UPC · Release
Klassik für Kinder
Various Artists
Last verified:
4011222222077 is the Universal Product Code (UPC barcode) for the release “Klassik für Kinder” by Various Artists, released 2004-01-01 on Membran International GmbH. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kinderszenen, op. 15. Von fremden Ländern und Menschen | — | ||
| 2 | Kinderszenen, op. 15. Kuriose Geschichte | — | ||
| 3 | Kinderszenen, op. 15. Hasche‐Mann | — | ||
| 4 | Kinderszenen, op. 15. Bittendes Kind | — | ||
| 5 | Kinderszenen, op. 15. Glückes genug | — | ||
| 6 | Kinderszenen, op. 15. Wichtige Begebenheit | — | ||
| 7 | Kinderszenen, op. 15. Träumerei | — | ||
| 8 | Kinderszenen, op. 15. Am Kamin | — | ||
| 9 | Kinderszenen, op. 15. Ritter vom Steckenpferd | — | ||
| 10 | Kinderszenen, op. 15. Fast zu ernst | — | ||
| 11 | Kinderszenen, op. 15. Fürchtenmachen | — | ||
| 12 | Kinderszenen, op. 15. Kind im Einschlummern | — | ||
| 13 | Kinderszenen, op. 15. Der Dichter spricht | — | ||
| 14 | Children’s Corner: Doctor Gradus ad Parnassum | — | ||
| 15 | Children’s Corner: Jimbo’s Lullaby | — | ||
| 16 | Children’s Corner: Serenade for the Doll | — | ||
| 17 | Children’s Corner: The Snow is Dancing | — | ||
| 18 | Children’s Corner: The Little Shepherd | — | ||
| 19 | Children’s Corner: Golliwogg’s Cakewalk | — | ||
| 20 | For Children, Book I. No. 22 | — | ||
| 21 | For Children, Book I. No. 31 | — | ||
| 22 | For Children, Book I. No. 30 | — | ||
| 23 | For Children, Book I. No. 40 | — | ||
| 24 | Young Person’s Guide to the Orchestra, op. 34: Theme: Full Orchestra, Woodwind, Brass, Strings, Percussion | — | ||
| 25 | Young Person’s Guide to the Orchestra, op. 34: Variation A: Flutes & Piccolo | — | ||
| 26 | Young Person’s Guide to the Orchestra, op. 34: Variation B: Oboes | — | ||
| 27 | Young Person’s Guide to the Orchestra, op. 34: Variation C: Clarinets | — | ||
| 28 | Young Person’s Guide to the Orchestra, op. 34: Variation D: Bassoons | — | ||
| 29 | Young Person’s Guide to the Orchestra, op. 34: Variation E: Violins | — | ||
| 30 | Young Person’s Guide to the Orchestra, op. 34: Variation F: Violas | — | ||
| 31 | Young Person’s Guide to the Orchestra, op. 34: Variation G: Cellos | — | ||
| 32 | Young Person’s Guide to the Orchestra, op. 34: Variation H: Double Basses | — | ||
| 33 | Young Person’s Guide to the Orchestra, op. 34: Variation I: Harp | — | ||
| 34 | Young Person’s Guide to the Orchestra, op. 34: Variation J: Horns | — | ||
| 35 | Young Person’s Guide to the Orchestra, op. 34: Variation K: Trumpets | — | ||
| 36 | Young Person’s Guide to the Orchestra, op. 34: Variation L: Trombones & Bass Tuba | — | ||
| 37 | Young Person’s Guide to the Orchestra, op. 34: Variation M: Percussion | — | ||
| 38 | Young Person’s Guide to the Orchestra, op. 34: Fugue | — | ||
| 2-1 | The Nutcracker (suite from the ballet), op. 71a: I. Miniatur-Ouvertüre | — | ||
| 2-2 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Marsch | — | ||
| 2-3 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Tanz der Zuckerfee | — | ||
| 2-4 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Trepak (Russischer Tanz) | — | ||
| 2-5 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Arabischer Tanz | — | ||
| 2-6 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Chinesischer Tanz | — | ||
| 2-7 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Tanz der Rohrflöten | — | ||
| 2-8 | The Nutcracker (suite from the ballet), op. 71a: III: Blumenwalzer | — | ||
| 2-9 | The Sleeping Beauty, op. 66: Einführung | — | ||
| 2-10 | The Sleeping Beauty, op. 66: Prolog: Marsch | — | ||
