UPC · Release
Perlen der Kleinkunst
Hans Moser
Last verified:
4011222222312 is the Universal Product Code (UPC barcode) for the release “Perlen der Kleinkunst” by Hans Moser, released 2004-01-01 on Documents. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include DEF076408670, USA371015629, USA371015630.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (37)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I marschier mit mein Duli-Dulieh | Hans Moser, Die fidelen Grinzinger | T-001.001.577-6 | |
| 2 | I kann mein Schlüsselloch net finden | — | ||
| 3 | I komm aus Grinzing | — | ||
| 4 | Mein Feuerzeug | — | ||
| 5 | I treff mich heut Abend mit mein'n Affen | — | ||
| 6 | Das weinende Kind | — | ||
| 7 | In der Kellergass’n | Hans Moser, Faltl-Kemmeter-Schrammeln | — | |
| 8 | Ich trag im Herzen drin | Hans Moser, Wiener Schrammelorchester | T-001.003.794-1 | |
| 9 | Die genaue Zeit | — | ||
| 10 | Ja, das sind halt Wiener G'schichten | Hans Moser, Wiener Schrammelorchester | — | |
| 11 | I hab's Gefühl I hab z'viel | — | ||
| 12 | Wenn der Steffel wieder so wird wie er war | — | ||
| 13 | Wenn i a Weinderl beiss | — | ||
| 14 | Hallo Dienstmann | Hans Moser, Paul Hörbiger | — | |
| 15 | Der Bubikopf | — | ||
| 16 | Kleines Schwipserl | Hans Moser, Faltl-Kemmeter-Schrammeln | — | |
| 17 | Sperrstund’ is | Hans Moser, Wiener Solistenorchester | T-800.082.772-6 | |
| 18 | Wann i amol in' Himmel kumm | Hans Moser, Wiener Schrammelorchester | T-001.005.342-5 | |
| 19 | Mein Herz ist ein Bilderbuch vom alten Wien | — | ||
| 2-1 | Du lieber guter Wein | — | ||
| 2-2 | Der alte Schorschi | — | ||
| 2-3 | Im Traum war i heut in der Backhendlzeit | — | ||
| 2-4 | Die Reblaus | Hans Moser, Wiener Schrammelorchester | — | |
| 2-5 | Einmal in der Woch'n fall' um | Hans Moser, Wiener Schrammelorchester | T-009.154.747-5 | |
| 2-6 | Das liebe Hunderl (Comedy) | — | ||
| 2-7 | Geh' Vaterl kränk di net | — | ||
| 2-8 | Wann der Herrgott net will | Hans Moser, Wiener Schrammelorchester | T-800.661.422-9 | |
| 2-9 | Hobellied | — | ||
| 2-10 | Der Dienstmann | Hans Moser | — | |
| 2-11 | A bisserl Grinzing, a bisserl Sievering | Hans Moser, Wiener Schrammelorchester | — | |
| 2-12 | Der alte Herr Kanzleirat | Hans Moser, Wiener Schrammelorchester | — | |
| 2-13 | Der Heiratsvermittler (Comedy) | — | ||
| 2-14 | Der Weana braucht kan' Paß | Hans Moser, Wiener Schrammelorchester | T-001.000.509-0 | |
| 2-15 | Der Patient | — | ||
| 2-16 | Ich hab' einen Onkel in Grinzing | Hans Moser, Faltl-Kemmeter-Schrammeln | — | |
| 2-17 | Der Pepionkel und die Annatant' | Hans Moser, Wiener Schrammelorchester | — | |
| 2-18 | Ich hab mir für Grinzing einen Dienstmann engagiert | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Kleines Schwipserl | Hans Moser, Faltl-Kemmeter-Schrammeln | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 4011222222312?
4011222222312 is a Universal Product Code (UPC) assigned to Perlen der Kleinkunst by Hans Moser. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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