen Knaben. Doctor Marianus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Büßerinnen
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Büßerinnen
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Magna Peccatrix. Mulier Samaritana
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Magna Peccatrix. Mulier Samaritana
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Maria Aegyptiaca
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Maria Aegyptiaca
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Una Poenitentium. Selige Knaben. Una Poenitium
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Una Poenitentium. Selige Knaben. Una Poenitium
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Mater Gloriosa. Doctor Marianus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Mater Gloriosa. Doctor Marianus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticus
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticus

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People also ask

What is UPC 4011222221452?
UPC 4011222221452 is the Universal Product Code (barcode) for "Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies" by Gustav Mahler, released on Quadromania.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 4011222221452?
UPC 4011222221452 contains 26 tracks.
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What is UPC 4011222221452?

4011222221452 is a Universal Product Code (UPC) assigned to Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies by Gustav Mahler. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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