| 2-11 | The Sleeping Beauty, op. 66: Prolog: Pas de six | — | ||
| 2-12 | The Sleeping Beauty, op. 66: Prolog: Variationen: Candide. Die Fee der Beredsamkeit. Die Fliederfee | — | ||
| 2-13 | The Sleeping Beauty, op. 66: Acte I: Walzer | — | ||
| 2-14 | The Sleeping Beauty, op. 66: Acte I: Tanz der Hofdamen und ihre Pagen | — | ||
| 2-15 | The Sleeping Beauty, op. 66: Acte I: Tanz der Prinzessin Aurora | — | ||
| 2-16 | The Sleeping Beauty, op. 66: Acte II: Tanz der Baronessen | — | ||
| 2-17 | The Sleeping Beauty, op. 66: Acte II: Prinzessin Aurora und der Märchenprinz | — | ||
| 2-18 | The Sleeping Beauty, op. 66: Acte II: Tanz (Mazurka) | — | ||
| 2-19 | The Sleeping Beauty, op. 66: Acte II: Panorama | — | ||
| 2-20 | The Sleeping Beauty, op. 66: Acte III: Tanz (Polonaise) | — | ||
| 2-21 | The Sleeping Beauty, op. 66: Acte III: Die Silberfee | — | ||
| 2-22 | The Sleeping Beauty, op. 66: Acte III: Der gestiefelte Kater und die weiße Katze | — | ||
| 2-23 | The Sleeping Beauty, op. 66: Acte III: Die Diamantfee: Pas de quatre | — | ||
| 2-24 | The Sleeping Beauty, op. 66: Acte III: Aschenputtel und der Prinz | — | ||
| 2-25 | The Sleeping Beauty, op. 66: Acte III: Der blaue Vogel und die verzauberte Prinzessin | — | ||
| 2-26 | The Sleeping Beauty, op. 66: Acte III: Rotkäppchen und der Wolf | — | ||
| 2-27 | The Sleeping Beauty, op. 66: Acte III: Walzer | — | ||
| 2-28 | The Sleeping Beauty, op. 66: Acte III: Tanz (Sarabande) | — | ||
| 2-29 | The Sleeping Beauty, op. 66: Acte III: Apothéose | — | ||
| 3-1 | Peter und der Wolf Op. 67: Einführung | — | ||
| 3-2 | Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren | — | ||
| 3-9 | Peter und der Wolf Op. 67: Das Märchen von Peter und der Wolf | — | ||
| 3-10 | Till Eulenspiegels lustige Streiche Op. 28 | — | ||
| 3-11 | Der Karneval der Tiere: Einführung und Königlicher Marsch des Löwen | — | ||
| 3-12 | Der Karneval der Tiere: Hennen und Hähne | — | ||
| 3-13 | Der Karneval der Tiere: Wildesel | — | ||
| 3-14 | Der Karneval der Tiere: Schildkröten | — | ||
| 3-15 | Der Karneval der Tiere: Der Elefant | — | ||
| 3-16 | Der Karneval der Tiere: Kängurus | — | ||
| 3-17 | Der Karneval der Tiere: Das Aquarium | — | ||
| 3-18 | Der Karneval der Tiere: Persönlichkeiten mit langen Ohren | — | ||
| 3-19 | Der Karneval der Tiere: Der Kuckuck im tiefen Wald | — | ||
| 3-20 | Der Karneval der Tiere: Das Vogelhaus | — | ||
| 3-21 | Der Karneval der Tiere: Die Pianisten | — | ||
| 3-22 | Der Karneval der Tiere: Die Fossilien | — | ||
| 3-23 | Der Karneval der Tiere: Der Schwan | — | ||
| 3-24 | Der Karneval der Tiere: Das Finale | — | ||
| 4-1 | Scheherazade. Symphonic Suite, op. 35: Das Meer und Sindbads Schiff | — | ||
| 4-2 | Scheherazade. Symphonic Suite, op. 35: Die Geschichte vom Prinzen Kalender | — | ||
| 4-3 | Scheherazade. Symphonic Suite, op. 35: Vom jungen Prinzen und der jungen Prinzessin | — | ||
| 4-4 | Scheherazade. Symphonic Suite, op. 35: Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt | — | ||
| 4-5 | Jeux d'enfants : Marche (Marsch) | — | ||
| 4-6 | Jeux d'enfants : Berceuse (Wiegenlied) | — | ||
| 4-7 | Jeux d'enfants : Impromptu | — | ||
| 4-8 | Jeux d'enfants : Duo | — | ||
| 4-9 | Jeux d'enfants : Galop (Galopp) | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Credits Graph
People also ask
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What is UPC 4011222222077?
4011222222077 is a Universal Product Code (UPC) assigned to Klassik für Kinder by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 94 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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